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May 6, 2016

In brief: Paula Sweet releases new book; Kardashians and Jenners mobbed by paparazzi; Cannes controversies

Lucire staff/10.25


Many of you have enjoyed Paula Sweet’s photography in Lucire, and now you can have an entire volume of her work with her new book, Do Not.
   Paula has caught signs all over our planet during her travels, and asks in the synopsis, ‘In a world of limitation and regulation, how aware are you of the restrictions placed on your own existence?’
   The premise is an excellent one that encourages us to think: ‘In this collection of signs discovered all over Planet Earth, the artist and photographer Paula Sweet documents the shrinking area of personal freedom and encourages us to rethink the contrary: if a sign is to be placed, should it not encourage us to some productive or positive action?’
   Lucire readers can enjoy a 40 per cent discount for a limited time (US$39·56, marked down from US$65·94), commencing early May 2016, if you use this link here.
   Meanwhile, in the celebrity world, this latest compilation from Celebrity Wire shows how manic things are—and we don’t think there’s much personal freedom for some of these 2016 “names”. Except it isn’t signs restricting their freedom, but a gauntlet of paparazzi. Kanye West and Kim Kardashian, Kendall Jenner and Kris Jenner are seen and photographed leaving homes and heading into clubs and restaurants; “it” couple Katy Perry and Orlando Bloom head into a waiting cab; new Calvin Klein fragrance face and rising actress Margot Robbie left her apartment; and Emma Roberts had lunch, and a dozen followed her home. Surprisingly, Justin Bieber kept a low profile as he walked through LAX, while Christina Applegate gave a thumbs-up but obscured the lower part of her face as she left the terminal. It’s definitely not the life, thank you!
   In our second video, Jane Fonda speaks about the second season of Grace and Frankie at the Netflix première. She notes that during the course of the new season, Grace realizes Frankie is good for her, and they become friends.
   Finally, with the Festival de Cannes about to kick off, Cover looks at five recent controversies to hit the event.


Celebritywire


Celebritywire


Cover

May 5, 2016

Margot Robbie to model in Deep Euphoria Calvin Klein fragrance campaign

Lucire staff/14.03


Neil Rasmus/BFA

Australian actress Margot Robbie is the new face of Calvin Klein’s latest women’s fragrance, Deep Euphoria Calvin Klein.
   The Coty fragrance will début in August, with Robbie appearing in print and on TV. It builds on the goodwill of the existing Calvin Klein Euphoria fragrance.
   â€˜Ms Robbie perfectly embodies the modern femininity of the empowered deep euphoria woman that we believe will resonate with women around the world,’ said Vincent Brun, senior vice-president of global marketing for Calvin Klein Fragrances at Coty Inc.
   â€˜We are thrilled to work with Ms Robbie on this exciting addition to the Calvin Klein Fragrances portfolio,’ said Melisa Goldie, chief marketing officer for Calvin Klein, Inc. ‘Her beauty and talent is an expression of the incredible legacy of women who have been captured in Calvin Klein campaigns over the years.’
   Robbie first came to prominence with her role in Martin Scorsese’s The Wolf of Wall Street, opposite Leonardo DiCaprio, and had the female lead in Focus, opposite Will Smith. She also appeared briefly in The Big Short, based on the Michael J. Lewis book. She will appear this summer as Jane Porter in The Legend of Tarzan opposite Alexander SkarsgÃ¥rd, and as Harley Quinn in Suicide Squad, which reunites her with Smith, and which also stars Jared Leto.
   She follows in the footsteps of Kate Moss, Scarlett Johansson, Christy Turlington, Natalia Vodianova, Rooney Mara, Diane Krüger and Doutzen Kroes.

Ashley Graham, Amanda Bingson and others lead Swimsuitsforall campaign encouraging body positivity

Lucire staff/13.40


Russell James

Online retailer Swimsuitsforall, which specializes in superior, well fitting swimwear for curvy women, has launched its summer campaign, hashtagged #MySwimBody.
   Modelled by Sports Illustrated 2016 Swimsuit Issue cover girl Ashley Graham, activist and model Philomena Kwao, 56-year-old silver fox Nicola Griffin, photographer and mother Jessica Lavoie, and professional athlete and Olympian Amanda Bingson, the campaign kicks off with a video, designed to make women feel empowered, removing the dread many feel when shopping for swimwear.
   Swimsuitsforall wants to encourage women to share a photo of themselves on social media with the #MySwimBody hashtag, proudly showing off their curves, challenge a friend to do the same—with the aim of having 10,000 women take up the cause, regardless of their shape, age or size.
   Graham said in a release, ‘I love bikini season, and I hope the #MySwimBody movement helps every woman feel confident and sexy this summer. I’ll be sharing selfies of my swim body all season long and hope that women across the country feel inspired to do the same.
   â€˜Beauty is beyond size, and we are calling on women everywhere to embrace their curves, especially at the beach or by the pool.’
   â€˜This is the summer of #MySwimBody, when we are encouraging all women to let go of their inhibitions and lose the cover up at the beach,’ said Moshe Laniado, CEO and president of Swimsuitsforall. ‘Swimsuitsforall celebrates all different body types and we’re so proud to once again be leading a movement that inspires women everywhere to feel confident and comfortable in a swimsuit this summer.’

