Shakuhachi’s
spring-summer collection was held at Sydney’s picturesque
waterfront at the OPT. Block Party
is one of the label’s most extensive collections. The show
was energetic and free-spirited. The collection started off with
quite simple-looking pieces, and as the show progressed, it became
more detailed and exquisitely embellished.
Colour blocking, while bold by nature, felt less in-your-face,
by mixing neons with nudes and dusty peaches. These neons were blocked
with black, nude and white, which integrated the bolder colours,
making the collection less dramatic and more wearable. Designs consisted
of cut-outs, laces, midriffs, flowing maxi dresses, sheer maxi dresses,
short dresses and shorts. The colour combinations and ’60s-inspired
dresses would be a great addition to any young fashionistas wardrobe.
The
bright colours and the mixed hues of smokey greys fused together
to a must-own palette.
Kooey’s spring–summer 2011–12
collection, Desert Dreaming and Sunset, was inspired by the
land with particular focus on the Australian Central Desert in the
Northern Territory. This show was by far the most joyous during
the week. The models were energetic, with futuristic make-up, and
not to mention the colourful wigs. Kooey ambassador, Chadwick model
Emily Cattermole, started the show in a ravishing one-piece, featuring
an earthy-toned dot-print. This collection saw Kooey take its first
step into high fashion swimwear with brilliant styling, using chunky
jewellery pieces that grabbed your attention, and over-the-knee
boots by Betts. It encompassed high-waisted bikinis, tankinis, and
skimpy triangle styles, in gorgeous burnt orange, burgundy, cobalt
and black. The pieces are all very sexy, and wearable. The resort
wear and cover-ups accommodate modish indigenous print kaftans,
pants and Ts. Kooey swimwear designs would suit every body shape.
Talulah’s spring–summer 2011–12
collection, Woven Dream, has a flowing and modern silhouette.
The spirit of the effortless ’70s bohemian vibe inspired this
collection, accompanied by the romance of the prairie. The collection
has unusual necklines and daring hemlines, almost challenging the
European spring trend. There were pleated maxi skirts, crochet crop-tops
and convoluted wrap skirts, every outfit portraying glamour and
sophistication. The soft palette of washed chalks, corals, dull
greys and olives made the collection feminine.
Talulah
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Shakuhachi
Kooey
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