Model Hannelore Knuts, 32, has curated an exhibition, Fashion Testimony, to be shown at the Fashion Museum of Hasselt from March 27 to June 6, 2010.
   Knuts’s exhibition offers a glance at her 10-year career, which includes working the professional catwalk at Chanel, Gucci and other top European labels.
   Designers featured in the exhibition include Jean Paul Gaultier, Hermès, Christian Lacroix, Martin Margiela and Dries van Noten. Contributing photographers include Miles Aldridge, Steven Klein, Jean-Baptiste Mondino, Michael Thompson and Ellen von Unwerth.
   The aim of the exhibition is to lift the veil on the fashion world. It features some of her favourite images from her first fashion show to today. Some artists have provided works that Knuts felt connected with her.
   Those artists include Marc Claes, Patricia Ghijsens Ezcurdia, Ugo Rondinone, Filip Vandingenen and Anne-Mie van Kerckhoven.
   The Museum states that the exhibition is not a retrospective or a homage to Knuts, but a look in to her world.
   Knuts had been studying photography and, at age 21, turned to professional modelling.
   The Museum is located at Gasthuisstraat 11, 3500 Hasselt, Belgium (near de Groene Boulevard, next to the Holiday Inn and Molenpoortplein).

The venue is filled with only standing room. The lights are dim and a mystical tune fills the air. While the crowd glares at the stage, a slender silhouette appears in the background. As the light shines more brightly, the crowd is progressively enchanted by a sleek, dark-haired model with an unusual grin. Her movements are dramatic and flamboyant. Walking slowly toward the throng, she is vintage glam personified. Who is she? Her name is Monica Palatnikov.
   At first glance, Palatnikov is strikingly more reserved than most models with her résumé. She has loads of print ad, runway, film, and even theatre credits under her belt. This 23-year-old Russian beauty is more than just a pretty face. Born and currently living in San Francisco, she’s recently been showing up on advertisements and runways in the Bay Area.
   Wearing a simple graphic T and dark denim jeans, Palatnikov has the casual style that makes you think she’s too down-to-earth to be a model. But, as a new and fresh-faced local choice of many designers, she has a distinct and refreshing look about her. At a very young age, she knew modelling was her destiny when she played dress up, just as any little girl in her mother’s clothing. There was something about the way a garment made her feel when she slipped into it, allowing her to transform any mood into exuberant.
   Palatnikov shows a wide range of versatility in her modelling—from Lever 2000 soap and tequila commercials to Davidoff cigarette ads. So, she may very well be a household face already to some people.
   She’s received adoration for her almost theatrical expressions while on the runway, which has paid off from formal training at acting school. Although she enjoys having fun on stage and is passionate about modelling, Palatnikov’s equable temperament is fine-tuned by the people she surrounds herself with daily. ‘My family is very supportive as long as my career doesn’t consume me,’ she says.
   The clothing isn’t the only part that’s remembered in a fashion show, it’s also the model’s presence and energy exuded while on the runway. ‘I love how all eyes are on me while the audiences watch the clothing look even more stunning than just lying on a shelf in retail stores. It’s that personality of the model that really makes it,’ says Palatnikov.
   One thing is certain, this young lady has absolute staying power. Why do we love her? Maybe it’s because she mesmerizes you with her hazel eyes and innocent glow. It might also be the fact that she’s a professional ballroom-dancing, Japanese-speaking, health science major. Palatnikov is clearly well-rounded and has the essence of a seasoned supermodel. So, be sure to look out for her, whether it’s in a TV commercial, at the theatre or, better yet, on the runway.

Top Peter Trevalyan’s Mimetic Brotherhood. Above left The jazz entertainers at the post-launch function. Above right Sculptor Peter Trevelyan.

