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June 28, 2015

Lucire’s Instagram round-up, June 28

Fenella Clarke/15.00

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With so much going on in the fashion world 24–7 we at Lucire thought you might need a quick Instagram update on what’s been happening in the lives of models and designers in the last week as we chronicle this world.
   With the spring–summer men’s runway shows in the last couple of weeks, most of the designers have runway shots or close-ups of details: we see that in Vivienne Westwood, Gucci and Valentino’s photos. Moschino released this beautiful illustration by Natalia Sanabria of Daphne Groeneveld in a look from their men’s show.
   The models’ Instagrams are a bit more interesting: Gigi Hadid and Liu Wen are giving us a sneak peak into their different photo shoots, the former with her sister and latter a shot of herself from Vogue. Cara Delevingne’s latest doesn’t have much to do with fashion at all: she is traveling around the world at the moment, promoting her new movie, Paper Towns. Kendall Jenner was also promoting something a little unexpected: a signature lipstick collaboration with none other than Estée Lauder, whom Jenner now represents.—Fenella Clarke

June 24, 2015

Mila Kunis celebrates with Gemfields in London on its new find in Mozambique

Fenella Clarke/5.29

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David M. Benett

As its brand ambassador, actress Mila Kunis attended Gemfields’ ruby launch party in London on Tuesday night.
   Kunis wore two pieces from Fabergé’s Devotion collection: a pair of earrings set with diamonds, 10 oval Mozambican rubies totalling 9·32 ct, and a ring set with diamonds and one 5 ct oval Mozambican ruby. She also wore Fabergé’s Regalia diamond and ruby bracelet set with 176 Mozambican rubies totalling over 17 ct.
   This party celebrated the launch of Gemfields’ newly found ruby deposit in Montepuez, Mozambique, one of the most significant of its type in the world. Gemfields has previously specialized in high quality emeralds and amethysts from Zambia, until finding this deposit in Mozambique.
   Gemfields is a leading supplier of responsibly sourced coloured gemstones and has experts on hand to make sure that they are not harming the environment or its people. ‘It’s really a luxury to own jewellery and gemstones. If you’re in the position to do so, you’re fortunate. Given that, I think it’s important to pay attention to what you’re wearing and where it came from,’ said Kunis, who has been the brand ambassador for Gemfields since 2013.
   The actress looked positively glowing, only nine months after giving birth, accompanying the jewellery with a white dress, a pair of white stilettos and a pop of red lipstick to match the rubies.—Fenella Clarke







David M. Benett

June 23, 2015

Ralph Lauren and British Vogue host Wimbledon party: Matt Smith, Jessica Chastain, Lily James attend

