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Photographed by Joaquin Cunanan/Lucire

Lucire spring–summer 2004

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The tone of the show changed dramatically when the line changed from Mason to Michelle Mason

 

   The Mason collection—no reference to ‘Michelle’—was creamy and tan with a hint of luxury in details of the clothing. There were some very pretty pieces, especially an army cut shirt paired with a soft coral flowing A-line skirt. Navy blue, V-neck fitted tops, with chocolate brown minis were cute and easily conceivable.
   The tone of the show changed dramatically when the line changed from Mason to Michelle Mason.
   Michelle Mason was shown by a parade of only African–American women, wearing bright dramatic shades of emerald green and cherry red willowy skirts and tops. This was an eveningwear line that was beautiful and sophisticated, a more grown-up version of the ready-to-wear collection. It featured genie pants and halter dresses. There was a bit of a ’70s theme, but the main connections in these pieces were the fitted waists, and fabrications of silk and viscose.
   Michelle Mason has done much to put LA on the map as a high-fashion city. If she continues in this direction, it will be known for more than celebrities in no time.

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LEFT: The Michelle Mason—as opposed to just Mason—eveningwear line.

 

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