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June 30, 2016

Letter from Venezia: a survival guide for summer ’16

Lucire staff/22.13




Paula Sweet

Above, from top: Venezia has legendary picture-perfect palaces all along the Grand Canal. Cruise ship departs, photographed from San Marco Square. Luna Hotel Bagioni’s Canova Restaurant.

Greetings from La Serenissima, where the sultry days of summer have descended as the lanes grow thick with eager visitors. It’s late June, and temperatures already read in the low 30s (high 80s for our US readers), humidity hovering around 65 per cent. By midday, as the sun burns through the Adriatic haze, gelato sellers enjoy a thriving business. Lucire has some insider tips to make your visit a happy one.
   1. Arrive mid-week to avoid the extreme crowds. The city has finally limited the number of cruise ships—at one time 15 a day were allowed—now held to three a day. The behemoth vessels arrive on Friday, depositing 15,000 extra day-trippers loosed into the ancient city on weekends. The city can be more navigable on Tuesday, Wednesday or Thursday.
   2. Expect higher prices. Venezia is old and delicate, and tourists a captive audience. There’s an old maxim for travellers, ‘Take half as many clothes as you think you need and twice as much money.’ This holds true for Venezia. As an example, a friend and her daughter sat down at one of the outdoor tables facing the Grand Canal, ordered two small pizzas and two bottles of water. Cost €50. Don’t be surprised!
   3. Wear a hat and keep hydrating. The heat is deceptive, so cover your head and don’t overdo it. If you want to help preserve Venezia, buy an Italian-made straw fedora from a street vendor in support of the local economy. It’s the most functional headgear for the weather and you won’t regret the stylistic flourish you take home. You may also find an afternoon siesta in your hotel room another strategy to beat the heat.
   4. Have a meal at an outdoor restaurant on via Giuseppe Garibaldi. Venezia’s best-kept-secret neighbourhood, where prices may be lower than Rialto or San Marco. A very typical quarter where you will see real Venetians going about their daily business. An easy 15-minute walk from San Marco, along the waterfront, just beyond Arsenale, facing the Lido and the open sea.
   5. Visit the Ghetto. 2016 commemorates the 500th anniversary of the founding of the historic district, located very near the train station. There on March 29, 1516, Jewish residents were granted exclusive sanctuary and permitted to live and do business. While no official celebrations are planned, the area has fascinating architecture, shops and exhibits.
   6. Explore fine dining at Venezia’s great hotels. During the summer, reservations at Venezia’s well known restaurants can be difficult to score. But many of the five-star hotels have great kitchens ready to show you the best of the lagoon’s catch, and new twists on classic preparations in their signature restaurants.
   There’s good news in this category from the Luna Hotel Baglioni, a favourite property located just off San Marco, which upholds an incomparable standard of hospitality and comfort. The hotel’s outstanding Canova Restaurant will soon have outdoor tables adjacent to the entrance, where lunch and dinner can be enjoyed on a quiet passage facing a little-known gondola landing. Fine cuisine, prime location and impeccable service are the hallmarks of this great restaurant.
   While we’re on the subject of the Luna, another new addition to the service package is the introduction this season of dedicated butler service, included with Junior or Senior Suite bookings. Maurizio, a career hospitality professional, brings the full complement of high-grade personalized service and acts as your primary contact to the Luna’s team and the outer world. His mission in life: to make any request come true.
   Hot tip: at the Luna, request Room 407, smaller in size, but with a balcony view of the Grand Canal and Doge’s Palace and a light-filled white marble bathroom. Highly recommended.—Stanley Moss, Travel Editor



Paula Sweet

Above: Butler Maurizio adds to the Luna’s premium package.

June 28, 2016

Keira Knightley to front Chanel Coco Crush campaign for autumn 2016, directed by Mario Testino

Lucire staff/1.48


Mario Testino

Keira Knightley is the new face of Chanel’s Coco Crush haute joaillerie campaign, directed by Mario Testino and scheduled to break in the northern autumn.
   In 2011, Knightley became the face of the Coco Mademoiselle perfume, and she also fronts the company’s Rouge Coco collection.
   Chanel describes its Coco Crush collection as ‘euphoric’ and ‘hedonistic’, featuring pieces that are ‘voluptuous, sensual and timeless’.
   Knightley’s upcoming film is Collateral Beauty, directed by David Frankel, where she co-stars alongside Will Smith and Kate Winslet.

