Lucire: News


September 30, 2016

Hennes & Mauritz opens first store in Auckland, New Zealand, with celebrity launch

Lucire staff/11.17

Chris Park

Hennes & Mauritz held a press launch for its first New Zealand retail store at Sylvia Park, Auckland, on Thursday—and as the New Zealand-headquartered publication with the longest history of covering the Swedish retailer, we were on the scene.
   H&M didn’t take this launch lightly. In anticipation of the official October 1 launch, they rolled out the red carpet, metaphorically and literally, for an eclectic bunch of media, photographers, bloggers, influencers and the usual Auckland celebrity crowd. It was an incredibly well run event.
   Those spotted among the 800-plus attendees included Jaime Ridge, Maia Cotton, Jerome Kaino and Maria Tutaia, and Colin Mathura-Jeffree.
   In keeping with international standards, the H&M store is a two-storey complex, occupying a huge floor space, with separate sections for men’s, women’s and children’s wear. Unfortunately they didn’t bring in an H&M Home, which, with the absence of Ikea, would probably have done incredibly well in New Zealand.
   The concept of the launch event was to have a “luxury H&M experience”, where we were led down the red carpet, given a trademark grey mesh shopping bag, and free reign to buy any of the items at prices specially discounted for the launch. In addition to this, we were treated to bubbles on arrival, followed by bars on each of the floors each making a different cocktail, with canapés floating around the whole night.
   Gracie Taylor, Jupiter Project, Kings and General Lee, and Dan Aux were DJing on the ground floor.
   In anticipation for the crowds on Saturday (when the store is open to the public), H&M flew in staff from Australia and elsewhere to support the New Zealand-based crew and to provide training.
   Mino Kim, one quarter of the well-known New Zealand street style blog Foureyes, is the store manager, so the rest of the Foureyes team were there to provide emotional support and to do a bit of shopping as well.
   Just as there is a space for haute couture, there is equally a space for fast fashion. H&M built its global fashion empire through making basic, affordable clothing which were durable and the store in New Zealand was no exception. It remains to be seen how H&M’s expansion in the New Zealand market will affect other clothing retailers who operate in the same space and price brackets.
   Perhaps in anticipation of the launch, there have been some critical coverage of H&M being implicated in using child labour and outsourcing its production work to countries where workers are underpaid and exploited. However, it is worth noting that H&M has been one of the more proactive clothing companies when it comes to upholding workers’ rights in comparison to many other comparable brands who already have retail operations in New Zealand, including Glassons, Industrie and Forever 21.
   My understanding is that H&M intends to monitor how the flagship store in Sylvia Park goes before considering whether to open additional stores in other centres around New Zealand.
   I anticipate that for those in Auckland at least, H&M will become the go-to place particularly for basics or cheap and cheerful accessories.—Chris Park, Guest Contributor

Chris Park

Courtesy Mango

Chris Park

Courtesy Mango

Chris Park

Courtesy Mango

Chris Park

Geoff Hedley; courtesy Mango

Chris Park

September 23, 2016

Gillian Saunders takes top honours at 2016 World of Wearable Art Awards’ Show, with Supernova