The Wellington Sculpture Trust unveiled Peter Trevelyan’s Mimetic Brotherhood outside Te Papa on Wednesday. A kinetic sculpture—which changes thanks to hydraulics—it replaces Green Islands by Regan Gentry, which had stood at the same location until last month.
   Trust chairman Neil Plimmer said of the rotating sculptures, ‘It would be for the Southern Hemisphere at least the counterpart of the famous sculpture rotation on the Fourth Plinth in Trafalgar Square, London—which currently features the New Zealand war hero Sir Keith Parks.’
   Trevalyan was the centre of attention at the function that followed the unveiling, attended by luminaries including Mayor Kerry Prendergast and Dr Claudia Orange.

Peter Ashworth/www.ashworth-photos.com

Above Milliner Stephen Jones in 2008 (image from the Victoria & Albert Museum).

The Queensland Art Gallery will present an exclusive-to-Australia exhibition, Hats: an Anthology by Stephen Jones, a collaboration between the Victoria & Albert Museum and milliner Stephen Jones, from March 27 to June 27, 2010.
   The exhibition features over 250 hats and headpieces. The Gallery notes there will be ‘a twelfth-century Egyptian fez, a wide-brimmed black silk tulle hat from Christian Dior’s first collection in 1948, Mary Quant’s c. 1968 navy blue béret, and Stephen Jones’s Wash and Go hat from spring 1993.
   ‘It also features hats worn by historical and cultural icons:­ Elsa Schiaparelli’s black felt beret worn by Marlene Dietrich in Witness for the Prosecution in 1957, Philip Treacy’s bridal headpiece created for Camilla Parker-Bowles’s marriage to the Prince of Wales in 2005, and Jones’s own creations such as Mick Jagger’s hat worn for the Rolling Stones’ A Bigger Bang World Tour and Kylie Minogue’s visor headdress on her Showgirl tour.’

Designer Lee McQueen, better known by his label’s name of Alexander McQueen, has been found dead at his home, a victim of suicide.
   McQueen, 40, had found it difficult to come to terms with his mother’s passing on February 2. Her funeral was scheduled to take place tomorrow.
   His Twitter postings reflected his sombre mood after his February 3 announcement of his mother’s death.
   He was found hanged at his flat in Mayfair around 10.20 a.m. GMT today (February 11).
   The Metropolitan Police has said in a statement that McQueen’s death is not being treated as suspicious.
   His body was taken away from the flat before 5 p.m. GMT.
   His company’s website posted the message, ‘On behalf of Lee McQueen’s family, Alexander McQueen today announces the tragic news that Lee McQueen, the founder and designer of the Alexander McQueen brand, has been found dead at his home.
   ‘At this stage it is inappropriate to comment on this tragic news beyond saying that we are devastated and are sharing a sense of shock and grief with Lee’s family.
   ‘Lee’s family has asked for privacy in order to come to terms with this terrible news and we hope the media will respect this.’
   One of McQueen’s earliest supporters, the magazine editor Isabella Blow, had taken her own life three years ago.
   The designer had come to most people’s attention after he succeeded John Galliano at Givenchy in 1996. He was later hired by the Gucci Group, joining the group in 2000. Gucci had bought a controlling stake in McQueen’s own label.
   McQueen had planned for a spectacular collection at Paris Fashion Week later this season.

Who can resist the possibility of time-travel into the intrigue and splendour of this legendary yearly celebration? Visions of masked, caped gentlemen and ladies drifting down mysterious, shadowy, lamp-lit and cobbled passageways of La Serenissima, in search of elegant salons and romantic assignations. Opulent late Renaissance costumes of incredible finery. Minuets and baroque melodies, counterposed with the traditional delicacies unique to the setting. For the truly impulsive, here’s a superior last-minute package deal which might just deliver such a magical and memorable feast for the senses. It’s a chance to get out of your iPhone and email, and head back to another era, into a world of decadence and splendour, set among the canals and palazzos.
   Next weekend experience the near-mythological, through a special promotion at the Luna Hotel Baglioni Venice. On Friday, February 12 you can be part of the ‘Ball of the Baglioni Counts’ and on Saturday the 13th attend the Great Carnival Ball, during a minimum two-night stay, which includes masked ball, buffet breakfast and an entry for two to the Casinò di Venezia overlooking the Canal Grande. The Marco Polo Salon, with its massive School of Tiepolo murals, has got to be the ideal setting for dinner and desserts, followed by a live performance of Puccini’s La bohème, sung by a troupe from La Fenice. Dance away the rest of the night to the sounds of a cool DJ. There’s even the possibility of modelling some vintage costumes, with cloak and mask. Or steal away to the casino and try your luck at cards or love.
   The Luna is perhaps my favourite hotel in Europe, ideally located just around the corner from Piazza San Marco. It boasts a classical and intimate atmosphere, superb canal view rooms and faultless service. It has the best concierge in the world, Antonio Massari. This special promotion has prices starting from €280 per night, an incredible offering, and one which could deliver some of those fantastical memories we cherish for a lifetime, the kind of thing we tell our grandchildren about. For more information, see www.baglionihotels.com.—Stanley Moss

