Lucire: News


October 12, 2016

Clive Owen and Paolo Sorrentino kick off Campari’s ’17 films, replacing its calendar

Lucire staff/12.42

F. Pizzo

How do you top a series of Campari calendars starring Jessica Alba, Olga Kurylenko, Milla Jovovich, Eva Green or Kate Hudson? For 2017, Campari has instead created a series of online films, the first starring Clive Owen, with a new vignette released each month.
   For Campari, it’s about getting eyeballs, and if online media are more effective, then the evolution of the calendar makes sense. The 2017 Campari Red Diaries celebrate the brand with cocktails each month, captured in short films that tell the stories of how bartenders get their inspirations. The stories will feature on Campari’s YouTube channel.
   The first instalment with Owen, whose presence in promotional films has always given them an A-list appeal (BMW being one of the most famous entries, in 2001 and 2002, and recently revived for 2017), is entitled Killer in Red, and was written and directed by BAFTA-, Golden Globe- and European Film Award-winning director Paolo Sorrentino. Behind-the-scenes photos, released by Campari today, were taken during filming in September. Subsequent parts, telling the stories of 14 bartenders around the world, are being directed by emerging Italian director, Ivan Olita.
   Killer in Red will also be unique in receiving a world première in Roma on January 24.
   In a release, Sorrentino said, ‘Campari is an Italian icon which has garnered global love and attention due to its strong, intrinsic sense of aesthetic and well-defined style—the very same qualities I pride myself on. With this year’s campaign embracing the realm of film, I really wanted to ensure I harnessed the theme of storytelling with an intriguing intensity. Working with Clive was fantastic—his compelling presence and enthusiasm allowed me to create a short film which I hope proves fresh, inspiring and imaginative.’
   Owen added, ‘I was honoured to be chosen to shoot Killer in Red as part of the 2017 Campari Red Diaries campaign, particularly since this year represents the brand’s first foray into the world of cinematography and film. Working with Paolo was a real pleasure.’
   Bob Kunze-Concewitz, CEO of Gruppo Campari, said, ‘The direction taken with this year’s campaign is unique—we have used film for the first time in the brand’s history, to guide fans on an imaginative journey, while also celebrating the flavour complexity and versatility of Campari that too inspires such imaginative recipe creation. The ever-charismatic Clive was the perfect subject to depict Paolo’s intense narrative and we’re very much looking forward to unveiling the full campaign come January.’
   The campaign will be hashtagged both #Campari and #RedDiaries.

F. Pizzo

October 5, 2016

Etam celebrates centenary with lingerie show at Centre Georges Pompidou: Natalia Vodianova, Iris Mittenaere attend

Lucire staff/2.35

Dan and Corina Lecca

French lingerie label Etam celebrated its centenary at the Centre Georges Pompidou in Paris yesterday, with an exquisite, 80-model catwalk show that displayed the label’s sexy styles along with Gallic pride.
   Models included Mélodie Vaxelaire, Eniko, Valerie Kaufman, Antonina Petkovic, Pauline Hoarau, Li Xiao, Ana Beatriz Barros, Amanda Wellsh, Diana Moldovan, Monica Cima, Anna Mila, Devon Windsor, Cindy Bruna, Nibar, Nadja Bender, Aneta Pajak, and Constance Jablonski.
   The catwalk performances were divided into five themes: Free in Body and Mind, I Am Sexy (showcasing Latex, leather and lace), I Am Chic (a celebration of Frenchness and the 1920s, with colours from pink to burgundy), I Am Divine (the 1970s and Studio 54, with gold and black, and jewelled lingerie), and I am Joyful (the most French of them all, with sailor-striped tops and petticoats). The I Am Divine section débuted the Divine Calais lace, developed with Noyon, celebrating the centenary.
   Live performances by Minuit, the Avener, Dua Lipa, Marina Kaye, and Jacques Dutronc accompanied the show.
   Other VIPs attending included Natasha Poly, Karen Mulder, Natalia Vodianova, Miss France 2016 Iris Mittenaere, Ellen von Unwerth, Virginie Ledoyen, Anouchka Delon, Alice Taglioni, Clara 3000, Aure Atika, Aline Afanouko, Nora Arnezeder, Léa Arnezeder, Betty Autier, Kristina Bazan, Dapnhé Burki, Frédéric Beigbeider, Bernard Blistene, Ian Bohen, Louise Bourgoin, Guy Burnet, Monica Cruz, Gabriel-Kane Day-Lewis, Romain Gavras, Jennifer Eymere, Elodie Frégé, Daphné Hezard, Tyler Hoechlin, Hiba Abouk, Alice Isaaz, Linda Li, Leaf Greener, Lola Le Lann, Benoit Magimel, Jean-Baptiste Maunier, Lara Micheli, Laurent Milchior, Victoria Olloqui, Audrey Pulvar, Luna Picoli Truffaut, Misty Rabbit, Ludivine Sagnier, Niels Schneider, Joey Starr, Frédéric Taddei, Théodore, Paul and Gabriel, Patrick Timsit, Cécile Togni-Purtschet, Laurent Weil, Michael Youn, Olivier Zahm, Caroline Receveur, Virginie and Claire Courtin-Clarins, Coralie Biolay, Jean-Charles de Castelbajac, Louis-Marie de Castelbajac, Guilhem de Castelbajac, Louis Sarkozy, and Alessandra Sublet.
   Etam innovated with a Show Now—Shop Now feature which allowed those watching the catwalk show online to order the pieces immediately. On social media, Facebook users could watch backstage video from five minutes before show started, while Periscope users could track a model on the runway live.