Lucire staff/11.00


New Zealand designer Gillian Saunders has scooped the Brancott Estate Supreme Award at tonight’s World of Wearable Art (WOW) Awards’ Show. Saunders, who had entered 15 garments before her winning entry, Supernova, has won eight awards prior to 2016, but this is the first time she has taken out the top prize.
   Saunders, who was born in England, has been involved in television and theatre for most of her working life. She was trained in Yorkshire, and went on to Christchurch, New Zealand, where she worked as a props’ maker for the Court Theatre.
   â€˜I had been making stage props for theatre and TV for years. WOW was the perfect challenge—could I make props for the body as well?’ she said.
   Supernova was inspired by ‘Thierry Mugler’s Chimera dress [from the autumn–winter 1997–8 collection], … the iridescent spiny fins of the Hippocampus from the Percy Jackson movie The Sea of Monsters, and some incredible NASA images taken by the Hubble Telescope,’ she noted. ‘Once all these elements were combined, Supernova was brought to life.
   â€˜The large gems represent new stars being born and the dark shadows represent deep space. Each scale has been individually cut, shaded with marker pens and then hand-sewn on to the garment. Each gem has had its sticky backing removed and then glued on by hand.’
   Saunders also won the Avant-Garde section in this year’s competition, judged by WOW founder Dame Suzie Moncrieff, Zambesi’s Elisabeth Findlay, and sculptor Gregor Kregar.
   Dame Suzie said, ‘Supernova has the design innovation, the construction quality and vibrant stage presence in performance to win WOW’s top award.’
   Saunders’ 2013 design, Inkling, won the Weta Creature Carnival Award and an internship for her at Academy Award-winning Weta Workshop. It is currently part of the WOW international exhibition, touring around the world, and presently at the EMP Museum in Seattle, Washington, where it will be displayed till January, after which the exhibition will head to the Peabody Essex Museum in Boston, Mass.
   She also won the Avant-Garde section in 2007 with Equus: behind Closed Doors, while in 2009, Tikini was second in the Air New Zealand South Pacific section.
   Designers from New Zealand, China, India, England, Australia, and the USA won awards in each section.
   The American Express Open section this year saw Renascence, by Yuru Ma and Siyu Fang of Shanghai take first place. The Spyglass Creative Excellence section was won by Mai (I), by Pritam Singh and Vishnu Ramesh of Gujarat. Queen Angel, by Adam McAlavey of London, won the MJF Lighting Performance Art section.
   Baroque Star, by Natasha English and Tatyanna Meharry of Christchurch, won the Weta Workshop Costume and Film section, netting the duo a four-week internship at Weta Workshop, plus travel, accommodation, and prize money.
   The Wellington Airport Aotearoa section was won by Maria Tsopanaki and Dimitry Mavinis of London, with their creation Princess Niwareka. The World of Wearable Art and Classic Cars Museum Bizarre Bra section was won by Julian Hartzog of Tarpon Springs, Fla., with Come Fly with Me.
   Of the special awards, Dame Suzie chose Incognita, by Ian Bernhard of Auckland, as the most innovative garment, giving it the WOW Factor Award. Renewal, by Alexa Cach, Miodrag Guberinic and Corey Gomes, won the First-Time Entrant Award. The Knight by Jiawen Gan of the Beijing Institute of Fashion Technology won the Student Innovation Award. The Sustainability Award, recognizing the protection of our environment and the use of materials that would otherwise be discarded, was won by Bernise Milliken of Auckland, for Grandeer. Digital Stealth Gods, by Dylan Mulder of Wellington, won the Wearable Technology Award. The Wellington International Award, given to the best international entry, was won by Daisy May Collingridge of Woldingham, Surrey, England, for Lippydeema. Collingridge also won the UK–Europe Design Award with this entry.
   Khepri, by Miodrag Guberinic and Alexa Cach of New York, NY, won the Americas Design Award. Yu Tan of Shanghai won the Asia Design Award with The Renaissance Happens Again, while Cascade, by Victoria Edgar of Geelong, Victoria, won the Australia and South Pacific Design Award.
   The David Jones New Zealand Design Award was won by Voyage to Revolution, by Carolyn Gibson of Auckland.
   The Cirque du Soleil Performance Art Costume Award, chosen by Denise Tétreault, Costumes Lifecycle and Creative Spaces Director of the Cirque du Soleil, was won by Digital Stealth Gods, by Dylan Mulder. Mulder receives prize money, flights and accommodation for a one-month internship at Cirque du Soleil’s headquarters in Montréal, Québec.
   WOW runs in Wellington, New Zealand, through to October 9, and will be seen by 58,000 people live during its run. It employs over 350 cast and crew.
   This year, 133 entries by 163 designers (some worked in pairs) were received, competing for a prize pool of NZ$165,000.


Renascence, by Yuru Ma and Siyu Fang, Shanghai.

Mai (I), by Pritam Singh and Vishnu Ramesh, Gujarat.

Queen Angel, by Adam McAlavey, London.

Baroque Star, by Natasha English and Tatyanna Meharry, Christchurch, New Zealand.

Princess Niwareka, by Maria Tsopanaki and Dimitri Mavinis, London.

Come Fly with Me, by Julian Hartzog, Tarpon Springs, Fla.

Incognita, by Ian Bernhard, at AUT, Auckland.

Renewal, by Alexa Cach, Miodrag Guberinic and Corey Gomes.

Grandeer, by Bernise Milliken, Auckland.

Digital Stealth Gods, by Dylan Mulder, Wellington.

Lippydeema, by Daisy May Collingridge, Woldingham, Surrey.

Khepri, by Miodrag Guberinic and Alexa Cach, New York.

The Renaissance Happens Again, by Yu Tan, Shanghai.

Cascade by Victoria Edgar, Geelong, Victoria.

Voyage to Revolution by Carolyn Gibson, Auckland.