Tickets have just gone on sale for Naomi Campbell’s Fashion for Relief fashion show, to take place during the fall 2010 collections at New York Fashion Week.
   Taking place on February 12 at 7 p.m., tickets cost between $100 and $150 and are available via Ticketmaster.com.
   The runway show will be hosted by Sarah Ferguson, Duchess of York, and will feature internationally recognized designers, celebrities and VIPs. All the donated garments will be auctioned online at Net-a-Porter starting February 15. The donation is tax deductible and 100 per cent of the event ticket sales will benefit CARE.

Left Jean-Luc Colonna d’Istria of Merci. Right Medinge director and MIP dean Pierre d’Huy translates for Dominique Benoît of Pictet et Cie. Below The Brands with a Conscience certificate, designed by UffindellWest.

The Medinge Group had a slightly smaller Brands with a Conscience ceremony today at the Management Institute of Paris, reflecting the international nature of the winners. Many were scattered around the globe and unable to attend the ceremony, though two of the European winners made it to the French capital to collect their awards in person: Jean-Luc Colonna d’Istria of Merci and Pictet et Cie.’s Dominique Benoît.
   Stanley Moss, CEO of the Medinge Group, noted that it was remarkable that in a year of financial crises, there were two winners from that sector that were doing good. Apart from Pictet, the Co-op Bank received a Brands with a Conscience award.
   The seventh annual awards’ programme also honoured Alibaba Group, Marks & Spencer (for its Plan A initiative), SAP and Selco Solar Pvt. Ltd. Muna Abu Sulayman won the Colin Morley Award and a letter from her was read out in absentia by Medinge member Simon Nicholls.
   Medinge founder Thomas Gad noted that the Awards had become so successful that they had spawned at least one imitator.

Adidas kicked off its Star Wars collaboration in Wellington, New Zealand on Friday with a themed party, compèred by DJ Shan.
   A selection of the new designs were shown, with a promise of more to come in following weeks. Both limited-edition as well as mass-market items were shown, and classic Adidas Originals track tops and sneakers have been modified to feature scenes and characters from the movies.
   Local Star Wars buffs got in to the mood with the Empire outnumbering the Jedis—though I noticed they did not take kindly to my intentionally misplaced quips of ‘Live long and prosper,’ and, ‘Party on, Darth.’
   Passers-by loved the vibe and asked to have their photographs taken outside the Adidas store.
   Adidas had one of the best spreads on offer from any do I can remember in Wellington, thanks to catering by Oriental Bay restaurant, Beach Babylon.—Jack Yan

Above Lady Gaga in a 2009 visual for her tour, The Monster Ball.

WGSN’s latest poll indicates that Lady Gaga, 23, is the biggest celebrity influence on fashion at the moment, somewhat validating Polaroid’s announcement of using the singer for its relaunch.
   She leads with a 55 per cent share of the poll, says WGSN.
   Supermodel Kate Moss comes second, with a distant 18 per cent.
   American First Lady Michelle Obama is third with 12 per cent, Vogue’s Anna Wintour is fourth with 9, followed by Audrey Tautou with 6.
   WGSN pop culture editor Alice Leeburn says in a release, ‘It’s no surprise that Lady Gaga came top, nor is the margin by which she led much of a shock. She is the single most influential celebrity for designers from the high-end to the high-street at the moment.
   ‘Her favourite designers are Alexander McQueen, Prada, Marc Jacobs, Dolce & Gabbana and Jean Paul Gaultier, and they have felt her influence just as much as they have influenced her style. She has also had an impact on graphics with high-profile ’80s-style punk graphics in monochrome black and white with flashes of fluoro, as well as driving the trend for mirror mosaics at present.’

