Above: Stanley Moss heads to Punta Ala in one of his best travel pieces to date. Click here to read it.
Welcome to Lucireâ€™s 20th anniversary year.
Remember that if you donâ€™t see a news update (which will come with an RSS update), you can go to the main part of the website and check out our features.
In the last couple of weeks, weâ€™ve had Lola Cristallâ€™s 2017 living guide; an archive interview with Thor director Taika Waititi; one of Stanley Mossâ€™s best travel pieces to date, on five Italian centres, and another on Flemings in London; Elyse Glickman heading to Seoul, and Jack Yan testing the Mazda 3, or Mazda Axela. Weâ€™ve also looked at a natural skin care range, Kokulu, and made our picks from the springâ€“summer 2017 shows from New York Fashion Week.
And, of course, thereâ€™s our print edition: issue 36 features stories on Delikate Rayne and authorâ€“filmmaker Leslie Zemeckis, and itâ€™s a particularly strong issue on female power. Never mind the outcome of a certain countryâ€™s election: as Bhavana Bhim writes in the opening feature in issue 36, women have been increasing their power throughout the ages.
Expect to see more of our Golden Globesâ€™ suites coverage with Elyse Glickman this weekend in the news section, and more fashion, beauty, travel and living features through January.
Filed under: beauty, celebrity, culture, fashion, film, living, London, Lucire, Milano, New York, New Zealand, publishing, tendances, travel, trend, Volante
Emporio Armani has entered the smartwatch sector with its Connected Hybrid range, mixing the design flair of the traditional watches with the latest technology.
The watches sync with smartphones via Bluetooth, and have features such as automatic time zone updating, notifications, activity tracking, extended use without charging, easy access to music playlists, sleep-pattern monitoring, alarms, camera, and a lost-phone locator. The watches are available in pink, black, gunmetal and silver, with stainless steel or leather straps.
Founder Giorgio Armani said, ‘Today, technology influences our daily lives profoundly. There’s an app for everything, and I find that, in many cases, they are inventions that actually improve our lives. I am delighted to introduce the hybrid connected watch that places the Emporio Armani brand at the forefront of innovation in the connected accessories’ market. This line of watches combine sleek design, advanced technology, immediacy and ease of use.’
The watches are now available on www.emporioarmaniconnected.com and from selected stores and resellers worldwide.
Meanwhile, Topshop will open its second New Zealand store in Wellington, at 256 Lambton Quay, on November 3, followed by a weekend-long celebration of giveaways and activities.
The location will have both Topshop and Topman brands. In-store weekend events include DJ performances, photo walls, food, and beauty touch-ups.
Topshop first opened in New Zealand in Auckland two years ago.
Above: Topshop and Topman make it to Wellington, New Zealand.
How do you top a series of Campari calendars starring Jessica Alba, Olga Kurylenko, Milla Jovovich, Eva Green or Kate Hudson? For 2017, Campari has instead created a series of online films, the first starring Clive Owen, with a new vignette released each month.
For Campari, itâ€™s about getting eyeballs, and if online media are more effective, then the evolution of the calendar makes sense. The 2017 Campari Red Diaries celebrate the brand with cocktails each month, captured in short films that tell the stories of how bartenders get their inspirations. The stories will feature on Campariâ€™s YouTube channel.
The first instalment with Owen, whose presence in promotional films has always given them an A-list appeal (BMW being one of the most famous entries, in 2001 and 2002, and recently revived for 2017), is entitled Killer in Red, and was written and directed by BAFTA-, Golden Globe- and European Film Award-winning director Paolo Sorrentino. Behind-the-scenes photos, released by Campari today, were taken during filming in September. Subsequent parts, telling the stories of 14 bartenders around the world, are being directed by emerging Italian director, Ivan Olita.
Killer in Red will also be unique in receiving a world premiÃ¨re in Roma on January 24.
In a release, Sorrentino said, â€˜Campari is an Italian icon which has garnered global love and attention due to its strong, intrinsic sense of aesthetic and well-defined styleâ€”the very same qualities I pride myself on. With this yearâ€™s campaign embracing the realm of film, I really wanted to ensure I harnessed the theme of storytelling with an intriguing intensity. Working with Clive was fantasticâ€”his compelling presence and enthusiasm allowed me to create a short film which I hope proves fresh, inspiring and imaginative.â€™
Owen added, â€˜I was honoured to be chosen to shoot Killer in Red as part of the 2017 Campari Red Diaries campaign, particularly since this year represents the brandâ€™s first foray into the world of cinematography and film. Working with Paolo was a real pleasure.â€™
Bob Kunze-Concewitz, CEO of Gruppo Campari, said, â€˜The direction taken with this yearâ€™s campaign is uniqueâ€”we have used film for the first time in the brandâ€™s history, to guide fans on an imaginative journey, while also celebrating the flavour complexity and versatility of Campari that too inspires such imaginative recipe creation. The ever-charismatic Clive was the perfect subject to depict Paoloâ€™s intense narrative and weâ€™re very much looking forward to unveiling the full campaign come January.â€™
The campaign will be hashtagged both #Campari and #RedDiaries.