Dan and Corina Lecca

September 23, 2016

Gillian Saunders takes top honours at 2016 World of Wearable Art Awards’ Show, with Supernova

Lucire staff/11.00


New Zealand designer Gillian Saunders has scooped the Brancott Estate Supreme Award at tonight’s World of Wearable Art (WOW) Awards’ Show. Saunders, who had entered 15 garments before her winning entry, Supernova, has won eight awards prior to 2016, but this is the first time she has taken out the top prize.
   Saunders, who was born in England, has been involved in television and theatre for most of her working life. She was trained in Yorkshire, and went on to Christchurch, New Zealand, where she worked as a props’ maker for the Court Theatre.
   â€˜I had been making stage props for theatre and TV for years. WOW was the perfect challenge—could I make props for the body as well?’ she said.
   Supernova was inspired by ‘Thierry Mugler’s Chimera dress [from the autumn–winter 1997–8 collection], … the iridescent spiny fins of the Hippocampus from the Percy Jackson movie The Sea of Monsters, and some incredible NASA images taken by the Hubble Telescope,’ she noted. ‘Once all these elements were combined, Supernova was brought to life.
   â€˜The large gems represent new stars being born and the dark shadows represent deep space. Each scale has been individually cut, shaded with marker pens and then hand-sewn on to the garment. Each gem has had its sticky backing removed and then glued on by hand.’
   Saunders also won the Avant-Garde section in this year’s competition, judged by WOW founder Dame Suzie Moncrieff, Zambesi’s Elisabeth Findlay, and sculptor Gregor Kregar.
   Dame Suzie said, ‘Supernova has the design innovation, the construction quality and vibrant stage presence in performance to win WOW’s top award.’
   Saunders’ 2013 design, Inkling, won the Weta Creature Carnival Award and an internship for her at Academy Award-winning Weta Workshop. It is currently part of the WOW international exhibition, touring around the world, and presently at the EMP Museum in Seattle, Washington, where it will be displayed till January, after which the exhibition will head to the Peabody Essex Museum in Boston, Mass.
   She also won the Avant-Garde section in 2007 with Equus: behind Closed Doors, while in 2009, Tikini was second in the Air New Zealand South Pacific section.
   Designers from New Zealand, China, India, England, Australia, and the USA won awards in each section.
   The American Express Open section this year saw Renascence, by Yuru Ma and Siyu Fang of Shanghai take first place. The Spyglass Creative Excellence section was won by Mai (I), by Pritam Singh and Vishnu Ramesh of Gujarat. Queen Angel, by Adam McAlavey of London, won the MJF Lighting Performance Art section.
   Baroque Star, by Natasha English and Tatyanna Meharry of Christchurch, won the Weta Workshop Costume and Film section, netting the duo a four-week internship at Weta Workshop, plus travel, accommodation, and prize money.
   The Wellington Airport Aotearoa section was won by Maria Tsopanaki and Dimitry Mavinis of London, with their creation Princess Niwareka. The World of Wearable Art and Classic Cars Museum Bizarre Bra section was won by Julian Hartzog of Tarpon Springs, Fla., with Come Fly with Me.
   Of the special awards, Dame Suzie chose Incognita, by Ian Bernhard of Auckland, as the most innovative garment, giving it the WOW Factor Award. Renewal, by Alexa Cach, Miodrag Guberinic and Corey Gomes, won the First-Time Entrant Award. The Knight by Jiawen Gan of the Beijing Institute of Fashion Technology won the Student Innovation Award. The Sustainability Award, recognizing the protection of our environment and the use of materials that would otherwise be discarded, was won by Bernise Milliken of Auckland, for Grandeer. Digital Stealth Gods, by Dylan Mulder of Wellington, won the Wearable Technology Award. The Wellington International Award, given to the best international entry, was won by Daisy May Collingridge of Woldingham, Surrey, England, for Lippydeema. Collingridge also won the UK–Europe Design Award with this entry.
   Khepri, by Miodrag Guberinic and Alexa Cach of New York, NY, won the Americas Design Award. Yu Tan of Shanghai won the Asia Design Award with The Renaissance Happens Again, while Cascade, by Victoria Edgar of Geelong, Victoria, won the Australia and South Pacific Design Award.
   The David Jones New Zealand Design Award was won by Voyage to Revolution, by Carolyn Gibson of Auckland.
   The Cirque du Soleil Performance Art Costume Award, chosen by Denise Tétreault, Costumes Lifecycle and Creative Spaces Director of the Cirque du Soleil, was won by Digital Stealth Gods, by Dylan Mulder. Mulder receives prize money, flights and accommodation for a one-month internship at Cirque du Soleil’s headquarters in Montréal, Québec.
   WOW runs in Wellington, New Zealand, through to October 9, and will be seen by 58,000 people live during its run. It employs over 350 cast and crew.
   This year, 133 entries by 163 designers (some worked in pairs) were received, competing for a prize pool of NZ$165,000.


