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January 12, 2017

Rankin photographs Triumph’s spring 2017 campaign, starring Jessica Hart

Lucire staff/10.42



Triumph has hired top photographer Rankin to shoot its spring–summer 2017 lingerie campaign, with Australian model Jessica Hart its main face for the season.
   Triumph says the season marks a new creative direction, though the message isn’t dissimilar to its previous one: women should be able to find the correct intimate apparel to fit them. The brand has continued to use its Find the One message.
   There is more of an acknowledgement that women have many roles in their lives, and that Triumph can fit every occasion.
   Rankin said of the campaign, ‘The images are modern, accessible and incredibly confident. We’re really pushing the fact that it’s not just for the “perfect” women. Triumph is for every woman and every woman can wear Triumph and feel really confident in it.’
   On Jessica Hart, Rankin said, ‘She is the sort of person I’ve always wanted to photograph. I love empowered women and she’s really empowered.’
   Hart said, ‘It’s a really cool new look and I’m super excited to be part of it—representing this playful side of Triumph that speaks to all women. Triumph understands that women play so many roles in their everyday life—we’re fascinating creatures! A huge part of being yourself is feeling comfortable. One day you might feel more like being cozy and supported, another you might want to feel sexy and strong. The exceptional fit and comfort of Triumph products lets you be whoever you want to be and that’s something I really love.’







January 10, 2017

In brief: Belstaff shows autumn–winter 2017–18; Chanel previews spring ’17 advertising

Lucire staff/19.25




Belstaff

Belstaff has shown its autumn–winter 2017–18 collection in London, for both men and women. The Jolly Roger collection, inspired by World War II Royal Navy uniforms, even has vintage wax treatments on some designs to give them a worn look. Belstaff notes that the pea and duffle coats have been re-created, while the parka is based on a Belstaff design created for the British military in 1960. Creative Director Delphine Ninous said, ‘The formal naval-inspired pieces are contrasted with a more rugged and free-spirited look appropriate to downtime on the docks. This sense of temporary escapism is reflected in edgier elements such as naval tattoo designs and the Jolly Roger flag, giving a sense of rebellion and individuality.’ Tones are red, brown, blue and military green; base colours are charcoal grey, black and navy, with highlights in spruce teal, sanderling, cardinal red and burnished gold.



Belstaff

   Meanwhile, Chanel has previewed its advertising campaign for its spring–summer 2017 prêt-à-porter collection. The campaign itself has been overseen by Karl Lagerfeld, with contrast at its core. A pop Lolita metamorphoses into a cyberpunk; a tweed jacket has an electronic circuit board as a motif; an off-white silk and lace coat covers a black babydoll. There’s a startling modernity to the images, tying in to the Data Center Chanel catwalk show in Paris last October, which saw high-tech meet the 1990s.









Chanel

December 14, 2016

Gigi Hadid poses naked for Stuart Weitzman’s spring 2017 campaign

Lucire staff/11.37



Mario Testino

Gigi Hadid poses naked, save for her Stuart Weitzman metallic satin ankle boots, in the company’s upcoming campaign for spring 2017, photographed by Mario Testino.
   It’s not the first time the model of the moment (or the year, according to the British Fashion Council) has posed nude for the brand: its spring 2016 campaign featured her alongside model colleagues Joan Smalls and Lily Aldridge in a headline-grabbing shot by Mario Testino in December last year.
   The boots are in Stuart Weitzman’s Clinger style.
   A second shot sees Hadid wear a loose white blouse with white trousers, complementing her sparkling, jewelled sneakers.
   The images were released prior to Stuart Weitzman releasing full details of its spring 2017 campaign.
   Hadid has also signed up as a designer for Stuart Weitzman, with her first pair, the Gigi boot, making its first appearance in October.
   Stuart Weitzman has also committed to build three schools, one each in Ghana, Guatemala and Laos, during the autumn 2016 season.

December 7, 2016

Dragonfly launches this season’s must-have cookbook at Mojo St James pop-up venue

