The Fendi Bauquette also débuted in 1992.
Made in an array of colors and luxurious materials, and further
highlighed by a bold interlocking logo, two silver buckles and an
abbreviated shoulder strap, the Bauquette gave Tom Ford a run for
his money. Designed by Silvia Venturini Fendi and her team, it gave
the House of Fendi an added patina of hipness it didn’t have before,
as well as enriched their company’s treasury many times over. Not
willing to rest on her laurels, Ms Fendi managed to sustain her
success by offering limited editions of certain styles of the handbag
as well as changing the color and other aspect each season. The
company later out with the Croissant, the Ostrik and the Spoon.
To learn more about handbags, and the many legends in the field
(Bonnie Cashin, Judith Leiber, Carlos Falchi), you can read Ms Johnson’s
book—but all this serves as a segway into introducing the latest
line of handbags, handbag accessories and matching scarves. And
it is coming from the most unlikely of places.
Vetrina Arte is a division of the respected GFX
International retail graphic management company, whose LPGI
division has long had success with the merchandising of rock-and-roll
textile products made in Italy. This past February, LPGI
Director and Designer Mary Sansone launched the Vetrina Arte Jerry
Garcia Accessory Collection, a full range handbag collection with
matching scarves and handbag accessories in partnership with the
officers of the Estate of Jerry Garcia. Expressive and well-appointed,
these bags features fabric patterns inspired by the art of the late
legendary musician and artist, Jerry Garcia of the Grateful Dead.
‘The philosophy applied to the design of the J.
Garcia handbags is to connect the free spirit with sophistication,’
says Ms Sansone. ‘Jerry was an artist before he was a musician,
having attended the San Francisco School of Fine Art. He continued
to create fascinating art throughout his life. Pieces range from
beautiful landscapes to disturbing nightmare images. The handbags
ultimately show our respect for his art.’
The very distinctive artwork used on the exterior
of the bags shows off Jerry’s adept hand. Imperfect flowers, angular
rays and sweeping brushstrokes are showcased on rich fabric in both
neutral and vivid colours. The designs retain that soulful manmade
feel, putting self-expression and personality through fashion on
a higher plane. Leather is used to accent the fabric and for interior
compartments. ‘We didn’t skimp,’ boasts Sansone. Matching silk scarves,
including cashmere, complement the collection.
The
process of putting the collection is a collaborative process. The
Estate chooses art from the library that they would like see used
in the designs for the accessories. Vetrina Arte can then take parts
from one piece and parts from another piece to come up with designs.
They are also allowed to use exact reproductions of the artwork,
if they choose.
The collection itself is has several major components.
Ms Sansone and her team of talented Italian collaborators used seven
patterns from the nearly 500 pieces in Jerry Garcia’s art collection.
The lively and youthful patterns paired with the classic silhouettes
serves to make the bags cross-generational and versatile enough
to be used for everything from extravagant nightlife to going to
the beach and for everyday living. The collection itself runs the
gamut from the large Carrier and Gladstone bags to totes in small,
medium and large sizes. She rounds out the collection by also adding
a doctor’s bag (the satchel), an adjustable messenger pouch and
a drawstring Hobo to the mix. If you are so inclined, you can go
all the way, and add the cosmetic pouch, the key chain and the large
or small wallet to your list of purchases.
If you are looking for something understated,
then the all-black leather hobo with the violet signature flower
set will suit your purposed just fine. The Black Iceberg, Black–White
Hibiscus and Blue Iceberg patterns are essentially daytime handbags,
while the Grey–Green Stitch, the Orange–Rose Hibiscus and Sunburnt
Twitter can easily translate into late evening companion pieces
to a woman’s evening wardrobe. The bags will retail between $200
to over $500, depending on the piece you are buying, but truly,
you are buying a piece of history and an item destined to become
a collectible much like the others discussed earlier in this article.
You cannot go wrong with this collection.
The Estate and Ms Sansone have reason to believe
that this venture will become a success. They have to look no further
than the Jerry Garcia ties which have been on the market for 11
years. Licensed to Mulberry Neckwear, the ties have been near, if
not at the top, of the list of best-selling items in the men’s furnishing
departments of the stores that carry them. According to the Estate,
the ties generated over $35 million in retail revenue in 2001 (the
latest year for which figures are available); and at $35 a pop,
that’s a lot of ties going out the door.
Concurrently, Vetrina Arte also entered into an
agreement with Museum Masters International to launch a Picasso
fashion accessory line featuring silk scarves, umbrellas, totes
and apparel to be distributed worldwide.
For information on where to find the Vetrina
Jerry Garcia Accessories Collection, please contact Mary Sansone
at msansone@gfxi.com
or visit
Vetrina Arte at www.vetrinaarte.com.
Special thanks also to Ms Sansone for assistance and to Ms Anna
Johnson for providing such valuable source material through her
book.
Handbags:
the Power of the Purse by Anna Johnson is now available
in all major bookstores, independent bookstores and online at www.amazon.com.
Phillip D. Johnson is features editor
of Lucire.
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