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All
about Eva
As Eva La Rue ascends to prime-time Hollywood’s
A-list via CSI: Miami, she brings with her the wisdom and wit
shaped from her years as a working New York-based actress, as Elyse
Glickman discovers
photographed by Jon Moe
make-up by Emma Dunlavy
styled by Jaymee Mandeville
Expanded
from issue 17 of Lucire
EVA LA
RUE is home at last, and the homecoming—even
with several bumps in the road—is better than she could have imagined.
Though the southern California native had some structural problems
with her newly purchased house and political entertainment industry
issues to deal with (‘the part that got away’ among them), everything
ultimately worked out for the best. So good, in fact that the part
she almost effortlessly and unexpectedly ended up with instead,
as DNA specialist Natalia Boa Vista
on CSI: Miami, became the opportunity she had worked so hard
for.
‘The CSI experience has been great,’
she says without hesitation. ‘Although I arrived in the fourth season
and was worried about the cast being tight and cliqueish, and having
to work just as hard behind the scenes to be included, everybody
was lovely from the get-go. Although it is a very serious drama,
my co-stars have wonderful personalities, a great sense of humour
and made sure I felt right at home. One thing I love about getting
into my character is that I have learned so much about how cases
are solved, especially when you get to work with technical advisors
like Elizabeth Devine, a criminologist who worked on the O. J. Simpson
and Menendez Brothers cases. The plots are topical and often based
on how real cases are solved. Additionally, the way they shoot the
show is fantastic. Although we are not as quite "ripped out
of the headlines" as Law and Order, we reflect what
is current and people all over the world are really connecting with
us.’
Thanks to her newfound status in Hollywood,
her dance card often fills up quickly with charity involvements,
guest appearances and, yes, another "day" job as one of
four hosts of the colorful Style! Network magazine show Modern
Girl’s Guide to Life. However, when the opportunity was presented
to this modern girl to express the more glamorous facets of her
personality in our fashion shoot at the
Crescent Hotel (like La Rue, a name becoming more increasingly
recognizable in Hollywood), she not only found the time, but enjoyed
every precious minute of it. She was truly queen for the day, assuming
yet another role, and savouring every detail from her make-up artist
Emma’s attentive preparation, to stylist Jaymee Mandeville’s attention
to clothing and accessories to photographer Jon Moe’s care in capturing
just the right shots needed to introduce the world to the Eva La
Rue they have yet to meet.
As Eva treats herself to a plate of the Crescent’s
perfectly executed breakfast crèpes and catches a "cameo"
spotting of actor John Lithgow outside the suite’s window, she contemplates
where she has been. It’s a past she can be very proud of, which
includes an impressive run on All My Children as Dr Maria
Santos-Grey, and several brushes with prime-time television’s limelight,
including a run on NBC’s Third
Watch, a comic turn on The George Lopez Show, Showtime’s
Soul Food, A Dream Is a Wish Your Heart Makes: the Annette
Funicello Story and the mini-series Remembrance. On the
reality side of things, in addition to Modern Girl’s Guide to
Life, she has served as weekend anchor on Extra! as well
as hosted a slew of diverse programmes, from The Miss America
Pageant to The World’s Funniest Videos to Above the
Line Beauty.
‘To be really honest, there’s no rhyme or reason
to this business,’ Eva says when she takes into account all the
"professional woman" roles offered to her, right up through
her current part on CSI: Miami. ‘The bottom line is you take
the jobs that comes your way, whether it is the professional woman,
housewife, maid or femme fatale role that is offered. What
I have learned in the years I have been doing this is that the best
roles suited for you allow you to stretch as long as it’s in your
sphere. And although many people argue about show business being
business and not show art, for the actor, it is more about honing
and studying your craft.’
Although up until this year Eva was best known
for her enduring portrayal of the compassionate and long-suffering
Dr Santos-Grey, the transition to prime-time in itself has been
a challenge in the way she approaches her craft. Although she counts
Remembrance and her portrayal of Annette Funicello as some
of the most fulfilling "stretches", she has had in her
professional life, and she has much experience to draw from in her
prolific resume, she will still cheerfully admit that what the viewers
don’t see proves to be as rich of a learning experience.
