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November 26, 2014

Edward Enninful to be honoured at 2014 British Fashion Awards

Lucire staff/11.35

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Edward Enninful will receive the Isabella Blow Award for Fashion Creator at this year’s British Fashion Awards, the British Fashion Council announced today.
   Ghanese-born Enninful is a stylist and the current fashion and style director of W.
   In 1991, he became fashion director of I-D, at the age of 18, making him the youngest editor at a major international title. Seven years later, he became contributing fashion editor of Vogue Italia, and he held the same post at Vogue in 2006. In 2011, he took on his role at W.
   Enninful has also worked on campaigns for Gucci, Comme des Garçons, Christian Dior, Dolce and Gabbana, Celine, Lanvin, Mulberry, Giorgio Armani, Valentino, Jil Sander, Calvin Klein, Fendi, Alessandro Dell’Acqua, Hugo Boss, and Missoni.
   I-D founders, Terry and Tricia Jones, said, ‘When the wonderful Simon Foxton first introduced Edward into the I-D family, we had no idea that he would become one of the most outstanding stylists of his generation. He not only brought his own talent to the magazine, but started working with hundreds of other individual youngsters at the beginning of their careers. His fashion corner in the I-D office was always a mecca for ideas and supermodel diversity became one of his many contributions to the international fashion industry.
   â€˜We are thrilled and super proud that i-D’s youngest-ever son has travelled so far in his career and feel very privileged to have known him as a teenager. Edward’s own individual talent, his absolute loyalty, his encouragement and promotion of other peoples’ careers, as well as his love and belief in diversity within the industry, is rare and quite unprecedented. We truly believe that Edward’s creative voice, experience and original inspiration fully justify this very prestigious award!’
   Supermodel Naomi Campbell said, ‘Edward is not only one of my dearest friends and brother, but he is also one of the most outstanding people I have ever had the pleasure of working with. His unique talent, drive and imagination are poured into his work, making him responsible for some of the most heart quickening imagery in the history of fashion.’
   Fashion photographer Stephen Klein added, ‘Edward has exquisite taste and precision and is both sensitive to the aim of the photographer and venue without compromising either.’
   Speaking for the British Fashion Council, Natalie Massenet, its chairman, said, ‘Edward’s creative energy and level of vision captures the mood of our times: his work is original, energetic, sincere and unforgettable. His creative journey may have started in London, but today his influence spans the entire globe intersecting the worlds of fashion, art and business.’
   The British Fashion Awards 2014 is sponsored by Swarovski, Canon, MAC, Toni & Guy, Vodafone, American Express, Marks & Spencer, Mercedes Benz, Penhaligon’s, and Rightster.

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November 25, 2014

Absolut Vodka launches Andy Warhol limited-edition bottle into New Zealand

Lucire staff/1.39

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Absolut Vodka’s latest limited-edition bottle pays tribute to one of the greatest pop culture icons of all: Andy Warhol.
   Warhol was the first artist to create an original artwork for Absolut in the 1980s, for an advertisement simply titled, ‘Absolut Warhol’. The image has become iconic and arguably helped make the Absolut bottle recognizable to a very wide audience.
   Michel Roux, the CEO of Carillon, which imported Absolut into the US, came up with the idea to link Warhol with the bottle.
   The new bottle follows Warhol’s design, and is now available in New Zealand, retailing at leading liquor retailers for NZ$55·99 for 1 l.
   The Swedish-founded vodka company now has over 800 pieces in its Absolut Art Collection, after kicking off its collaboration with Warhol. It has collaborated with Keith Haring, Damien Hirst, Louise Bourgeois, Jean-Michael Basquiat, Sylvie Fleury, David Shrigley, Annie Leibovitz, Hung Tung Lu, Dan Wolgers, Linn Fernström, Spike Jonze, Swedish House Mafia and Icona Pop. The collection is housed in Sweden.
   The limited edition has the blessing of the Andy Warhol Foundation, which it will benefit. Michael Hermann, its licensing director, said in a release, ‘The Foundation is delighted to celebrate the launch of the Andy Warhol Edition, with a portion of the proceeds going towards the Foundation’s endowment supporting contemporary visual arts. While Warhol’s profound influence is uncontained we applaud Absolut for bottling his creativity.’
   â€˜With this limited edition, we raise our glasses to honour the partnership between Absolut and Andy Warhol—a collaboration that kick-started Absolut’s long-standing commitment to art and creativity,’ said Kathryn Love, marketing manager for Absolut in New Zealand.
   Absolut has launched an online campaign where visitors can re-create the painting using their own coloured image, at www.facebook.com/absolutnewzealand, before November 28. One of five Absolut by Warhol prints are up for grabs via the website.