Renascence, by Yuru Ma and Siyu Fang, Shanghai.

Mai (I), by Pritam Singh and Vishnu Ramesh, Gujarat.

Queen Angel, by Adam McAlavey, London.

Baroque Star, by Natasha English and Tatyanna Meharry, Christchurch, New Zealand.

Princess Niwareka, by Maria Tsopanaki and Dimitri Mavinis, London.

Come Fly with Me, by Julian Hartzog, Tarpon Springs, Fla.

Incognita, by Ian Bernhard, at AUT, Auckland.

Renewal, by Alexa Cach, Miodrag Guberinic and Corey Gomes.

Grandeer, by Bernise Milliken, Auckland.

Digital Stealth Gods, by Dylan Mulder, Wellington.

Lippydeema, by Daisy May Collingridge, Woldingham, Surrey.

Khepri, by Miodrag Guberinic and Alexa Cach, New York.

The Renaissance Happens Again, by Yu Tan, Shanghai.

Cascade by Victoria Edgar, Geelong, Victoria.

Voyage to Revolution by Carolyn Gibson, Auckland.

September 8, 2016

New Zealand singer Sophie Morris releases her first album, Songs from the Stage

Lucire staff/0.27

Aliana McDaniel

Rising star Sophie Morris, interviewed in 2013 in Lucire, will release her début album, Sophie Morris: Songs from the Stage, on October 28—perfectly timed for holiday gift-buying. The album features some favourite musical theatre numbers, including ‘It Might as Well Be Spring’ (State Fair) and ‘Don’t Cry for Me Argentina’ (Evita), and tracks such as ‘Nella Fantasia’ (from The Mission, by Ennio Morricone) and ‘O Holy Night’ (Adam).
   Morris, who is a classically trained soprano, is joined by Dunedin instrumentalists James Davy, Nancy Chen, Meg Davidson, Alan Starrat, John Dodd, Georgie Watts, and Alexandra Wiltshire, an established pianist and musical director.
   Dr Ian Chapman, Otago University senior lecturer in contemporary music, calls Morris ‘a groundbreaker’ and a ‘rare singer who can achieve such a high standard in both singing styles’.
   Marian Poole of the Otago Daily Times, says, ‘Morris is definitely the ascendant star.’
   Morris has recently finished playing Sandy in Grease: the Arena Spectacular Live.
   Two singles are being released in the lead-up: ‘Another Life’ from Jason Robert Brown’s The Bridges of Madison County and ‘Love Never Dies’ from Andrew Lloyd Webber’s Love Never Dies. Both will be available on Itunes.
   Her EP album is currently available for listening and purchase on Bandcamp at

September 3, 2016

Tania Dawson crowned Miss Universe New Zealand 2016 in front of sold-out audience

Lucire staff/15.41

Alan Raga

Above: The moment: Tania Dawson hears the news that she’s been working toward for most of 2016, that she is the new Miss Universe New Zealand. Centre: After the announcement, Samantha McClung crowns her successor, Tania Dawson, Miss Universe New Zealand 2016. Above: Second runner-up Larissa Allen (left) and runner-up Seresa Lapaz (right) flank Miss Universe New Zealand 2016 Tania Dawson.

