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September 14, 2014

DHL launches 2014’s Fashion Export Scholarship competition

Lucire staff/23.06

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Above Jae Mills of Commoners with models in last year’s competition.

DHL has launched its seventh annual DHL Express Fashion Export Scholarship, with entries closing October 10.
   The Scholarship has been known for helping boost New Zealand’s best up-and-coming fashion names, including Stolen Girlfriends’ Club, Lonely Hearts, Twenty-Seven Names and I Love Ugly. Last year’s winner was Commoners.
   Fashion Industry New Zealand chairman Paul Blomfield will head the judging panel with DHL national strategic account manager for fashion and textiles Megan Wildermouth.
   The winner will receive NZ$10,000 in international freight, along with coaching in freigh and logistics. The second prize is NZ$1,500, and the third valued at NZ$500. All will receive export mentoring and a membership from FINZ.
   Applicants can head to dhlfashionscholarship.co.nz. The winner will be announced on November 11.

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Filed under: fashion, Lucire, New Zealand
September 13, 2014

Napoleon Perdis creates an exclusive look for Miss Universe New Zealand 2014

Lucire staff/23.34

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Napoleon Perdis is the exclusive make-up provider to the grand final of Miss Universe New Zealand 2014, which will be held at Sky City Theatre on September 18. The show will also be live-streamed at nextmissnz.com as well as Lucire.
   The company has provided prize packs for the finalists (including lip gloss, a complimentary makeover, samples of BBB cream, primer and serum) as well as VIPs, plus grander prizes for the top five place-getters, whom the public and the judges decide on, fifty–fifty. They’ll also be behind the scenes: on Thursday night, viewers will see a make-up look created by Napoleon Perdis’s head office in Sydney.
   The products Napoleon Perdis’s team, along with the Samala Robinson Academy, will use include Auto Pilot pre-foundation skin primer, Peep Show in Madame Beyond mascara, Stroke of Genius Liquid Cashmere foundation, the One concealer and the Camera Finish powder foundation for prep and base; the Camera Finish powder foundation, Matte Bronze fine powder for that beautiful sun-kissed look, Mosaic Flushing powder, Color Disc in Blushing Bride and Pale Rider or Chocoholic eye brow pencil for contour, blush and brows; and the Chocolate Genache Color Disc, Golden Peach loose eye dust, Mosaic Flushing powder, Color Disc in Skinny Dip, China Doll eyeliner, the One concealer in light, Mesmer-Eyes mascara, faux lashes in Zinnia, Mattastic lipstick in Audrey, Witty in Pink lip pencil and Clearly Glam lip lacquer for eyes and lips. All are aimed to give the finalists a glamorous, film-star look—exactly in line with Napoleon Perdis’s own vision of democratizing make-up. The best looks shouldn’t just be available to celebrities, they should be available to women from all around New Zealand.
   Tickets are available from Iticket, and, due to demand, Miss Universe New Zealand has opened up the dress rehearsal on Wednesday, with proceeds going to the Father Ray Foundation, which the finalists visited on their Thai retreat in August.






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Living Nature’s Skin Steps: all you need in a natural, single package to look after your skin

Lucire staff/2.18

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We have to take our hats off to Living Nature for constantly innovating—and staying true to what it stands for, as the world’s purest and most natural skin care brand. (Remember, it’s not what they put in, it’s what they leave out, that makes Living Nature the brand that’s certified natural by BDIH and the safest skin care range by the Skin Deep Cosmetic Safety Database.)
   We’ve had a chance over the last few weeks to try out its newest release, the Skin Steps pack featuring five Living Nature products: the nourishing day cream, vitalizing cleaner (both with active manuka honey) and extra-hydrating toning gel (with harakeke), each in 50 ml bottles, plus a sampling of the nourishing night cream (again with manuka honey) and firming flax serum (with harakeke). It’s one of three packs that Living Nature offers depending on your skin condition—we had the normal skin one, but the company also offers one for oily skin and another for dry and mature skin.
   The pack is a particularly handy size, and each of the 50 ml bottles makes the beauty rĂŠgime all the simpler. There’s no colouring, no artificial fragrances—if there’s a scent associated with natural goodness, you’ll find it here. The cleanser actually leaves your skin feeling softer and smoother thanks to a moisturizing effect and its mild kumerahou, while the nourishing cream has a pleasant, gentle scent that we noticed had a positive effect on the skin throughout the day. The toning gel, with harakeke flax gel and Totarol feels lighter than the creams, and helps restore your skin’s natural pH balance while repairing dehydration, ideal for the warmer months ahead, and very gentle on the face.
   Living Nature has made looking after your skin such a simple process, and it’s well worth the NZ$69 retail price. For more information, head to www.livingnature.com or freephone, in New Zealand, 0508 548-464. It’s available at selected salons, pharmacies and health stores nationally.