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November 23, 2014

Tested: we indulge in the Body Shop’s Christmas 2014 selection

Lucire staff/9.46

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The Body Shop’s Christmas shopping selection has some of its most indulgent products, and Lucire has tried some of them out.
   There are plenty of products in the Body Shop’s Glazed Apple body care line, from the very simple but effective Bonbon Soap (NZ$10·25) to the indulgent bath jelly (NZ$33·95). The soap has a faint apple smell: it’s subtly scented and does not feel “chemical”, thanks to its plant-derived ingredients, such as its moisturizing sodium palmate. The bath jelly is also subtle but the smell gets released in water—don’t be deceived if you take the lid off for a sniff, as it’s quite lovely when mixed.
   The Glazed Apple lip balm (NZ$19·95, above right) is hydrating, and a wonderful addition to gift-giving this season. If you really want luxe, the Glazed Apple body butter (NZ$36·95) is rich with a more noticeable scent—it’s a must if you wish to spoil someone special.
   The Body Shop also has Frosted Cranberry, and Vanilla BrĂ»lĂ©e products, which we have sampled in the past. These favourites are back for Christmas 2014.



   When it comes to make-up, the company has it covered there, too. We’ve tried the eyeshadow palettes, namely the Frosted Pastels (NZ$50), which are on-trend with its shades for summer. We love the fact they haven’t been tested on animals, and the cute packaging. If you’re not that sure of how to apply the eye make-up, the Body Shop provides instructions, complete with the order of what goes on first.
   The Sparkler (NZ$50), meanwhile, is a spritzer that gives a fine dust of shimmer for your skin, available in Glazed Apple (which we tried), Frosted Cranberry, and Vanilla BrĂ»lĂ©e. You do need to get in the right light to show off the sparkle.
   The Body Shop’s Lip and Cheek Doll (NZ$49·95), a lip and cheek stain, has a limited-edition packaging for the holiday season. It has a natural colour, which you can build on, and it doesn’t feel heavy on the skin. As a highlighter on the cheeks, it gives a healthy glow.


   The Glitter Eyeliner (NZ$24·95) is easy to apply, though you do need two layers. However, it lifts the eyes and gives a nice effect.
   Trying the Body Shop’s Colour Crush nail colours (NZ$12·95 each), which are happily free of harsh chemicals, we noted the base went on very well. We sampled Red My Mind, which was a deeper orange, Mint Cream, which we could only describe as very mint, and the Body Shop Green, a very Christmas colour. There was an easy application for all three, with none getting on the skin. For extra embellishments, the Body Shop’s nail art pen (NZ$15·95), with fine and thick ends, proved to be a very effective and precise tool.
   Meanwhile, to remove nail varnish, the Body Shop has an acetone-free formula that uses sweet almond oil, soya oil and Community Fair Trade sugar cane essence. The smell’s still quite strong, but the non-drying formula is effective and worked better than a rival product we compared it to.
   Get in to the Body Shop today for a one-stop location for some great Christmas presents.

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November 21, 2014

News in brief: Kendall Jenner chooses District; you choose for Charlie’s; Alejandra Alonso models Carrera y Carrera

Lucire staff/3.44

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District notes that Kendall Jenner, the new face of Estée Lauder, wears a top from its range. The blush pink top retails for US$108. Blake Lively had also recently chosen District for a photo shoot for her new website, Preserve.


   Charlie’s wants New Zealand customers to try their Straight Up cola, and decide whether it should become a permanent part of its range. Kiwis are invited to post their feedback with a thumbs-up or thumbs-down selfie, or simply write a few words, at Charlie’s Facebook or Instagram, using the hashtag #straightupcola.
   Finally, Carrera y Carrera, the Spanish jewellery brand, has launched new visuals with model Alejandra Alonso as its new face. The campaign has been conceived by MAFIA, and features items from Carrera y Carrera’s new Seda Imperial range, as well as from CĂ­rculos de Fuego, BambĂș and Ruedo. It will break in publications internationally this month.






