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Documentary series coinciding with Christian Dior’s 70th anniversary starting February 9 on More4


NEWS  by Lucire staff/February 1, 2017/21.50



Top: Maria Grazia Chiuri takes a bow after her first collection. Above: From the archives, Christian Dior himself measuring a model.

With Christian Dior celebrating its 70th anniversary this year, with a feature appearing in an upcoming Lucire and an exhibition at the NGV, it’s the perfect time to take a look back at one of France’s (and fashion’s) most storied names.
   More4 will broadcast a two-part series in the lead-up to London Fashion Week, called Inside Dior, an observational documentary airing on Thursday, February 9 at 9 p.m., and the following week on February 16 at 9 p.m.
   From a house that began with one head designer, and his pioneering New Look, to a billion-dollar brand, the series examines Dior’s past and present.
   The first episode begins with a star-studded party at Christian Dior’s restored summer mansion, La Colle Noire, outside Grasse in the south of France, hosted by Charlize Theron. The Dior cruise 2017 show at Blenheim Palace and a haute couture show form the core of the episode, with behind-the-scenes footage of Dior staff getting ready for the shows, and clients who are entertained at opulent, formal dinners in Paris. It also deals with the company’s search for a new creative director to replace Raf Simons.
   The second episode follows Dior’s first female creative director, Maria Grazia Chiuri, preparing for her first collection at Paris Fashion Week (noted in Lucire issue 36). It also looks at Christian Dior’s beauty business, examining François Demachy, the company’s nose, on creating a Dior perfume, and Peter Philips, its make-up director, on creating a catwalk look. The episode ends as celebrities Kate Moss, Rihanna, and Natalie Portman arrive along with the world’s press at Chiuri’s first Dior spring 2017 catwalk show.


Above: Bella Hadid and other models walk at the conclusion of the Dior cruise 2017 show.

Supermodel Kate Moss to be the face of Dutch label Nikkie from autumn ’17


NEWS  by Lucire staff/December 14, 2016/10.47

Dutch label Nikkie, founded by Nikkie Plessen in 2011, has scored a coup by securing supermodel Kate Moss as its brand ambassador.
   Moss will make her début for Nikkie for its autumn–winter 2017–18 collection.
   Plessen announced the news during her spring–summer 2017 collection presentation in Amsterdam, attended by Moss.
   In a release, Plessen said, ‘I am incredibly proud of the fact that supermodel Kate is the new face of Nikkie. Kate Moss personifies precisely what I want to express through my fashion label: she is strong and tough but at the same time also feminine and sexy. The fact that she wishes to represent Nikkie as its muse is of course fantastic. For me personally, Kate has also always been the ultimate embodiment of style. Seeing how we immediately got on so well with one other during our first meeting, and knowing that she will now become the face of Nikkie, is a dream come true.’
   Nikkie is represented in 15 of its own stores, and is available at Galeries Lafayette, Takashimaya, Robinsons and Le Marais. The label ‘plugs the gap between high-end and high-street fashion labels,’ in its own words, and has been worn by Natasha Poly, Tyra Banks, Kristina Bazan and Raline Shah.

Supermodel Kate Moss stars in official video for ‘The Wonder of You’, from second Elvis Presley–RPO album


NEWS  by Lucire staff/December 10, 2016/0.45

Sony’s The Wonder of You by Elvis Presley with the Royal Philharmonic Orchestra, a new album featuring 15 tracks from the King of Rock ’n’ Roll, has a high-profile promoter in the form of supermodel Kate Moss.
   Moss appears in the official video for ‘The Wonder of You’, where she appears in a custom-made black leather suit recalling Presley’s 1968 one in his NBC TV special (later referred to as the Comeback Special), as well as several other outfits inspired by his looks.
   She lip-syncs part of the track in the black-and-white video, which appeared on Presley’s official Vevo channel from Friday, and is embedded below. It is the first in a series to promote the album.
   The video was filmed at Abbey Road Studios, where the new album was recorded. Moxie Pictures’ Vaughan Arnell came up with the concept, after he noticed there was a resemblance between classic Presley images and some of Moss’s fashion shots.
   The new album, produced by Don Reedman and Nick Patrick, is a follow-up to last year’s If I Can Dream: Elvis Presley with the Royal Philharmonic Orchestra, which sold one million units and débuted at number one on the UK album charts. Presley became the biggest solo artist in UK music history with the début of that album, overtaking Madonna.
   A bonus track on The Wonder of You by Elvis Presley with the Royal Philharmonic Orchestra sees Presley in a duet of ‘Just Pretend’ with German songstress Hélène Fischer. Other tracks on the album are ‘A Big Hunk o’ Love’, ‘I’ve Got a Thing About You Baby’, ‘Suspicious Minds’, ‘Don’t’, ‘I Just Can’t Help Believin”, ‘Just Pretend’, ‘Love Letters’, ‘Amazing Grace’, ‘Starting Today’, ‘Kentucky Rain’, ‘Memories’, ‘Let It Be Me’, ‘Always on My Mind’, and, of course, ‘The Wonder of You’.