[Cross-posted] This whole Jennifer Hawkins nude cover story has been another media-concocted non-story. But I will give it some kudos: it influenced Australian celebrity dialogue for a week, and it shows that Murdochs still have some sway over public opinion.
   We knew about it at Lucire, and thought: OK, a radio presenter doesn’t like the cover and got quoted in an Australian newspaper supplement. It’s a fair opinion, had it been for body image, and thought that was it. Let’s wait to hear from the other side.
   The story, however, ran and ran, in various media outlets in Australia, reporting only the one side.
   It was only on the 7th that a holidaying Jennifer Hawkins broke her silence and said that the photographs’ real purpose (remember, we were still to hear about this, despite the four days’ speculation being reported as fact) was about promoting a healthy lifestyle.
   It was never about being the poster girl for body image.
   It could have been nice to have done a bit of research over the photos’ purpose.
   Next thing, the sensationalism continued, with another Murdoch Press report over Hawkins being ‘dumped’ from the cover of Australian Woman’s Day.
   If the dumping is true and not another sensationalized story, it seems to show that Woman’s Day is not particularly good at standing their ground, and is easily swayed by what was a “nothing” story. But read on: there is no comment from Woman’s Day to say that Hawkins was actually dumped.
   I wouldn’t be surprised if, in fact, it was just a regular editorial decision than an actual “dumping”.
   Maybe Woman’s Day simply didn’t want to go out with another Jennifer Hawkins cover while Marie Claire Australia had its one.
   It reminds me of an earlier (2007) Australian media gaffe about Miranda Kerr, which was also run as fact in Murdoch Press newspapers, Channel 9 and other media outlets.
   The problem is that they got the location (New York, not Los Angeles), year (2005, not 2007) and fashion label (Heatherette, not Victoria’s Secret) wrong.
   Other than that, I believe they got their facts right.
   Only one Australian media outlet actually got that story right: Sassybella. The internet beat the supposedly superior infrastructure of old media.

Afingo (www.afingo.com) says its new website, newly launched this month, will connect fashion designers directly to their audiences in a social network.
   ‘For consumers, Afingo.com will give exclusive access to learn about the latest fashion trends directly from their favourite designers. Designers and retailers can share behind-the-scenes industry information with customers in exchange for immediate consumer reviews and opinions,’ says its release today.
   ‘The multi-functional fashion portal allows consumers to offer input directly to designers and retailers about their collections, provides designers with necessary information to give consumers exactly what they want, assists retailers by selling products directly to consumers and helps “in the biz” suppliers to develop a thriving business.’
   Consumers will be able to rate designs from their profile pages, while designers can post look books and give information on when new products become available to the public.
   The site will also connect retailers, providing store location information and contact with designers.
   Basic membership is free, with VIP access for consumers beginning at US$49 per annum. Designers and retailers can expect a fee of US$29·99 per month or US$299 per annum beginning in February.
   The site has been founded by Canadian-born Liza Deyrmenjian. Moe Somani serves as COO.

Jennifer Hawkins has broken her silence over her nude cover photo for Marie Claire Australia, which has caused a great deal of controversy this week.
   The former Miss Universe says the shoot was only done to raise money for an eating disorder charity, and to promote a healthy lifestyle.
   The furore has surrounded claims that the shoot, which appears to be untouched, was about proving that every woman has flaws.
   It was sparked on the 4th by Australian radio presenter Bianca Dye, who called Hawkins an improper role model for body image in a Murdoch Press newspaper supplement.
   Hawkins calls the misunderstanding in the media, which was fuelled in numerous Murdoch Press publications, embarrassing.
   She stresses that her relationship with Myer, the Australian department store chain, remains strong, although she admits she should have informed the company of the shoot.