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November 20, 2014

Expertly executed: the New Zealand School of Dance’s 2014 Graduation Season

Jack Yan/14.23

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Stephen A’Court

Top Samantha Vottari and Tynan Wood in Double Stop. Centre Wessel Oostrum’s The Speech, danced to the words of Charlie Chaplin. Here, Jeremy Beck dances. Above The challenge of dancing the Balanchine Ballet, Concerto Barocco, here with Samantha Vottari and Tynan Wood. Choreography by George Balanchine, and copyrighted to the George Balanchine Trust.

The New Zealand School of Dance’s Graduation Season for 2014, at Te Whaea Theatre in Wellington from November 19 to 29, is a must for anyone who appreciates dance and wants a glimpse of the next generation of performers.
   The six performances show vitality and variety, from the challenging Balanchine Ballet, Concerto Barocco, to the modern and energetic Trigger II: One Thing Leads to Another, created by the students themselves. While every dancer was on the money with their expertise, technique and stamina, we noted in particular Law Lok Huen in Concerto Barocco, William Keohavong in his solo in The Speech, Amanda Mitrevski in three of the pieces in the final Purcell Pieces, and Mason Kelly, who elicited spontaneous applause after his dance to Purcell’s ‘The Frost Scene’ from the opera King Arthur.
   Balanchine ballets are tough and are especially demanding with their technique, and the Graduation Season opened with one: Concerto Barocco, performed to Bach’s Concerto for two violins, strings and continuo in D minor, BWV 1043. We hadn’t expected to see a ballet but the principal dancers—in tonight’s case, Law Lok Huen, Megan Wright and Jack Bannerman—acquitted themselves expertly, especially as one of the techniques is to move “against” the music.
   In the first set, it was The Speech that captivated us, danced by William Keohavong. Choreographed by Dutch choreographer Wessel Oostrum, Keohavong’s movements were poignant, against the words from Charlie Chaplin’s finishing monologue from The Great Dictator. They were negative when Chaplin’s speech dwelled on negative subjects; more optimistic as they reflected on liberty and freedom. The words, too, seem very fitting for our times, when we question whether corporate greed is driving supposedly free societies. While Oostrom intended The Speech as a tribute to those who lost their lives in World War I, the contemporary choreography coupled with the Tramp’s monologue made it the most socially relevant performance of the night.
   Trigger II: One Thing Leads to Another got the second set off to an energetic start, with 18 dancers (from all years at the School) involved. Students appeared in dull greys and blues initially, and the costumes became more colourful and vibrant as the dance went on. This was an entertaining piece that any lover of modern dance will enjoy, thanks in good part to the direction of Malia Johnston, artistic director of the Brancott Estate World of Wearable Art award show. However, it was Val Caniparoli’s romantic Double Stop, where Samantha Vottari and Tynan Wood gave a poetic duet. We were spellbound with their dance, and it was not surprising to see Qi Huan’s credit as rĂ©pĂ©titeur. Formerly with the Royal New Zealand Ballet, Huan took up a teaching role earlier this year, after having appeared in some of our favourite lead roles over the years. Caniparoli had already created a beautiful ballet to Philip Glass’s ‘Song II’ that had premiĂšred in 2011, but Vottari and Wood danced this with such passion that belied their status as students of the School of Dance.
   Excerpts from Rapt, which closed the second set, saw alumnus Craig Bary, who was in the original cast in 2011, return to teach the chosen sections to the NZSD dancers, before Douglas Wright, who created the original dance–theatre performance, and his assistant Megan Adams (an NZSD alumna) added the nuances. Being excerpts rather than the full 80-minute work, we focused more on the nine dancers’ considered and precise execution. Once again, we were impressed.
   With two sets having gone extremely well, the third, entitled Purcell Pieces, had to be of a very high quality to keep the audience happy. The School did not disappoint. Choreographed by Nils Christie, and a collaboration between the New Zealand School of Dance, the Queensland Ballet and Singapore Dance Theatre, Purcell Pieces is set to the music of Henry Purcell, but giving each piece a modern interpretation in dance. Loose, colourful costumes designed by Annegien Sneep and Noelene Hill and flowing movements characterized these final dances, with Amanda Mitrevski’s two appearances notable for her expressiveness, and Mason Kelly conveying the sense of solitude and coldness in his performance to ‘The Frost Scene’. Kelly was the stand-out for nearly the entire audience in the third set, judging by the applause. Purcell Pieces ended with rose petals coming down onto the stage, finishing the night on a high.
   The Graduation Season runs at Te Whaea: National Dance & Drama Centre, 11 Hutchison Road, Newtown, Wellington, New Zealand, till November 29, with performances nightly at 7.30 p.m., excepting Sunday and Monday. Matinees will take place on Sunday, November 23 and Saturday, November 29, at 2 p.m. Tickets are NZ$29 for adults, NZ$24 for students and seniors, and NZ$16 for children under 13. Tickets can be booked at www.nzschoolofdance.ac.nz.—Jack Yan, Publisher

