Could you be the next Marc Jacobs Beauty social media sensation? Marc Jacobs utilizes its famous hashtag #castmemarc once again open to the world, and this time it’s all about beauty.
Marc Jacobs is a fun, vibrant and youthful brand, encouraging young people to push the boundaries in fashion and beauty. This is what the campaign is all about: to see how their global participants create their own style and become inspired, by anything.
Applicants over the age of 18 simply need to post a video on Instagram telling Marc what inspires them in beauty and fashion, and why Marc himself should pick them. Don’t forget to add #castmemarc on your videos to be considered. Entries are open until Friday, December 16, 2016 (11.59 p.m. PST).
In January 2017, 10 finalists will be flown to NYC to record a make-up application video for Marc and his judging panel, where Marc himself will then select three final artists to be apart of the spring 2017 #beautymarc video series. In addition to this, the chosen winners will each receive a year’s supply of Marc Jacobs Beauty products, invitations to all Marc Jacobs influencer events throughout 2017, and a MJ wardrobe and accessories’ allowance.
Get hash-tagging #castmemarc!â€”Cecilia Xu
Above, from top:Meistens Mozart. An excerpt from Political Mother. Pas de deux from The Sleeping Beauty.
The New Zealand School of Danceâ€™s Graduation Season once again brings an expertly executed programme, mixing genres from classical to modern to experimental. Among the programme tonight were three premières: Helgi Tomassonâ€™s Meistens Mozart was performed for the first time in New Zealand, while Amber Hainesâ€™s Incant and Jiři Bubeničekâ€™s Dance Gallantries received their world premières on opening night of the season at Te Whaea. Meistens Mozart started the evening and showed that, with the right arrangement and choreography, the German language could be made cheerful. Songs by Wolfgang Amadeus Mozart, Carl Ditters von Dittersdorf, Bernhard Flies and Jakob Haibel, sung by the Tölzer Boysâ€™ Choir, accompanied the six dancers, the standout of whom was George Liang. Liang had previously been at Canadaâ€™s National Ballet School, and we had seen him perform last month at the Republic of Chinaâ€™s National Day celebration. There were no opening-night jitters from any of the six, who instantly transported us to an alpine society, celebrating springtime love, courtship and playfulness.
The all-male He Taongaâ€”a Gift was an energetic and intense performance where drumbeats from Whirimako Blackâ€™s â€˜Torete te Kioreâ€™ soundtrack sparked sudden moves, a demonstration of control and strength from the 14 dancers. Choreographed by Taiaroa Royal and Taane Mete, He Taonga was created for the School in 2009 and reprised tonight.
Opening the second section, Laura Crawford and Yuri Marques were like delicate dolls in their pas de deux from The Sleeping Beauty, Act III, with the choreography after Marius Petipa. Marilyn Rowe, OBE staged and coached, while Qi Huan was répétiteur. This was a tough ballet piece to get right and the pair got stronger as they performed, gaining confidence and drawing us into their romance.
Taking a complete tangent into modern dance was the solo performance of Glitch, a new work from NZSD tutor Victoria Columbus, whose talents we most recently saw at the World of Wearable Art, where she serves as director of choreography. The movements themselves were created by graduate Connor Masseurs, who performed the dance, playing the part of a “glitching” robotic man short-circuiting on stage with skilful, shuddering movements. Masseurs completely absorbed us with his solo: it wasnâ€™t just his limbs that Masseurs controlled, he extended the idea to facial movements, inventively finding new ways to glitch. Masseurs first performed the dance at the Grand Théâtre at the Maison de la Culture de Tahiti as part of a gala at the Académie de Danse Annie Fayn. Incant was mysterious, brooding, and ethereal: this all-female work saw dancers come together to generate new shapes, conveying to us notions of clouds, trees in a forest, or tunnels, at times passing a lit sphere between them. Hainesâ€™s choreography was meant to question traditional notions of beauty and got us successfully focusing on the collective moves of the dancers. â€˜This world,â€™ she notes in the programme, â€˜invokes a mesmerizing state of collective consciousness and celebrates the power and luminous beauty of shared intention.â€™ A captivating work, it ended the second set of dances. Dance Gallantries was another more traditional work, with 10 dancers telling more playful stories of romance, complemented by Otto Bubeničekâ€™s colourful costume design and solo violin music by J. S. Bach.
A group of 12 performed an extract from Political Mother, the eveningâ€™s one political work with jarring music and clever choreography by Hofesh Shechter. A couple merrily folk-dances in a town square, happy to be part of their society, but are they genuinely happy or manipulated by the state? Their expressions seem to suggest the latter, fooled into believing that all is well and happy in their naïveté. The action moves on to a prison, where the music is muffled and dancers ape being restrained by either arms or ankles. The final scene, with a large group of dancers back in the town, show that the entire society has succumbed to the illusion, raising their arms in acceptance. It makes you question about the times we live in, and whether intellectual discourse is suppressed in favour of simpler ideas, a population told to be happy without really knowing why.
Finally, Tchaikovskyâ€™s music from The Nutcracker was excerpted for the upbeat Tempo di Valse, with the NZSD returning to a ballet to finish the evening. The â€˜Waltz of the Flowersâ€™ was instantly recognizable, the 15 dancers showing classical movements. Nadine Tyson choreographed, while the colourful traditional costumes were designed by Donna Jefferis.
