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Panos’s new adventure: hearty, heartfelt food and exclusive beers at the Panos Panos Tavern

Filed by Lucire staff/September 14, 2021/12.33




Panos Papadopoulos, the founder of Panos Emporio and dubbed ‘the king of swimwear’ by the Swedish press, has announced his newest venture: the Panos Panos Tavern in Göteborg.
   Spurred by his own thoughts of good food and wanting to create a venue where people can socialize as they emerge from the pandemic, Panos took over the site of the acclaimed Thörnström’s Kitchen (Teknologgatan 3), which had closed due to COVID-19.
   He has breathed new life into the space, including painting some of the art that adorns his new restaurant, and offering a menu that celebrates his Greek heritage. Once again, he has confounded those who said it couldn’t be done: after doing the deal before the summer to take over the premises, he has managed to launch the Panos Panos Tavern before the end of September.
   Alongside a new menu of well cooked food made from locally produced ingredients, Panos has also developed two unique beers that are exclusive to his Tavern. Eros lager and Agapi IPA are Swedish-made craft beers that have been developed to complement the restaurant.
   Panos promises that the food has soul, with hearty dishes that are as ‘heartfelt and as healthy as something you will find in a good home in Greece and on the Mediterranean,’ but that there are new twists with the flavours.
   ‘We live in strange times and opening a restaurant in the wake of the pandemic may seem like an impossible task, given the longer delivery times, difficulties in obtaining materials and machines, getting hold of craftsmen, etc. Although those who have known me before know that I am embarking on the impossible. With hard work, perseverance and creativity you go a long way!’ he said.
   He worked many 18-hour days as his planned launch in mid-September neared, paying close attention to detail, a formula that netted him such huge success in the swimwear fashion market.
   Panos Panos Tavern opens on September 15. Reservations can be made at panospanos.se, via email at reservations@panospanos.se, or telephone +46 31 12-75-73. Opening hours are presently 5 to 11 p.m. seven days a week.











 


Iris Apfel celebrates her 100th with H&M announcing collaboration with the fashion icon

Filed by Lucire staff/September 9, 2021/14.13



Courtesy Hennes & Mauritz

As Tweeted by us earlier in the week, fashion icon Iris Apfel has turned 100—and guess who is the next H&M collaborator?
   On Thursday, during New York Fashion Week, the Swedish retail giant will celebrate Apfel’s 100th birthday and launch the Iris Apfel × H&M collection, which will hit stores on- and offline in early 2022.
   The new collection features eclectic dresses, coordinating sets, floral suits, tiered ruffle dresses, printed dresses, jewellery and accessories, celebrating Apfel’s own æsthetic of bright colours and layers, and feeling good. All materials are recycled or sustainably sourced, and every item has been made with circularity in mind, says H&M.
   ‘With this collaboration, we are celebrating a unique and extraordinary woman and her creative and audacious style. She shows that style is ageless and keeps encouraging people to show who they are with fashion—and to have fun at the same time,’ said Ann-Sofie Johansson, H&M’s creative adviser. ‘Iris epitomizes personal style—a style that is both beautifully flamboyant and eclectic as well as being totally ageless. She shows what fashion is all about—a means to express yourself, who you are or want to be and having fun at the same time—a true inspirer!’
   ‘The collection is playful, opulent and rich with vibrant colours, vivid prints and opulent fabric choices. The look is indulgent with a more-is-more attitude and crowned by over-the-top jewellery, which is very much a signum for Iris.’
   Apfel says, ‘Style is not about spending a lot of money. It’s not about what or who you wear, but how you feel when wearing something. Style is about self-expression and, above all, attitude.’
   She adds, ‘I think that H&M is a fabulous outfit worldwide and absolute pioneers in their field—which I love! I love doing high style at affordable prices, which H&M has mastered!’

 


Kristen Stewart wears spring 1988 Chanel haute couture re-creation on Spencer poster

Filed by Lucire staff/August 31, 2021/23.11

There’s been a tremendous amount of interest in Diana, Princess of Wales of late—especially around the time of what would have been her 40th wedding anniversary to HRH Prince Charles. The Crown has added to interest in the People’s Princess, and the latest encroachment on her memory is Pablo Larraín’s Spencer, a biopic with Kristen Stewart in the role of Diana. Larraín had made Jackie (with Natalie Portman) and Neruda, both released in 2016.
   In Spencer’s poster, Stewart, a Chanel ambassador, wears a beige organza evening gown embellished with gold and silver round, oval or leaf-shaped sequins forming floral branches from the Chanel spring–summer 1988 haute couture collection. It was re-created entirely by hand for the movie by Chanel, requiring 1,034 hours of work (700 hours for embroideries) by five full-time seamstresses.
   Chanel notes: ‘This strapless, boned dress has a straight neckline trimmed with a delicate pleated tulle ruffle and a frieze composed of ovum and florets, an appliquéd satin belt with a bow at the front, a skirt fitted down to the hips then gathered and longer at the back, as well as multiple tulle flounces mounted on an organza petticoat. Embroidery by Lesage and Pleating by Lognon.’
   Spencer premières in competition at the Biennale di Venezia, the Venice Film Festival, on September 3.


 


Is the sun setting on Alarm für Cobra 11: die Autobahnpolizei?