Secondary school drama and music studies’ teacher Tania Dawson, 23, was crowned Miss Universe New Zealand 2016 Saturday night at Skycity Theatre, taking home prizes including a stay at Plantation Bay Resort & Spa in Cebu, Philippines and the use of a Honda Jazz RS Sport Limited for the duration of her reign.
   Dawson, who is of half-Filipina extraction, was also the crowd favourite, with a large group of supporters in the live theatre audience.
   The event proved to be a Filipina one-two, with Seresa Lapaz, who was born in the Philippines but is a naturalized New Zealander, coming runner-up.
   Both ladies hail from Auckland, while second runner-up Larissa Allen comes from Tauranga.
   Dawson was crowned by her predecessor, Samantha McClung, who flew from Christchurch to join 2013 titleholder Holly Cassidy in a special parade featuring the exclusive designs of Ankia van der Berg of Golden Gowns.
   The sold-out audience enjoyed entertainment from special guest performers Stan Walker, Frankie Stevens, and Ali Walker, as well as the cast of Oh What a Night!, who appeared in a recorded segment filmed earlier on Saturday.
   The destination for Dawson, as well as the other national titleholders, is uncertain, but there have been suggestions it could be the Philippines, and already Lapaz has vowed to support her former competitor should she venture there.
   Dawson says she sees herself as an advocate for education, and entered the competition because she wanted to practise what she preached: to challenge herself and overcome any self-doubt.
   Repeating their roles from last year, Stephen McIvor and Sonia Gray hosted. Stevens was also on the judging panel (particularly appropriate given his similar role in NZ Idol), alongside motivational speaker and social practitioner Areena Deshpande, director of Head2Heels and former Miss Universe New Zealand director Evana Patterson, AJPR boss and BRCA cancer gene awareness champion Anna Jobsz, and arguably the top make-up practitioner and educator in New Zealand, Samala Robinson.
   Thanks to the support of Miss Universe New Zealand’s sponsors, including platinum partners Honda New Zealand, Bench, Skycity, the Quadrant Hotels and Suites, Golden Gowns and Beau Joie, and the fund-raising efforts of each year’s finalists, Miss Universe New Zealand cracked the $100,000 barrier with its donations to Variety, the Children’s Charity, this year.
   The stream was carried on Lucire, The New Zealand Herald and Stuff, and a delayed version will appear on 3Now.

August 31, 2016

Mumm showcases Grand Cordon, delivering by drone; Anna White launches; Karl Lagerfeld débuts autumn campaign

Bhavana Bhim/19.24

Karl Lagerfeld

On August 30 and 31, the new Mumm Grand Cordon champagne was exhibited at Croatia’s Hula Hula Beach Club. For each order of champagne at the Club, a bottle was flown over the sea by a drone. Music accompanied the delivery—those receiving the champagne would get a particularly special experience, emphasizing Mumm’s current ‘celebrate’ theme, and its taste for daring innovation.
   The new bottle was created by Ross Lovegrove and has no front label. The G. H. Mumm signature and emblem are printed directly on to the glass, while the Cordon Rouge sash is actually a real red ribbon indented in the glass. The new design meant changes to the traditional champagne production process.
   Karl Lagerfeld Paris has launched its autumn 2016 advertising campaign, Love from Paris, Karl ××, coinciding with the label’s launch in North America. Lagerfeld himself art-directed and photographed the campaign, which was styled by Charlotte Stockdale, and modelled by Joan Smalls and Hailey Baldwin. It’s a predominantly black-and-white collection with colour splashes, featuring prêt-à-porter clothes and accessories.
   Also on the theme of new and luxury: a new leathergoods label, Anna White, has launched in New Zealand, with a contemporary line consisting of the AW1 tote, Liberty shoulder bag and Protagonist clutch. Right now, Anna White is also offering a limited-edition Classique tote, retailing at NZ$650. The range has simple lines with a quality look. It’s the ideal chance to own stylish bags before others jump on board—Anna White’s off to a good start.—Bhavana Bhim with Lucire staff