September 14, 2016

Little Ghost expands by offering Lime Crime make-up in its new online boutique

Lucire staff/1.18

Little Ghost, known for its wallets, bags and clutches, has added Lime Crime make-up as it kicks off its new online boutique.
   Founder Amber Bibby says that Lime Crime has a similar outlook to her fashion accessories’ label, and selling the two together helps Little Ghost’s boutique become more of a single destination for individualistic, eclectic products.
   Bibby is a make-up artist herself, and is a fan of Lime Crime. ‘They lead the way in the hugely popular liquid to matte lipstick trend and were the first to introduce distinct and radical lip colours. Lime Crime promote expressing yourself unapologetically which made them the perfect launch partner,’ she said.
   Lime Crime is a cruelty-free brand, with no animal testing, and certifies its line as 100 per cent vegan.
   The launch range comprises Lime Crime’s Velvetines and Perlees for the lips, and Venus and Superfoils palettes for the eyes, priced between NZ$30 and NZ$60. For a limited time, the company is offering free shipping to New Zealand and Australian addresses.
   She says that Little Ghost is negotiating with other designers to expand its boutique further.

September 8, 2016

New Zealand singer Sophie Morris releases her first album, Songs from the Stage

Lucire staff/0.27

Aliana McDaniel

Rising star Sophie Morris, interviewed in 2013 in Lucire, will release her début album, Sophie Morris: Songs from the Stage, on October 28—perfectly timed for holiday gift-buying. The album features some favourite musical theatre numbers, including ‘It Might as Well Be Spring’ (State Fair) and ‘Don’t Cry for Me Argentina’ (Evita), and tracks such as ‘Nella Fantasia’ (from The Mission, by Ennio Morricone) and ‘O Holy Night’ (Adam).
   Morris, who is a classically trained soprano, is joined by Dunedin instrumentalists James Davy, Nancy Chen, Meg Davidson, Alan Starrat, John Dodd, Georgie Watts, and Alexandra Wiltshire, an established pianist and musical director.
   Dr Ian Chapman, Otago University senior lecturer in contemporary music, calls Morris ‘a groundbreaker’ and a ‘rare singer who can achieve such a high standard in both singing styles’.
   Marian Poole of the Otago Daily Times, says, ‘Morris is definitely the ascendant star.’
   Morris has recently finished playing Sandy in Grease: the Arena Spectacular Live.
   Two singles are being released in the lead-up: ‘Another Life’ from Jason Robert Brown’s The Bridges of Madison County and ‘Love Never Dies’ from Andrew Lloyd Webber’s Love Never Dies. Both will be available on Itunes.
   Her EP album is currently available for listening and purchase on Bandcamp at

August 31, 2016

Mumm showcases Grand Cordon, delivering by drone; Anna White launches; Karl Lagerfeld débuts autumn campaign

Bhavana Bhim/19.24

Karl Lagerfeld

On August 30 and 31, the new Mumm Grand Cordon champagne was exhibited at Croatia’s Hula Hula Beach Club. For each order of champagne at the Club, a bottle was flown over the sea by a drone. Music accompanied the delivery—those receiving the champagne would get a particularly special experience, emphasizing Mumm’s current ‘celebrate’ theme, and its taste for daring innovation.
   The new bottle was created by Ross Lovegrove and has no front label. The G. H. Mumm signature and emblem are printed directly on to the glass, while the Cordon Rouge sash is actually a real red ribbon indented in the glass. The new design meant changes to the traditional champagne production process.
   Karl Lagerfeld Paris has launched its autumn 2016 advertising campaign, Love from Paris, Karl ××, coinciding with the label’s launch in North America. Lagerfeld himself art-directed and photographed the campaign, which was styled by Charlotte Stockdale, and modelled by Joan Smalls and Hailey Baldwin. It’s a predominantly black-and-white collection with colour splashes, featuring prêt-à-porter clothes and accessories.
   Also on the theme of new and luxury: a new leathergoods label, Anna White, has launched in New Zealand, with a contemporary line consisting of the AW1 tote, Liberty shoulder bag and Protagonist clutch. Right now, Anna White is also offering a limited-edition Classique tote, retailing at NZ$650. The range has simple lines with a quality look. It’s the ideal chance to own stylish bags before others jump on board—Anna White’s off to a good start.—Bhavana Bhim with Lucire staff

August 24, 2016

Linden Leaves enters China staying true to its principles, without using animal-testing procedures

