Lucire

Lucire: News

Share 


May 12, 2016

A Billion Lives has world première in New Zealand, revealing powerful forces aiding the tobacco industry

Jack Yan/11.16


Jack Yan

Above: The team behind A Billion Lives, and Doc Edge organizers Dan Shannon and Alex Lee.

Those of us outside the vaping world have probably looked at e-cigarettes, wondering why on earth these could be better for your health. Or we may have thought they were a fad, since the only people I knew who vaped were tech hipsters, who enjoyed vaping as though it was a matter of course, and nothing to be curious about—thereby keeping their habit a closed shop. But then, perhaps they were tired of repeating themselves, and had settled into being comfortable with their e-cigs.
   A Billion Lives is a documentary that takes a look into this world, but it does so much more. The title refers to the number of people who can be saved if they give up smoking, but there are powerful forces at play to ensure that people don’t. And those forces have ensured that there is misinformation about vaping and the potential for the technology to save lives.
   Filmmaker Aaron Biebert, who directed and narrated the film which had its world première in Wellington as part of the Doc Edge Festival, journeyed to 13 countries on four continents to find similar patterns worldwide: here is a life-saving technology of e-cigarettes, but governments were banning them or fining citizens over their use, ignoring the science and deciding to be complicit with the tobacco industry in keeping people addicted to a harmful product. Instead, governments spend money spreading lies about e-cigarettes, calling them a gateway to cigarettes, or that one could get formaldehyde poisoning, claims that the film demonstrably refutes. E-cigarettes are not completely safe, and the film acknowledges that, but they have proven to be a successful tool to help those giving up smoking, especially where mainstream solutions have failed.
   In his own country, the US, Biebert points out that governments collect far more revenue from cigarette taxation than from several industries combined, and have no real incentive to cut off the flow of dollars. E-cigarettes, which were invented by pharmacist Hon Lik in China, were conceived as a way to give up smoking, and have been successful for 30 million people around the world. A Billion Lives points out that nicotine is not what causes lung cancer, and that the US Surgeon-General has said as much. What are harmful are the tar and 4,000 chemicals in modern cigarettes. It equates nicotine with coffee in terms of addictiveness, and the figure of 95 per cent less harmful than a typical cigarette featured prominently in the film. Vaping essentially allows one to get the pleasure of nicotine without the harm of the tar and toxins.
   Yet as a society, we have come to equate nicotine as being the evil, addictive substance, and that’s no accident.
   This point is made halfway into the film, with a good part of the first section looking into the history of cigarettes (Flintstones sponsor announcements for Winston cigarettes elicited laughs from the audience), and David Goerlitz, the Winston male model from the 1980s, being a particularly effective interviewee, discussing how he went from a smoking advocate earning millions to having a crisis of conscience when his brother developed lung cancer and died. Goerlitz went to the other side, and became a high-profile spokesman who was able to talk in plain language just what governments, Big Tobacco, and Big Pharma (which sells patches and gum, and would like to continue doing so) were doing. Health professionals were being marketed to far more than the public, permitting Big Pharma to continue to sell its products, the film notes.
   Biebert was able to get other interviewees at a very high level, including Dr Derek Yach, the former executive director of the World Health Organization, and Dr Delon Human, former president of the World Medical Association, among others, speaking plainly about how lives could be saved through vaping e-cigarettes, a tool which could get smokers to kick their habit.
   Meanwhile, the pro-smoking side was represented through historical clips—you get the feeling that we had only touched the surface of what was out there, with corporations spending thousands of millions to fund biased studies and get on to our airwaves.
   Beautifully shot and scored, this independently funded feature tells a story about our times and just why so many citizens today are wary of their governments and multinational corporations. Those who oppose global trade agreements, for instance, do not do so in isolation—and while A Billion Lives takes no political side, it does tap into the Zeitgeist of our modern suspicion about what is on our airwaves and what are the motives behind it. Like Adam Curtis, whose documentaries seek to explain the complex in simple terms, Biebert has done the same, narrating and directing, although he appears on camera as well when narrative gaps need to be plugged. He is an honest, frank speaker, and gives the film a personal touch.
   Young smokers who tried e-cigarettes were often people who already smoked and saw them as a way to give up their addiction, and most, Biebert pointed out in a post-screening Q&A, were not even using nicotine in their e-cigarettes.
   Yet the state of California, where Biebert is based, spent $75 million telling us about the evils of e-cigarettes, said the director in his Q&A; while in the film, he points out that US federal funds were being illegally used for lobbying activities. The American Lung Association had deceived the public, too, notes Biebert, who told the audience, ‘If you get powerful charities on side, you can do anything.’ The increasing restrictions on e-cigarettes in the US, the subject of federal lawsuits, was equated to ‘Prohibition II’.
   Dr Marewa Glover of End Smoking NZ, who introduced the film at its première, said that young people were using e-cigarettes as a way round peer pressure, when people in their circle smoked.
   However, Australia has already banned e-cigarettes, with one interviewee, Vince, who sold them, telling a story about being raided by authorities and now faces losing his home as he fought the government on principle. He believed firmly he was saving lives. There are massive fines for vaping in Brunei and Hong Kong. There were restrictions in New Zealand, too, noted Glover, although those who sought to misinform were technically in breach of the country’s health legislation.
   Biebert says he is neither a smoker nor a vaper; but all good documentary-makers, he had a commitment to get the right information out there. He acknowledges that vapers have not given themselves the best image, either, and that A Billion Lives can only be one small part of getting the truth out.
   ‘We need to cut the head off the monster,’ said Biebert, ‘and the monster is being funded by big business. We need more than the movie. People need to get the right information.’
   He added, ‘The truth ends up winning. Even condoms were illegal in the US at one time.’
   A Billion Lives will begin making its way to other countries. The website is at abillionlives.com, while the movie’s Instagram is at abillionlivesfilm.—Jack Yan, Publisher