Fenella Clarke/22.54

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Chris Allerton

On Monday, Ralph Lauren celebrated its 10th year as official outfitters of the championships at Wimbledon, with a summer cocktail party hosted by British Vogue editor Alexandra Shulman and former number-one professional tennis player Boris Becker. It was held at the Kensington Palace Orangery in London and guests enjoyed a live DJ set by Chelsea Leyland, and British-inspired canapés, summer cocktails, Pimms and champagne.
   Ralph Lauren is the first brand to create all the outfits on court in Wimbledon’s 129-year history, including umpires and ball persons.
   Co-hosts of the event were Game of Thrones’ Gwendoline Christie, along with Princess Marie-Chantal of Greece, the Countess of Mornington, actor Philip Brook, former tennis pro Richard Lewis, CBE, and Ali Spencer-Churchill. Many were adorned in Ralph Lauren and Polo Ralph Lauren: Shulman in a Ralph Lauren Collection navy silk Rylie dress and cashmere cardigan; Christie wore a black skater dress with a mesh panel on top, with a orange nappa leather envelope clutch; Lily James wore a white midi-length shirt dress paired with a gold lizard strappy jean sandal; while Jessica Chastain wore a black high-neck sleeveless dress with white inverted pleats. Actress Emily Mortimer wore a simple white shift dress, while Alice Eve wore a camel-coloured long-sleeve, high-necked dress; Maisie Richardson-Sellers was there looking stunning in a metallic organza shift dress with gathered sleeve detail, Downton Abbey actress Joanne Froggatt looked like the epitome of summer in a yellow sleeveless dress. Of the stylish men present, Boris Becker wore a royal blue suit and former Doctor Who star Matt Smith wore a navy suit, a blue striped shirt and a green tie.
   Other guests included Jeremy Irvine, Lottie Moss, Lady Kitty Spencer, YouTubers Jim Chapman and Tanya Burr, Erin O’Connor, Laura Bailey, Lily Becker, Joanna Vanderham, Sophie Kennedy Clark, Jamie and Ale Murray, Mollie King, Sam Rollinson, Charlotte Wiggins, Lara Millen, Petra Palumbo, Tania Fares, Lady Helen Taylor and Tim Taylor, Lady Kinvara Balfour, Alice Naylor-Leyland, Jessica, Camilla and Emily Staveley-Taylor (the Staves), Ella Catliff, Jenny Halpern and Ryan Prince, Jade Parfitt, Viscount Althorp, Alice Brudendell-Bruce, Charlotte Dellal, Bay Garnett and Tom Craig, Emily Johnston, and Catherine Kallon.—Fenella Clarke















































Chris Allerton

June 9, 2015

Adidas by Stella McCartney shows autumn–winter 2015–16 range, out July

Fenella Clarke/3.49

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In mid-July, Adidas by Stella McCartney will release their newest autumn–winter collection, celebrating Adidas and Stella McCartney’s ten years together.
   Adidas has always been known for its innovation in sportswear, everyday wear and collaborations, but its biggest success is with Stella McCartney. McCartney started her clothing line in 2001 with her first fashion show in Paris, known for her tailored, confident air. It seemed only logical that Adidas would begin a collaboration with her four years later.
   McCartney has also broadened her horizons to providing her customers with kids’ wear, ready-to-wear, a perfume line and a sunglasses’ collection. She does not use any fur or leather in her collections. McCartney’s aim with this current collection is for women to be able to work out wearing her designs, and for them to be worn all day.
   â€˜Over time women have become more and more focused on their fitness goals and are spending more time in workout clothes. This makes it even more important to provide function and style, which challenges us to be continuously innovative in our approach,’ said McCartney.
   With unique textures and layering options, this collection is sure to have something for everyone, from a more casual T-shirt to a compression onesie. Like Adidas by Stella McCartney’s other collections, it caters to many different types of exercise. The collection mostly comes in browns, blues, burgundy and pops of grey or yellow, and seems to be able to suit everyone. It has expanded to shoes, bags and yoga mats, so we can look forward to some burgundy snow boots and tote bags.
   The collection will be available mid-July at all Adidas stores and online.—Fenella Clarke

May 8, 2015

Two world premières form part of the Royal New Zealand Ballet’s Salute, ahead of an international tour

Lucire staff/2.36

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Ross Brown

Top Neil Ieremia’s Passchendaele with RNZB dancer William Fitzgerald. Above Kirby Selchow dances Andrew Simmons’ Dear Horizon.

