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September 23, 2016

Gillian Saunders takes top honours at 2016 World of Wearable Art Awards’ Show, with Supernova

Lucire staff/11.00




WOW

New Zealand designer Gillian Saunders has scooped the Brancott Estate Supreme Award at tonight’s World of Wearable Art (WOW) Awards’ Show. Saunders, who had entered 15 garments before her winning entry, Supernova, has won eight awards prior to 2016, but this is the first time she has taken out the top prize.
   Saunders, who was born in England, has been involved in television and theatre for most of her working life. She was trained in Yorkshire, and went on to Christchurch, New Zealand, where she worked as a props’ maker for the Court Theatre.
   â€˜I had been making stage props for theatre and TV for years. WOW was the perfect challenge—could I make props for the body as well?’ she said.
   Supernova was inspired by ‘Thierry Mugler’s Chimera dress [from the autumn–winter 1997–8 collection], … the iridescent spiny fins of the Hippocampus from the Percy Jackson movie The Sea of Monsters, and some incredible NASA images taken by the Hubble Telescope,’ she noted. ‘Once all these elements were combined, Supernova was brought to life.
   â€˜The large gems represent new stars being born and the dark shadows represent deep space. Each scale has been individually cut, shaded with marker pens and then hand-sewn on to the garment. Each gem has had its sticky backing removed and then glued on by hand.’
   Saunders also won the Avant-Garde section in this year’s competition, judged by WOW founder Dame Suzie Moncrieff, Zambesi’s Elisabeth Findlay, and sculptor Gregor Kregar.
   Dame Suzie said, ‘Supernova has the design innovation, the construction quality and vibrant stage presence in performance to win WOW’s top award.’
   Saunders’ 2013 design, Inkling, won the Weta Creature Carnival Award and an internship for her at Academy Award-winning Weta Workshop. It is currently part of the WOW international exhibition, touring around the world, and presently at the EMP Museum in Seattle, Washington, where it will be displayed till January, after which the exhibition will head to the Peabody Essex Museum in Boston, Mass.
   She also won the Avant-Garde section in 2007 with Equus: behind Closed Doors, while in 2009, Tikini was second in the Air New Zealand South Pacific section.
   Designers from New Zealand, China, India, England, Australia, and the USA won awards in each section.
   The American Express Open section this year saw Renascence, by Yuru Ma and Siyu Fang of Shanghai take first place. The Spyglass Creative Excellence section was won by Mai (I), by Pritam Singh and Vishnu Ramesh of Gujarat. Queen Angel, by Adam McAlavey of London, won the MJF Lighting Performance Art section.
   Baroque Star, by Natasha English and Tatyanna Meharry of Christchurch, won the Weta Workshop Costume and Film section, netting the duo a four-week internship at Weta Workshop, plus travel, accommodation, and prize money.
   The Wellington Airport Aotearoa section was won by Maria Tsopanaki and Dimitry Mavinis of London, with their creation Princess Niwareka. The World of Wearable Art and Classic Cars Museum Bizarre Bra section was won by Julian Hartzog of Tarpon Springs, Fla., with Come Fly with Me.
   Of the special awards, Dame Suzie chose Incognita, by Ian Bernhard of Auckland, as the most innovative garment, giving it the WOW Factor Award. Renewal, by Alexa Cach, Miodrag Guberinic and Corey Gomes, won the First-Time Entrant Award. The Knight by Jiawen Gan of the Beijing Institute of Fashion Technology won the Student Innovation Award. The Sustainability Award, recognizing the protection of our environment and the use of materials that would otherwise be discarded, was won by Bernise Milliken of Auckland, for Grandeer. Digital Stealth Gods, by Dylan Mulder of Wellington, won the Wearable Technology Award. The Wellington International Award, given to the best international entry, was won by Daisy May Collingridge of Woldingham, Surrey, England, for Lippydeema. Collingridge also won the UK–Europe Design Award with this entry.
   Khepri, by Miodrag Guberinic and Alexa Cach of New York, NY, won the Americas Design Award. Yu Tan of Shanghai won the Asia Design Award with The Renaissance Happens Again, while Cascade, by Victoria Edgar of Geelong, Victoria, won the Australia and South Pacific Design Award.
   The David Jones New Zealand Design Award was won by Voyage to Revolution, by Carolyn Gibson of Auckland.
   The Cirque du Soleil Performance Art Costume Award, chosen by Denise Tétreault, Costumes Lifecycle and Creative Spaces Director of the Cirque du Soleil, was won by Digital Stealth Gods, by Dylan Mulder. Mulder receives prize money, flights and accommodation for a one-month internship at Cirque du Soleil’s headquarters in Montréal, Québec.
   WOW runs in Wellington, New Zealand, through to October 9, and will be seen by 58,000 people live during its run. It employs over 350 cast and crew.
   This year, 133 entries by 163 designers (some worked in pairs) were received, competing for a prize pool of NZ$165,000.