Lucire staff/12.46

Linden Leaves has been trying to solve the problem of entry into the Chinese market for some time. To sell in China, conventional wisdom was that animal testing is required, and when Lucire approached experts in China, they found no way round it. This was in spite of a free-trade agreement between New Zealand and the People’s Republic of China—it was accepted that all would have to undergo the same procedure.
   The good news, announced this month, is that Linden Leaves has, after some persistence, found a way to enter China without animal testing, thereby staying true to its ethos. The company has managed to secure exclusive authorization by the Chinese government.
   Founder Brigit Blair says, ‘I feel so proud that we did not bend our own company ethics and policy for the greater lure of the Chinese dollar due to their animal testing policy. It is so exciting that we have managed to enter the market in a way that means we are able to stay true to what we stand for, not only as a company, but also as a cruelty-free nation.’
   Linden Leaves’ skin care and body care ranges are now stocked at Shanghai’s largest Duty Free Downtown store, with over 2,000 people attending the opening event of its new counter, with further forays into China, through domestic stores and Duty Free stores, planned.

August 23, 2016

H&M’s New Zealand store will be the first to see the Kenzo × H&M collection

Bhavana Bhim/1.45

Oliver Hadlee Pearch

H&M will retail the Kenzo × H&M collaboration announced last month, with the line joining its Sylvia Park store on November 3. With the time difference, this means the New Zealand store is the first to carry the line.
   Since joining Kenzo in 2011, Carol Lim and Humberto Leon have set their own fashion agenda with collections full of bold colours and vivid prints, revealed through high-impact shows, artist collaborations and creative digital campaigns. Global influences and traditions are remixed and fused with the energy of the street, resulting in collections that are both inspirational and accessible to their fans around the world. At Kenzo, fashion expresses freedom, joy and individuality for all.
   â€˜We can’t wait to share with everyone the world of Kenzo × H&M, with all of its creativity, fun and love of fashion,’ said Ann-Sofie Johansson, creative adviser at H&M.
   Last month, the brand revealed the four first looks from the collaboration which combine vivid personalities and bright prints of the clothing for a fun atmosphere.
   Amy Sall, a student activist based in New York and founder of SUNU: Journal of African Affairs, Critical Thought & Æsthetics is photographed beside Juliana Huxtable, a 28 year old artist, poet and DJ also based in New York, wearing tiger-print jerseys, roll-neck tops and matching high-waisted leggings. They also wear black leather gloves containing a pink logo print and jacquard knitted tiger-sock shaft boots.
   The second look shows the 19-year-old musician and performance artist based in Paris, Oko Ebombo. He wears a parka with a removable printed collar, block colour tiger-print jeans, plus padded flip-flops with tabi socks. Ebombo also wears a tiger-printed cap with an attached scarf, a printed woven scarf and the tiger-printed cross-body bag.
   The third look shows Isamaya French, a make-up artist based in London, part of the London-based collective, Theo Adams Company. She wears an oversized leather jacket with pink faux shearling lining, with a matching tiger print jersey roll-neck top, and high-waisted leggings.
   The final look is revealed on Anna of the North, a 25-year-old Norwegian musician who gained global attention earlier during the year with her track ‘The Dreamers’. She wears a fresh interpretation by Kenzo’s creative directors, of an iconic design by founder Kenzo Takada: a short folkloric ribbon dress featuring various prints from the collection.
   â€˜With this collaboration with H&M we want to think big, push the boundaries and bring the new energy of Kenzo to everyone around the world,’ say Lim and Leon.—Bhavana Bhim

Oliver Hadlee Pearch

August 19, 2016

Chanel opens first New Zealand Fragrance and Beauty boutique at historic Britomart Building in Auckland

Bhavana Bhim/6.30

Chanel yesterday opened its first Fragrance & Beauty boutique in Auckland. The store is located in the historic Britomart Building and marks the 12th Fragrance and Beauty boutique opening across Australia and New Zealand collectively.
   Chanel have maintained the original 1900s brickwork building, with its traditional kauri timber floors. Combined with the contemporary products, customers are treated to a stylish boutique experience.
   Upon entering the boutique, customers are invited to discover the latest Chanel make-up creations as well as a skin care bar. Along with fragrance, Chanel is delighted to début a new range of eyewear to New Zealand customers. The eyewear salon will present a comprehensive collection of Chanel sunglasses, including the classic codes of the house—white camellias, pearls, tweed and interlaced chains. Beauty and fashion are combined in the boutique, giving clients the opportunity to select the latest eyewear shape, complementing their face and make-up look.
   David Blakeley, managing director of Chanel Australia and New Zealand, said, ‘The opening of the first boutique in New Zealand is a momentous occasion for Chanel. We are able to deliver an immersive, service orientated experience to our clients in a retail environment that we have specially created to showcase our fragrance, beauty and fashion eyewear offerings together in a new and very exciting Chanel way.’—Bhavana Bhim

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