May 4, 2016

Royal New Zealand Ballet’s The Wizard of Oz: a family-friendly feast

Jack Yan/14.29



Ross Brown

I truly hope Francesco Ventriglia’s The Wizard of Oz will be performed all over the world, because this family-friendly ballet has all the ingredients for first-time and seasoned watchers alike. What we saw at the world première tonight in Wellington were skilful dancing, moments of contemplation, beautiful staging and design, and a masterful matching to the music of Francis Poulenc.
   Based on the book The Wonderful Wizard of Oz by L. Frank Baum, rather than the 1939 MGM film, The Wizard of Oz, audiences are helped by the familiar storyline, which is common to both. Ventriglia keeps the basic idea but takes some different parts from the book compared to the well known film, and in the adaptation to a ballet enhances certain scenes. The structure is of a classical ballet, as are many of the dance moves, including some neatly executed lifts and catches in two pas de deux in Act II, between the Prince and Princess of Porcelain (William Fitzgerald and Laura Jones on opening night), and the Wizard (Fitzgerald again) and Dorothy (Lucy Green).
   Ventriglia forgoes the cyclone in favour of a simpler Dorothy in hospital with a coma, watched over by her Uncle Henry (Sir Jon Trimmer), but once she is deposited in the land of the Munchkins, you know that the action has started. The use of this device is very personal to Ventriglia, and can be traced back to when he was five years old in Genova, when he noticed that a girl in isolation in a children’s hospital had gone from her bed one day. His mother told him that she had gone to the Emerald City in the Land of Oz.
   A blue sky backdrop links each scene with Dorothy, and on its first appearance in Act I, lights up one’s mood. Gianluca Falaschi, The Wizard of Oz’s designer, approaches the set with both creativity and sensibility. Doors open up revealing different scenes behind the sky set, depending on the context, but it works well, giving the stage additional depth. Watch out for both the Emerald City, which borders on a bright discothèque—and no, there are no shades of 1974’s film The Wiz here—and the Kingdom of Porcelain, which is revealed in the second act. There is one beautiful touch near the close of the second act where the Wizard offers to take Dorothy away, but the fear of revealing spoilers prevent me from telling you just what Falaschi has created.
   The costumes deserve extra mention. Glinda, the Witch of the North, danced by Abigail Boyle with plenty of movements en pointe, sparkled with a bright white costume that featured 1,000 sequinned butterflies, giving her an other-worldliness; this contrasted Dorothy’s simpler farm dress that Falaschi says took its cue from the film. Dorothy’s multiple costume changes—her "saucer tutu" for the Porcelain scene, for instance—hint at the chequered pattern of her original dress, so audiences are clear that Green is dancing in the same role. The Witch of the West (Mayu Tanigaito) only has the Flying Monkeys for her allies in this version, but she enters the stage looking sinister, her outfit having connections to more adult themes but considerably toned down for a family audience. The Flying Monkeys, meanwhile, are bare-chested but masked while they are under her spell, wearing large, black skirts. Elaborate, dominating movements convey their evil intent, while the chandeliers and prison cage on the set contrast with the simplicity of the blue sky of Dorothy’s world.
   Scarecrow (Loughlan Prior) deserves additional mention since he is the first character to follow Dorothy and, therefore, has a greater role on stage; Prior’s floppy, soft movements convey his character’s construction neatly. Tin Man (Massimo Margaria)’s metallic detailing on his outfit wasn’t as easily seen and almost looked as though he was wearing a body colour, but thankfully this newer interpretation allowed the ballerino much freer movement. Jacob Chown got into his Lion character from his first moment on stage, right through to when he took a bow.
   Felipe Domingos, as the Guardian of the Emerald City cut a distinctive figure with his flowing movements, and shone in his first scene; Harry Skinner’s Yellow Cat, chasing after the mice played by Linda Messina and Tonia Looker, was a particularly likeable comedic performance (though one wonders why the cat is bigger than the dog: Toto is a stuffed toy in this version). Watch out, too, for a tap-dancing scene as Green dons red shoes instead of the Silver Shoes from the book.
   Falaschi is inspired by 1930s bathing costumes, flapper dresses and cloches, and a bellhop’s uniform for the Guardian, all of which he works in to give The Wizard of Oz, a visual feel that is its own. In all, 37 new costumes were created for the production.
   Jason Morphett’s lighting was particularly clever, as Falaschi’s box set forced him to use lights in the corner. He based his concepts on Poulenc’s music, which lent itself well to visuals thanks to its lyrical nature. I tend to find lyrical scores can paint a scene better than those founded on sound effects, and the compilation of various Poulenc compositions, compiled by RNZB pianist Michael Pansters from two dozen recordings, worked well as a complete ballet. Ventriglia calls the score ‘very cinematic,’ and that seems a very apt description.
   As detailed in our preview, the ballet began life as an unperformed, single-act ballet, which Ventriglia first conceived when artistic director of Maggio Danze in Firenze. There is an additional meaning here, as Ventriglia, who hails from Italy, has had to ask himself just what ‘home’ means, as Dorothy had to discover: ‘My conclusion is that home is where you feel grounded and comfortable within yourself,’ he writes in the programme. ‘For me that place is the dance studio.’
   The work, he writes, has been adapted to the dancing style of the company and the new inspirations he has found in New Zealand since his arrival a year and a half ago.
   The Wizard of Oz achieves its aim of being a big-story ballet that appeals to everyone, and audiences will be delighted at this latest production.
   The Ryman Healthcare Season of The Wizard of Oz kicks off in Wellington on May 4, and will visit nine centres around New Zealand: Christchurch, Invercargill, Dunedin, Blenheim, Rotorua, Auckland, Palmerston North, and Napier. Further information can be found at the Royal New Zealand Ballet website, www.rnzb.org.nz.—Jack Yan, Publisher


