From top Gemma Arterton (Made in Dagenham) in DsquaredÂ² on the red carpet at the Olivier Awards. Dame Judi Dench and Kevin Spacey with his award, recognizing his contribution to the London theatre. Best supporting actress winner Dame Angela Lansbury (Blithe Spirit).
After a five-day tour of their Armenian homeland, Kim Kardashian and husband Kanye West arrived in Israel, and had their daughter, North, baptized. The couple, along with Kardashian’s sister KhloÃ«, had the service at St James’ Cathedral, a 12th-century Armenian church in the old walled city in Jerusalem, in what was described as a ‘minimalist’ ceremony. West wore white, while Kardashian wore a peach and beige ensemble.
Gemma Arterton got plenty of notice at the Olivier Awards at the weekend, wearing a DsquaredÂ² black dress with a plunging neckline. Arterton was nominated for her role in Made in Dagenham, but lost to Penelope Wilton, who won the best actress award for Taken at Midnight. But it was Dame Angela Lansbury who was the winner getting most of the attention at the end of the ceremony at the Gielgud Theatre in the West End: at 89, she took home the best support actress award for Blithe Spirit. Other celebrities walking the red carpet were nominees Gillian Anderson (A Streetcar Named Desire) and Nicole Scherzinger (Cats), and Kevin Spacey, who received an award for his contribution to the London theatre from Dame Judi Dench.
Our final video today is from the 2015 MTV Movie Awards at the Nokia Theater in Los Angeles, hosted by Amy Schumer. Fashion highlights on the red carpet were from Jennifer LÃ³pez in a black blazer with a plunging neckline and Scarlett Johansson in hot pink. Shailene Woodley (with four awards), Robert Downey, Jr and Mark Ruffalo also feature. We’ll have our report from the pre-awards’ suites very shortly.
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A departure from the usual approach of showing top models in intimate apparel, Triumph has launched an animated movie, Find the One (hashtag #FindTheOne), to promote the perfectly fitting bra.
The two-minute spot, which will air from April 13 in Germany, the UK and Italy, evokes a romantic, Disney-esque style that many wearers will be familiar with, along with a memorable musical number entitled ‘Find the One’. However, instead of finding Prince Charming, the song is about the ‘life-changing experience’ (Triumph’s words) of finding the right brassiÃ¨re.
The main animated character, Hannah (right), is based around Triumph and Sports Illustrated Swimsuit Issue model Hannah Ferguson, who appears in real-life form at the end of the spot.
In true fairy-tale form, Hannah appears with her friends Tammy and Mara, who head to the boutique with her, Fred the Frog and the Fairy Godmother, who appears as a dress form.
Stories AG’s Tobias Fueter and Yves Bollag were behind the animation and the characters. Fueter said, â€˜Triumph is a fantastic brand for which to create an emotional story. Women easily identify with animated characters, which explains the success of animated fairy tales all over the world.â€™
The score was composed by Tony Award-winning composer, Jason Robert Brown, with the vocal performed by three Broadway singers. The Prague Filmharmonic Orchestra performed the score.
Eszter Szijarto, Head of Brand Marketing at Triumph, said, â€˜It is really important for us to find new ways of bringing to life the bra finding journey so that we continue to inspire customers to go for a fitting and find the perfectly fitting braâ€”â€œThe One”.â€™
Through the spot, Triumph wishes to encourage women to look at getting properly fitted for a bra as part of its campaign, aiming to help 500,000 women this year.
To celebrate the spot, Triumph is running an international competition for its customers, with the hashtag #animateme. The winners will receive an illustration of themselves in the animated style of the film. Details of the competition will be revealed on April 22 and will run through May 13.
Ferguson wears the Triumph Magic Wire bra at the conclusion of the film. The innovative, award-winning bra features silicone instead of underwire, making it more comfortable to wear.
Triumph’s Find the One page can be found at triumph.com/findtheone. Customers can visit a Triumph boutique for a fitting or book online.
The St Regis Ä°stanbul hotel has dÃ©buted a Bentley suite, named for the car brand, its interior inspired by the current Continental GT model.
A collaboration with St Regis Hotels & Resorts, the suite features a balcony overlooking MaÃ§ka Park with views of the Bosphorus and the city. There are floor-to-ceiling windows showcasing Ä°stanbul’s sights.
