Dave Benett/AmFAR; Andreas Rentz/AmFAR; Samir Hussein
The AmFAR gala is always the social highlight of the Festival de Cannes, though this year’s, the 27th, was far more low-key, with guest numbers at 400 rather than the usual 900, and strict COVID-19 protocols in place.
Global campaign chair Sharon Stone (in custom Dolce & Gabbana) played host, while Alicia Keys (in Chanel prêt-à-porter and Chanel haute joaillerie) performed live, at the outdoor affair held at the Villa Eilenroc in Antibes.
Carine Roitfeld curated a live fashion show as part of this year’s charity auction.
Guests included Stella Maxwell (in Atelier Versace), Kat Graham (in Nicolas Jebran), Nina Dobrev (in Mônot), Regina King (in Schiaparelli), Bella Thorne (in Miu Miu), Nicolas Maury (in Chanel), Rachel Brosnahan (in Vivienne Westwood), Lyna Khoudri (in Chanel), Vicky Krieps (in Chanel), Marina Ruy Barbosa (in Mônot), Dylan Penn (in Chanel), Lola Nicon (in Chanel), and stylist Jenke Ahmed Tailly (in Chanel).
Prior to the 2021 event, the Cannes gala had raised over US$235 million in the fight against Aids.
Photocalls and premières as the 2021 Cannes Film Festival closed saw Jeanne Balibar and Vicky Krieps in Chanel on day 11; Sharon Stone in Dolce & Gabbana, Maggie Gyllenhaal in Gucci, Gemma Chan in Oscar de la Renta, Leila Bekhti in Dior, Rosamund Pike in Dior, Mati Diop and Lyna Khoudri in Chanel, Adèle Exarchopoulos in Jacquemus, and Tilda Swinton in Schiaparelli, on the final day.
Julia Ducournau won the Palme d’Or for her movie Titane, and wore Chanel as she accepted the honour. She is only the second female director to take home the prize.
Dave Benett/AmFAR; Andreas Rentz/AmFAR; Samir Hussein; courtesy AmFAR
Andreas Rentz; Pascal le Segretain; courtesy labels
Vicky Krieps dialled up the glamour as she walked the red carpet for Mathieu Amalric’s Serre moi fort, wearing a black silk dress from Chanel’s haute couture spring–summer 2018 collection.
Scots actress Honor Swinton Byrne also wore Chanel, from the cruise 2021–2 collection, at the première of Jacques Audiard’s Les Olympiades, Paris 13e (Paris, 13th District), while her mother Tilda Swinton chose a white shirt dress with oversized sleeves and navy blue wool pleated trousers from the Schiaparelli prêt-à-porter spring–summer 2021 collection. Mélanie Laurent wore custom Balmain, namely a white crop top with skirt, with a Cartier necklace, to the première. The film’s star Lucie Zhang wore a navy A-line dress from the Lanvin spring–summer 2021 collection, and her co-star Noémie Merlant wore Louis Vuitton, from its resort 2022 collection.
On day 10, Tilda Swinton was back in Chanel as she was spotted in Cannes, and changed into a white silk dress from the house for the première of Apichatpong Weerasethakul’s Memoria. Jeanne Balibar also wore Chanel, from the both the cruise 2021–2 and Métiers d’art 2020–1 collections. Honor Swinton Byrne wore a Gucci organza pleated embroidered gown.
Dominique Charriau; Pascal le Segretain; Virgile Guinard
Miss France 2021, Amandine Petit, has taken delivery of a Peugeot e-208 GT from the company’s dealership in Caen in Normandie, with Victor Mary, marketing director of the Mary group, handing her the keys.
Petit has chosen a blue e-208, the all-electric B-segment hatchback from the French car maker.
Since its launch in 2019, the P21 generation of 208 has sold c. 630,000 units worldwide, and is France’s top seller in the first half of 2021.
The e-208 is equipped with Peugeot’s I-cockpit with a three-dimensional head-up display and driving aids that are usually the province of more upmarket models. Battery capacity is at 50 kWh, which gives the car a 340 km per charge range on the WLTP combined cycle.
On day 7 of the 74th Cannes Film Festival, Iris Law wore a memorable white Christian Dior dress with Bulgari jewellery at the première of Wes Anderson’s The French Dispatch, while Denise Tantucci went metallic in a head-to-toe silver dress by Gucci. Jury member and French actress Mélanie Laurent wore a gunmetal strapless gown from Gucci. Lyna Khoudri wore Chanel, from its Métiers d’art Paris–Châteaux des dames collection, while Maggie Gyllenhaal went with Chanel haute couture spring–summer 2021. Elsa Zylberstein, who like Gyllenhaal is on the jury, chose a Chanel pleated silk dress from its autumn–winter 2018–19 haute couture collection.
The photo call for The French Dispatch the following day saw more casual looks with Khoudri in Chanel prêt-à-porter spring–summer 2020. That evening’s première, for Arnaud Larrieu and Jean-Marie Larrieu’s Tralala, saw Maiwenn in Chanel Métiers d’art Paris–31 rue Cambon 2019–20, with Chanel shoes. Director Julia Ducournau also chose from this collection for the première of her film, Titane.
Virgile Guinard; Samir Hussein; Vittorio Zunino Celotto; Dominique Charriau; Pascal le Segretain; Daniele Venturelli; Kate Green; Stephane Cardinale/Corbis
Arguably, Bella Hadid stole the show in a Schiaparelli haute couture autumn–winter 2021–2 dress, designed by Daniel Roseberry, at the première of Tre Piani on day six of the Cannes Film Festival. The wool crêpe dress featured a low-cut neckline, and Hadid complemented it with a gilded brass necklace with trompe l’œil lungs, adorned with rhinestones.
The Luxembourgeoise actress Vicky Krieps, star of Mia Hansen-Løve’s Bergman Island, is a fan of Chanel, wearing designs from the spring–summer 2021 haute couture collection at the film’s première. Krieps herself was wary of the front row but had been invited to a Chanel show with a handwritten note from Karl Lagerfeld, according to WWD. Lagerfeld, as it turned out, was a fan of Krieps, and the two met post-show.
Krieps’s co-star Tim Roth wore a Prada dinner suit and brushed leather shoes; he similarly wore Prada at the photo call. Melissa George chose a gown from the Christian Dior haute couture spring–summer 2020 collection.
During the day, Dylan Penn also chose from Chanel, wearing a pullover and trousers from the cruise 2021–2 collection at the photo call for Flag Day.
How to merge sustainable vision and fashion? A tough call, and many are still rushing at the answer. A few years ago the American art visionary Denise Domergue established a not-for-profit to engage the first half of that question in the context of art.
The Made Out of What?! initiative has mounted exhibitions, sponsored artist work, and created a library of informative videos highlighting how artists have engaged and embraced the concept of circular economy. To date they’ve launched a global movement, even going so far as to build an exhibit pavilion in the centre of NYC’s Times Square, a temporary structure made from repurposed materials which attracted global attention. Now a quarterly digital magazine from MOOW tracks the project’s progress.
The current issue addresses sustainability and style, a topic dear to the hearts of Lucire readers. You can view and download the issue here.
More importantly, participation, a donation or membership in support of the foundation’s work will make a difference in helping to reimagine Planet Earth in the shape we all would like to see.—Stanley Moss, Travel Editor