Topshop’s halo untarnished as it opens new stores while Sir Philip Green risks losing his knighthood


NEWS  by Lucire staff/November 2, 2016/11.10


CNN

As Topshop opens its doors in Wellington today, its second store in New Zealand, and in the wake of an announcement of a new flagship store in Dublin, Sir Philip Green, who chairs its parent Arcadia Group, has been under assault by British politicians.
   The most recent controversy surrounds Sir Philip’s knighthood, which was awarded to him for services to retail. However, a damning report published in July 2016 concluded that British Home Stores, which had been bought by Sir Philip in 2000 for £200 million and was formerly part of Arcadia, had been plundered, leaving BHS on life support. The mood in the Commons in October was that Sir Philip should be stripped of his knighthood, passing the amendment, ‘[This House] noting that Philip Green received his knighthood for his services for the retail industry, believes his actions raise the question of whether he should be allowed to continue to be a holder of the honour and calls on the honours forfeiture committee to recommend his knighthood be cancelled and annulled.’
   None of Sir Philip’s supporters were present at the debate, where MPs launched into attacks on the multi-millionaire whilst under parliamentary privilege.
   Also ignored as attacks were launched against Sir Philip was that, for a considerable period between 2000 and 2015, BHS employed thousands and the British establishment fêted the businessman. There were talks of a business venture with Simon Cowell, involving Cheryl Cole; supermodel Kate Moss created a line sold through Topshop. Even in the US, Sir Philip enjoyed a glowing reputation, winning a National Retail Federation’s Retailer of the Year Award. Between 2002 and 2009 BHS had paid £167 million of corporation tax, and capital expenditure had been £421 million while it was under Sir Philip’s control, according to Taveta Investments, his holding company. However, The Guardian believes that £580 million in dividends, rents and interest had been extracted by the Green family.
   While the motion does not mean Sir Philip will lose his knighthood, it will be difficult for the honours’ forfeiture committee, which considers the matter, to ignore.
   Sir Philip sold BHS for £1 in 2015 to investors led by Dominic Chappell—someone whom he now considers to be ‘categorically’ the wrong buyer; by April 2016 it had gone into administration, with the loss of 11,000 jobs and a £571 million pension scheme deficit. Sixteen years before the fund had been in a £5 million surplus.
   By July, the work and pensions’ select committee and the business, innovation and skills (BIS) committee issued a report which placed the blame of BHS’s collapse at Sir Philip’s feet. They accused him and others of extracting hundreds of millions of pounds from BHS, enriching himself and his family, and that he showed little business acumen. The committees further labelled the ‘systematic plunder’ of BHS ‘the unacceptable face of capitalism’, a term once linked to the Lonrho conglomerate in the 1970s and its chief executive Tiny Rowland. The committees also concluded that Sir Philip failed to invest in the business and that he was ultimately responsible for the pension fund’s deficit.
   BHS’s overseas franchises and its website were sold to Al Mana Group, under which they have thrived.
   Earlier in October, it is believed that Prime Minister Theresa May’s reference at the Conservative Party conference to business people who ‘take out massive dividends while knowing that the company pension is about to go bust’ was about Sir Philip.
   The man who chaired the work and pensions’ committee, the Rt Hon Frank Field MP, launched into a further attack on Sir Philip on Channel 4 News on October 18, forcing Taveta to counter the statements. Field said that Sir Philip was now running Arcadia ‘into the ground like BHS,’ and warned that Arcadia staff should be concerned for their pension fund.
   The same week, Sir Philip pledged to find a solution to the pension deficit in an interview with ITV and was ‘very sorry’ for those affected by the collapse. He claimed that he was in discussions with the Pensions’ Regulator to find a solution, though the Regulator stated that it was yet to receive a ‘comprehensive and credible’ proposal.
   On ITV, Sir Philip defended the years during which a dividend was taken out, stating that BHS was profitable at the time, though the committees concluded that those profits were made by cost-cutting and squeezing suppliers. He believes that the support he and his company gave to BHS from 2005 was closer to £850 million.
   Chappell, meanwhile, facing criticisms from Sir Philip, supported the stripping of Sir Philip’s knighthood.
   There is an ongoing investigation into the failure by the Insolvency Service while the Serious Fraud Office has begun looking into the matter.