Above: The author (centre) joins Aaron Biebert, director (left) and Jesse Hieb, producer, for a photo.

May 6, 2016

In brief: Paula Sweet releases new book; Kardashians and Jenners mobbed by paparazzi; Cannes controversies

Lucire staff/10.25


Many of you have enjoyed Paula Sweet’s photography in Lucire, and now you can have an entire volume of her work with her new book, Do Not.
   Paula has caught signs all over our planet during her travels, and asks in the synopsis, ‘In a world of limitation and regulation, how aware are you of the restrictions placed on your own existence?’
   The premise is an excellent one that encourages us to think: ‘In this collection of signs discovered all over Planet Earth, the artist and photographer Paula Sweet documents the shrinking area of personal freedom and encourages us to rethink the contrary: if a sign is to be placed, should it not encourage us to some productive or positive action?’
   Lucire readers can enjoy a 40 per cent discount for a limited time (US$39·56, marked down from US$65·94), commencing early May 2016, if you use this link here.
   Meanwhile, in the celebrity world, this latest compilation from Celebrity Wire shows how manic things are—and we don’t think there’s much personal freedom for some of these 2016 “names”. Except it isn’t signs restricting their freedom, but a gauntlet of paparazzi. Kanye West and Kim Kardashian, Kendall Jenner and Kris Jenner are seen and photographed leaving homes and heading into clubs and restaurants; “it” couple Katy Perry and Orlando Bloom head into a waiting cab; new Calvin Klein fragrance face and rising actress Margot Robbie left her apartment; and Emma Roberts had lunch, and a dozen followed her home. Surprisingly, Justin Bieber kept a low profile as he walked through LAX, while Christina Applegate gave a thumbs-up but obscured the lower part of her face as she left the terminal. It’s definitely not the life, thank you!
   In our second video, Jane Fonda speaks about the second season of Grace and Frankie at the Netflix première. She notes that during the course of the new season, Grace realizes Frankie is good for her, and they become friends.
   Finally, with the Festival de Cannes about to kick off, Cover looks at five recent controversies to hit the event.