Bentley design cues are present in the living room, bedroom, the one and a half baths, the dressing room and powder room.
The entrance’s mirrored ceiling reflects the marble floor, inset with a Continental GT wheel-inspired design. The living area’s veneer walls are meant to evoke the Continental’s interior, and the living room’s sofa’s leather is shared with the car’s. Bentley’s diamond upholstery is present on the sofas, which have two champagne bottle coolers, while the light installation evokes the Continental’s jewelled headlights. The curves of the NÃ¼rburgring race track are suggested in the way the rug has been cut, and both the living area and bedroom rugs capture the Bentley grille in abstract form.
The wet bar, with olive ash, is inspired by the Bentley’s dashboard, and the bar doors reveal three Breitling clocks. The humidor in the bar set-up has been hand-crafted in Bentley’s own wood shop. Items from the Bentley home collection feature throughout the suite, including the chaise in the bedroom.
The work desk sits alongside a 40-inch pop-up television, while the bed base, tailor-made from burgundy hide and bright engine spin, also conveys the lines of the Bentley Continental GT’s interior. Controls for the room are accessed via a touch panel and Ipad.
The master bathroom has a dual-basin sink, glass-enclosed rainforest shower, and free-standing glass-enclosed bathtub. There is a 19-inch mirror TV and an adjacent dressing room. The suite also has an additional full bathroom and powder room.
Naim Audio equipment, which is available on the Bentley as an option, appears throughout, with the SuperUniti player in the living room, and the Mu-so wireless system in the bedroom.
The new hotel has been designed by Emre Arolat in the art-dÃ©co style. Wolfgang Puck’s Spago restaurant and the Iridium Spa also appear at the new property.
Dove wants to change the way women think about themselves with its new campaign, called Choose Beautiful. According to its 2010 research, 96 per cent of women do not choose the word beautiful to describe how they look. Its new five-minute film, shot in San Francisco, Shanghai, New Delhi, London and SÃ£o Paulo, encourages women to choose beautiful to describe themselves, to radiate their inner confidence and become happier.
The film shows a building with two doorways: ‘Average’ and ‘Beautiful’. Those who chose the latter reported that they felt better, having made a statement publicly about how they viewed themselves.
It ties in with Dove’s #SpeakBeautiful campaign to encourage women to understand how words impact on self-esteem and confidence.
Dove will partner with Women in the World this year, a summit that brings together inspirational female leaders to discuss women’s issues. This year’s summit in New York, on April 22â€“4 at the David H. Koch Theater, includes Meryl Streep, Helen Mirren, Freida Pinto, Thandie Newton, Ashley Judd, former senator Hillary Rodham Clinton, Diane von Furstenberg, Barbra Streisand, Christiane Amanpour, Obiageli Ezekwesili (Bring Back Our Girls), author Elif Shafak, North Korean human rights’ activist Yeonmi Park, Sen. Kirsten Gillibrand, Zainab Salbi and others. Dove will host a session on the 24th, ‘The Beautiful Brain’, discussing beauty and choice with Newton, Dr Stacie Grossman Bloom, Assistant Professor, Department of Neuroscience and Physiology at the NYU Langone Medical Center, and Dr RÃ©nÃ©e Engeln, Professor of Psychology, Northwestern University.
The five-minute film is shown below, and Dove has set up a site on Tumblr.
A week after previewing the new XF in a high-wire stunt over Victoria Docks in London, Jaguar has released images and details of the car as it enjoyed its official dÃ©but at the New York Auto Show.
The second-generation XF is recognizably Jaguar, stylistically an evolution of the 2007 X250 model that brought the company’s saloon car range into the 21st century. Prior to the XF, Jaguar saloons had been stuck in a sort of time warp, reminding customers regularly of the 1968 XJ6. The original XF changed that, with its fresh, fastback styling and, in the interior, the rotary dial gear selector, which helped give the cabin a feeling of airiness.
But underneath the svelte styling, the XF did not share the aluminium-intensive construction methods of the larger XJ, something which the second-generation model remedies. Now up to 190 kg lighter than the outgoing model, the use of aluminium has allowed Jaguar to create a more rigid, refined car that’s also more fuel-efficient, according to the company’s figures. Jaguar cites carbon dioxide emissions of 104 g/km and the new four-cylinder Ingenium diesel gets 71Â·7 mpg (Imperial) in fuel economy, though it remains to be seen just how well it will fare in the real world.