Kate Moss and Rimmel celebrate 15 years with new lipstick and nail polish collection launched in London


NEWS  by Lucire staff/June 22, 2016/17.02




David M. Benett

Kate Moss and Rimmel London have released their latest collaboration celebrating the supermodel’s 15-year relationship with the beauty brand.
   The Kate Moss Rimmel 15th Anniversary Collection comprises Moss’s favourite nude and red lip and nail shades.
   Journalists, bloggers and other guests were invited to a London house where Moss modelled two outfits, initially a black Equipment shirt with red hearts, and a green jacket over a sheer black top.
   Guests were treated to manicures using Rimmel’s new Supergel nail polish shades by manicurist Adam Slee, before a lipstick master-class by make-up artist Kirstin Piggott.
   Stylist Zoë Bedeaux and Scott Wimsett hosted a session where Moss talked of her 15-year association and how her fashion outfits inspired the Collection. Guests then could inspect those outfits and discussed how they inspired the nude and red shades.
   In a release, Moss said, ‘I’m incredibly proud of my 15-year relationship with Rimmel. It’s a brand very close to my heart; my first ever lipstick was Rimmel Heather Shimmer. The partnership has strengthened and evolved over the years, with me taking an actively creative role. The new anniversary collection echoes some of my favourite London looks from the last decade and a half. I’ve focused on reds and nudes because they’re the colours I love to wear—each shade reflects a different side of me.’
   In the collection, the Lasting Finish Lipstick by Kate comes in six shades and can last eight hours, numbered 51 through 56; and the Super Gel Nail Polish by Kate gives a shine that lasts for 14 days, and comes in four shades (nos. 15, 42, 44 and 71).











































David M. Benett

From supermodels to film: celebrating the work of Peter Lindbergh at Kunsthal Rotterdam


NEWS  by Lucire staff/June 16, 2016/13.41




Top: An image that kicked off the 1990s, with supermodels Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford in New York, appearing on the cover of British Vogue in January 1990. Copyright ©1990 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Centre: Wild at Heart, with Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder and Stephanie Seymour, Brooklyn, 1991, appearing in Vogue. Copyright ©1991 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Above: Kate Moss, Paris, 2015, wearing Giorgio Armani, spring–summer 2015. Copyright ©2015 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery).