Celebritywire


Celebritywire


Cover

May 2, 2016

Committee of 100 celebrates Chinese-American success and talent

Lola Cristall/13.31




Committee of 100 and BeBe Jacobs

The Committee of 100 (C-100) came together for a celebratory event in Los Angeles to praise Chinese-American achievements in the midst of a society that tends to build bridges of understanding between cultures successfully. The extraordinary committee, founded in 1990, consists of acclaimed personalities including cellist Yo-Yo Ma, YouTube co-founder Steve Chen, NASA astronaut Leroy Chiao and figure-skating champion Michelle Kwan. Co-founded by renowned architect Ieoh Ming Pei (I. M. Pei), known for his structures including his beautifully designed Louvre Pyramid in Paris and the Meyerson Symphony Center in Dallas, the committee intends to unite successful and prominent members of the Chinese-American community, sharing and discussing their endeavours while honouring Chinese culture. As an invitation-only committee, they recruited numerous distinguished faces in various industries to promote leadership and camaraderie between greater China and the United States. Headquartered in New York, they also host eventful gatherings in Washington DC, Los Angeles, Beijing and San Francisco.
   In April, the C-100 2016 annual conference took place at the prestigious Beverly Wilshire. The two-day summit included a number of panel discussions with various speakers such as Congressman Ted Lieu (Democrat, Calif.), Kevin Tsujihara (chair and CEO of Warner Brothers), Ari Emanuel (co-CEO of William Morris Endeavor) and Joe Tsai (CFO of Alibaba) discussing cases including Hollywood, China and the US–China economic and political outlook. Ming Tsai, chef and restaurateur, Joan Chen, actress and director, and Constance Wu, lead actress in Fresh off the Boat, also took centre-stage as they alluded to their Chinese-American journeys. Along with discussions throughout the day, a gala celebrated C-100 award winners for their considerable successes. Bob Chapek, the chairman of Walt Disney Parks and Resorts, won the Business Excellence Award. The Philanthropy Excellence Award went to the chairman of Hang Lung Properties, Ronnie Chan, as well as Gerald Chan, the chairman of Morningside Group.—Lola Cristall, Paris editor



April 21, 2016

Beyoncé partners with three charities as part of the Formation World Tour

Lucire staff/2.41

As part of her Formation World Tour, Beyoncé has announced three charitable organizations that will partner with her own initiative, BeyGood.
   The singer wants to encourage fans to give to the three organizations, and demonstrates how easy it is to “pay it forward”.
   She proposes using one of three ways: online through CrowdRise, in partnership with United Way, to support the Flint, Michigan water crisis (where fans can qualify for winning VIP tickets to her tour); through their communities with United Way, with issues specific to each tour market; or on-site, after signing up with Global Citizen and Chime for Change, with opportunities to win tickets and upgrades on the tour.
   United Way will be present at very stop beginning with the North American leg. The first venue is Marlins Park, Miami, Fla. on April 27. Gucci’s Chime for Change, which Beyoncé co-founded, and Global Citizen will have their programme in select tour locations, including Houston, Los Angeles, New York, Detroit and London. There are charity events in Houston, Compton (Calif.), and Detroit.
   Fans in Houston can give and support Rudy Rasmus and his Bread of Life initiative, combatting hunger in the city, and TurnAround Houston, to help create jobs. In Compton, the event will help Urban Education Institute, which works with youth through music and the arts. In Detroit, the event will celebrate the resourcefulness of the people of Flint and Detroit.
   Since the announcement of BeyGood, the initiative has claimed to have helped millions of people with employment, shelter and more. Tour dates are available at beyonce.com.