The weight saving means that the new XF is cleaner, and Jaguar claims it is 80 kg lighter than the competition, using the base model for comparison. In terms of environmental impact, Jaguar Land Rover uses a form of aluminium alloy called RC5754, which is predominantly made from recycled material, for its pressings.
The body is also more slippery, helping with efficiency, with the drag coefficient dropping from 0,29 to 0,26 on the new model.
The company is emphasizing its leadership in aluminium usage, especially extending it from the large XJ saloon down to its entry-level XE, launched last year.
By increasing the wheelbase by 51 mm while cutting overall length, Jaguar has increased the interior room, and with the sixth light added in the design, the car now appears lighter and roomier inside.
The cockpit is dominated by a configurable 10Â·2-inch touch-screen, while the maps for the sat-nav are stored on a 60 Gbyte solid-state hard drive.
The front suspension is modelled after the F-type sports carâ€™s, with the company claiming segment-leading handling for the new model.
Other goodies include parking assist for bay and parallel parking, adaptive cruise control, and even reverse traffic detection, to warn drivers of fast-approaching traffic. The laser head-up display is also sharper than comparable TFT systems, with higher contrast; the unit is also a third lighter, which helps the XF save weight.
Menswear designer Murray Crane (above) joins a select group of celebrities such as Sir Ben Kingsley, Idris Elba and Stella McCartney as he becomes Jaguar’s latest brand ambassador.
Crane is the first specifically appointed for the New Zealand market and, to commemorate the announcement, he has designed a Jaguar Ã— Crane Brothers suit.
The suit uses a fine worsted wool in navy pinstripe sourced from Dugdale Bros. & Co. in Yorkshire, with a British racing green lining, an intentional nod to the Jaguar Villains campaign.
The icing on the cake for New Zealand customers who buy a new XF from April 1 will be their own tailored Crane Brothers suit, personally fitted by Crane himself at a Crane Brothers store, or a location of their choice, as a perk of the purchase.
Jaguar says the partnership with Crane Brothers is a natural one. James McKee, Jaguar New Zealand’s marketing manager, said, ‘We approached Crane Brothers as we feel the brand truly embodies the spirit of Jaguar and weâ€™re delighted to announce Murray Crane as Jaguarâ€™s first New Zealand ambassador. The strong brand synergy means together we can offer customers an even more exceptional Jaguar experience.’
The company sees Crane’s flair for style, luxury and innovation as natural fits for its own brand, which, since the second-generation XK sports car, it has pursued, resulting in the new F-type and XE, which arrives in New Zealand this year.
Crane said, ‘For Crane Brothers as a business, this partnership represents an enormous opportunity to work with an international brand in such a significant way. Personally it inspires me to continue to raise the standard of what we do and reward our clients by continuing to improve and develop.’
Victoria & Albert Museum
The Victoria & Albert Museumâ€™s Alexander McQueen: Savage Beauty exhibition has proven to be one of its most popular, with 70,000 tickets sold two days before it opened to the public.
The retrospective has 66 additional garments that were not seen in the earlier exhibition at the Metropolitan Museum of Art, and has an extra third more space.
The opening on Thursday night saw David and Victoria Beckham (video below), Kate Moss and Jamie Hince, Salma Hayek and FranÃ§ois Pinault, Naomi Campbell, Erin O’Connor, Colin Farrell, Poppy Delevingne, Eva Herzigova and FKA Twigs attend.
Victoria Beckham wore a black strapless gown from her own collection at the V&A gala. Moss wore a design from the pre-autumn 2015 collection from the Alexander McQueen label, while Campbell donned a design from McQueen’s springâ€“summer 2007 collection.
Moss herself appears in holographic form in the exhibition.
For those who cannot get there in person, Tinie Tempah offers a private view on the BBC’s Iplayer, with a personal tour online on March 14, at 9 p.m.
McQueen committed suicide in 2010 on the eve of his mother’s funeral.
The exhibition, in partnership with Swarovski and others, runs from March 14 to August 2, with admission at Â£16.
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