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September 11, 2014

Phoenix commemorates its Love Project with three limited-edition pop-art bottles

Lucire staff/3.14

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We fell in love with these limited-edition pop art bottles from Phoenix Organics ever since they arrived at the office—so much so that we’ve been saving them for a special occasion.
   But they’re much more than a fleeting fancy. They signify Phoenix’s commitment to the environment, launching its Love Project, where it has teamed up with Sustainable Coastlines and Tangaroa Blue Foundation to help clean up New Zealand’s beaches.
   Over 1,015,884 litres of rubbish has been collected from New Zealand beaches since 2009—equivalent to 31 shipping containers of waste. Phoenix is asking Kiwis to visit its Facebook page to vote for the beach they love the most and would like to keep clean. The company will contribute to beach clean-up projects this summer.
   The artwork has been inspired by the love of our planet, and appears on Phoenix organic cola, lemonade and ginger
beer. The artists are Mica Still of Wellington, Meghan Geliza of Auckland, and Mulga of Sydney.
   In late October, Geliza and Still will create a live art installation in Auckland, in which the public can participate.



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September 5, 2014

Meadowlark shows its ‘anarchist queen’ Dynasty jewellery collection

Lucire staff/20.56

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Meadowlark’s Dynasty collection builds on its previous two, Ritual and Veni Vedi Vici, taking the inspiration from an ancient Russian monarch, traditional Indian bridal adornment and grunge–luxe supermodel nostalgia, says the company.
   The company had already made headlines for its distinctive, high-impact jewellery with Rihanna modelling its pieces in the September 2014 issue of W.
   There’s more than a nod to the body-piercing ĂŚsthetic: among the items are headpieces, nose chains, septum and lip rings, stud and hoop earrings, rings and necklaces, all taking strong forms such as spears, thorns and discs, and encrusted with diamonds, emeralds and rubies.
   The earrings are sold individually, allowing for maximum customization.
   â€˜We took the idea of ’90s piercing jewellery and put a luxe, grown-up twist on it using silver, gold and diamonds.’ says designer and co-founder Claire Hammon. She says the collection is ‘for the brave,’ suiting what the company calls a ‘modern anarchist queen’ who wishes to defy the status quo.

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September 1, 2014

Miss Universe Thailand 2013, Chalita Yaemwannang, gets guest judge role at Miss Universe New Zealand

Lucire staff/13.40

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Miss Universe Thailand 2013, Chalita Yaemwannang, will be guest judge at the grand final of Miss Universe New Zealand 2014 at the Sky City Theatre in Auckland on the 18th.
   Yaemwannang will join both returning and new judges on the panel, to be publicly announced later this month by the Miss Universe New Zealand organizers.
   The invitation to the Miss Universe Thailand organization was made by executive director Nigel Godfrey during the finalists’ retreat for the top 25, which took place in Bangkok and Pattaya in July.
   Godfrey presented his opposite number in Thailand, Surang Prempree, a framed invitation for a Miss Universe Thailand titleholder to be a special guest at the New Zealand grand final.
   The public vote continues with the online i-vote, and with the text voting—see nextmissnz.com/top25.shtml for voting details.
   Tickets for the final are available through Iticket, through this link, or via the Miss Universe New Zealand Facebook page.

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August 28, 2014

New Zealand Fashion Week autumn–winter 2015, day three: Hailwood and Kate Sylvester up the standard

Sopheak Seng/15.11

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Lucire’s fashion and beauty editor Sopheak Seng and photographer Matthew Beveridge look at day three’s mixed bag of shows.