June 22, 2016

Aston Martin reveals Vanquish Zagato, with production limited to 99

Lucire staff/22.25



As expected, the Aston Martin Vanquish Zagato concept that was shown at the Concorso d’Eleganza Villa d’Este at Lake Como has become a production reality, with the company saying that it will produce 99 examples at Gaydon, Warwickshire, with deliveries commencing during the first quarter of 2017.
   Aston Martin says the car is an example of its collaboration with Zagato, though its press information does not say whether the model, based on its Vanquish flagship, was styled by the Italian coachbuilder or done in-house, as it had been for the V12 Vantage Zagato in 2011.
   The company notes that the new car has ‘Aston Martin’s acclaimed dynamic and material qualities with Zagato’s signature design language.’
   At the launch of the concept last month, Zagato CEO Andrea Zagato noted, ‘We pride ourselves on our strong partnership and the creation of the Vanquish Zagato Concept was a true shared experience. It represents the essence of an important design relationship that dates back over fifty years,’ but there was no elaboration on where the design took place.
   The first collaboration began with the Aston Martin DB4 GT Zagato of 1960, and it was revived under Victor Gauntlett’s leadership of the company in the 1980s with the V8 Vantage Zagato. Neither car was considered attractive on launch, though both were perceived to be future classics—which they became. The DB4 GT Zagato is now valued at over £10 million and has few critics today.
   Subsequent collaborations were the 2002 DB7 Vantage Zagato, which used a lightly modified version of the donor car’s front end so it did not have to be retested for safety; and the 2011 V12 Vantage Zagato.
   The Vanquish Zagato has an engine uprated to 600 PS, with a claimed 0–60 mph time of 3·5 s. The company says the suspension set-up will be unique to the model. It features a unique carbonfibre body that has new round rear taillights, LED technology shared with the Aston martin Vulcan supercar, a sculpted rear end that has a profile similar to that of the DB11, with a downward contour and pronounced spoiler splitting the taillights. There is a pronounced side strake, reinterpreted so it now runs more deeply down the height of the front wing aft of the wheels, and, as expected, there is the famed Zagato double-bubble roof. The Vanquish Zagato is a liftback.
   Inside, the Vanquish Zagato uses herringbone carbonfibre, and shadow and anodized bronze leather, with the option of aniline leather. The seats and doors have a Z-pattern stitch, and the Zagato Z is embossed on headrests and stitched into the centre console.















Filed under: design, history, living, London, Lucire

Kate Moss and Rimmel celebrate 15 years with new lipstick and nail polish collection launched in London

Lucire staff/17.02




David M. Benett

Kate Moss and Rimmel London have released their latest collaboration celebrating the supermodel’s 15-year relationship with the beauty brand.
   The Kate Moss Rimmel 15th Anniversary Collection comprises Moss’s favourite nude and red lip and nail shades.
   Journalists, bloggers and other guests were invited to a London house where Moss modelled two outfits, initially a black Equipment shirt with red hearts, and a green jacket over a sheer black top.
   Guests were treated to manicures using Rimmel’s new Supergel nail polish shades by manicurist Adam Slee, before a lipstick master-class by make-up artist Kirstin Piggott.
   Stylist Zoë Bedeaux and Scott Wimsett hosted a session where Moss talked of her 15-year association and how her fashion outfits inspired the Collection. Guests then could inspect those outfits and discussed how they inspired the nude and red shades.
   In a release, Moss said, ‘I’m incredibly proud of my 15-year relationship with Rimmel. It’s a brand very close to my heart; my first ever lipstick was Rimmel Heather Shimmer. The partnership has strengthened and evolved over the years, with me taking an actively creative role. The new anniversary collection echoes some of my favourite London looks from the last decade and a half. I’ve focused on reds and nudes because they’re the colours I love to wear—each shade reflects a different side of me.’
   In the collection, the Lasting Finish Lipstick by Kate comes in six shades and can last eight hours, numbered 51 through 56; and the Super Gel Nail Polish by Kate gives a shine that lasts for 14 days, and comes in four shades (nos. 15, 42, 44 and 71).











































David M. Benett

June 20, 2016

News in brief: La Roche–Posay shows Anthelios and My UV Patch innovations; stand-outs from ISPA press event