WOW


Renascence, by Yuru Ma and Siyu Fang, Shanghai.


Mai (I), by Pritam Singh and Vishnu Ramesh, Gujarat.


Queen Angel, by Adam McAlavey, London.


Baroque Star, by Natasha English and Tatyanna Meharry, Christchurch, New Zealand.


Princess Niwareka, by Maria Tsopanaki and Dimitri Mavinis, London.


Come Fly with Me, by Julian Hartzog, Tarpon Springs, Fla.


Incognita, by Ian Bernhard, at AUT, Auckland.


Renewal, by Alexa Cach, Miodrag Guberinic and Corey Gomes.


Grandeer, by Bernise Milliken, Auckland.


Digital Stealth Gods, by Dylan Mulder, Wellington.


Lippydeema, by Daisy May Collingridge, Woldingham, Surrey.


Khepri, by Miodrag Guberinic and Alexa Cach, New York.


The Renaissance Happens Again, by Yu Tan, Shanghai.


Cascade by Victoria Edgar, Geelong, Victoria.


Voyage to Revolution by Carolyn Gibson, Auckland.

June 28, 2016

Keira Knightley to front Chanel Coco Crush campaign for autumn 2016, directed by Mario Testino

Lucire staff/1.48


Mario Testino

Keira Knightley is the new face of Chanel’s Coco Crush haute joaillerie campaign, directed by Mario Testino and scheduled to break in the northern autumn.
   In 2011, Knightley became the face of the Coco Mademoiselle perfume, and she also fronts the company’s Rouge Coco collection.
   Chanel describes its Coco Crush collection as ‘euphoric’ and ‘hedonistic’, featuring pieces that are ‘voluptuous, sensual and timeless’.
   Knightley’s upcoming film is Collateral Beauty, directed by David Frankel, where she co-stars alongside Will Smith and Kate Winslet.

June 16, 2016

From supermodels to film: celebrating the work of Peter Lindbergh at Kunsthal Rotterdam

Lucire staff/13.41




Top: An image that kicked off the 1990s, with supermodels Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford in New York, appearing on the cover of British Vogue in January 1990. Copyright ©1990 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Centre: Wild at Heart, with Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder and Stephanie Seymour, Brooklyn, 1991, appearing in Vogue. Copyright ©1991 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Above: Kate Moss, Paris, 2015, wearing Giorgio Armani, spring–summer 2015. Copyright ©2015 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery).

An exhibition on Polish-born, French-based photographer Peter Lindbergh, entitled Peter Lindbergh: a Different Vision on Fashion Photography, opens at the Kunsthal Rotterdam on September 10 at 5.30 p.m., running through February 12, 2017. It marks the first Dutch exhibition of Lindbergh’s work.
   Some of the most iconic fashion images of the past generation have been shot by Lindbergh, whose work is regularly seen in various editions of Vogue, and in The New Yorker, Rolling Stone, Vanity Fair, Harper’s Bazaar, The Wall Street Journal Magazine, Visionaire, Interview and W. Exhibitions of his work have been held around the world beginning with the V&A in 1985. Lindbergh’s black-and-white 1990 Vogue photograph of Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford was one that helped cement the reputation of the supermodels, if not arguably kicking off the era itself. Lindbergh’s work gave a sense of reality about his subjects, with his humanist, documentary approach.
   Said Lindbergh in an Art Forum interview earlier this year, ‘A fashion photographer should contribute to defining the image of the contemporary woman or man in their time, to reflect a certain social or human reality. How surrealistic is today’s commercial agenda to retouch all signs of life and of experience, to retouch the very personal truth of the face itself?’
   The exhibition features over 220 photographs and includes exclusive and previously unseen material, including personal notes, Polaroids, storyboards, films and prints. It is divided into nine different sections, representing the different themes in Lindbergh’s creative development: Supermodels, Couturiers, Zeitgeist, Dance, the Darkroom, the Unknown, Silver Screen, Icons, and an exclusive Rotterdam Gallery. This final section contains Lindbergh’s work for the October 2015 issue of Vogue Nederland, with Lara Stone and Elise Hupkes at the Port of Rotterdam.
   Lindbergh’s critically acclaimed Models: the Film (1991) will be screened, along with interviews with Grace Coddington, Nicole Kidman, Mads Mikkelsen, Cindy Crawford and Nadja Auermann.
   Guest curator Thierry-Maxime Loriot points out that the exhibition is not chronological, but a narrative about the photographer.
   The Kunsthal Rotterdam noted, ‘Peter Lindbergh introduced a new realism into photography. His timeless images redefine the norms of beauty. Lindbergh’s visual idiom is influenced by the language of film and by playing with the type of the strong, self-willed woman, from the femme fatale to the heroine, but also the female dancer and the actress. His Å“uvre is characterized by portraits that radiate a certain lack of inhibition and physical grace.’
   The exhibition is accompanied by a hardcover monograph, Peter Lindbergh: a Different Vision on Fashion Photography, retailing for €59,99 (link at Amazon.de), US$69·99 (link at Amazon.com) or £44·99 (link at Amazon UK), curated by Loriot, designed by Paprika of Montréal, and published by Taschen. The introduction has been authored by Kunsthal director Emily Ansenk, while the book features an essay on Lindbergh’s work by Loriot with commentaries from, inter alia, Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford and Anna Wintour.

