Lucire Fashion Features

Lucire


Lucire: fashion magazine homeLucire Fashion FeaturesLucire Living and Beauty Lucire Volante: travel, accommodation guide Lucire fashion news, bulletins and events Fashion shopping guide and directory
Lucire Community: interact with us, read letters to the editorLucire Updates' service: sign up Lucire Feedback
  Next page Fashion Features Index Previous page
MoreClick here for more Fashion Features MoreLucire Living: click here for more MoreVolante travel features MoreLucire Shopping

T. L. Wood

Teresa Liano’s T. L. Wood label continues a distinctive design theme
 

Alannah Hill


Above and right: As part of the show, models at the Alannah Hill show bid farewell to designer Joe Saba, one of the fathers of Australian fashion who has just retired after 37 years

Previous page continued

TUESDAY saw the appearance of Trelise Cooper in the L’Oréal Paris Ready to Wear 2 show. Cooper, another prominent New Zealand designer, interposed an almost "Rambling Rose" essence to her garments with black-and-white-striped tights and a dominance of antique-style jewellery. Cooper’s collection embraced a strong feminine element and utilized various textural manipulation methods, juxtaposing them with a slight deconstructional element. Lace was a prominent fabric as was what appeared to be semi-transparent nylon. Colour ways included black, cream, antique rose and beige. Printed calico lined and adorned garments contributed to an industrial romantic contrast.
Gymnast at Alannah Hill   L’Oréal Paris Ready to Wear 3 commenced Tuesday evening, and was dedicated to the final collection of SABA designer Joe Saba, who after 37 years as head designer, decided to step down. The show roused an emotional farewell to the man who could be taken to be the father of Australian fashion.
   Also included in the show was the presence one of the most opulent personalities in Australian fashion, designer Alannah Hill. Once again Hill indulged the audience of her show in her individual talents. The show commenced in an almost circus like manner, with a rhythmic gymnastic solo dancer (right) followed by a long procession of eclectic garments, typical of the designer. The collection promoted an almost 1950s’ essence, encompassing pinstripes, lace, coloured furs, floral prints, ruffles, gathers, pleats, flared skirts and suede emulating fabric, to name a few. Although Hill’s range did not embrace the conventional necessities required for a dynamic collection, it did, however, confidently display the bold and unique nature of the designer, which was a success in itself.

continued Next page

Hill’s range confidently displayed the bold, unique nature of the designer.

Home pageNext page
Home | Contents | Fashion Features index | Shopping Guide
Autumn–winter 2002 index