April 20, 2016

Get in NOW for Footnote: four entertaining dances, representing our times

Jack Yan/14.06


Courtesy Footnote

Footnote New Zealand Dance’s NOW 2016 (New Original Work) programme, which hit Wellington tonight after performances in Auckland, presents four original works by New Zealand choreographers Julia Harvie, Sarah Knox, Lucy Marinkovich and Jessie McCall. It’s a particularly enjoyable programme, mixing meanings, humour and, in the case of Elephant Skin, a lot of balloons.
   Each performance begins with a voice recording that sets the stage for the dance that follows, although viewers are still invited to make their own interpretations.
   Centerfolds (sic) begins with a humorous look at gender stereotyping, with the company’s male and female dancers wearing masks with a bun and dresses, signalling that we often take these cues and make automatic assumptions about a strict male–female duality. Marinkovich looks at roles such as waitress, housewife, heroine, songstress, supermodel, and others, questioning our conditioning; and while not every role appears as costumed characters, they are represented through the varied music choices. Masks play a part throughout, along with multiple costume changes, ensuring that Centerfolds never drags for a moment.
   Your Own Personal Exister is one of our favourites, as it examines not only existentialism but its opposite, inauthenticity. McCall does this with the notion of how, at a children’s birthday party, we feel the centre of attention when we wear our paper “crown”, but what if that crown was never removed? It’s an allegory of the selfie era, the “look at me” validation some seek. Three of McCall’s dancers don crowns, but one doesn’t, although he is unaware of this till some way into the performance. Yet this need consumes him eventually, and he joins the inauthenticity of the others.
   One of the regular techniques here had dancers opening their mouths facing upwards while recorded voices played, which worked particularly well, and the voiceover was poignant at the conclusion of the performance (which we won’t spoil here). And what happens when that crown is removed, where does that leave us? Despite the smaller number of Footnote dancers involved, this was a particularly powerful work that was danced beautifully.
   Elephant Skin takes a humorous look with balloons landing on stage at random points, sound effects creating more laughs, and a particularly brave dancer blowing up a balloon till it popped. Harvie explained in a post-show forum that she wanted freshness and tension in the performance, because as humans, we are problem-solvers, and the dance, too, should solve the problem of the randomly placed balloons. There was, of course, an overall structure which the dancers worked around, and one scene where white balloons stood in for clouds as one performer floated across the stage, before the others began popping the cloud around her.
   Harvie also noted that she has a fascination with balloons and that they have a human element to them.
   Disarming Dissent is the most energetic of the four in terms of getting the dancers to generate forceful movements, and by this time one is marvelling at their stamina. Rowan Pearce’s music reached crescendos twice as the energy built up. Dance, exercise and martial arts combine here as Knox talks about the fight we have against the system, but then how we pacify ourselves, drawn back by either that very system or our own impulses.
   The Wellington première at Te Whaea had a unique forum at the end which featured the dancers, Harvie, general manager Richard Aindow as host, and artistic liaison Anita Hunziker.
   The Auckland performances have been (April 15–16), Wellington has one more night (21st, at Te Whaea), Dunedin is on April 28 at Mayfair Theatre, and those in Invercargill will see NOW 2016 on May 1 at Centrestage during the Southland Festival. For tickets and information, head to footnote.org.nz.—Jack Yan, Publisher

April 18, 2016

Fashion Cities Africa gives a snapshot of four cities on a varied, rich continent