April 28, 2016

Morgan Freeman honoured at 43rd Annual Chaplin Award Gala by Film Society of Lincoln Center

Lucire staff/1.44


Getty Images


Jim Spellman

Morgan Freeman was honoured on Monday night by the Film Society of Lincoln Center, at its 43rd Annual Chaplin Award Gala, sponsored by Jaeger-LeCoultre.
   The Academy Award-winning actor follows other luminaries including Charlie Chaplin, for whom the award is named, and who was the first recipient in 1972, Alfred Hitchcock, Billy Wilder, Laurence Olivier, Federico Fellini, Elizabeth Taylor, Bette Davis, James Stewart, Robert Altman, Martin Scorsese, Diane Keaton, Meryl Streep, Tom Hanks, Sidney Poitier, Barbra Streisand, and Robert Redford.
   Chaplin’s granddaughter, actress Kiera Chaplin, was present, representing her family. Daniel Riedo, Jaeger LeCoultre’s CEO, and Laurent Vinay, its communications’ director, represented their company. Other actors present included Robert de Niro and Helen Mirren.
   Freeman told Reuters, ‘I’m from a small town in a small state and when you start thinking about where you came from and looking back the first thing that comes to mind is the word luck.’
   In an earlier statement, Ann Tenenbaum, chair of the Film Society of Lincoln Center’s board, said of Freeman, ‘He is one of the most gifted actors of our time and his body of work has changed the film landscape. He is universally loved as an actor and as a humanitarian, and we are thrilled to add the Chaplin to the long list of distinguished awards he has already received.’
   â€˜Morgan Freeman is one of most highly regarded and beloved actors of his generation and we are excited to honour all of his achievements with the Chaplin Award, our biggest fundraiser of the year, which recognizes those whose mastery of their craft has made an impact on the art of film,’ said the Film Society of Lincoln Center’s executive director Lesli Klainberg. ‘Whether in a leading or supporting role, he brings a quiet gravitas to each of his memorable performances in such films as Lean on Me and Driving Miss Daisy to Street Smart, The Shawshank Redemption, Seven, Million Dollar Baby, and Invictus.’
   Freeman began his acting career in off-Broadway stage productions of The Niggerlovers and an all African-American production of Hello Dolly. Early TV appearances in The Electric Company followed, before he moved into film. He also has an extensive filmography in narration (The Long Way Home and March of the Penguins among it). In 2005, he won the Best Supporting Actor Oscar for Million Dollar Baby, and received nominations for Street Smart, The Shawshank Redemption, and Invictus. He won a Golden Globe for Best Actor for Driving Miss Daisy in 1990. He received the Cecil B. de Mille Award at the 2011 Golden Globes and the 39th AFI Lifetime Achievement Award.
   Freeman is executive producer of Madam Secretary and host and executive producer of Through the Wormhole with Morgan Freeman. He will soon be seen in The Story of God with Morgan Freeman on the National Geographic Channel.
   Upcoming films include London Has Fallen, Going in Style, Now You See Me 2 and Ben-Hur.
   Freeman co-founded the Frank Silvera Writers’ Workshop, which serves successful playwrights, is a member of the board of directors of Earth Biofuels, and a supporter of Artists for a New South Africa and the Campaign for Female Education.