New Generation
   Vibe: Four up-and-coming designers showcasing what they have to offer the fashion world as the voices of the future.
   Clothes: Like a pick-and-mix bag of lollies, there were some dud and then some great pieces. Overall, the collections seemed forced and not polished enough. Construction of the garments left something to be desired, as there were twisted seams and puckering on most trousers and dresses, and a lack of cohesion in ideas, novelty and innovation. Stand-outs, which were few and far between, were Itzme, with their androgynous take on soft tailoring and sportswear. A bright colour palette of fuchsia, purple and orange showed great potential but was let down by shoddy construction and finishing. Nomsa Mabuto showed a good collection of predominately separates of coats, pants and shell tops in a colour palette of varying shades of green.


Trish Peng
   Vibe: Sportswear for ready-to-wear, gowns and party dresses.
   Clothes: Laser-cut bomber jackets and circle skirts with anoraks and ’80s ruffled off-the-shoulder tops and bright multi-coloured striped pieces. The collection then diverged into party dresses in bright pop colours. This was where the collection was let down: poor fabric and construction choices meant that under the glare of the lights, the gowns didn’t feel luxurious enough—and this was viewed between people’s heads in row B. Also the fits of the gowns on some of the models were not great, either. It is the little details that are often overlooked that add to the polish of a collection.
   Look: directed by L’OrĂŠal Professionnel New Zealand ambassador, Michael Beel, who created an origami-inspired criss-cross weave pattern in the models’ hair, then gathered into a low ponytail. Simple and elegant.

Designer Selection
   Vibe: In-season showcase to consumers. Fun, commercial fashion.
   Clothes: All in-season summer pieces from the 30-odd designers that were showing as part of New Zealand Fashion Week. Think bright, fun, commercial pieces that you could buy off the racks the moment you walked out of the show. The middle section of the show was presented by Woman’s Day, who showed a selective range of garments in red and white styled by Lulu Wilcox, featuring models in turbans and carrying red heart-shaped balloons, reminiscent of a Banksy street art piece. Closing the show was Jockey, who set hearts a-flutter with five All Black players, including Victor Vito, showcasing the spring–summer 2014–15 underwear looks for men, and model Nikki Phillips showing the women’s range.

Hailwood
   Vibe: Wearable streetwear with a glamorous edge. Rock concert chic.
   Clothes: Streetwear-oriented, the collection was denim-heavy but moved into Hailwood’s take on his draped velvet gowns that work for every body shape. The dĂŠvorĂŠ silks and velvets were great, as were the sequinned jackets and dresses that closed the show. Stand-outs, however, were his denim range and the oversized unicorn motif ponchos. Super-cool, relaxed dressing.
   Look: Dirty, gritty, but pretty. Messy and textural.

Kate Sylvester
   Vibe: Romantic, literary geek chic, celebrating nonchalant luxury and refined classics.
   Clothes: Vintage-inspired with references to menswear and long days in an English countryside, tucked up in your boyfriend’s clothes, his pyjama bottoms or boxers with his robes and shirts. Great masculine-inspired tailoring in regatta stripes and polka dots. Sheer dresses and blouses added a soft romantic air to the collection as did the long Isadora Duncan-style fringe scarves casually draped around the models’ necks. Loved the return of males on the Sylvester runway and stand-outs were the camel trench, open shirt, and striped trousers casually rolled up with brogues. All this romantic vision was helped along by a cascading shower of ripped pages from a book.
   Look: Just rolled out of bed, slightly textural hair with just flushed make-up.—Sopheak Seng, Fashion and Beauty Editor

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August 27, 2014

New Zealand Fashion Week autumn–winter 2015, day two: from softly and rosy to Zambesi’s superheroes

Sopheak Seng/16.05

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Fashion and beauty editor Sopheak Seng, and photographer Matthew Beveridge, cover day two of New Zealand Fashion Week, with Pardon My French, Lucy McIntosh, the NZ Weddings show, Pia, Andrea Moore and I AM, Juliette Hogan and Zambesi.