Lucire staff/19.38



While summer may be just around the corner in the northern hemisphere and folks Down Under are heading toward cooler temperatures, French dermatologist-based skin care brand La Roche–Posay is spreading the word about the importance of year-round sun protection with their SOS, Save Our Skin, campaign. Atop a high-rise overlooking bustling downtown Los Angeles, media attendees enjoyed a breakfast seminar while discovering their most recent Anthelios sun care innovations and the new pioneering My UV Patch. Available in stores in June, the patch is the first stretchable skin sensor designed to monitor UV exposure. The Patch has photosensitive dyes that change colour when exposed to UV rays. Using a scanner-equipped cellphone and La Roche–Posay’s app, you can find out your personalized level of exposure and get advice on what to do to protect your skin this summer.
   La Roche–Posay’s Skinchecker 2·0 video (see below) takes full advantage of our culture’s love of viral animal videos to get an important message across.
   Just a few miles down the road at the ultra-posh Montage Beverly Hills, the International Spa Association hosted their annual press event showcasing spas and resorts that not only pamper the body, but nurture the spirit and promote holistic health and wellness. While indulging in selected mini-treatments, attendees learned about each brand’s latest offering and unique philosophy. Though too numerous too mention, we thought there were a few stand-outs.
   The raw grandeur of Crystal Lake is the setting of Reno’s Atlantis Resort Spa, which features a Brine Inhalation Light Therapy Lounge and a whole body healing Rasul Ceremonial Chamber.
   On the banks of a sacred river in Wisconsin, the Aspira Spa takes guests on a quest of mind and spirit. Their spa is a place of profound harmony with customized light and sound therapy and bathing experiences. You can even get a mani-pedi beside a crackling fire gazing under a starlit sky.
   Débuting a sleek new logo, updated colour scheme and an organic body care line, national chain Massage Envy shows that wellness can be affordable and accessible.—Jody Miller, LA Correspondent

June 18, 2016

Amanda Seyfried guest of honour at Clé de Peau Beauté’s Shanghai launches for autumn ’16

Lucire staff/13.16




Lintao Zhang

Actress Amanda Seyfried was guest of honour at Shiseido’s Clé de Peau Beauté event in Shanghai on Thursday, held at the Fairmont Peace Hotel, and at its skin care launch on Friday at the Mandarin Oriental Pudong Shanghai.
   Seyfried, who is Clé de Peau’s ambassador, appeared at the event for autumn–winter 2016, with the theme ‘Fearless Beauty’. The latest make-up collection has been conceived by Lucia Pieroni, make-up creative director of Clé de Peau Beauté, and was inspired by art-déco artist Tamara de Lempicka (right).
   The Shanghai event had a 1920s theme, connecting to the Fairmont Peace Hotel’s original era. As Cathay House, the property had opened in 1929, at a time when de Lempicka was active. Shiseido staff dressed in 1920s-themed costumes, and furnishings were similarly inspired, while art from de Lempicka was displayed, along with six original paintings by contemporary artist Ashley Longshore, who was also present at the event. Longshore had also designed the package for the holiday collection, also announced at the event. Chinese artist Yi Zhou MCed the gala dinner, during which Seyfried and Longshore spoke.
   The new range includes the new Liquid Rouge, with Seyfried promoting shade no. 18. She said, ‘Just like a dress that presents you at your best, this rouge is a wonderful item that makes you look dramatic and attractive. When I’m wearing it, I feel like I can be bolder and freer than I usually am. I also like the crystalline, brilliant texture.’
   She also said at the press conference, ‘I feel great affinity with women who live strong, bold lives, like Tamara de Lempicka. Even in the face of difficulty, it’s important to forge ahead powerfully without flinching, maintaining a sense of conviction. If society becomes such a place that women can play active roles while being even more radiant and true to themselves, I think we may be able to resolve the many difficult issues facing the world today.’
   On Friday, the Clé de Peau skin care line was announced at the Mandarin Oriental Pudong Shanghai, with Seyfried, Longmore, brand director Roxana Daver, and Kentaro Fujiwara, CEO of Shiseido China.
   The range will be marketed from this autumn in Japan, mainland China, Taiwan, South Korea, Malaysia, Thailand, Singapore, Vietnam, Indonesia, USA, Canada, and Russia.

































