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July 17, 2014

A number of Ô¨Ārsts for Lucire, with issue 33 on sale today

Jack Yan/10.00

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Lucire issue 33, on sale today, marks a number of firsts and is one of the best we’ve had.
   We‚Äôve always been very fair on who makes the cover. Sopheak Seng, our fashion and beauty editor, and I choose from all the images we have, and these include ones that he has produced as creative director or stylist. And in the years we‚Äôve worked together, he‚Äôs opted not to put his ones ahead of others‚Äô. We‚Äôve both gone for what is best for Lucire. Some shoots that have appeared on the cover he has worked on in a supervisory role, but others have come from our brilliant network of creatives worldwide.
   Issue 33 sees his first cover that he has directed, and it‚Äôs one we‚Äôre both exceptionally proud of. Photographed by Dave Richards, and with the A-team of Michael Beel on hair and Hil Cook on make-up, assisted by Jaye Morgan, Natalie Henderson and Andy Alsop, and modelled by Chlo√© Graham, it‚Äôs the first time in 17 years that we‚Äôve cropped the Lucire logo behind the model‚Äôs head.
   We realize this technique is commonplace and it‚Äôs probably a surprise to anyone reading the above that that hasn‚Äôt happened before. And we‚Äôve had many great images‚ÄĒonly the best get selected for the coveted spot. But for some reason, when it came to the crunch, we opted to keep the logo complete, as have always done on the website. This time, the image was so striking that we felt it was time to take the scalpel to the logo, thanks to head designer Tanya Sooksombatisatian.
   It is Dave‚Äôs first shoot with us, so to score a cover on your first go is very impressive, though it has happened a few other times‚ÄĒCourtney Dailey with Laura Vandervoort in issue 29, for instance.
   I have a feeling, too, that Chlo√© is the first Scot to be on our cover. While a New Zealander, she hails from Glasgow, and this is rather timely with the Commonwealth Games about to commence.
   I congratulate my good friend and colleague, Sopheak, and I think this is going to be one of those memorable Lucire covers that will be cited in years to come.
   There‚Äôs plenty more inside, and you can get a taste of the articles in our issue 33 preview.
   I‚Äôm very proud of one shoot by Jon Moe in there, with our California A-team of Jamie Dorman (now in New York, but who was our pointwoman on the shoot), Lei Phillips and Carina Tafalu, and starring two former Miss Universe New Zealands, Laural Barrett and Samantha Lochhead, each in their second appearances in Lucire. Jon lovingly shot this at Riviera 31 at the Sofitel Los Angeles, and I acknowledge our US west coast editor, Elyse Glickman, for her connections with Pivotal Public Relations in getting us the location.
   It‚Äôs not the only cover that we can talk about: some of you will have seen Dorit Thies‚Äôs and Olga Fonda‚Äôs announcement of their cover for Lucire Arabia. (The story is in issue 33, too, but it was strongly felt that Dorit‚Äôs shot was the best to d√©but our title there. When you see the pages, you‚Äôll also notice why this is an incredible shoot with the Vampire Diaries star.) We‚Äôll have more on that officially soon, but, for now, you can get your issue 33 through the Lucire website, in print, for tablets (Ipad and Android), and as a downloadable PDF.‚ÄĒJack Yan, Publisher

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July 13, 2014

Riley Keough’s de Grisogono shoot images from Cannes released

Lucire staff/14.25

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Emanuele Scorcelletti

Photographs of actress Riley Keough modelling for de Grisogono at the Grand Hyatt H√ītel Martinez, where she was based during the Festival de Cannes in May 2014, have been released.
   Using one of the suites, Keough modelled wearing various de Grisogono jewellery items, including the latest Allegra line (in Lucire issue 33), as well as designs from the Gocce and Gypsy collections.
   Paris-based Italian photographer Emanuele Scorcelletti, well known for his portraits and his work with luxury brands, photographed Keough.
   The Allegra collection is ‚ÄėDedicated to a new generation of women, who dare to express their radiance, and explore different shapes and jewelled expressions of their individuality,‚Äô says de Grisogono.
   Keough, who is the granddaughter of Elvis Presley and Priscilla Presley, began her modelling career in her teens, and first appeared on an international runway for Dolce & Gabbana.
   Her acting d√©but was in The Runaways (2010), and she soon landed the female lead in The Good Doctor (2011) opposite Orlando Bloom. She has recently completed filming on Mad Max: Fury Road, alongside Charlize Theron, Tom Hardy, and Rosie Huntington-Whiteley.