May 23, 2016

Lily-Rose Depp announced as face of Chanel No. 5 l’Eau

Lucire staff/11.14



Chanel/Getty Images

Of all the celebs that Chanel could have talked up during the Festival de Cannes, only two appeared on our radar: Gaspard Ulliel and Lily-Rose Depp. It wasn’t that big a surprise that the teenager has been announced as the new face of Chanel No. 5 l’Eau, a new fragrance created by Olivier Polge.
   Depp, 16, is the daughter of Johnny Depp and Vanessa Paradis, and is already the face of the Chanel Pearl eyewear collection launched last September.
   She had already been spotted at Cannes on the 13th for the release of La danseuse (The Dancer), in which she appears, kitted out in Chanel, wearing a black silk bustier dress from its autumn–winter 2016–17 prêt-à-porter collection and shoes from the brand; her make-up was exclusively Chanel as well.
   The announcement from Chanel came at the same time Depp released it on her Instagram, telling the world, ‘I’m so excited to announce that I am the face of the new Chanel Number 5 L’EAU!’
   The new campaign will break in the autumn and will be directed by Johan Renck.
   Other than La danseuse, directed by Stéphanie Di Giusto, Depp will star in two other films: Yoga Hosers, directed by Kevin Smith; and Planetarium directed by Rebecca Zlotowski.
   Paradis has helmed her share of advertising campaigns, including for H&M’s Conscious Collection, and Chanel itself.

May 21, 2016

AmFAR Cannes gala raises $25 million: Katy Perry, Sonam Kapoor, Bella Hadid, Doutzen Kroes, Paris Hilton among VIPs