Filed by Jack Yan/August 3, 2021/12.10

It does seem the sun is setting, after 25 years, on Alarm für Cobra 11: die Autobahnpolizei on RTL.
   Last Thursday, the network released three episodes from 8.15 p.m., and to heck with the low ratings of the last episode which would be far too late for younger viewers. They’re doing the same this week, and finishing up the season next week with the two last ones made.
   It’s no secret that the viewer numbers have been falling year after year, especially after the departure of Tom Beck, and the long-running actioner costs a lot to make—too much for a show that now nets around the 2 million mark each week, with increased competition from other networks and forms of entertainment.
   Last year, the show was revamped again, but unlike previous efforts, this was a very bumpy and massive reset. Shows don’t always do well after this, especially a revamp that was bigger than Martial Law abandoning most of its original cast in season 2 as well as not resolving the season 1 cliffhanger. Or each of the incarnations of Blackadder.
   Cobra 11 survived most earlier revamps, such as the seasons with Vinzenz Kiefer, because it maintained some continuity. We didn’t mind the anachronisms and the inconsistencies as long as the heart of the show was there. Over the first two decades, there was a humanity to the show, regardless of how much haters think it was a shallow actioner, and by that I refer to the home life of the main character, Semir Gerkhan, portrayed by Erdoğan Atalay.
   Viewers invested a lot into Semir and Andrea, and even with the 2014–15 seasons, we could count on that behind the emotional core of the series. It didn’t matter that the bright, cheerful years of Beck had become a sombre-keyed drama, with the happy couple’s marriage on the rocks, Semir sporting a full beard and not his goatee, and a major story arc.
   It was a return to the action–comedy tradition in 2016 with Daniel Roesner taking over from Kiefer, who I was surprised to see later in Bulletproof.



Semir and Andrea: the emotional heart of Alarm für Cobra 11.

   With Roesner’s departure, producers sought to get rid of everyone else on the show, wrapping up their storylines, so that 2020 would begin with only Atalay and Gizem Emre, who joined the cast in 2014, reprising their roles. We can deal with Semir pairing up with a female partner for the first time in 24 years (Vicky Reisinger, played by Pia Stutzenstein), having a new boss (a disabled character played by an able-bodied actor, Patrick Kalupa; and since we never had an episode about how the character became disabled, it seems a slap in the face to not cast a disabled actor), and an irritatingly dark set. But Andrea and the kids have been written out, not mentioned again; enter Semir’s estranged mother, who only became estranged a couple of seasons ago, since the character said previously that he called her every Christmas. To all intents and purposes, this was a new show with little connection to the old. And I think they may have gone one step too far in their efforts to present something new to viewers.
   There is a slight return to the structures of the older scripts in this second block of season 25, with an emphasis on the stories over the action (as there had been at the start). There are moments where you even recognize the show. But if the first half of the season had put you off, you never would have found out, especially since RTL hasn’t even bothered to show the action scenes in many of the press photos.
   The scheduling is exactly what you’d expect a network to do in order to kill a show, to say that the average viewer numbers had dropped again, too far to be viable. It’s the sort of show that might have a TV movie or two later on, but for now, I’m not that surprised there are statements that this 25th season (28th, if you believe the network) is the last ‘sein wird’ (for now). Another retooling for the 26th so it could return? Or time to wrap it all up?
   I don’t think it bodes well for us fans, unless they can tap into the Zeitgeist again for something that modern viewers are going to love.—Jack Yan, Founder and Publisher

 


Festival de Cannes 2021, day 6: Bella Hadid steals the show in Schiaparelli

Filed by Lucire staff/July 13, 2021/6.21





Pascal le Segretain; Daniele Venturelli

Arguably, Bella Hadid stole the show in a Schiaparelli haute couture autumn–winter 2021–2 dress, designed by Daniel Roseberry, at the première of Tre Piani on day six of the Cannes Film Festival. The wool crêpe dress featured a low-cut neckline, and Hadid complemented it with a gilded brass necklace with trompe l’œil lungs, adorned with rhinestones.
   The Luxembourgeoise actress Vicky Krieps, star of Mia Hansen-Løve’s Bergman Island, is a fan of Chanel, wearing designs from the spring–summer 2021 haute couture collection at the film’s première. Krieps herself was wary of the front row but had been invited to a Chanel show with a handwritten note from Karl Lagerfeld, according to WWD. Lagerfeld, as it turned out, was a fan of Krieps, and the two met post-show.
   Krieps’s co-star Tim Roth wore a Prada dinner suit and brushed leather shoes; he similarly wore Prada at the photo call. Melissa George chose a gown from the Christian Dior haute couture spring–summer 2020 collection.
   During the day, Dylan Penn also chose from Chanel, wearing a pullover and trousers from the cruise 2021–2 collection at the photo call for Flag Day.





Pascal le Segretain; Daniele Venturelli

 


Made out of What?!: a digital magazine considers sustainability and style

Filed by Lucire staff/July 12, 2021/16.43

How to merge sustainable vision and fashion? A tough call, and many are still rushing at the answer. A few years ago the American art visionary Denise Domergue established a not-for-profit to engage the first half of that question in the context of art.
   The Made Out of What?! initiative has mounted exhibitions, sponsored artist work, and created a library of informative videos highlighting how artists have engaged and embraced the concept of circular economy. To date they’ve launched a global movement, even going so far as to build an exhibit pavilion in the centre of NYC’s Times Square, a temporary structure made from repurposed materials which attracted global attention. Now a quarterly digital magazine from MOOW tracks the project’s progress.
   The current issue addresses sustainability and style, a topic dear to the hearts of Lucire readers. You can view and download the issue here.
   More importantly, participation, a donation or membership in support of the foundation’s work will make a difference in helping to reimagine Planet Earth in the shape we all would like to see.—Stanley Moss, Travel Editor

 


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