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November 18, 2014

Bentley gauges interest with Grand Convertible concept as it guns for Rolls-Royce Drophead

Lucire staff/13.19

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Since Volkswagen took over Bentley, the company has only fielded one convertible line in the top tier, the Azure. Since 2010, the marque has left the convertible market for the Continental GTC to pursue, but those wanting something more exclusive have had to turn to Bentley’s former sister brand, Rolls-Royce, which had tapped into the Azure’s former market with the imposing Phantom Drophead. The Rolls-Royce took cues from expensive motor boats, with its wooden rear deck, and the cubic capacity was 6,749 cmÂł, a single cubic centimetre less than the 6,750 that the company’s cars had as standard for much of the period under Vickers ownership.
   Bentley, not to be outdone, has taken its Mulsanne, which dĂ©buted in 2009, and created a new convertible, called simply the Grand Convertible. Under the bonnet is the company’s 6,752 cmÂł twin-turbo V8, developing 537 PS (395 kW), while externally, the Grand Convertible has a wooden deck, signalling just which car it is gunning for. However, it is just a concept for now, developed to gauge potential consumer interest.
   Bentley calls the Grand Convertible its ‘most sophisticated open-top car’ and it is relying on being more understated than its rival. It is certainly elegant, and its proportions are more classical than the Continental GTC’s.
   Bentley chairman and CEO, Wolfgang DĂŒrheimer, said at the car’s unveiling in Los Angeles, ‘This concept demonstrates Bentley’s ability to create a pinnacle convertible Grand Tourer, while embodying elegance beyond compare. With this car we combine the opulent Mulsanne experience with the full sensory indulgence of open-air touring, continuing to unite luxury and performance in new ways.’
   The car will go on display at the Los Angeles Auto Show from November 19. In December, it will be displayed at Art Basel in Miami.

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November 16, 2014

Kendall Jenner signed as EstĂ©e Lauder’s new face: social media consumers among targets

Lucire staff/11.45

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Courtesy Estée Lauder

Estée Lauder has signed model Kendall Jenner for digital, TV, print advertising and social media campaigns.
   The company sees Jenner’s personal social media following as an asset, able to bridge them with fashion and entertainment, while targeting younger consumers.
   She has 30 million fans across Instagram, Twitter and Facebook, and is believed to be the most socially connected model.
   EstĂ©e Lauder global brand president Jane Hertzmark Hudis calls Jenner ‘the ultimate Instagirl. We are excited to leverage her image, voice, energy and extraordinary social media power to introduce EstĂ©e Lauder to millions of young women around the world.’
   Jenner says she had known since Paris Fashion Week, but had to keep the news under wraps.
   â€˜It honestly feels like a dream to represent such an iconic beauty brand: it is an incredible honour and quite humbling,’ she says.
   She also features in a 13 pp. editorial shot by Patrick Demarchelier in the December 2014 issue of Vogue.
   Jenner had first walked in Marc Jacobs’ fall 2014 show, then at the Chanel haute couture show, followed by an advertising campaign for Givenchy for autumn–winter 2014. She has since walked for Balmain, Dolce & Gabbana and Fendi. She has worked with photographers such as Demarchelier, Mert & Marcus, Mario Sorrenti and Mikael Janssen, and has appeared in Love, Vogue Paris, W, and Interview.
   She follows in the footsteps of luminaries including Willow Bay, Paulina Porizkova, Elizabeth Hurley, Gwyneth Paltrow, Liu Wen, and Julia Roberts.

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November 13, 2014

Fadwa Baruni celebrates UAE National Day with new collection

Lucire staff/21.23

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Designer Fadwa Baruni has launched a UAE National Day-themed collection in association with Professionelle Boutique in Dubai Mall, available from November to the day itself on December 2.
   The dress design features the colours of the country’s flag, using silk and other high-quality fabrics. It features red, black and white, with a deep shade of green.
   Iraqi actress Alaa Shaker will promote the dress, while photographer Mohammed Al Marzouqi and Poupa Salon & Nail Spa have contributed to the promotion.
   Professionelle Boutique is on level 1 of the Dubai Mall, facing Shakespeare & Co.

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Filed under: celebrity, Dubai, fashion, Lucire
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