Cecilia Xu/18.25



Dragonfly has been a local favourite in Wellington Central since it opened: it’s the perfect bar to chill out at after work on any day of the week, even better on a Friday. It’s the spot to hit in the weekend, whether for fine dining or distinctive cocktails. It boasts a spacious and expansive breadth of contemporary environment in its indoor, bar, and outdoor garden seating. The atmosphere is beautifully constructed and decorated, which is what makes it such a magnetic regular spot for the locals, and a gem for the newcomers. It’s subtle, too, with no brash lighting or signage cluttering up its Courtenay Place location.
   Dragonfly’s mixture of modernity, with rustic Asian influences, romanticism and relaxation matches its cuisine perfectly. This is reflected in the launch of their début cookbook, featuring the restaurant’s name on the cover—Dragonfly—Asian Dining Lounge—but referred to as the Dragonfly Cookbook. After years of successful cuisine perfectionism and experience, the book is a compilation of Dragonfly’s finest recipes, credited on the cover to brother and sister co-owners Brent Wong and Tania Siladi, with copy by Siladi and her daughter Jenna. Aided by a copious number of beautiful photographs and food imagery, by restaurant manager Ginny Maddock, who is a trained photographer, the book draws you to want to either dine at Dragonfly, or begin your own rustic Asian food adventure and exploration.
   The book has been painstakingly art-directed, and lavishly printed in Wellington, New Zealand; and priced at NZ$55. Wong explains that they won’t be making much on the book—and once time is factored in, the price will barely cover the cost. However, they see it as a way to share Dragonfly’s expertise. The Dragonfly Cookbook is available at Moore Wilson’s and online at www.orient-nz.com/dragonflycookbook.
   Due to the recent 7·8 Kaikōura earthquake that also affected Wellington, Dragonfly was one of the many businesses and stores closed for safety reasons. However, nearby Mojo in the St James Theatre just metres away has opened its doors for regular night time pop-up openings of Dragonfly. To see many of their regular customers quick to attend this as well as their book launch event on Tuesday night reflects how well Dragonfly is liked and respected by many in the capital, and perhaps a little change in operating venue may be great for the Christmas season.—Cecilia Xu; with Jack Yan, Publisher


November 10, 2016

In brief: Lily-Rose Depp at Planetarium première; Bruce Weber to be honoured at British Fashion Awards; H&M in Vietnam

Cecilia Xu/10.42


Pascal Le Segretain

Chanel is heavily promoting its new No. 5 L’Eau spokeswoman, Lily-Rose Depp, decking her out fully in fashion, accessories and make-up from the brand. On Tuesday, she was at the screening of Planetarium in Paris, a film by Rebecca Zlotowski in which she co-stars as Natalie Portman’s younger sister. She wore a Chanel black cotton jacket from the cruise 2016–17 collection, and the Coco Crush ring in 18 ct yellow gold. As a rising star, and the daughter of two major celebrities, Depp is attracting plenty of attention as her own acting career takes off.
   After opening in New Zealand, Hennes & Mauritz (H&M), the international fashion brand known for offering fashion and quality at the best price in a sustainable way, has signed for its first store openings in Vietnam during 2017. More information will follow, says the company. In 2017, H&M will also open in Colombia, Iceland, Kazakhstan and Georgia.
   Finally, the British Fashion Council announced earlier this week that photographer Bruce Weber, famed for his black-and-white portraits will receive its Isabella Blow Award for Fashion Creator at the British Fashion Awards 2016. Weber will be honoured at this year’s ceremony at the Royal Albert Hall. Weber’s work has appeared in Vogue, Elle, Interview, Rolling Stone, Vanity Fair, and other publications, and rose to prominence with the 1982 Calvin Klein campaign featuring Tom Hintnaus in Greece.—Cecilia Xu, with Lucire staff


Bruce Weber/Calvin Klein Advertising Archive

Above: Tom Hinthaus, photographed by Bruce Weber for Calvin Klein, 1982.

July 30, 2016

Mathias Te Moananui wins 2016 New Zealand Hairdresser of the Year at L’Oréal Colour Trophy

Lucire staff/2.57


Mathias Te Moananui of Buoy Salon and Spa in Wellington has taken the top title, New Zealand Hairdresser of the Year, at the L’Oréal Style and Colour Trophy Awards, held at St Matthew’s in the City, Auckland. Te Moananui will represent New Zealand as he seeks to take out the international title at the L’Oréal Colour Trophy awards in Lisboa in October.
   Judge Stephen Marr said of the winning look, ‘Mathias’s look captured my attention because it is directional and relevant, but also a look that someone could see in a magazine and be inspired to try themselves.’
   Tracey Hughes, judging with Marr, noted, ‘As a judge I look for something that’s got a bit of uniqueness whilst still being something that’s commercial and wearable. Being on trend and progressive is important, but it still needs to have that element of classic beauty.’
   ‘Tracey and I were looking for an entry with a contemporary and effortless feel, and we found it in Mathias’s look. It’s editorial, it’s fresh, and it shows evidence of technical skill,’ added Marr.
   ‘I feel shocked!’, said Te Moananui. ‘I’m very very humbled and very thankful to win this award.’
   His inspiration was to create something beautiful from something traditionally unconventional. ‘I chose [hair] colours that most people would shy away from—golden tones, yellows, oranges and greens—in the hope that people could love it, and be like, “Actually, I could imagine myself with that colour,”’ said Te Moananui.
   Second place went to Sara Allsop from Dharma, Auckland, and third place to Sean Mahoney of Vada, Auckland.
   Andrew Cobeldick of Rodney Wayne on Manners Street, Wellington, won the Young Talent Award, while Mana Dave of Blaze, Auckland, won the Men’s Image Award. Blaze also took out the Salon of the Year accolade.

