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Movado holds Shanghai event with singer Li Ronghao and actor Jerry Chengjie Yuan

Filed by Lucire staff/November 5, 2020/10.25




Movado’s Shanghai event saw actor Jerry Chengjie Yuan, singer Li Ronghao, and Movado China general manager Danni Hammer.

Movado held its Music Time Journey event in Shanghai on October 29, with an interview format featuring its spokesman, singer–songwriter Li Ronghao (李榮浩) and host, actor Jerry Chengjie Yuan (袁成傑).
   Movado China general manager Danni Hammer, discussed the philosophy behind the brand, and how it used simple design to convey the attributes of independence and confidence. He noted that beneath the design, Movado used superior watchmaking technology.
   Movado sees Li as a good match for the brand, as an artist with a unique style, and creativity that follows his heart. The event linked Li’s latest album to Movado’s Museum Dial Modern 47 watch, featuring the company’s iconic design created by Nathan George Horwitt in 1947.
   The watch design is an example of Bauhaus simplicity, with no markers on the dials, and a single circle at the top signifying the sun—a piece of functional art. Movado had been producing the Horwitt design without permission originally, and only settled with him in 1975 for a minor sum.
   The Museum name came from the Museum of Modern Art (MoMA), to which Horwitt had sold one of three watches he had privately commissioned in the mid-1950s. MoMA produced wall-clock versions of the design, originating the term ‘Museum Dial’.
   Li says this is his favourite design: ‘This dial reminds me that music and time have their own melody and rhythm, so I don’t forget to stick to my original aspirations and find the origin of life.’
   The event also promoted Movado’s 1881 series, targeted at older customers, linking it to Li’s new album Sparrow.

 


Cover design notes on our 23rd birthday

Filed by Jack Yan/October 20, 2020/10.25

We’ve happily been able to add a few more covers to the montage we published last year on the occasion of our 22nd anniversary. Now 23, we thought an update was in order, and we’ve included our latest issue, which you can order now.
   The story of Lucire’s founding has been covered elsewhere, during more appropriate anniversary numbers.
   Here we’ll just remark at how much has changed design-wise since we went into print seven years after our founding. Some of the early issues have dated; and even if we look at the turn of the decade, heading into the mid-2010s, our layout ideas have aged. This is despite a very earnest effort to make a magazine look “timeless”, an impossible task because one is always affected unconsciously by the trends and moods around us. The photography from this period, interestingly, has stood the test of time far better, which makes us wonder if there has really been that much progress out there.
   Right now, with bandwidth so readily available, we are getting more images than ever to accompany fairly innocent stories, making it tempting to use as much of them as possible. More cramped, less airy layouts are the result, and even though we observe a grid, we’ve definitely been trying to give more bang for the buck on every page. Technology so often drives changes in approach and in design.
   Maybe the new decade will force us to rethink this as people want calmer, more relaxed existences to counter the added stresses of work; whatever the case, we’ll continue to strive to present the best and most informative fashion magazine that we can. We thank our amazing team for creating so much beauty on every level, and we thank our readers for over two decades’ worth of support.—Jack Yan, Founder and Publisher


Jon Moe

Claudia Goetzelmann

Sixteen years separate these two. The commitment to quality and providing an intelligent read has not changed. Coincidentally, both were shot in California, and the older issue has that state’s current First Lady on the cover

 


Venezia kicks off festival with Cate Blanchett, Tilda Swinton, Ester Expósito, Élodie Yung, Taylor Hill

Filed by Lucire staff/September 3, 2020/0.18




Mihail Iosip

With COVID-19 still infecting people around the world, there was no Festival de Cannes to report on in May, but Venezia has managed to kick off a restricted version of the 77th Mostra internazionale d’arte cinematografica, or the Venice Film Festival, for 2020.
   September 1 saw the start of the Corradi Cinema Lounge at the Ausonia Hungaria hotel, which hosted the cast of Daniele Luchetti’s Lacci, this year’s opening film at the Mostra. The Lounge also hosted directors Andrea Segre (Molecole) and Carlo Hintermann (The Book of Vision).
   September 2, the day of the opening ceremony, saw the Lounge host director Christos Nikou and actress Sofia Georgovassili from Apples, Giona A. Nazzaro, and Jacopo Chessa. Sky Cinema 1 also filmed an episode there for broadcast on September 4 for its 100 × 100 Cinema programme with host Piera Detassis.
   On the red carpet for the opening were president of the jury Cate Blanchett, Adriano Giannini and Gaia Trussardi, Anna Foglietta, Daniele Luchetti, Diodato, Elena Bouryka, Élodie Yung, Ester Expósito, Giulia Rosmarini and Alberto Barbera, Giulia Valentina, Laura Morante, Linda Caridi, Luigi Lo Cascio, Marracash, Paola Turani, and Taylor Hill.
   Tilda Swinton was awarded the Golden Lion award and wore a Chanel white cotton blouse with smocking motifs and a long black crêpe layered skirt from the spring–summer 2020 haute couture collection, accompanied by the Chanel haute joaillerie Tweed frangé earrings in 18 ct white gold and diamonds, and the Plume de Chanel ring in 18 ct white and yellow gold and diamonds. Chanel also created her make-up.
   The Lounge showcases the exterior designs from Corradi, and is now in its sixth year at the festival. It has partnered with Hotcorn.com, a cinema website.