The Royal New Zealand Ballet has revealed more about Salute, its commemoration of World War I, that premières in Wellington on May 22, with a nationwide tour after its stint there. As revealed in Lucire earlier this month, two of the specially commissioned pieces having their world première in Wellington will also be seen abroad, with the Royal Ballet hosting the RNZB in November 2015 at the Royal Opera House. Leeds, Canterbury and Roma are on the list of stops for the tour, Francesco Ventriglia, the Royal New Zealand Ballet’s artistic director revealed today.
   The two premières, both commissions by the RNZB, are from choreographers Neil Ieremia and Andrew Simmons, set to scores by Dwayne Bloomfield and Gareth Farr, respectively. The world-class New Zealand Army Band will also collaborate on Salute, touring to each of the seven centres on the national tour.
   Ieremia’s Passchendaele, with the Bloomfield score, will also feature works by Auckland artist Geoff Tune, inspired by his artist grandfather’s World War I diaries and recent visits to Gallipoli and Passchendaele.
   Ieremia said in a release, ‘The grotesque and brutal nature of war robs humans of humanity—my intention is to do what little I can to remind us of our own. From the haunting journey through the music, to the refined expression in the dancers’ bodies, encapsulating the very human impact of war—this creative process has already left an indelible mark on my spirit. I feel I have grasped a very, very small insight into something that should never be forgotten.’
   Simmons’ Dear Horizon is a new commission and his fifth for the company, and features a specially commissioned score by Farr, written for the New Zealand Army Band and cellist Rolf Gjelsten of the New Zealand String Quartet.
   Simmons said, ‘It is a very special honour to have been asked to create something for the company as part of this commemorative programme. War cannot really be celebrated and fêted, however the human aspect and participation should always be remembered. I wanted to create a work that reflects upon emotions of those affected by conflict.’
   The set and costumes for Dear Horizon have been designed by Tracy Grant Lord, who also designed the RNZB’s Cinderella (2007) and Romeo and Juliet (2004).
   As detailed last month, the Salute programme also features Johan Kobborg’s Salute and Jiří Kylián’s Soldiers’ Mass.
   Salute has been supported by the Lottery Grants Board, New Zealand Defence Force, Qantas, the Göthe-Institut, the Ministry for Culture and Heritage, national sponsor Vodafone, and Pub Charity.
   Dates for Salute are May 22–4 in Wellington; May 28–30 in Christchurch; June 3 in Dunedin; June 10 in Hamilton; June 13 in Takapuna; June 17–20 in Auckland; and June 24–5 in Napier.
   Further information can be found on the Royal New Zealand Ballet’s website at rnzb.org.nz.

April 22, 2015

The Royal Ballet announces its 2015–16 programme, including four world premières

Lucire staff/22.32

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Above Steven McRae as Florizel in Christopher Wheeldon’s The Winter’s Tale, which will be revived for the Royal Ballet’s 2015–16 season. Photograph copyright ©2014 by Johan Persson.


Above Kenneth MacMillan’s Romeo and Juliet, performed in 1965. Photograph copyright ©1965 by Leslie E. Spatt.