June 16, 2016

From supermodels to film: celebrating the work of Peter Lindbergh at Kunsthal Rotterdam

Lucire staff/13.41




Top: An image that kicked off the 1990s, with supermodels Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford in New York, appearing on the cover of British Vogue in January 1990. Copyright ©1990 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Centre: Wild at Heart, with Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder and Stephanie Seymour, Brooklyn, 1991, appearing in Vogue. Copyright ©1991 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Above: Kate Moss, Paris, 2015, wearing Giorgio Armani, spring–summer 2015. Copyright ©2015 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery).

An exhibition on Polish-born, French-based photographer Peter Lindbergh, entitled Peter Lindbergh: a Different Vision on Fashion Photography, opens at the Kunsthal Rotterdam on September 10 at 5.30 p.m., running through February 12, 2017. It marks the first Dutch exhibition of Lindbergh’s work.
   Some of the most iconic fashion images of the past generation have been shot by Lindbergh, whose work is regularly seen in various editions of Vogue, and in The New Yorker, Rolling Stone, Vanity Fair, Harper’s Bazaar, The Wall Street Journal Magazine, Visionaire, Interview and W. Exhibitions of his work have been held around the world beginning with the V&A in 1985. Lindbergh’s black-and-white 1990 Vogue photograph of Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford was one that helped cement the reputation of the supermodels, if not arguably kicking off the era itself. Lindbergh’s work gave a sense of reality about his subjects, with his humanist, documentary approach.
   Said Lindbergh in an Art Forum interview earlier this year, ‘A fashion photographer should contribute to defining the image of the contemporary woman or man in their time, to reflect a certain social or human reality. How surrealistic is today’s commercial agenda to retouch all signs of life and of experience, to retouch the very personal truth of the face itself?’
   The exhibition features over 220 photographs and includes exclusive and previously unseen material, including personal notes, Polaroids, storyboards, films and prints. It is divided into nine different sections, representing the different themes in Lindbergh’s creative development: Supermodels, Couturiers, Zeitgeist, Dance, the Darkroom, the Unknown, Silver Screen, Icons, and an exclusive Rotterdam Gallery. This final section contains Lindbergh’s work for the October 2015 issue of Vogue Nederland, with Lara Stone and Elise Hupkes at the Port of Rotterdam.
   Lindbergh’s critically acclaimed Models: the Film (1991) will be screened, along with interviews with Grace Coddington, Nicole Kidman, Mads Mikkelsen, Cindy Crawford and Nadja Auermann.
   Guest curator Thierry-Maxime Loriot points out that the exhibition is not chronological, but a narrative about the photographer.
   The Kunsthal Rotterdam noted, ‘Peter Lindbergh introduced a new realism into photography. His timeless images redefine the norms of beauty. Lindbergh’s visual idiom is influenced by the language of film and by playing with the type of the strong, self-willed woman, from the femme fatale to the heroine, but also the female dancer and the actress. His œuvre is characterized by portraits that radiate a certain lack of inhibition and physical grace.’
   The exhibition is accompanied by a hardcover monograph, Peter Lindbergh: a Different Vision on Fashion Photography, retailing for €59,99 (link at Amazon.de), US$69·99 (link at Amazon.com) or £44·99 (link at Amazon UK), curated by Loriot, designed by Paprika of Montréal, and published by Taschen. The introduction has been authored by Kunsthal director Emily Ansenk, while the book features an essay on Lindbergh’s work by Loriot with commentaries from, inter alia, Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford and Anna Wintour.

Gigi Hadid fronts Stuart Weitzman’s autumn 2016 campaign, shot by Mario Testino

Lucire staff/12.27



Mario Testino

Gigi Hadid is really getting noticed this year, starring in a campaign for Stuart Weitzman launching for autumn 2016.
   Shot by Mario Testino, the black-and-white campaign is, like the spring 2016 one, minimalist—but this time, Hadid is not accompanied by fellow models Joan Smalls and Lily Aldridge.
   The campaign, according to the company, is meant to channel ‘strength and motion’ and Testino was chosen to give the campaign an editorial feel.
   It has been inspired by Hadid’s work-out regimen and shows Hadid boxing and jumping.
   The campaign launches in the US, Italy, France, the UK, the UAE, Germany, Spain, and through Asia. Outdoor advertising will run in LA, New York, Milano, Paris and Hong Kong. Additional video will appear at the Stuart Weitzman website and at its boutiques.

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