An exhibition on Polish-born, French-based photographer Peter Lindbergh, entitled Peter Lindbergh: a Different Vision on Fashion Photography, opens at the Kunsthal Rotterdam on September 10 at 5.30 p.m., running through February 12, 2017. It marks the first Dutch exhibition of Lindbergh’s work.
   Some of the most iconic fashion images of the past generation have been shot by Lindbergh, whose work is regularly seen in various editions of Vogue, and in The New Yorker, Rolling Stone, Vanity Fair, Harper’s Bazaar, The Wall Street Journal Magazine, Visionaire, Interview and W. Exhibitions of his work have been held around the world beginning with the V&A in 1985. Lindbergh’s black-and-white 1990 Vogue photograph of Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford was one that helped cement the reputation of the supermodels, if not arguably kicking off the era itself. Lindbergh’s work gave a sense of reality about his subjects, with his humanist, documentary approach.
   Said Lindbergh in an Art Forum interview earlier this year, ‘A fashion photographer should contribute to defining the image of the contemporary woman or man in their time, to reflect a certain social or human reality. How surrealistic is today’s commercial agenda to retouch all signs of life and of experience, to retouch the very personal truth of the face itself?’
   The exhibition features over 220 photographs and includes exclusive and previously unseen material, including personal notes, Polaroids, storyboards, films and prints. It is divided into nine different sections, representing the different themes in Lindbergh’s creative development: Supermodels, Couturiers, Zeitgeist, Dance, the Darkroom, the Unknown, Silver Screen, Icons, and an exclusive Rotterdam Gallery. This final section contains Lindbergh’s work for the October 2015 issue of Vogue Nederland, with Lara Stone and Elise Hupkes at the Port of Rotterdam.
   Lindbergh’s critically acclaimed Models: the Film (1991) will be screened, along with interviews with Grace Coddington, Nicole Kidman, Mads Mikkelsen, Cindy Crawford and Nadja Auermann.
   Guest curator Thierry-Maxime Loriot points out that the exhibition is not chronological, but a narrative about the photographer.
   The Kunsthal Rotterdam noted, ‘Peter Lindbergh introduced a new realism into photography. His timeless images redefine the norms of beauty. Lindbergh’s visual idiom is influenced by the language of film and by playing with the type of the strong, self-willed woman, from the femme fatale to the heroine, but also the female dancer and the actress. His Å“uvre is characterized by portraits that radiate a certain lack of inhibition and physical grace.’
   The exhibition is accompanied by a hardcover monograph, Peter Lindbergh: a Different Vision on Fashion Photography, retailing for €59,99 (link at Amazon.de), US$69·99 (link at Amazon.com) or £44·99 (link at Amazon UK), curated by Loriot, designed by Paprika of Montréal, and published by Taschen. The introduction has been authored by Kunsthal director Emily Ansenk, while the book features an essay on Lindbergh’s work by Loriot with commentaries from, inter alia, Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford and Anna Wintour.

Kate Moss, Stella McCartney and other celebs get behind Bore off Cancer’s T-shirt campaign


NEWS  by Lucire staff/December 4, 2015/12.04

If we’re going to introduce the colloquialism bore off into Lucire, it’s only right that it’s done for a good cause, namely for Lee McKervey’s Bore off T-shirts.
   McKervey, who had personally experienced the care from the cancer support organization Macmillan, is donating £5 from each Bore off Cancer T-shirt sale.
   Macmillan helps not only those suffering from cancer, but families, too; and they are there from the first day of diagnosis and through treatments.
   This time, celebrities have come to Bore off’s aid, including Kate Moss and Stella McCartney (who have appeared on Instagram with their T-shirt), Sir Richard Branson (on his Facebook, and his son Sam has blogged about it), Kieron Richardson (Hollyoaks), glamour model Casey Batchelor, and Mark Wright (The Apprentice UK). It’s suggested that Olly Murs, Jamie Laing, Alexandra Burke, Michelle Keegan and Danny Cipriani will be getting photos taken of themselves in their Bore off T-shirts, encouraging others to follow suit so that Bore off can donate more to Macmillan.
   Readers can find out more about Bore off through its website, boreoff.com.



Kate Moss and Cara Delevingne feature in Mango’s autumn–winter 2015–16 campaign


NEWS  by Lucire staff/June 16, 2015/13.22

Spanish fashion brand Mango has announced that both Kate Moss and Cara Delevingne will be the faces of its autumn–winter 2015–16 campaign, hashtagged #somethingincommon.
   Mango sees both supermodel Moss and fashion influencer Delevingne as connected through their shared experiences as models and muses.
   The latest campaign was shot in Toronto in May by Dutch fashion photography duo Inez van Lamsweerde and Vinoodh Matadin (Inez and Vinoodh). Lisa Butler and Garren led the make-up and hair respectively. Inez and Vinoodh have also created the TV commercial and Mango notes that the song, ‘Girls Just Want to Have Fun’ will feature.
   In a release, Moss states, ‘It’s so great to be working with Mango again, they are such a fresh and modern brand. Inez and Vinoodh have captured the energy of the shoot perfectly, Cara and I always have fun together and you really can see that in this campaign.’
   Moss had posed for Mango in late 2011 and 2012.
   Delevingne, meanwhile, said, ‘Mango is great. When I think about what to wear every day, I like to be creative and Mango is a perfect brand to play with the range of styles there are nowadays. This is the first time I have worked with Mango and having Kate as my partner in crime is ideal! We are a lethal combination. I admire her personally and professionally, she represents a true fashion icon. It is a privilege to learn and to share this experience with her. The shoot has been epic, it’s always fun when Miss Moss is around.’
   The campaign breaks in September.

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