August 23, 2016

H&M’s New Zealand store will be the first to see the Kenzo × H&M collection

Bhavana Bhim/1.45

Oliver Hadlee Pearch

H&M will retail the Kenzo × H&M collaboration announced last month, with the line joining its Sylvia Park store on November 3. With the time difference, this means the New Zealand store is the first to carry the line.
   Since joining Kenzo in 2011, Carol Lim and Humberto Leon have set their own fashion agenda with collections full of bold colours and vivid prints, revealed through high-impact shows, artist collaborations and creative digital campaigns. Global influences and traditions are remixed and fused with the energy of the street, resulting in collections that are both inspirational and accessible to their fans around the world. At Kenzo, fashion expresses freedom, joy and individuality for all.
   â€˜We can’t wait to share with everyone the world of Kenzo × H&M, with all of its creativity, fun and love of fashion,’ said Ann-Sofie Johansson, creative adviser at H&M.
   Last month, the brand revealed the four first looks from the collaboration which combine vivid personalities and bright prints of the clothing for a fun atmosphere.
   Amy Sall, a student activist based in New York and founder of SUNU: Journal of African Affairs, Critical Thought & Æsthetics is photographed beside Juliana Huxtable, a 28 year old artist, poet and DJ also based in New York, wearing tiger-print jerseys, roll-neck tops and matching high-waisted leggings. They also wear black leather gloves containing a pink logo print and jacquard knitted tiger-sock shaft boots.
   The second look shows the 19-year-old musician and performance artist based in Paris, Oko Ebombo. He wears a parka with a removable printed collar, block colour tiger-print jeans, plus padded flip-flops with tabi socks. Ebombo also wears a tiger-printed cap with an attached scarf, a printed woven scarf and the tiger-printed cross-body bag.
   The third look shows Isamaya French, a make-up artist based in London, part of the London-based collective, Theo Adams Company. She wears an oversized leather jacket with pink faux shearling lining, with a matching tiger print jersey roll-neck top, and high-waisted leggings.
   The final look is revealed on Anna of the North, a 25-year-old Norwegian musician who gained global attention earlier during the year with her track ‘The Dreamers’. She wears a fresh interpretation by Kenzo’s creative directors, of an iconic design by founder Kenzo Takada: a short folkloric ribbon dress featuring various prints from the collection.
   â€˜With this collaboration with H&M we want to think big, push the boundaries and bring the new energy of Kenzo to everyone around the world,’ say Lim and Leon.—Bhavana Bhim

Oliver Hadlee Pearch

August 11, 2016

A renewed energy for the Royal New Zealand Ballet’s Giselle

Jack Yan/14.51

Stephen A’Court

Every opportunity to see the Royal New Zealand Ballet’s Giselle is a renewed pleasure. First performed in 2012, and garnering a great review from this publication for its outstanding choreography and production. Conceived in Wellington four years ago by then RNZB artistic director Ethan Stiefel, with Johan Kobborg, Giselle has become one of the company’s signature ballets, performed in China, the US, the UK, and Italy.
   What was astonishing was being able to enjoy Giselle as though we had never seen the 2012 première: there was a freshness about the latest performance, despite our being familiar with the story. On opening night, Qi Huan, who had retired from the RNZB to teach at the New Zealand School of Dance, returned to take up the role of Albrecht, which we saw him perform in 2012. The years since his 2014 departure haven’t diminished his skills one iota: the ballerino still has a star quality that places him a cut above so many, and his entrechats in the second act showed the power and grace that we have come to expect from someone who has mastered his craft. Also performing Albrecht on other occasions is Daniel Gaudiello, former principal dancer of the Australian Ballet, who is similarly acclaimed.
   Lucy Green took the title role on opening night and it was her youthfulness that gave Giselle a fresh take; the drama of Giselle descending into madness in the first act was so well done that one couldn’t help but sympathize with her character’s pain. Her pas de deux with Huan were exquisite and romantic.
   Also of note was the extensive pointe work by the Wilis in the second act, which demonstrated that the RNZB remains on top of its game.
   Jacob Chown’s Hilarion and Mayu Tanigaito’s Myrtha deserve mention in supporting roles: the dancing by both performers was integral to the story and Chown’s battle with the Wilis was emotionally done; Tanigaito kept the pace of the less plot-driven second act going with intricate skill till we saw what had happened to Giselle and Albrecht. Tanigaito also plays Giselle in performances where Gaudiello is Albrecht, and it’s not hard to see her take on the role with aplomb.
   Stiefel returned to Wellington to fine-tune the production, working with his successor, Francesco Ventriglia, who was responsible for the casting of Huan and Gaudiello.
   Marc Taddei conducted Orchestra Wellington, also giving the performance a new energy, performing the full-length score by Adolphe Adam. He will also conduct the Christchurch Symphony Orchestra, the Dunedin Symphony Orchestra and Auckland Philharmonia Orchestra when Giselle reaches those cities.
   Giselle opened in Wellington on August 11, before touring to Napier, Christchurch, Dunedin, Auckland, Rotorua, and Palmerston North, where the season concludes on September 9. Full details are at the Royal New Zealand Ballet’s website,—Jack Yan, Publisher

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