Jack Yan/3.51

The second largest continent on the planet is, logically, home to a massive number of fashion designers and movements, although out of Africa, there hasn’t been as much recognition of them till recently. Fashion Cities Africa, the book, inspired by the exhibition of the same name at the Brighton Museum & Art Gallery that opens at the end of April, is one high-profile development which seeks to shine a light on the variety present on the continent, while on a similar note, next month’s Africa Fashion Festival in Wellington will do the same for its designers.
   Hannah Azieb Pool, who edits the new book, is a Eritrean-born, London-based journalist, who, along with Helen Jennings, has co-writing duties, resulting in a cohesive, beautifully presented book that examines contemporary fashion in Nairobi, Casablanca, Lagos and Johannesburg. It doesn’t pretend to be a fully comprehensive guide, stating from the outset it is meant to provide mere glimpses on a continent that is incredibly diverse. The foreword by Binyavanga Wainaina, a flâneur, reminds us that there are clusters scattered throughout the land that have their own tendencies, and that her favourite designer is Nigerian, Chioma Chukwulozie.
   The reader is thrown in to the colour of Nairobi, where sibling bloggers Velma Rossa and Papa Petit (a.k.a. Oliver) take one half of the first spread with their über-stylish and proudly urban Kenyan clothes, and stylists, musicians, designers, bloggers and artists profiled on following pages give slices of their lives that shake occidental sensibilities with their own palettes and ensembles. Nairobi, for the most part, emphasizes comfort, and the clothing shot on these pages by Sarah Marie Waiswa demonstrate that the city’s fashion could easily translate to other places, spanning everything from casual to luxury. Adèle Dejak has shown in Milano, for instance, and appeared in Vogue Italia with her collaboration with Salvatore Ferragamo, while John Kaveke and Nick Ondu show the sort of sartorial elegance that could easily influence menswear in other fashion capitals.
   Profiles of some of the personalities from the city follow, reminding us that Nairobi is a crossroads: Ami Doshi Shah is of Indian descent, her family brought there by the British when both countries were under Crown rule, while Ann McCreath is a Scots émigrée who fell in love with the fashion there. There’s a dose of youthful energy, too, with Anthony Mulli, a jewellery designer who started when he was 16, pointing the way forward.
   The book follows a similar structure for subsequent cities, moving on to Casablanca next.
   Lucire readers will be familiar with Morocco thanks to travel editor Stanley Moss’s writings, and Jennings’ chapter, with photographs by Deborah Benzaquen, takes us on a similar journey through the country’s largest city. It was, of course, a home for Yves Saint Laurent at one point, as well as a drawcard for many western celebrities, when a first wave of Moroccan designers became known outside of the region. A second wave, Jennings explains, emerged in the 1980s and 1990s, with Zineb Joundy a graduate of the Chambre Syndicale de la Haute Couture. A greater sense of artistic freedom and Casablanca’s position that blends Arabic, European and indigenous cultures has resulted in some looks that may seem familiar—perhaps thanks to the likes of Saint Laurent and his influence. Again the profiles are well selected, a cross-section of the highly varied cultures in the city: Amine Bendriouich, Amina Agueznay, Yassine Morabite, Saïd Mahrouf, and Zhor, Chadia and Aida Raïs each cover a very different parts of the fashion spectrum, from T-shirts to traditional caftans.
   Once the book gets to Lagos, it’s apparent that there’s a sense of “bubbling under”, with Lakin Ogunbanwo’s photographs, paired with Jennings’ words again, showing slightly more subdued looks for men, but prouder, more flamboyant looks for women. Jennings notes that civil war and Nigeria’s military juntas stalled its fashion scene for some years, before a revival when democracy returned in 1999. Foreign labels were seen as cool till recently, with the country discovering its confidence in its own æsthetic, to the point where one of her interviewees, stylist Bolaji Anumashaun, says that fashion can be one of Nigeria’s ‘greatest exports’. Anumashaun founded thestylehq.com with a pan-African fashion focus, and Arise magazine, founded in 2008, also stepped up the promotion for Nigerian designers. With Nigeria’s GDP now greater than South Africa’s, that confidence is bound to increase, and Jennings looks at Nike Davis Okundaye, who owns the biggest gallery in West Africa in Lagos, and happy to promote young talent. Others, such as Yegwa Ukpo and Amaka Osakwe, both were schooled in the UK before returning to Lagos to found their brands, while PR consultant Zara Okpara and luxury concept store owner Reni Folawiyo complete their city’s picture.
   Johannesburg completes Fashion Cities Africa, and it’s perhaps fair that Pool chose to put it last. Many mistakenly think of South African fashion when they refer to ‘African fashion’, spurred in part by the Republic’s sporting ties to many other countries in the Commonwealth. Victor Dlamini has the photographic duties here, and Pool pens the words, and she goes through the various Jo’burg neighbourhoods, noting that its fashion is more established than Nairobi’s but less self-conscious than Lagos’s. There is a western infusion here in some parts, she notes, but on closer examination there are accessories that reference Soweto streets or Zulu culture. The city even has two fashion weeks: South Africa Fashion Week and Mercedes-Benz Fashion Week Joburg, making the city spoiled for choice when it comes to giving its designers a platform. David Tlale, whom Lucire readers will have heard of, and who has shown at New York Fashion Week, hails from here, and Jo’burg designs have a greater sense of familiarity thanks to western media exposure. It oozes colour and vibrancy, much like the photos chosen for Pool’s first chapter on Nairobi, and in similar fashion (pun unintended) there are profiles from across the spectrum: designer Thula Sindi, creative collective, the Sartists, accessories’ and shoe designer Maria McCloy, and womenswear designers Marianne Fassler and Anisa Mpungwe.
   It’s our hope that we can cease talking about ‘African’ fashion and instead replace the dialogue with specific cities or countries, just as we do for smaller continents such as Europe. Just as there is no such thing to fashion observers as ‘European’ fashion, there is equally no such thing as ‘African’ fashion: it is impossible to generalize at a continental level. Both as an informative volume and a coffee-table flick-through (as it is softcover), Fashion Cities Africa succeeds, and it’s exceptionally good value with full-colour photographs (needed for its story, over 196 pp.) at £20 (available via Amazon UK here, or Book Depository here) or US$28·50, (Amazon link here). It is published this month by Intellect Books, as part of its Street Styles series.—Jack Yan, Publisher