Emanuele Scorcelletti

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July 10, 2014

Eva Green previews her Campari 2015 calendar appearance: video and photos

Lucire staff/14.13

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Francesco Pizzo

French actress Eva Green is the face of the 2015 Campari calendar, entitled Mythology Mixology. Campari is teasing the calendar with behind-the-scenes images and a video, featuring Green, announcing the project.
   This 16th edition has been photographed by Julia Fullerton-Batten, an acclaimed fine art photographer, and the first female who has shot a Campari calendar.
   The 12 months celebrate Campari’s history and its best loved classic cocktails. Each month tells the story behind the cocktail, with anecdotes and trivia.
   Campari believes that there has been a classic trend over the last decade, and an interest in history, which the calendar attempts to tap into.
   While some may dispute the presence of a classic trend, Campari has been on the pulse in recent years with its calendars. Notably, in 2008, Jessica Alba appeared in its 10th anniversary edition. Other calendar stars include Salma Hayek, Eva Mendes, Milla Jovovich, Pen√©lope Cruz and Uma Thurman.
   Green, whose Penny Dreadful series is currently netting her headlines in the lead role of Vanessa Ives, came to prominence in Bertolucci’s The Dreamers (2002), and as Bond girl Vesper Lynd in Casino Royale (2006), for which she won a BAFTA. She has recently been seen in 300: Rise of an Empire and will soon be seen in Sin City: a Dame to Kill for.
   ‚ÄėTo work with an iconic worldwide brand such as Campari is an honour and a privilege. There is something very special about this year‚Äôs theme as it strikes a compelling and almost magical balance between the classic and the contemporary. At the root of each image is this rich sense of history behind each of Campari‚Äôs best-loved cocktails but they are presented in a way that is ultra-modern, exuding imagination and style. It‚Äôs a thing of incredible beauty and clearly shows that whilst some of these recipes are over 100 years old, they are still relevant to and adored in today‚Äôs world,’ said Green in a release.
   Fullerton-Benton is known for her series, Teenage Stories (2005), which followed the transition of a teenage girl into womanhood. Campari says that the photos will carry her hallmarks of creative settings, unusual locations and cinematic lighting.
   ‚ÄėCampari has always had an inherent ability to recreate itself and keep the brand image fresh, inspiring and imaginative‚ÄĒa goal I constantly strive towards in my own work, too. This year‚Äôs theme was an interesting challenge, as there was an important job to do in terms of taking historical anecdotes and invigorating them with a modern edge. I‚Äôm confident we managed to strike that delicate balance with this year‚Äôs imagery,’ says Fullerton-Batten.
   Bob Kunze-Concewitz, CEO of Gruppo Campari says, ‘Though there has always been a sense of timelessness around our classic cocktails, we‚Äôve been hearing reports from bartenders all over the world that there has been a surging popularity for classic recipes like the Negroni and the Americano. This year‚Äôs Campari Calendar is designed to celebrate those enduring recipes and the heritage behind them, so we‚Äôre very much looking forward to unveiling it later in the year.’








Francesco Pizzo

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June 24, 2014

Kiwi artists exhibit in New York, while films on Raf Simons and YSL come to New Zealand

Lucire staff/15.22

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Four New Zealand artists are exhibiting in New York from July 1 at Forty:67, at the Artifact Gallery at 84 Orchard Street in the lower east side of Manhattan.
   The exhibition, which comprises painting, photography and jewellery-making, features the work of Sarah Elsby, Nikki Clark, Aphra Ellen, and Jodi Clark. Elsby and Ellen are mother and daughter, and Nikki and Jodi Clark are sisters.
   The work examines the ideas behind identity, place, and culture, or: what does it mean to be a foreigner transplanted to an international centre such as New York City?
   Elsby uses watercolours on paper, exploring the tensions between biomorphic and architectural forms. Photographer Nikki Clark contrasts New York City with the tranquillity of the Whanganui River, near where she grew up, and the similarity of the power in both locations. Jodi Clark’s painting explores how symbols can transcend cultures and history, ‘arranged so they become abstracted from their original intent; taking on a new meaning and life while still triggering memories and nostalgia,’ she says. Ellen’s hand-crafted jewellery has what has been described as a playful approach, inspired by organic forms and odd shapes.
   The gallery is open from 12 to 6 p.m. daily.
   Meanwhile, two fashion films will be part of the New Zealand International Film Festival (NZIFF), taking place between July and September in Auckland, Wellington and other centres.
   The first, Fr√©d√©ric Tcheng’s Dior and I (France, 2014), is a behind-the-scenes documentary, following Raf Simons as he creates his first collection for Christian Dior, taking over from John Galliano. It’s already on Lucire fashion editor Sopheak Seng’s must-see list as the festival takes place.
   Yves Saint Laurent, which has had a lot of coverage in Lucire already, is the second film. This is the Jalil Lespert film, which opened in January 2014 in France, and was authorized by Pierre Berg√©. (The rival film was authorized by Fran√ßois Pinault.)
   Session dates are available online from nziff.co.nz: the Auckland ones are up now, with the Wellington schedule appearing on Friday, and other centres on July 4.