‘Before moving back out to LA
permanently, I had the opportunity to play George’s sister on The
George Lopez Show,’ she says. ‘Not only was George and the rest
of the cast a blast to work with, but the character was a hoot—a
woman who comes a little unglued when she learns she is Mexican
after being raised to believe she is Italian by the people who adopted
her. In contrast, before this, I played Italian-American Annette
Funicello as well as an Italian princess in Remembrance.
Playing Annette was amazing because the way her MS
was portrayed in the story was done with such dignity. I had the
chance to work with her family and other people who had known her
through the years and learned so much about her life and times off
camera as well. She is such an American icon, representing a person
who came up during a more innocent time and yet was many people’s
first crush. Years later, when George came to me about playing the
Italian sister with Latina origins, the irony couldn’t have been
funnier.’
Another example she provides regarding her
development as an actress was the process of unlearning the "survival"
skills a soap actor uses to get through long shooting days and brisk
schedules, as these "tricks" don’t always serve actors
when they transition to prime-time projects. She explains that on
a the set of a prime-time show, the objective is not to make it
through the day, but to approach a character more multi-dimensionally
and be as chameleon like as possible when adapting to the character
during the season’s run. And though she is picky about the sitcoms
she will watch, she’s loved the notion of working on a sitcom set.
As fate had it, the prospective job that beckoned
her back to LA was a role on Freddie, the Freddie Prinze
Jr vehicle produced by George Lopez, who clearly liked the way she
brought the returning sister to life. ‘Although many sitcoms can
be predictable, and you can see the bada-bum coming from two miles
away, the sets of the really good ones are fun, creative and light-hearted,’
she notes. ‘I liked the idea that being a regular on a comedy series
could be one of my best stretches as an actress. After my experience
on The George Lopez Show, I was invited to test for the role
of Freddie’s sister. However, what theoretically should have been
an easy experience—especially because I have a great working relationship
with George, and Freddie and I are such good friends—the testing
process was brutal and went on for weeks. And after all that work,
the role went to Jaqueline Obrador, who is great on that show and
deserved the job.’
Though Eva now faced the daunting prospect,
even with her experience, of moving to LA
without a job lined up, she soldiered forth. Then fate twisted again.
While filming the "how to handle a move" segment on Modern
Girl’s Guide documenting the actual packing-up of her real-life
household, CSI: Miami unexpectedly came calling. Time was
of the essence with this opportunity, forcing her to fly back to
New York immediately after completing her move to LA
to film her audition video. On a Friday morning, with no rehearsal
and many takes, she did her turn as Natalia, learned the tape was
viewed on the following Monday and ultimately landed the role on
Tuesday. Although the "It’s all about who you know" cliché
still abounds in Hollywood, she delights in the fact that sometimes
a combination of genuine talent and having the right fit for a part
does occasionally take precedence.
As Emma and Jaymee continue to fine-tune the
aspects of her first all-out glam look (the dramatic Cesar de la
Parra number), Eva finds herself recalling how she cultivated those
talents curing her childhood in Norco, Calif. ‘Starting around the
time I was about three, I emerged as the one in the neighbourhood
putting on improved talent shows, casting friends, putting up the
curtains and creating the costumes—the whole thing. Though the interest
in acting came later, I was singing and dancing into my teens and
found that triple threats like Shirley MacLaine, Rita Moreno, Ann-Margret,
Liza Minelli, Debbie Reynolds were among my inspirations.’
Eva started young, and built her résumé
with television commercials, pageant competitions, modelling, voice-overs
and small roles in studio films. However, it is her role on All
My Children that established her as a name and brought her a
loyal fan base. Even with her eagerness to find new roles that will
broaden her appeal, she looks back at her years on the show and
impact on fans with great affection. Although she looked forward
to moving back to Los Angeles for personal reasons that are as important
to her as the professional, she will always have fond memories of
both her cultured lifestyle in New York City as well as the fans
that kept her in the AMC family for more than 12 years.
‘It will be interesting to see how the international
appeal of CSI: Miami will have on my life, but when it comes
to working on a soap and cultivating a fan base that’s loyal and
lovely and often allows you to have a certain anonymity when travelling
to other parts of the world,’ she reflects. ‘That being said, however,
it’s amazing to see how a good role on a soap can touch so many
people’s lives. For example, when John (Callahan, her husband in
real life until 2004) and I had an 18-month storyline on the show
involving infertility, a woman who was following the story approached
me at airport thanked us for bringing reality and dignity to the
topic. Of course, we had a writer going through it in real life,
and she put her heart into the storyline, but the result was that
many viewers saw the situation played out correctly. As heartbreaking
as the experience is, it was also enriching.’
