World of Wearable Art Awards
Top Kate MacKenzie’s winning Poly Nation, which took top honours at the 26th World of Wearable Art Awards; Show tonight in Wellington. Above Runner-up Gothic Habit, by San Francisco designer Lynne Christiansen.
Hawkes Bay designer Kate MacKenzie is the winner of the 2014 Brancott Estate Supreme WOW award, at the 26th World of Wearable Art Awards’ Show held in Wellington tonight.
MacKenzie‚Äôs Poly Nation is an inventive design, telling the story of travel and made from leather and cardboard suitcases. The inspiration centred on the idea of ‚ÄėIf suitcases could talk, they would carry stories of travel, culture and integration.‚Äô It tells the story of people drawn to New Zealand with new ideas and beliefs.
The design has netted MacKenzie NZ$30,000 in prizes.
She also took out the Air New Zealand South Pacific section.
MacKenzie had come third, along with Deidre Morgan, last year in the American Express Open section.
Lynne Christiansen of San Francisco, Calif. took second place. She has entered seven times, and has won awards before, including the 2013 International Americas Award. Christiansen‚Äôs Gothic Habit was made from laser-etched felt and wood, constructed from 2,300 individually cut pieces to form a gothic cathedral. Christiansen also won the Open Section.
In the individual categories, My Gradational Body by Zhujun Zhu of China won the Avant-Garde section; Fenced off by Luiz Fernando Sereno Penna of New Zealand won the children‚Äôs section.
The Spark Creative Excellence section, with the Airborne theme this year, was won by Annkathrin Selthofer of Germany with her Waving Gorge design. Sebastian Denize of New Zealand won the Bizarre Bra section with Re-Decked, while Mark Dobson, also of New Zaland, won the Weta Costume and Film section (judged by Weta‚Äôs Sir Richard Taylor) with Sakana No Senshi.
Emily Valentine Bullock of New Zealand took home the WOW Factor Award with her Sulphur Crested Frockatoo; the Shell Sustainability Award was won by Laura van Staveren of the Netherlands with Appearance. Shell also sponsored the Student Innovation Award, which was won by Tess Tavener Hanks of Australia with Baroque Living Room.
The first-time entrant award was scooped by Ali Khan and Frida Khan of Qatar with Bling Warrior. Pop Cultural by Nicki van Asch of New Zealand won the New Zealand Design Award.
The four Wellington International Awards, one being awarded to each geographic region, were won by Back to the Future: Chrome Queen, by Joanna Peacock of the UK, for Europe; Girl in Ribbons, by Julian Hartzog of the USA for the Americas; Odette by Lulan Huang of China for Asia; and Fenghuang (phoenix) by Svenja XX of Australia for Australia and the South Pacific.
Wellington designers (Ross Hardie, Rachel Hardie, Hannah Goldblatt, Dylan Mulder, Kris Eriksen, Ian Loveridge, Liz Ritchie, Paula Rowan, Rénée Louie and Emily Valentine Bullock) netted the lion‚Äôs share of prizes this year, taking three section awards, four honourable mentions and one special award.
Founder Dame Suzie Moncrieff, designer Vicky Taylor, and sculptor Jeff Thomson judged.
Lucire fashion editor Sopheak Seng will have further thoughts from the designers as he files his report from awards‚Äô night at WOW.
World of Wearable Art Awards
Above, from top My Gradational Body, by Zhujun Zhu. Fenced off, by Luiz Fernando Sereno. Waving Gorge, by Annkathrin Selthofer. Re-Decked, by Sebastian Denize. Sakana No Senshi, by Mark Dobson. Sulphur Crested Frockatoo, by Emily Valentine Bullock. Baroque Living Room, by Tess Tavener Hanks. Bling Warrior, by Ali Khan and Frida Khan. Pop Cultural, by Nicki van Asch. Back to the Future: Chrome Queen, by Joanna Peacock. Girl in Ribbons, by Julian Hartzog. Odette, by Lulan Huang. Fenghuang, by Svenja XX.