Pardon My French
   Vibe: ’Sixties beatniks with a touch of glamour.
   Clothes: Skinny leather pants spliced with rose gold zips and ponte, houndstooth composed of flying swallows, turtlenecks, oversized cocoon coats, draped skirts and dresses crafted in shades of beige, white, black and greys, all paired with ballet flats, a floppy beret and chunky hosiery.
   Look: Poker straight hair by Sara Allsop of Dharma for GHD and smoky kohl-rimmed eyes by Samantha Holley for MAC.

Lucy McIntosh
   Vibe: Grungy punk seen through a refined, modern eye.
   Clothes: Androgynous and structured coats and jackets in fine cashmere wools—full-length or blazer, there were different variations with some in the new shape of the double-breasted vest. Mini- and midi-length pleated skirts all worn underneath. Almost an ’80s throwback. The stand-out was the rose-print jacquard that featured on pants and jackets.
   Look: Messy dirty glamour hair with a touch of bronze on the cheeks and nude lips.

NZ Weddings show
   Vibe: Bridal and all things cute and white.
   Clothes: Gowns upon gowns of lace, tulle and sheer. Stand-outs were Hera Bridal with their Ăźber-cute children’s range of flower-girl dresses; and the Mint lace and tulle dress. The show signalled the death of the strapless gown as well as the princess style, as there were more streamline gowns on show, with cut-out detailing and a focus on the back. Crane Brothers and Barkers both showed great grooms’ attire with Barkers offering up a shorts option for the fashion-brave.
   Look: soft goddess cascading curls with romantic blushing bridal make-up.


Pia
   Vibe: Cruisy summer days at the pier.
   Clothes: Considering she is known for her graphic digital prints, there was not a lot of that on show as the focus was more on garments in solid colours of beige, white chambray, soft mints and blush pinks. The only prints that were featured were strawberries, watermelons and anchors, which all felt derivative. New shapes in tunics and fabrics provided interest as did the Adidas slides with white sport socks.
   Look: Beach–boho hair with a slick of white eyeshadow that looked zinc-like.

Andrea Moore and I AM
   Vibe: Surrealism meets ’70s Charlie’s Angels and a bit of Studio 54; I AM was athletic sport-luxe.
   Clothes: Great coats in a cacophony of colour from emerald, through to beet pink and cobalt blue. Dresses and jumpsuits featured heavily in the collection as did lace and faux fur. Stand-outs were the striped faux fur coat and fur-trimmed bags, and Moore’s new venture into eyewear and jewellery. A great deal of editing wouldn’t go amiss; however, it was good to see the brand expanding into a whole lifestyle idea.
   Look: ’Seventies Farrah Fawcett blow-outs, bouncy hair with bright fuchsia and burgundy lips.

Juliette Hogan
   Vibe: Juliette Hogan goes dark grunge.
   Clothes: Typical Juliette Hogan with a focus on all things feminine: pleated skirts and moody florals featured throughout the collection. However, it was the final pieces in the collection that really stood out: a floor-length sequinned maxi-skirt with casual T-shirt paired with white New Balance sneakers as well as the full floor-length gown in the same fabric. They gave us something new to the Hogan brand we have all come to know and love. Heavy on the black. A live band also gave something unique. Having to wait for over an hour for the start wore thin, but this was a show which lightened the mood of the weary guests.
   Look: Clean, fresh-faced beauties, chic New Yorker.

Zambesi
   Vibe: Futuristic superheroes, Flash Gordon song on repeat with strobes of blue and bright white lights and Zambesi decal on the runway.
   Clothes: No sequins or sheer in sight: the focus was on soft tailoring as well as structured suiting and casually cool clothes. Palette of black, cerulean blue, grey, khaki, olive, and touches of mauve and lilac. Stand-outs were the dressing gown-style coats in the softest of wools, the oversized knitwear, the cerulean blue boots, the tone-on-tone suits as well as the giant XXXV logo (commemorating Zambesi’s 35 years in business) blankets that were worn as capes, superhero-style, by the models.
   Look: Faux hawk fins that ran down the centre of the females, as well as the clip-in extensions for the male models, it was all about texture and grit. Fresh-faced.—Sopheak Seng, Fashion and Beauty Editor

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