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Lucire: Fashion
the circuit


Lucire 2011 The audience swarms Preparing to enter the next show at Rosemount Australian Fashion Week.

Sydney’s multiple inspirations

continued

 

Shakuhachi’s spring-summer collection was held at Sydney’s picturesque waterfront at the OPT. Block Party is one of the label’s most extensive collections. The show was energetic and free-spirited. The collection started off with quite simple-looking pieces, and as the show progressed, it became more detailed and exquisitely embellished.

Colour blocking, while bold by nature, felt less in-your-face, by mixing neons with nudes and dusty peaches. These neons were blocked with black, nude and white, which integrated the bolder colours, making the collection less dramatic and more wearable. Designs consisted of cut-outs, laces, midriffs, flowing maxi dresses, sheer maxi dresses, short dresses and shorts. The colour combinations and ’60s-inspired dresses would be a great addition to any young fashionistas wardrobe. The bright colours and the mixed hues of smokey greys fused together to a must-own palette.

Kooey’s spring–summer 2011–12 collection, Desert Dreaming and Sunset, was inspired by the land with particular focus on the Australian Central Desert in the Northern Territory. This show was by far the most joyous during the week. The models were energetic, with futuristic make-up, and not to mention the colourful wigs. Kooey ambassador, Chadwick model Emily Cattermole, started the show in a ravishing one-piece, featuring an earthy-toned dot-print. This collection saw Kooey take its first step into high fashion swimwear with brilliant styling, using chunky jewellery pieces that grabbed your attention, and over-the-knee boots by Betts. It encompassed high-waisted bikinis, tankinis, and skimpy triangle styles, in gorgeous burnt orange, burgundy, cobalt and black. The pieces are all very sexy, and wearable. The resort wear and cover-ups accommodate modish indigenous print kaftans, pants and Ts. Kooey swimwear designs would suit every body shape.

Talulah’s spring–summer 2011–12 collection, Woven Dream, has a flowing and modern silhouette. The spirit of the effortless ’70s bohemian vibe inspired this collection, accompanied by the romance of the prairie. The collection has unusual necklines and daring hemlines, almost challenging the European spring trend. There were pleated maxi skirts, crochet crop-tops and convoluted wrap skirts, every outfit portraying glamour and sophistication. The soft palette of washed chalks, corals, dull greys and olives made the collection feminine. •

Talulah

Shakuhachi


Kooey

 

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Sopheak Seng and Lola Saab make their picks on the best of New York Fashion Week’s autumn–winter 2011–12 collections
photographed by Dan Lecca, Getty Images, Stephen Ciuccoli, and courtesy Nicole Miller
Lucire 2011 | The Global Fashion Magazine

Inspiring location, inspiring fashion
Joanna Mroczkowska reports from the latest Fashion Philosophy Fashion Week in Poland, held in the city of Łódź
photographed by Moda Forte

 

 

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