April 16, 2016

Actress Katrin Heß the latest to pose nude for PETA, promoting veganism

Lucire staff/12.46


Marc Rehbeck/PETA


Courtesy Katrin Heß via Instagram

In the spirit of PETA’s earlier campaigns featuring celebrities who would rather go naked than wear fur, German actress Katrin Heß has posed nude to promote a vegan diet.
   Heß has long been public about her love of animals, running a prize draw last year for a rescue dog.
   Last week, Heß teased fans on her Facebook and Instagram, saying that she would be posing for PETA Deutschland. The German arm of the worldwide anti-animal cruelty group revealed her promotional image today.
   Heß said, ‘My choice to be vegan is not a trend, but a conscious decision for me and my love of animals. Since I do not eat animal products any more, I look at my surroundings very differently. For example, I finally understand that not only dogs, but cows and pigs, are sentient individuals … Every animal has the right to a happy and full life.’
   PETA Deutschland notes that 800 million animals are slaughtered or die in Germany alone for the meat, dairy and egg industries, and thousands of millions of fish suffocate on the decks of fishing boats or are crushed in nets.
   It refers German visitors to its Veganstart website, www.veganstart.de.
   The promotional image was shot by photographer Marc Rehbeck. Make-up was by Emile van Tile, using Paul Mitchell products.
   The shoot’s release, along with a behind-the-scenes video, coincides with the return of Heß in RTL’s Alarm für Cobra 11: die Autobahnpolizei TV show, which celebrated its 20th anniversary in March. It will reach its 300th episode in 2016, although its 291st was promoted as the 300th by the network.
   In anticipation of the anniversary, the network over-enthusiastically removed fan videos that it did not even own from a Facebook group last month, under penalty of perjury.
   Heß joins celebrities such as Christy Turlington, Pamela Anderson, Charlotte Ross, Tamara Ecclestone, Christian Serratos, and Eva Mendes in posing nude for PETA.

April 3, 2016

Gala honours Naomi Campbell, with guests Lena Gercke, Catherine Hummels, Eva Padberg, Franziska Knuppe

Lucire staff/12.49




Gisela Schober

Gala magazine in Germany celebrated its 20th anniversary Spa Awards at the Brenners Park-Hotel & Spa in Baden-Baden, awarding the best names in the cosmetics and hotel industries.
   Supermodel Naomi Campbell was named Beauty Idol of the Year, with the judges citing her various careers in modelling, acting and authoring, and her support of social projects.
   A Special Prize was awarded to Prof Michael Braungart, founder of environmental consulting institute EPEA and a supporter of conservation and the cradle-to-cradle principle.
   Other awards went to Givenchy for its Le Soin Noir Masque Dentelle (Luxury Concepts award), Dr Grandel for Beautygen Renew Body (Innovation Concepts), Weleda for Skin Food Hautcreme (Cult Concepts), Skinceuticals for Metacell Renewal B3 (Men Concepts), Börlind for Beauty Shots Intensiv Konzentrate (Organic Concepts), Clarins for the Art of Touch (Treatment Concepts), Royal Mansour of Morocco (Luxury Hotel City–Resort), and the Four Seasons Maldives at Landaa Giraavaru (Innovative Spa Concepts).
   Guests at the event included Eva Padberg, Stephanie Stumph, Ursula Karven, Catherine Hummels, Julia Dietze, model Lena Gercke, Dagmar Kögel and her daughter Alana Siegel, Jochen Llambi and Motsi Mabuse, Jorge Gonzalez, Franziska Knuppe, Stefan Konarske, Lisa Martinek, Erol Sander and Caroline Godet, Jochen Schropp, Carolina Vera and Birthe Wolter. Barbara Schöneberger was MC and singer Philipp Dittberner performed live at the event.
   Other sponsors included BMW, Cadenzza, Emcur Bio Matcha, Fabletic, Moroccanoil, Pommery, Talbot Runhof and Und Gretel.

























Gisela Schober, Axel Kirchhof

Next Page »

 

Get more from Lucire

Our latest issue

Lucire 35
Check out our lavish print issue of Lucire in hard copy or for Ipad or Android.
Or download the latest issue of Lucire as a PDF from Scopalto

Lucire on Twitter
Lucire on Instagram