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‘I cannot wait for
Costume National to get here. There’s something very intriguing
about it. I love Galliano; I love his collection. It’s very eastern-inspired.
I really like Stella McCartney, too. I am really excited about Ernesto
Esposito
his shoes are the best! I have Imitation of Christ
which I always love!’
ABOVE LEFT: Part
of her London group, a Courrèges-inspired dress.
TOP: Two-piece fringe ensemble.
CENTRE:
More from Nicholsons Paris set, her lace jacket. ABOVE:
Asymmetric pom-pom ribbon skirt. LEFT:
Nicholsons approach to fashion includes having funevidenced
by this Pacific-inspired multi-ruffle jacket. FAR
LEFT: Coral ruffle dress, from the Spanish Lullaby designs.
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‘I cannot wait for Costume National to get here.
It’s really sexy and the shapes are fabulous. There’s something
very intriguing about it. I love Galliano; I love his collection.
It’s very eastern-inspired. I really like Stella McCartney, too.
I am really excited about Ernesto Esposito. He is from Milan and
does these incredible shoes. He has done several designer lines
and his shoes are the best! I have Imitation of Christ which I always
love!’
Why open a store? From Nicholson’s perspective,
it was an easy decision. ‘I did the store so I could buy the things
I wanted to sell. My friends always liked my finds; and they liked
hanging out in my closet. I basically have one huge closet to share
things and I have only one of each item on the floor.
The vintage stuff is in the secret closet; you can go in only if
you are invited. It’s the ultimate girl party for your best buddies
to share secret fashion finds.’
Her designs, like her store, aren’t for everyone.
‘If (people) aren’t into being playful and wearing fun type clothing,
they aren’t going to like it. My mom brings her friends here and
they like it, even though not all of them are into fashion. It’s
not boring. It’s not predictable or stuffy; it’s very wearable.’
Yet it’s not what you find in every store or shop around the corner
either. According to Ms Nicholson, one of her major influences ‘was
growing up and going to awards shows and seeing all the glamorous
women. Now I am making gorgeous dresses for glamorous women of today.’
Jennifer Nicholson doesn’t limit herself creatively
either. She has created a harmony of themes in her "Love Letters"
spring 2003 collection. Her inspiration is ‘an American girl on
her first un-chaperoned travel abroad, writing passionate love letters
to her beau back home. My spring collection is an ode to love, influenced
by my life of travel and dreams.’ Love Letters is a more fully developed
collection than previous ones and truly reflects Nicholson’s vision
of fashion—and life. ‘This is a natural progression from the first
two collections. The first two (collections) were things that I
were dying to make and this one was more serious. It’s a more thoughtful
representation of what I could do.’
Each group represents a different city she has
visited as well as a different take on the fashion icons of that
locale. "Swinging London" features silhouettes of the
’60s with strong geometric lines and Courrèges-inspired colours
and shapes. The butterfly appliqué suit is the perfect example
of the Courrèges homage in this group. "French Lace"
is about the city of light and romance—Paris! This group features
a marriage of the 1920s and 1970s in a new look of fresh sorbet
pastels with lace over silk habutai cut into flirty asymmetrical
dresses and lovely jackets.
CONTINUED
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