Lucire staff/13.33




Pascal Le Segretain; Gareth Cattermole; Kevin Tachman/AmFAR

The swankiest do during the Festival de Cannes is the AmFAR gala, held at the Hôtel du Cap-Eden-Roc, and presented by Harry Winston and Bold Films. The event, Cinema Against Aids, raised over US$25 million supporting AmFAR, the Foundation for Aids Research, and its pursuit of a cure for HIV–Aids. Sponsors included the Weinstein Company, Renault, and Moët Hennessy.
   Kevin Spacey MCed the event, with his impressive mimicry, playing Johnny Carson, Bill Clinton, Jack Lemmon, Al Pacino, and his Frank Underwood from the US House of Cards remake. Adrien Brody, among others, furnished artwork that was auctioned to raise funds for AmFAR; other items included a Damien Hirst sculpture and a week-long stay at Leonardo DiCaprio’s home in Palm Springs. Swiss art auctioneer Simon de Pury presided over the auction.
   Katy Perry (in Marchesa), the Village People, Sister Sledge and the Bluebell Girls performed live, and Carine Roitfeld curated a fashion collection with a disco theme featuring Karlie Kloss (who arrived in Marchesa), Jourdan Dunn, Bella Hadid, and Doutzen Kroes (who arrived wearing Tom Ford), among others. The collection raised over US$1 million.
   Celebrities attending included Brody and DiCaprio, Harvey Weinstein, Dame Helen Mirren (who, like so many of her L’Oréal Paris spokespeople attending, wore make-up from the brand), Milla Jovovich, Paris Hilton (with jewellery by Avakian), Barron Hilton, Uma Thurman, Sonam Kapoor (in Ralph & Russo), Heidi Klum, Irina Shayk (in Miu Miu), Faye Dunaway, Alessandra Ambrosio (in Redemption, with Jimmy Choo shoes and jewellery by Boucheron), Toni Garrn, Jasmine Tookes, Karolína Kurková (in Armani Privé and Harry Winston jewellery) and Archie Drury, Ana Beatriz Barros (in Ralph & Russo), Petra NÄ›mcová (in Georges Chakra with jewellery by Chopard), Barbara Palvin (in Armani Privé), Hailey Clauson, Sasha Luss, Sharam Diniz, Valery Kaufman, Izabel Goulart, Sophie Taylor, Chanel Iman, Liu Wen, Elle Fanning, Joel Edgerton, Orlando Bloom, Chris Tucker, Kirsten Dunst, Vanessa Paradis, Diego Luna, Mads Mikkelsen, Joel Edgerton, Juliette Binoche, Rosie Huntington-Whiteley, Eva Herzigova, Chloë Sevigny, Julian Lennon, Lewis Hamilton, Matt Bellamy, Adriana Lima, Nicolas Winding Refn, Nina Agdal, Elif Aksu, Mert Alas, Alina Baikova, Natasha Poly (in Roberto Cavalli), Mischa Barton, Boris Becker, Dean Caten, Dan Caten, Eva Cavalli, Anna Cleveland, Mina Cvetković, Heidi de la Rosa, Lily Donaldson, Isabeli Fontana, Georgia Fowler, Luma Grothe, Jessica Hart, Jacquelyn Jablonski, Xiao Wen Ju, Liya Kebede, Lara Leito, Maryna Linchuk, Angela Lindvall, Sasha Luss, Catrinel Marlon, Angela Martini, Stella Maxwell, Margot Moe, Mia Moretti, Hanne Gaby Odiele, Soo Joo Park, Marcus Piggott, Julia Restoin Roitfeld, Vladimir Roitfeld, Olivier Rousteing, Remo Ruffini, Dragos Savulescu, Lucky Blue Smith, Lara Stone, Daria Strokous, Kasia Struss, Jasmine Tookes, Dasha Zhukova, and AmFAR board chairman Kenneth Cole.









































































May 20, 2016

Bella Hadid, Irina Shayk, Ming Xi, Jourdan Dunn, Isabeli Fontana glam up Festival de Cannes’ day 8

Lucire staff/14.15



Venturelli

Bella Hadid grabbed plenty of attention on day eight of the Festival de Cannes, wearing a red Alexandre Vauthier custom silk wrap gown that left few of the 19-year-old’s curves to the imagination. With a deep neckline and a thigh-high slit, the gown ensured plenty of paparazzi snapped her at the première of La fille inconnue (The Unknown Girl). She narrowly avoided a revealing “wardrobe malfunction” thanks to a red thong—a moment captured by some paparazzi and camera operators. She complemented her Vauthier gown with Giuseppe Zanotti sandals and jewellery by de Grisogono.
   Also choosing to go with de Grisogono for jewellery on day eight were Shanghai-born model Ming Xi (奚夢瑤) in a sparkling silver Zuhair Murad holiday 2016 gown and Jourdan Dunn in a Ralph & Russo haute couture spring–summer 2016 white silk gazar ball gown with a hand-painted floral design and crystal and glass beading. Ana Beatriz Barros also chose Ralph & Russo, wearing an asymmetric teal chiffon gown with draped train, as did Chanel Iman that same evening at the Planet Finance Foundation Gala Dinner.
   Irina Shayk, walking the red carpet for L’Oréal Paris, went for a more subtle look up front with her black Miu Miu gown—but round the back were diamante chains and extravagant feather detail on the hems—the perfect contrast. Make-up was again very natural, with L’Oréal Paris’s make-up artists opting for lighter to medium shades in the Brow Artist Genius Kit and the Rosé shade in the Color Riche La Palette. To suit Shayk’s complexion, they chose Cushion Nude Magique foundation in Rosy Beige, and the Glam Bronze Cushion de Soleil. For the eyes, L’Oréal Paris’s False Lash Sculpt in black and Super Liner Black ‘n’ Sculpt gave her movie-star looks. Dame Helen Mirren, Soo-Joo Park and Isabeli Fontana also wowed as L’Oréal Paris ambassadors, and racing driver Lewis Hamilton joined them as the sole male for the brand.
   Rosie Huntingdon-Whiteley, like Shayk and Hadid, went for a backless gown, and chose a pleated, draped red design from Alexandre Vauthier. Liya Kebede chose an emerald green design from Haider Ackermann, while Alessandra Ambrosio wore Michael Kors.




