The Royal Ballet has announced its 2015–16 season under its director, Kevin O’Hare, with four world premières, including the first main-stage, full-length narrative ballet by artist-in-residence Liam Scarlett based on Mary Shelley’s Frankenstein; new one-act ballets from resident choreographer Wayne McGregor and artistic associate Christopher Wheeldon; and a new production of Carmen by principal guest artist Carlos Acosta.
   The first production of the season is Kenneth MacMillan’s production of Romeo and Juliet, originally created in 1965 for Lynn Seymour and Christopher Gable, and performed by Margot Fonteyn and Rudolf Nureyev at its première, which famously met with 43 curtain calls. It is the first work in the Royal Opera House Live Cinema Season for 2015–16.
   Acosta’s new adaptation of Carmen is set to the Bizet score with a new arrangement by Martin Yates. Acosta will dance the Don José and Escamillo roles at certain performances. Tim Hatley is behind the set and costume designs, and Peter Mumford has created the lighting. Scarlett’s Viscera, Jerome Robbins’ Afternoon of a Faun and George Balanchine’s Tchaikovsky pas de deux form the rest of the mixed programme, and part of the ROH Live Cinema Season.
   McGregor’s Raven Girl will be revived in October in a double bill with Alastair Marriott’s Connectome. In May 2016, McGregor premières a one-act ballet set to Nyx, a one-movement orchestral work by Esa-Pekka Salonen. The programme also features a revival of MacMillan’s The Invitation.
   In February 2016, the company premières a new ballet by Wheeldon set to a commissioned score by Mark-Antony Turnage, alongside a mixed programme featuring After the Rain and Within the Golden Hour. Designs are by Bob Crowley and lighting by Natasha Chivers.
   Wheeldon’s The Winter’s Tale will stage its first revival in April 2016. The original was nominated for an Olivier Award for Outstanding Achievement in Dance and won the Critics’ Circle Award for Best Classical Choreography. It has also been nominated for a South Bank Sky Arts Award for Dance.
   Scarlett’s full-length narrative ballet based on Frankenstein premières in May 2016, with a score by Lowell Liebermann with designs by John Macfarlane and lighting by David Finn. It will be broadcast live to cinemas on May 18, 2016.
   Mixed programmes of Frederick Ashton’s work will feature this season, the first being The Two Pigeons, created in 1961 for Lynn Seymour and Christopher Gable, appearing in November 2014, alongside Monotones I and II, set to Erik Satie’s Trois Gnossiennes and Trois Gymnopédies. It returns in January 2016 in a second double-bill alongside Rhapsody, created by Ashton for Lesley Collier and Mikhail Baryshnikov in honour of the Queen Mother on the occasion of her 80th birthday. It will be shown in cinemas on January 26, 2015.
   Peter Wright’s production of The Nutcracker, with design by Julia Trevelyan Oman, will be the Royal Ballet’s Christmas programme, while Wright’s Giselle returns in February.
   A summer tour to Japan is planned for 2016.
   As part of the Royal Ballet’s Linbury Studio Theatre programme, the Royal New Zealand Ballet is set to tour in the UK in November 2015, making its Royal Opera House début, performing a mixed programme, including a world première by Andrew Simmons. UK audiences will be delighted to see Anatomy of a Passing Cloud by Javier de Frutos, Selon Désir by Andonis Foniadakis, and Passchendaele by Neil Ieremia.
   Others to be hosted include Cas Public, which also makes a début at Linbury, presenting Symphonie Dramatique, inspired by Romeo and Juliet, and coinciding with the Royal Ballet’s production of Romeo and Juliet on the main stage.
   The Phoenix Dance Theatre will perform Until.With/Out.Enough, choreographed by Itzik Galili, a co-commission by the Royal Ballet. The company’s artistic director Sharon Watson will present TearFall in collaboration with the Wellcome Trust, exploring the complexities of crying, and Caroline Finn’s Bloom examines ‘a surreal universe with tragi-comic characters.’
   Former Royal Ballet and American Ballet Theatre principal Alessandra Ferri will make her Linbury début in Chéri, directed and choreographed by Martha Clarke, and inspired by the novella by Colette. Chéri will feature American Ballet Theatre principal Herman Cornejo.
   Will Tuckett’s Elizabeth will make its Linbury début, based on the life of Queen Elizabeth I, and featuring Carlos Acosta and Zenaida Yanowsky, set to a score by Martin Yates, derived from Elizabethan compositions by Dowland, Tallis and Morley.
   Keon Kessels succeeds Barry Wordsworth as music director; Wordsworth becomes principal guest conductor.
   Further information can be found at the Royal Opera House’s website at www.roh.org.uk.