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June 5, 2014

Supermodel Kate Moss fronts Kérastase Couture Styling Collection campaign for summer 2014

Lucire staff/15.46

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S√łlve Sundsb√ł

Supermodel Kate Moss fronts the Kérastase Paris campaign for its new Couture Styling Collection, commemorating one year of the range.
   Couture Styling is K√©rastase’s luxury styling collection, with new products added to its portfolio for US release in summer 2014: Laque Noire, a micro-diffusion finishing spray; V.I.P., a texturizing spray; and Baume Double Je, a defining balm.
   The campaign featuring Moss will roll out this season, inspired by what the company calls a “perfectly imperfect” look made famous by French actress Brigitte Bardot, and by the Studio 54 era.
   Moss’s hair was styled by K√©rastase artistic director Luigi Murenu. Says Murenu, ‘The Brigitte Bardot “mussed-up” ‚Äô60s look is both quintessentially French and completely universal. Kate Moss is the Brigitte Bardot of today. She epitomizes the freedom that every woman wants.’
   Norwegian photographer S√łlve Sundsb√ł shot the campaign in Paris.
   The Kerastase Couture Styling Collection can be purchased through K√©rastase salons in the US (see www.kerastase-usa.com/salon-locator for locations), and online at www.kerastase-usa.com.


Sam Faulkner

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May 24, 2014

The 2014 Prix Pictet awarded in London

Lucire staff/5.17

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Paula Sweet

Top Michael Schmidt’s winning installation. Above Stephen Barber and Kofi Annan during the award announcement.

A gala presentation ceremony at the Victoria and Albert Museum in London on the night of May 21 named Berlin-based photographer Michael Schmidt as the winner of the eighth annual Prix Pictet. The award endeavours to promote the message of sustainability to a global audience via the medium of photography. This year’s theme, Consumption, had a record number of applicants and was decided from a shortlist of eleven finalists. Schmidt’s assemblage of 60 photographs arrayed in a huge grid (finalists are given 21 m² of exhibition space), entitled Lebensmittel, engaged the tensions of food production and transport with a range of provocative images.
   The SFr100,000 award (US$112,000) was presented by Kofi Annan, former Secretary-General of the UN, and Honorary President of the Prix Pictet. Pictet Group, founded in 1805, is based in Gen√®ve. The award for Mr Schmidt, unable to attend due to illness, was accepted by Tate Modern director Chris Dercon.
   The finalists remain on exhibit at the V&A through June 14.‚ÄĒStanley Moss, Travel Editor



Paula Sweet

Top The reception before the award announcement. Above Chris Dercon, Kofi Annan, Jacques de Saussure, Stephen Barber.

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March 23, 2014

Former Miss Universe New Zealand titleholders feature in upcoming Lucire editorial

Lucire staff/23.20

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Two former Miss Universe New Zealand titleholders will appear in an upcoming feature in the printed edition of Lucire, with New York-based photographer Jon Moe travelling to Los Angeles to capture the pair for the magazine.
   Laural Barrett (2007) and Samantha Lochhead (n√©e Powell, 2008) both live in the LA area, with Barrett pursuing her musical career and Lochhead recently arriving with her husband, footballer Tony Lochhead.
   In addition to Moe, the crew consisted of Jamie Dorman on make-up, Carina Tafulu stepping in at the eleventh hour for hair, Lei Phillips on styling (assisted by Janice Gonzalez). The venue, Riviera 31, is a cocktail lounge at the Sofitel luxury hotel in West Hollywood, arranged through Pivotal PR.
   Lucire publisher Jack Yan and fashion editor Sopheak Seng guided and coordinated from head office in New Zealand, with the aid of US west coast editor Elyse Glickman.
   The current issue, no. 32, is on sale now and features a cover shot by Claire Harrison in the UK.
   Entries are open, meanwhile, for Miss Universe New Zealand 2014, after the new consortium put the event back on television in New Zealand after two decades.




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February 14, 2014

Nina Agdal, Lily Aldridge, Chrissy Teigen share Sports Illustrated Swimsuit Issue cover, shot in the Cook Islands

Lucire staff/4.29

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Three models share the cover honours for the 50th anniversary Sports Illustrated Swimsuit Issue for 2014: Nina Agdal, Lily Aldridge, and Chrissy Teigen.
   The 2014 edition was revealed Thursday night on the Sports Illustrated Swimsuit blog and d√©buted on national TV Thursday night in the US on Jimmy Kimmel Live.
   It is the first cover for all three models. Teigen has modelled for the special issue since 2010, and Agdal had her d√©but in 2012. It is Aldridge’s first year.
   The last time three models appeared on the cover was in 2006.
   The cover was shot by James Macari in the Cook Islands. The magazine itself will hit newsstands next week, in print and digital formats.
   Teigen also appears in Air New Zealand’s latest safety video, co-branded with Sports Illustrated Swimsuit, which was also shot in the Cook Islands.
   Kate Upton had appeared on the cover over the previous two years.

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