Muna Abu Sulayman is today announced as the winner of the Medinge Group’s 2010 Colin Morley Award, given to an individual who has contributed to the betterment of society through sustainable, socially responsible and humanistic behaviour. The award is part of Medinge’s annual Brands with a Conscience list, now in its seventh year.
   ‘It is a great honour,’ a delighted Muna Abu Sulayman remarked, when informed of the award last night by Simon Nicholls, of the Medinge Group, who made the nomination.
   In giving this award, the Medinge Group recognizes Muna’s outstanding work in educational development, poverty alleviation and strategic philanthropy; as Executive Director of the Alwaleed Bin Talal Foundation, developing and implementing operations for humanitarian assistance across the globe; her role as the first woman in Saudi Arabia to be appointed by the United Nations Development Programme as a Goodwill Ambassador; and for exceptional reporting as co-host on popular MBC-TV social programme Kalam Nawaem, in particular her advocacy of rights for women. As a public and media personality, she speaks about issues relating to Arab society, media, building bridges of understanding between east and west.
   Since 1997, Ms Abu Sulayman has served as lecturer on American literature at King Saud University in Saudi Arabia. She frequently appears as a panellist at the Davos World Economic Forum, Jewish Economic Forum, C-100 of the World Economic Forum, Brookings Institute Conferences and other venues.
   Medinge, an international collective of brand practitioners, meets annually in August at a secluded location outside Stockholm, Sweden, and collaborate on the list, judging nominees on principles of humanity and ethics, rather than financial worth. The Brands with a Conscience list is shaped around criteria including evidence of the human implications of the brand and considering whether the brand takes risks in line with its beliefs. Evaluations are made based on reputation, self-representation, history, direct experience, contacts with individuals within the organizations, media and analysts and an assessment of the expressed values of sustainability.
   Three years ago the group added a unique category commendation, the Colin Morley Award, recognizing exceptional achievement by an individual or NGO. Mr Morley, a member of the Medinge Group, died in the London Underground bombings on July 7, 2005. The award commemorates his visionary work in humanistic branding.

When Lucire first broke news yesterday about Peter Jackson’s knighthood in the Queen’s New Year’s Honours’ List—and before anyone in the country did, I might add—I was particularly delighted.
   Peter Jackson deserves a knighthood not just because he makes marvellous films. Peter Jackson deserves a knighthood because he continues to believe in New Zealand even after certain bodies and their bureaucrats gave him grief.
   Before he was a big name internationally, there was reported tension between Jackson and the New Zealand Film Commission in the 1990s.
   Because Jackson believed in this country so much, he got over it. A lesser man would have thought, ‘If the establishment won’t accept me, I’ll leave.’
   Many of the big Kiwi names in movies are based in California, because when they left there was no centre for movie production in New Zealand. And they wanted somewhere that could understand their vision for making movies.
   Instead, Jackson fought to make his Lord of the Rings trilogy in New Zealand—setting up a world-class hub for film in Wellington.
   While some politicians would like to give credit to the Tourism New Zealand 100 Per Cent Pure campaign for lifting the national image, I’ve always argued it was the effort of one man—Jackson—for bringing the country to the world stage.
   Destination branding can be ignored, passed over as just another tourism ad in a travel magazine. Peter Jackson alone gave it that hook, and if any one man can take credit for the first decade’s economic boosts, it is him.
   Through Jackson not only did the films become nice earners for New Zealand, the tourist industry boomed because of the trilogy. And the Film Commission came right in the end.
   And in many respects, Peter Jackson kicked the tall poppy syndrome idea out of the country’s psyche where it could only be entertained by a few foreign companies who use it to keep Kiwis down. Peter Jackson changed our culture.
   This knighthood is long overdue, but I applaud this honour for Jackson. He is a patriot, a word that should not have politically incorrect shades. His level of pride is just what New Zealand needs. Sir Peter Jackson is an inspirational figure and one hopes many others will have faith in their own beliefs, in the way that he does.