Mihail Iosip

 


Chanel releases Coco Mademoiselle l’Eau Privée, a night scent; Keira Knightley fronts campaign

Filed by Lucire staff/August 28, 2020/0.52



Keira Knightley is the face of Chanel’s Coco Mademoiselle l’Eau Privée, the house’s latest take on the Coco Mademoiselle range first launched in 2001.
   Overseen by Olivier Polge, Chanel’s in-house parfumier, l’Eau Privée has been described as ‘a watercolour scent’, dialling down the wooden notes in favour of orange, jasmine, rose and musk. Chanel says it remains true to the original oriental fragrance but is more ‘confidential’ and delicate. It is seen as a “night scent”.
   The bottle (50 and 100 ml) is in translucent frosted glass, with the words l’Eau Privée in gold lettering, looking more subtle against the contents.
   With the new addition, Coco Mademoiselle comes in five varieties: eau de toilette, eau de parfum, eau de parfum intense, parfum, and the new l’Eau Privée.





 


Samsung reveals five powerful Galaxy devices for work and play

Filed by Lucire staff/August 5, 2020/22.22




Korean giant Samsung has announced five new devices: two Galaxy smartphones (the Note 20 and Note 20 Ultra), two tablets (Tab S7 and S7+), the Galaxy Watch 3, Galaxy Buds Live (wireless earbuds), and a next-generation foldable smartphone (Galaxy Z Fold 2).
   The new entrants emphasize power and innovation, making Samsung a technophile’s dream. The Note 20s are made for work and play, coming with an enhanced S Pen, said to be more lifelike and accurate for those wanting to jot down ideas on their phones. The Note 20 phones are also designed to work more seamlessly with Windows 10, including syncing with various Microsoft programs.
   The phones have ultra-low latency 5G, wifi 6 optimization, 120 Hz displays, and an aspect ratio of 21:9. The cameras can film in 8K at 24 fps, and the pro mode can take shooting to 120 fps in full high-def. The Note 20s can connect wirelessly to smart TVs using Samsung DeX.
   Batteries are designed to last all day, and 50 per cent charge can be obtained in half an hour.
   The Ultra’s Infinity-O screen measures 6·9 inches, using Quad HD+ Dynamic AMOLED, with a resolution of 3,088 by 1,440 pixels, for a pixel depth of 496 ppi. The regular Note 20 comes close, with 6·7 inches and a Super AMOLED Plus Infinity-O display with a 2,400 by 1,080 resolution (393 ppi).
   The tablets also refresh at 120 Hz, with the Tab S7+ featuring a 12·4-inch Super AMOLED display. The regular Tab S7 measures 11 inches. They also have an improved S Pen and can be used to extend a PC’s display.
   The Watch 3 is slimmed-down and has enhanced health information, with Samsung promising a blood oxygen feature, where one can measure and track oxygen saturation. There is a running analysis program, and VO2 Max follows one’s cardio progress.
   The Galaxy Buds Live are wireless and comfortable earbuds, and feature 12 mm speakers. Samsung says they will play deeper, richer sounds thanks to their bass ducts. They also feature active noise cancellation.
   Finally, the Galaxy Z Fold 2 is the best of both a smartphone and a tablet. It features two nearly bezel-less Infinity-O displays, with the cover screen measuring 6·2 inches and the main screen 7·6 inches.

 


Asus launches ROG Phone 3, first gaming phone to pass TÜV Rheinland eye care certification

Filed by Lucire staff/August 4, 2020/12.50


We have long been critical of the tech industry for not creating more gadgets that reduce blue light, instead expecting people to adapt to technology by donning blue-light glasses. In this context, it’s a welcome sight to see Asus launch its ROG Phone 3 gaming phone, the first of its type to pass the TÜV Rheinland Group’s certification on eye care.
   The phone has a 144 Hz AMOLED display, measuring 6·59 inches. It has an industry-leading 270 Hz touch-sampling rate, decreasing the touch latency to a mere 25 ms.
   The ROG Phone 3 features a Qualcomm Snapdragon 856 Plus 5G mobile platform, which Asus says is the world’s fastest. The CPU is clocked at 3·1 GHz. It can handle up to 16 Gbyte LPDDRS RAM, and 512 Gbyte UFS 3·1 ROM.
   Adherence to TÜV Rheinland’s standards can reduce the harmful blue light emitted by screens. The new phone’s blue-light reduction is handled by hardware, using the latest 2020 standard that avoids a yellowish distortion of the image. Asus has improved the LCD panel, further reducing blue-light emission. There is also low screen flicker, helping to reduce eye fatigue and suppress blue-light emissions.
   TÜV Rheinland’s Taiwanese office said it looked forward to working with Asus on future eye-friendly products.

 


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