May 19, 2016

Kim Kardashian, Toni Garrn, Paris Hilton, Chanel Iman, Milla Jovovich at de Grisogono party at Hôtel du Cap-Eden-Roc

Lucire staff/16.04


Matteo Prandoni/BFA.com


Matteo Prandoni/BFA.com

De Grisogono and its founder and creative director Fawaz Gruosi played host to one of the Festival de Cannes’ most anticipated soirées at the Hôtel du Cap-Eden-Roc. A high-fashion jewellery show, with dresses by Elie Saab, followed by an extravaganza by Ekdokimov, the launch of Euronews’s new identity, a dinner for 650 guests, and a private performance by the Earth, Wind & Fire Experience featuring the Al McKay Allstars, DJ Jack E and DJ Willy.
   Given the Zeitgeist, it was Kim Kardashian West (in Lan Yu) who grabbed paparazzi attention on the evening of day 7, but there were plenty of other top stars there, too: Robert de Niro and Grace Hightower, Paris Hilton looking more radiant than ever, Chanel Iman, Ana Beatriz Barros, Milla Jovovich, Toni Garrn and Chandler Parsons, Harvey Weinstein and Georgina Chapman, Bella Hadid (in Givenchy), Siran Manoukian, Hofit Golan, Valeria Golino, Hailey Clauson, Chris Tucker, Denise Rich, Victoria Lopyreva, Mischa Barton, Mohammed al Turki, David Wertheimer and Toghzan Izbassarova, Lara Lieto, Stephen Hung, Amaury Nolasco, Godeliv van den Brandt, Natasha Poly, Maryna Linchuk, Doina Ciobanu, Rose Bertram, Kenneth Cole, Alina Baikova, Gala Gonzalez, Eva Cavalli, Carolina Parsons, Jean-Roch, Édgar Ramírez and Ana de Armas from Hands of Stone, Violetta Gruosi, Amy Jackson, Gregory van der Weil, Ivana Trump and Massimo Gargia.
   And since you can never get by without your Mum, Kardashian West’s mother Kris Jenner was also a VIP at the extravagant soirée held during the Festival de Cannes.
   Gruosi took the opportunity to showcase a flawless, colourless rough diamond weighing 404 ct with flawless clarity, one of the 30 largest top-quality ones ever found, and the largest found in Angola.










































































Barbara Palvin, Izabel Goulart, Lucky Blue Smith, Natasha Poly shine at Festival de Cannes for day 7

Lucire staff/9.47


Pascal Le Segretain


The Festival de Cannes’ seventh day saw the premières of Julieta, directed by Pedro Almodovar, and Personal Shopper, starring Kristen Stewart. But all eyes were on the fashion again at the Palais des Festivals: Natasha Poly and Lara Stone represented L’Oréal Paris, with the Russian model wearing a Prada pink, black and gold strapless gown with bow detail and jewellery by de Grisogono, and the Dutch model also choosing Prada, with a cream gown accessorized with Repossi jewels.
   Barbara Palvin returned for her second year representing L’Oréal Paris, wearing a Philosophy di Lorenzo Serafini spring–summer 2016 V-neck gown with ruffled sleeves, Izabel Goulart wore a Ralph & Russo spring–summer 2016 haute couture nude silk satin chiffon robe with pleated godets over a beaded blush pink bustier, with jewellery by de Grisogono and shoes by Giuseppe Zanotti; Karlie Kloss donned a Louis Vuitton long-sleeve sequinned gown; and Luma Grothe wore a sheer Patricia Bonaldi gown with Montblanc jewellery. Lucky Blue Smith, completing the ensemble of L’Oréal Paris spokeswomen on day seven, wore Yves Saint Laurent.
   Also spotted at the Cannes Film Festival were Adriana Lima wore a Prada gown with Chopard earrings from the company’s haute joaillerie collection, Petra NÄ›mcová wore a Saffiya spring–summer 2016 gown with Giuseppe Zanotti sandals and Chopard jewels; and Cindy Bruna wore Zac Posen with jewels by Chopard.



































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