It was race day at the Jason Bunin fall 2002
fashion show. There was a generous sprinkling of highlighting piping
(somewhat reminiscent of firemen uniforms and racing stripes) on
most of the designs, which for the most part were cropped close
to the body. His signature half-n-half jeans and jackets
came in various colour combinations, with my favourite being his
highland green ultrasuede jeans.
To the naked eye, Mr Bunins designs always
seem to be one heel on the precipice, but his innate sense of balance
saves him in the end. He knows how far to go to catch your eye and
his hidden strengths includes a great sense of colour and its multiple
variations as well as his training in cutting and draping fabrics.
This is most apparent in his coats and vava-voom half-n-half
peel-out dresses. I highly recommend his double-breasted
car coats (in green, black and white), and his black cotton twill
weekender jacket is a keeper as well.
The collection was slightly uneven in that he
still has some work to do when it comes to some his designs for
women. He can sex it up with the best of them and his trousers were
to die for, but his evening pieces did not go over as well as they
should have. I saw the possibilities in his chamois jersey low
shoulder gown but the others gave me pause. Mr Bunin is primarily
a sportswear designer but the fact that he ventured into this field
gives me hope for the future. Another minor quibble was the way
in which some the shirts and pants reminded me of the Michael Kors
fall 2001 collection. But then again, Mr Kors himself got his inspiration
from other sources as well.
The Cloak design team held their show in a tiny
space and overall, it was a good effort on their part. If you take
away the unventilated air, the frequent start-and-stop of the musical
soundtrack and concentrate on the clothes, you see the promise therein.
I was most impressed with the hand-knit basket-weave sweaters and
the vintage wash pants and jackets. With the right exposure, this
collection should find an appreciative audience.