Depending on the show, the pas de deux from The Sleeping Beauty may be replaced by Jack Carterâ€™s Pas de deux romantique, with music by Rossini; while Glitch may give way to The Wanderer, choreographed by Columbus and perforned by Liang.
The season runs from November 16 to 26 at Te Whaea in Wellington, New Zealand, with prices ranging from NZ$18 to NZ$33. Tickets can be booked at the New Zealand School of Dance, or online at nzschoolofdance.ac.nz/book-tickets. Weâ€™d rate it another must-see, especially to catch some rising starsâ€”we understand that some are off overseas, already snatched up by dance companies.â€”Jack Yan, Publisher
The Victoria’s Secret Fashion Show for 2016 has shown its most newsworthy design: the US$3 million Bright Night Fantasy Bra, featuring 9,000 precious gems, hand-set with diamonds and emeralds in 18 ct gold.
The bra has been designed by jewellery designer Eddie Borgo, with jewels by A. & W. Mouzannar. It took over 700 hours to create and weighs over 450 ct.
It was inspired by the regular Beautiful by Victoria’s Secret bra, currently available in stores and at victoriassecret.com.
The show, which will air on CBS on December 5, will see model and Victoria’s Secret ‘Angel’ Jasmine Tookes wear the bra in the ‘Bright Night Angel’ section.
There is an ongoing tradition at Victoria’s Secret to show a Fantasy Bra each year, a creation that is usually valued in the millions. At US$3 million, the Bright Night Fantasy Bra is on the low side when it comes to valuations.
Above: Gigi Hadid appears in a new film for Stuart Weitzman, promoting a boot named in her honour.
Gigi Hadid’s been donning boxing gloves a lot this monthâ€”first in a promotion for Reebok, where she says she found solace in fitnessâ€”and now in a film for Stuart Weitzman, directed by James Franco, shot at Gleason’s Gym in Brooklyn, NY.
The film, entitled (and presumably hashtagged) #Doitright, promotes the Gigi boot, a new design with a stacked heel, metallic eyelets, duo-toned laces and a detailed collar. The bootie is available in soft croco-calf leather and in two metallics (in iron and copper), retailing exclusively at Stuart Weitzman retailers and websites from US$565. The film is accompanied by a soundtrack by Martin Solveig and Tkay Maidza.
Unlike the Reebok promos, Hadid wears the Gigi boot in the boxing ring.
The well known model boxes as part of her fitness regimen. The campaign is being released globally.
Stuart Weitzman has also committed to build three schools, one each in Ghana, Guatemala and Laos, during the autumn 2016 season.
Hennes & Mauritz launched its collaboration with Kenzo at Pier 36 in New York on Wednesday, with a fashion show directed by the legendary Jean-Paul Goude.
Attending celebrities included Rosario Dawson, Iman, Lupita Nyong’o, ChloÃ« Sevigny, Elizabeth Olsen, Charli XCX, and Chance the Rapper.
The new collection, dubbed Kenzo Ã— H&M, is the latest in a long line of designer collaborations that began with Karl Lagerfeld in 2004.
H&M’s idea of accessible luxury takes the classic, iconic styles from leading designers, making them available for a mass-market audience. Kenzo Ã— H&M has been designed by Kenzo’s own Carol Lim and Humberto Leon.
The all-dancing and playful spectacular featured a remix of ‘Express Yourself’ by Sam Spiegel, choreography by Ryan Heffington, and a performance by rapper Ice Cube to top the night off.
In a release, Lim and Leon stated, ‘Tonight was a celebration of everything we love about Kenzo Ã— H&Mâ€”it was a fun, vibrant and unexpected celebratory mix of different worlds coming together. It was a show we will never forget.’
â€˜The launch of Kenzo Ã— H&M was truly spectacular. It was amazing to see the collection come to life with all its incredible print, colour and energy. It was such an honour to have Jean-Paul Goude direct the show and he captured the mood perfectly,’ said Ann-Sofie Johansson, H&M’s creative adviser.
The new collection hits 250 H&M stores globally and online on November 3.
Grammy Award-winning singerâ€“songwriter Ciara is the new global brand ambassador for Revlon.
Revlon president and CEO Fabian Garcia said that Ciara was chosen for her confidence and beauty. She also happens to fit the target market and the company’s ‘Love is on’ positioning: ‘Ciara is a talented and accomplished artist, loving wife and mother and a model of female empowerment. We are proud to have her represent our brand as she personifies the meaning behind the Choose Love campaign.’
Ciara noted that her name even comes from a Revlon fragrance. A lifelong fan of the brand, she recalled in a release, ‘It was a gift given to my mother from my father, and she fell in love with the scent and the name.’
Although not mentioned by Revlon, Ciara has a following of nearly 14 million on Facebook, and over 7 million on Twitter, helping with the company’s reach.
Ciara’s first outing will be promoting Revlon’s 2017 ColorStay Eye and Kiss Balm lines, commencing October 22. She will appear in digital campaigns and at point-of-sale.
Top: Viktor & Rolf showed their Magic fragrance collection at the Upper East Side Academy Mansion, New York. Centre: Viktor Horsting and Rolf Snoeren flank actress Taraji P. Henson. Above: The Fragrance du Bois Nature’s Treasures collection.