Jim Spellman

April 26, 2016

The big reveal for HTC’s 10 smartphone in New York

Lola Cristall/10.59


New York rolled out the red carpet for the big reveal of HTC’s newly and much awaited 2016 flagship smartphone earlier in April. Weeks before, the industry were enthusiastically anticipating the state-of-the-art HTC 10. Its sleek look, elegant structure and slightly oblique curves radiate with sophistication.
   The aluminium unibody Android stores up to 27 hours of power, thanks to the company’s PowerBotics component that enhances battery life. The up-to-date Qualcomm Snapdragon processor accelerates speed and connectivity with impressive graphics. Other innovations include their BoomSound Hi-Fi edition for stunning sound quality. Additional features include a rough textured power button, a concealed SIM card slot and volume control. A dual-tone LED flash, a laser autofocus, a back-illuminated sensor (BSI), front and back UltraPixel cameras with optical image stabilization (OIS) for pictures and selfies, permitting the photographer to evade the unwanted blur. The 12 Mpixel camera can capture moments in a flash (literally) in a speed of 0·6 seconds. Other features also include face detection and a self-timer. The scratch and damage-resistant glass covers a high-resolution 5·2-inch screen with 2,560 by 1,440 pixels, a whopping pixel density of 564 ppi. The metal body and rigorous glass front beautifully complement each other to provide a robust handset that can withstand scratches and scrapes.
   It is a delicate, elegant gadget with a fingerprint sensor, which can speedily detect the user unlocking the device in 0·2 seconds, and an easy-to-navigate touch-screen, all in the comfort of one’s hand. HTC 10 will officially be released in May and will be available in two shades, including grey and silver.—Lola Cristall, Paris editor


April 21, 2016

Beyoncé partners with three charities as part of the Formation World Tour

Lucire staff/2.41

As part of her Formation World Tour, Beyoncé has announced three charitable organizations that will partner with her own initiative, BeyGood.
   The singer wants to encourage fans to give to the three organizations, and demonstrates how easy it is to “pay it forward”.
   She proposes using one of three ways: online through CrowdRise, in partnership with United Way, to support the Flint, Michigan water crisis (where fans can qualify for winning VIP tickets to her tour); through their communities with United Way, with issues specific to each tour market; or on-site, after signing up with Global Citizen and Chime for Change, with opportunities to win tickets and upgrades on the tour.
   United Way will be present at very stop beginning with the North American leg. The first venue is Marlins Park, Miami, Fla. on April 27. Gucci’s Chime for Change, which Beyoncé co-founded, and Global Citizen will have their programme in select tour locations, including Houston, Los Angeles, New York, Detroit and London. There are charity events in Houston, Compton (Calif.), and Detroit.
   Fans in Houston can give and support Rudy Rasmus and his Bread of Life initiative, combatting hunger in the city, and TurnAround Houston, to help create jobs. In Compton, the event will help Urban Education Institute, which works with youth through music and the arts. In Detroit, the event will celebrate the resourcefulness of the people of Flint and Detroit.
   Since the announcement of BeyGood, the initiative has claimed to have helped millions of people with employment, shelter and more. Tour dates are available at beyonce.com.

April 11, 2016

H&M launches M.I.A.’s ‘Rewear It’ to mark World Recycle Week; Olivia Wilde supports Conscious Collection

Lucire staff/10.27



Max Larsson

Olivia Wilde is the face of H&M’s Conscious Collection, and promoted it in New York last week alongside her friend Barbara Burchfield.
   She wore a lace skirt and matching blouse from the range, complemented by a Balenciaga leather jacket.
   Wilde and Burchfield co-founded Conscious Commerce, which she discusses in our video below. Her venture encourages companies to work in sustainability into their day-to-day operations, and says that H&M is a good ally, a company that proves that one does not need to sacrifice style for nobler aims.
   On a related note, H&M today (April 11) launches its campaign for World Recycle Week 2016, with a video entitled ‘Rewear It’, featuring British performer M.I.A., who also composed the song exclusively for the company.
   The video encourages people to recycle old or unwanted clothes. The Swedish giant says M.I.A. ‘personifies the conscious consumer with a social awareness.’
   Aaron Sillis choreographed the video, which runs for 3 minutes, 37 seconds and features a cast of music and dance artists and allies in sustainability, shot all over the world.
   H&M aims to collect 1,000 tonnes of unwanted or worn-out garments from its customers worldwide, through its 3,600 stores. It is part of the company’s goal to close the loop in fashion, recycling unwanted garments to create textile fibres for new products.
   â€˜World Recycle Week is about embracing important environmental issues such as the landfills, and highlighting a global movement,’ she says.

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