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Photographed by Cheryl Gorski

FashionLucire fall-winter 2004

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Carolina Herrera

I HAVE BEEN A FAN of Carolina Herrera for a very long time, and in my eyes, she can do no wrong. Having said that, I must admit to being slightly alarmed at the direction her fall 2004 collection took. She has been taking small, incremental steps to bring down the age of her typical customer over the years but this season, she picked up the pace by stepping very hard on the accelerator and zooming ahead faster than a Dodge Viper on steroids. It is a spectacularly beautiful collection but she went so young, so fast.
   It was only later on that I got it. She isn't getting any younger, and she is in the process of very publicly getting her house in order for the eventual handover of the company to her designated heirs. Naturally, she wants her business to survive her eventual departure; therefore she is doing everything she can to ensure it continued success.
   Mrs Herrera, as mentioned above, has also been fine-tuning the concept of just who is the atypical Carolina Herrera woman, and the best explanation to that question was the one she gave to Fashion Week Daily's Jim Shi in June of this year.
   ‘There's not just one Carolina Herrera woman,’ she said, ‘because I design for many women. I want her to look elegant, sophisticated, chic and actual. I want [my clothes] to look like they belong in the 21st century. I don't want them to look retro or old-fashioned or anything like that.’ Ah, the mystery has been solved.
   Mrs Herrera also has a definite sense of what distinguishes her brand from all others: ‘I think women should like real women. They should look feminine, [but not with] that sexiness. Seductiveness is a better word than sexiness … Women in my clothes fell natural; they feel well. … I don't believe in trends because I think too many trends destroy fashion. For me, individuality is part of being chic.’
   She was inspired by the European ski resorts of Gstaad and St Moritz, where the traditional elements of skiing is mixed with the new look of extreme luxury on and off the sloops. In this environment, fur is a must-have, layering is de risqué for both day and night, and the winter scarf completes the look, ‘adorning the neck or the waist.’
   For day, she showed multi-coloured cashmere jacquard sweaters and various fur jackets and mink sweaters paired with form-fitting wool ski pants. For those occasions where a ski pant is a little too informal, she sent out lovely suits, dresses and coats guaranteed to keep you current and warm at the same time. Stand-out pieces here include her wine cashmere turtleneck paired with an aubergine cashmere long skirt (and a aubergine silk twill-fur scarf), Karolina Kurkova in a beautiful chiffon ribbon printed (asymmetrical hem) dress with a velvet collar strap, Adina in a aubergine cashmere shell top (and scarf) paired with a ivory chiffon embroidered skirt and Frankie Rayder in a beige wool skirt suit topped with a ivory cashmere shell and scarf. Clearly, for day, it's all about the scarf and she showed enough of them to inspire a woman to buy one for every day of the week.
   For night, Mrs Herrera stayed the course, pairing her beautiful gowns and evening separates with silk twill ski vests. Special mention must be made of her gorgeous ivory cashmere beaded sweater (paired with a ivory silk twill long evening skirt), Her ivory tulle beaded halter top paired with a ivory crochet evening skirt (and the ubiquitous silk twill ski vest), and a chiffon ribbon print evening skirt paired with a aubergine silk twill–fur ski vest. It's not a certainty that anyone will put the two (a ski vest and an evening gown) together but she is merely making a new option available to you the customer.
   Mrs Herrera also sent out more "traditional" evening looks such as her black lace strapless gown and a black tulle strapless gown with tulle panels, but I much preferred her black-gold organza top (and black organza layered evening skirt), her ivory chiffon halter top (and navy-gold skirt with organza panels) and the coup de grâce, an ivory organza–gold lâmé shirt paired with a beige moiré wrap skirt—a look she herself wore to the CFDA Fashion Awards in June where she won the Women's Wear Designer of the Year Award, as voted upon by her peers. It was a richly deserved honour and our congratulations go out to Mrs Herrera for a job well done.

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In this environment, fur is a must-have, layering is de risqué for both day and night, and the winter scarf completes the look

 

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