‘Another woman wrote me a letter describing
how she quickly bonded with a neighbour when she moved to a new
town after she married,’ Eva continues. ‘They became best friends
and soul mates, raised their children together, watched AMC
on most days and exchanged tapes when one couldn’t watch the show
for some reason. They were enchanted when both we and our characters
were falling in love at the same time. When the friend was diagnosed
with breast cancer, they would watch our story line unfold from
the hospital room. And when her friend died, the woman who wrote
me inherited all the tapes that accumulated over the years. It was
so moving to hear about how we were part of what these two young
Moms shared.’
While Eva’s fans have managed to draw her into
their real lives, she has enjoyed an interesting second career playing
herself as host on a multitude of shows. While she enjoyed her high-profile
anchor work on Extra! (being extra careful that she kept
her reportage light and engaging, at the advice of fellow AMC
alumna Sarah Michelle Gellar). However, even with all the opportunities
to saunter down the red carpet and meet actors who inspire her,
one of her most memorable hosting jobs was a Miss America pageant.
‘What a rush, oh my God,’ she says with awe,
even as she now looks like she could outshine any of the beauty
queens she profiled. ‘My sister and I watched it every year religiously,
wearing our tiaras from Thrifty and cheering the way boys do with
sporting events. Having participated in pageants during my teens,
it was an intense thing to see all the people who were there between
the girls’ families and all the pageant enthusiasts. The energy
was unbelievable, and as they cheered you could feel a huge physical
wave hit you full on.’
Although Eva is quickly becoming a fixture
on the best red carpet events in LA,
despite reaching heights of fabulousness in preparation for this
shoot, she admits she is a little nervous of how the red-carpet
inspired shoot will come out just as she is when she does the red
carpet bit for real. ‘I don’t consider myself glamorous, and it’s
easy to worry about if I really look good, if we picked the right
outfit, if the lip gloss is bleeding, if a boob is about to pop
out, if others look more flawless than me. While it can be fun and
fabulous, in the back of your mind, you wonder if people will make
fun of you later. But this too is a performance.
As we can tell by the photos, it was a brilliant
one. Eva La Rue has nothing to worry about, except, perhaps, the
next crime in Miami and some new plumbing issues that may arise
as she and daughter Kaya McKenna settle into southern California
living.
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![](0416ll5091.jpg)
Dress by Jane Booke
Necklace by Peace & Love
Earrings by Susan Foster
Shoes are Eva’s own
![](0416ll4718.jpg)
Two-piece suit by Sanford Bryant
Earrings and necklaces by Peace & Love
Shoes by Donald J. Pliner
![](0416ll4443.jpg)
Dress by Cesar de la Parra
Earrings and ring by de Grisogono
Shoes are Eva's own
![](0416ll4542.jpg)
Dress by J. Gerard
Earrings by Rosalina
Necklace and ring by Susan Foster
![](0416ll4863.jpg)
Dress by Jane Booke
Necklace and bracelet by Safia
Ring by Rosalina
Shoes by Hype
Additional heartfelt thanks to Primary Action, Cesar
de la Parra, Dana Valenzuela, Nancy Davis, Jennifer Gross &
Evolutionary Media, HarrisSheppard Public Relations, Jaymee
Mandeville, Emma, Anthony Turk, Jane Booke, Natalie Kojen and Brian
Garrido.
About the Crescent Hotel
Conveniently located in the Golden Triangle of Beverly Hills at
403 North Crescent Drive, the Crescent is within walking distance
of Beverly Hills’ finest shopping, restaurants and area amenities.
The 35-room hotel caters to guests with an appreciation for design,
comfort, innovation and style. Boē, the Crescent's inviting
indoor/outdoor restaurant and lounge, offers a seasonally evolving,
eclectic new-American cuisine and a truly distinctive drink menu.
For more information, please telephone 1 310 247-0505 or visit the
Crescent’s website at www.crescentbh.com.
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