Until September 30, the HÃ´tel de Paris in Monaco has the ideal suite for lovers of the Maserati marque: suite 321 to 322 has become a space which pays tribute to the fabled Italian brand.
Maserati’s racing heritage and its status today as a maker of luxury cars are a perfect subject for some of the top interior designers, creating a pop-up suite in honour of the marque.
On May 19, 1957, Juan Manuel Fangio won the Monaco Grand Prix in a Maserati, forging a link between the brand and the principality.
The pop-up suite is the work of Ludovica and Roberto Palomba of L+R Palomba, featuring touches such as an Ermenegildo Zegna fabric headboard, and grain leather armchairs that recall the interior of Maserati’s latest saloons. The suite has a view of the Casino de Monte-Carlo.
The Monte-Carlo SociÃ©tÃ© des Bains de Mer currently offers a package that includes the suite, and transfers to and from Nice airport, the use of a Maserati Gran Cabrio during their stay (conditions apply), breakfast, a cocktail buffet of Modena-style dishes with Laurent Perrier CuvÃ©e RosÃ© champagne, and, for those staying three nights or more, a free cryotherapy session at the Thermes Marins Monte-Carlo. Rates begin at â‚¬3,500 for two adults, based on a package rate for three nights. Reservations can be booked on 377 98-06-41-58; email firstname.lastname@example.org.
We might as well enjoy it while it lasts, because this is the last Lancia.
With the demise of the Deltaâ€”one of our favouritesâ€”in 2014, there’s a single model line left for the fabled Italian brand: the Ypsilon. After that, Lancias will be no more, the 110-year-old brand being consigned to history as Fiat kills it off.
The Ypsilon is effectively the successor to the old Autobianchi superminis such as the A112 and Y10, a marque which had also disappeared, after once being the brand where Fiat tried out new concepts such as hatchbacks and front-wheel drive.
Not even a brand that has had cars such as the Aurelia, Fulvia and Gamma coupÃ©s, Stratos and Beta Montecarlo can survive a lack of attention, and the Mya is one of the last editions of Ypsilon that will wear the Lancia badge.
Fiat’s now busy, of course, with profitable Jeeps and the renaissance of Alfa Romeo, although it still pumped some money into an event in Milano for the Lancia Ypsilon Mya at the Spazio ArÃ´me.
This special edition sees Polish actress Kasia Smutniak (known to Anglophone audiences for the actioner From Paris with Love) as its spokeswoman, succeeding other Lancia faces such as Carla Bruni.
The launch used video mapping imaging techniques behind Smutniak, projecting graphics on to real surfaces. Lancia says it sees the Ypsilon Mya as a ‘second home’, with Antonella Bruno, head of Lancia for EMEA even interviewing Debora Conti, a life coach, on the relationship between space and emotion, and Fire Cars’ Annacarla Giusti confirming that the car has style and elegance.
Admittedly, the tipo 846 Ypsilon, which has been around since 2011, has aged remarkably well, and the shape still has a certain elegance to it. The interior features Alcantara and a denim-look fabric. The exterior sees the addition of two shadesâ€”though they are both grey. Ardesia Grey is standard, and a three-layer Lunare Grey comes as an option. Neve White, Vulcano Black and Blu di Blu are also available from the regular Ypsilon line, which sees a palette of 12 colours.
To give it a subtle lift, there is a satin finish on the front bumper, the lower grille inserts, door mirrors, door handles, the Ypsilon badge on the tailgate, and the Mya logo on the wheel arches.
The Ypsilon features at the Spazio ArÃ´me this weekend, and that of April 23â€“4.â€”Jack Yan, Publisher
Aston Martin’s riding a high: from showing off its next-generation car, the DB11, which puts the company back into a competitive position for grand tourers, to releasing the new AM37 powerboat with Quintessence Yachts during Salone del Mobile, the Milanese design week.
Salone del Mobile will see over 400,000 guests across Milano, and the AM37 will be showcased at the Larusmiani Concept Boutique on via Monte Napoleone from April 12 to 18. On April 13, Quintessence Yachts will hold the worldwide preview of the powerboat.
â€˜The AM37 is the result of years of research and development, challenging the status quo of the nautical world. Fusing the maritime and automotive worlds with the universal characteristics of style and elegance, the core of the AM37 offers the perfect balance of design and engineering, performance and comfort, luxury and functionality,’ said Aston Martin Lagonda in a release.
The powerboat essentially takes Aston Martin’s design hallmarks and translates them into a cutting-edge nautical form, and is part of the company’s licensing programme, the Art of Living portfolio.
The company had realized it had built up extensive brand equity, and has a list of licensees or strategic partners.
Marek Reichman, Aston Martin’s chief creative officer, said, ‘It is true that a beautiful, simple shape is critical to a productâ€™s success but it must also have drama, which is provided by surface language, proportions, and through the choice of exciting materials. The most important attribute for Aston Martin is the language of design and we have transferred this language into AM37. The new powerboat represents the ideal combination of luxurious and technical materials, generating a powerful yet understated finished product.’