April 19, 2015

It’s all about the eyes with the Body Shop’s latest releases

Lucire staff/5.19

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The Body Shop focuses on the eyes with its latest releases. It has launched two Matte Kajal eyeliners, in white and black. One complaint we often see at Lucire with kohl eyeliners is the difficult application, especially as some need three or four passes before getting any colour. The Body Shop’s Italian-made Matte Kajals—the Body Shop has opted for the Hindi term—don’t suffer from that problem: they are easy to apply and smudge, and enriched with Community Fair Trade beeswax from Cameroon. Each retails for NZ$25 and appear at the Body Shop’s New Zealand retail outlets and online from Monday, April 20.
   The Body Shop suggests that the white can come in handy to counteract redness and help make the eye look larger, and it can enhance eye-shadow colours. It can also be used under the brow, blending downards to create an eye-lift, while defining the brow.
   The look can be completed with the new Super Volume Mascara from the Body Shop, retailing at NZ$27·50. Like the Matte Kajals, the pigmentation is good and smudge-free, and stays on well during the day, though care is needed with the brush. The Body Shop adds that contact lens wearers won’t have any trouble with it. Knowing that it hasn’t been tested on animals is a huge bonus for our times, and it features Community Fair Trade marula oil from the Eudafano Women’s Cooperative in Namibia, an initiative that helps 1,750 women in the region.
   The company is also releasing its Velvet Gel Pen (NZ$19·95), Skinny Thin Felt Liner (NZ$22·95) and Bold Oversized Felt Liner (NZ$22·95).

April 16, 2015

The Body Shop’s Fuji Green Tea range: satisfying at every level, from bath tea to cologne

Lucire staff/12.55

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Top The Body Shop’s Fuji Green Tea range. Above The pièce de résistance of the range: the bath tea. Below left The huge bargain of them all: an eau de cologne that’s comparable to something twice the price.

The Body Shop’s latest Fuji Green Tea range, on sale in New Zealand from Monday, April 20, is one of the best the company has offered, and we’re not exaggerating. For starters, the full, fruity smells that we’ve become accustomed to with its earlier special editions is gone, replaced by a pure, healthy, subtler green tea scent. Now, there’s nothing wrong with the fruity and even chocolatey approaches of the Body Shop, but it’s great to see they have more secrets up their sleeves that they are gradually showing off to the public. Secondly, the methods the Body Shop has taken with the Fuji Green Tea range are very different: it has taken a uniquely eastern approach, combining tradition and authenticity with the Body Shop’s socially responsible aims.
   Green tea has antioxidant qualities, and we’re used to drinking it for its health benefits, but the Body Shop takes this idea further. Going into Japanese tradition, it found that women even bathed in it, and it’s believed to tighten pores help skin retain moisture, and have anti-ageing qualities.
   Sourcing authentic green tea from Mt Fuji, the Body Shop has developed an entire range featuring just what its customers expect: body scrub (250 ml, NZ$44·95); body butter (200 ml, NZ$36·95); body lotion (250 ml, NZ$24·95); body wash (250 ml, NZ$16·50); eau de cologne (100 ml, NZ$39·95); and exfoliating soap (100 g, NZ$19). However, the pièce de résistance has to be the bath tea, 300 g of goodness for detoxing and cleansing for NZ$64, allowing you soak those stresses away in Japanese fashion.
   With a metal container evoking a traditional tea tin, the bath tea comes with an infuser. Pour in the mixture of crystals and tea leaves, and let the water run over it. The water turns a nice green hue, and it smells great. A soak is indeed calming and soothing, leaving skin feeling healthy. You know the ritual—as fun as it is going through it—has a practical side, too.
   We sampled the body scrub as well, which is particularly effective, and only requires small quantities to work its magic.
   That feeling continues afterwards with the body butter for 24-hour hydration—the Body Shop suggests that the body lotion would be ideal for lighter hydration, and the Body Sorbet (200 ml, NZ$26) is a fresh alternative.
   The bath tea may be the pièce de résistance, but the surprises don’t stop: the eau de cologne is the icing on the proverbial cake. It’s actually a light, fruity floral, although you can detect the green tea mixed in among the top notes; the floral heart is very memorable and fresh. The Body Shop says it’s bergamot, lemon and mandarin that we detect there, and camellia, jasmine and violet in the middle. It’s actually a very elegant scent, something you would expect wearing a far more expensive label, and, like the rest of the Green Tea line, it’s a bargain. It’s not often a $40 scent smells like something that’s commonly twice or thrice the price.
   As a range, it’s one of the most complete and satisfying the Body Shop has offered.
   The Body Shop Fuji Green Tea range will be available online and at New Zealand retail outlets from next week.

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