Lintao Zhang

June 17, 2016

Sponsored video: Chris Fonseca breaks barriers, with Smirnoff Ice Electric

Lucire staff/14.12



Via Chris Fonseca, on Instagram

We love ideas that challenge convention (otherwise this title wouldn’t exist), and Chris Fonseca’s work does just that.
   He’s a dancer, choreographer and dance instructor who happens to be profoundly deaf after suffering meningitis as a child. But that didn’t stop Fonseca from developing a love of dance, and it’s that love that the Smirnoff Ice Electric Flavors range taps into with its latest campaign.
   This hasn’t been created cynically for marketing Smirnoff—Fonseca has been teaching in South London, where both deaf and hearing people go to learn how to dance. He has, however, taken the idea across the Atlantic thanks to Smirnoff, and you can see his New York class for yourself on social media (check out Fonseca’s Instagram at instagram.com/cfofficial for more). Among those at one New York class were Jeremy Strong, a choreographer for Jason DeRulo, and C. J. Salvador, a dancer for Justin Bieber, notes Vibe, which attended in May.
   Fonseca’s absolutely right: there’s no reason a deaf person cannot be great at dancing, and he gets his students to count the beat through vibrations, especially the bass. He further incorporates the lyrics of the song into his dance. His aim is to break barriers, and to make sure that that deaf people can do whatever they wish. ‘[Being deaf] does not stop me from making everyday achievements,’ he told the BBC.
   â€˜I always say to those young people not feeling body-positive to keep going, like everyday barriers, challenges, keep going: you don’t know how close you are to making a breakthrough. Keep believing anything is possible. Your time is coming soon.
   â€˜My motto is: dreams don’t work unless you work. Dreaming, believing, and achieving.’
   A very telling image on his Instagram shows Fonseca leading his class and on the mirror are the words, ‘How do you know if you don’t try?’, a term that he has hashtagged as well. Smirnoff, meanwhile, has taken more polished shots for its Ice Electric campaign, promoting its non-carbonated, plastic-bottled line—their idea is that you can take your Smirnoff drinks on to the dance floor more readily than when it was bottled in glass.
   His teaching has reached the media, including a cover story for the British Deaf News, which he hashtagged as his proudest moment.


Post sponsored by Smirnoff

June 16, 2016

From supermodels to film: celebrating the work of Peter Lindbergh at Kunsthal Rotterdam

Lucire staff/13.41




Top: An image that kicked off the 1990s, with supermodels Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford in New York, appearing on the cover of British Vogue in January 1990. Copyright ©1990 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Centre: Wild at Heart, with Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder and Stephanie Seymour, Brooklyn, 1991, appearing in Vogue. Copyright ©1991 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Above: Kate Moss, Paris, 2015, wearing Giorgio Armani, spring–summer 2015. Copyright ©2015 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery).

An exhibition on Polish-born, French-based photographer Peter Lindbergh, entitled Peter Lindbergh: a Different Vision on Fashion Photography, opens at the Kunsthal Rotterdam on September 10 at 5.30 p.m., running through February 12, 2017. It marks the first Dutch exhibition of Lindbergh’s work.
   Some of the most iconic fashion images of the past generation have been shot by Lindbergh, whose work is regularly seen in various editions of Vogue, and in The New Yorker, Rolling Stone, Vanity Fair, Harper’s Bazaar, The Wall Street Journal Magazine, Visionaire, Interview and W. Exhibitions of his work have been held around the world beginning with the V&A in 1985. Lindbergh’s black-and-white 1990 Vogue photograph of Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford was one that helped cement the reputation of the supermodels, if not arguably kicking off the era itself. Lindbergh’s work gave a sense of reality about his subjects, with his humanist, documentary approach.
   Said Lindbergh in an Art Forum interview earlier this year, ‘A fashion photographer should contribute to defining the image of the contemporary woman or man in their time, to reflect a certain social or human reality. How surrealistic is today’s commercial agenda to retouch all signs of life and of experience, to retouch the very personal truth of the face itself?’
   The exhibition features over 220 photographs and includes exclusive and previously unseen material, including personal notes, Polaroids, storyboards, films and prints. It is divided into nine different sections, representing the different themes in Lindbergh’s creative development: Supermodels, Couturiers, Zeitgeist, Dance, the Darkroom, the Unknown, Silver Screen, Icons, and an exclusive Rotterdam Gallery. This final section contains Lindbergh’s work for the October 2015 issue of Vogue Nederland, with Lara Stone and Elise Hupkes at the Port of Rotterdam.
   Lindbergh’s critically acclaimed Models: the Film (1991) will be screened, along with interviews with Grace Coddington, Nicole Kidman, Mads Mikkelsen, Cindy Crawford and Nadja Auermann.
   Guest curator Thierry-Maxime Loriot points out that the exhibition is not chronological, but a narrative about the photographer.
   The Kunsthal Rotterdam noted, ‘Peter Lindbergh introduced a new realism into photography. His timeless images redefine the norms of beauty. Lindbergh’s visual idiom is influenced by the language of film and by playing with the type of the strong, self-willed woman, from the femme fatale to the heroine, but also the female dancer and the actress. His Å“uvre is characterized by portraits that radiate a certain lack of inhibition and physical grace.’
   The exhibition is accompanied by a hardcover monograph, Peter Lindbergh: a Different Vision on Fashion Photography, retailing for €59,99 (link at Amazon.de), US$69·99 (link at Amazon.com) or £44·99 (link at Amazon UK), curated by Loriot, designed by Paprika of Montréal, and published by Taschen. The introduction has been authored by Kunsthal director Emily Ansenk, while the book features an essay on Lindbergh’s work by Loriot with commentaries from, inter alia, Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford and Anna Wintour.

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