Quintessence Yachts’ CEO, Mariella Mengozzi, said, ‘At Quintessence Yachts we translate design in functionality and technology to enhance the customer experience. Weâ€™re proud to present elements of the AM37 at Milan Design Week, a boat that represents an entirely new concept for the yachting world.’
The 31st edition of Gala Italia certainly proved to be a lavish, elegant and classy event at the Pierre Hotel in New York City. The Italian Wine & Food Instituteâ€™s (IWFI) event combines delectable wines with good food amongst enjoyable company. Chef Ashfer Biju and pastry chef Michael Mignano served enticing dishes with appetizing, high-end ingredients, paired with a selection of nine different wines ranging from sparkling to deliciously sweet, each intended to revive the senses. The variety of wines were: 2006 Ferrari, Riserva Lunelli, Trento DOC; 2014 Planeta, Chardonnay, Sicilia IGT; 2013 Tenuta Santa Caterina, Silente delle Marne, Monferrato Bianco DOC; 2011 Marchesi Antinori, Villa Antinori Chianti Classico DOCG Riserva; 2008 Tenute Lunelli, Carapace, Montefalco Sagrantino DOCG; 2008 CondÃ¨, Sangiovese di Romagna DOC Riserva; 2007 Mezzacorona, NOS Teroldego Rotaliano DOC Riserva; 2012 Bertani, Villa Arvedi, Amarone della Valpolicella Valpantena DOCG; and 2011 Sorrentino, Fior di Ginestre, Passito IGT Pompeiano. They provided various tastes for different palates with immensely flavoured textures to accompany the five-course menu, including a cheese platter.
Ferrariâ€™s Riserva Lunelli, made using a traditional method called metedo classico evoked succulent flavours in one sip. A bouquet of savoury aromas erupted while sipping on delectable Tenute Lunelliâ€™s Carapace, appropriately accompanying a tasty citrus semolina olive oil cake.
Roma-based Eredi PisanÃ²â€™s menswear fashion collection featured a number of pieces as the company toured the Grand Ballroom to introduce guests to sophisticated ensembles. As the intimate crowd continued to indulge in a delectable meal in the midst of this exquisite ambiance, a select few, who had contributed to the victory of Italian wine in the US, were recognized for their work and honoured with an award by the IWFIâ€™s president, Lucio Caputo. Vittorio Assaf and Fabio Granato (the Serafina Restaurant Group), Sirio Maccioni (Le Cirque), Mary Ewing-Mulligan, MW (the president of the International Wine Center), Florence Fabricant (a New York Times food writer), John F. Mariani (a food and wine editor and author) and Adam Stru (founder and chairman of wine enthusiast companies), were recognized for their contributions to the wine industry.â€”Lola Cristall, Paris Editor
The Royal New Zealand Ballet kicks off 2016 with Speed of Light, a mixed bill of three works, to feature at the New Zealand Festival and the Auckland Arts’ Festival, before touring the South Island. It marks the first programme put together by Francesco Ventriglia since he joined the company in 2014.
The first work is William Forsythe’s In the Middle, Somewhat Elevated, originally commissioned by Rudolf Nureyev for the Paris OpÃ©ra Ballet in 1987. It will be the RNZB’s first time dancing this ballet, and the second time it has been performed in New Zealand. Ventriglia himself was once selected by Forsythe to dance one of the lead roles at La Scala in Milano. The music of J. S. Bach accompanies this ballet; Julien Tarride created the composition and sound design.
The second work is Andonis Foniadakisâ€™ Selon dÃ©sir, which the RNZB performed when on tour in the UK and Italy in 2015. New Zealand audiences will see the company give this Selon dÃ©sir its New Zealand premiÃ¨re this work during the New Zealand Festival. Music is by Thom Willems in collaboration with Les Stuck, staging by Thierry Guiderdoni, and technical supervision by Tanja RÃ¼hl.
Finally, Alexander Ekmanâ€™s Cacti, makes up the third work, with the New Zealand String Quartet joining the RNZB. A parody of contemporary dance’s excesses, Ekman created this work for 16 dancers in 2010. It has been nominated for a Swan Award in Holland for best new dance production, the Critics’ Circle Award and an Olivier Award. Lighting and co-set design are by Tom Visser, music is by Joseph Haydn, Ludwig van Beethoven, Franz Schubert, and staging by Ana Lucaciu.
Dates for Speed of Light are: Wellington, February 26 to 28 inclusive; Auckland, March 2â€“6; Christchurch, March 10â€“12; Dunedin, March 16. For booking information, visit www.rnzb.org.nz.
The world premiÃ¨re of the Ryman Healthcare Season of The Wizard of Oz is May 4 in Wellington, choreographed by Francesco Ventriglia, with music by Francis Poulenc, and design by Gianluca Falaschi.