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November 22, 2016

#Castmemarc: Marc Jacobs launches global casting call to find the next beauty sensation

Cecilia Xu/19.42

Could you be the next Marc Jacobs Beauty social media sensation? Marc Jacobs utilizes its famous hashtag #castmemarc once again open to the world, and this time it’s all about beauty.
   Marc Jacobs is a fun, vibrant and youthful brand, encouraging young people to push the boundaries in fashion and beauty. This is what the campaign is all about: to see how their global participants create their own style and become inspired, by anything.
   Applicants over the age of 18 simply need to post a video on Instagram telling Marc what inspires them in beauty and fashion, and why Marc himself should pick them. Don’t forget to add #castmemarc on your videos to be considered. Entries are open until Friday, December 16, 2016 (11.59 p.m. PST).
   In January 2017, 10 finalists will be flown to NYC to record a make-up application video for Marc and his judging panel, where Marc himself will then select three final artists to be apart of the spring 2017 #beautymarc video series. In addition to this, the chosen winners will each receive a year’s supply of Marc Jacobs Beauty products, invitations to all Marc Jacobs influencer events throughout 2017, and a MJ wardrobe and accessories’ allowance.
   Get hash-tagging #castmemarc!—Cecilia Xu

November 20, 2016

Celebrity Connected: a platform for the “green party”

Elyse Glickman/6.20




Elyse Glickman

After an intense, divisive US presidential season, and its controversial aftermath, Californians were ready to kick off award show season. Celebrity Connected not only got the party started, but provided some much needed pre-Christmas comfort and joy to greet the Hollywood creative community. The W Hollywood became a Garden of Eden, filled with a bumper crop of organic vegan goodies, non-dairy frozen treats, comfy weekend wear, interesting vaping inventions, yoga goods, and plants that could be planted in yards to further green up one’s neighboUrhood.

The Children’s Hour
Bears for Humanity founder Vijay Prathap spread a little early Yuletide cheer, distributing US-made Santa Bears to get his point across about the company’s multi-tiered charitable efforts. The 100 per cent certified organic, global Fair Trade elements of the bear are brought together by at-risk women looking to expand their career opportunities through the welfare-to-work programme. With every bear purchased, another bear is given to a child in need in communities throughout the country.
   There were also all-ages fashion and skin care (with lots of mother-and-daughter teamwork) served up by Royal & Reese, Swag-Eez and Sistah Buttah, as well as yoga hear from Karma and Soul. Pre-teen entrepreneurs Angels & Tomboys showed off their Shark Tank-winning, rock-inspired body sprays (including Purple Rain, a tribute to Prince reminding one of the grape soda we all loved as kids).

Green days
Although the overall progressive agenda now hangs in the balance with a conservative government coming to power in 2017, the fight to make cannabis legal in several states—including California—has moved in the right direction. Adults over 18 could sign up with MediCann doctors on the spot for paperwork that provided three months of access to dispensaries. In the immediate, they could sample several innovative products incorporating medical marijuana, cannabis, and hemp.
   Hemp Kitchen offered a Medicine Chest package through their delivery service with a variety of foods and treatment products addressing pain relief, headaches and other ailments. Chef Mike was on hand to explain how enjoy the products and the nutritional components of the goods. The Art of Edibles Cannabis Collective and To Whom It May provided chocolate aficionados with gorgeously wrapped gourmet truffles, and generous gifts from VQase and Hawaiian Vape provided extra flavour and fun for those partaking in the popular cigarette alternative.
   Souly Vegan of Oakland served substantial sustenance, while Justin’s nutty goodies added sweet relief to mid-day hunger pangs and Cocorilla had coconut water as nature intended—in its original shell. Pure indulgence was doled out by Street Churos (a food truck with a charitable element), Kokolato gelato and Yoga-urt.

Other things that rocked
Stand-out items included hand-crafted natural stone statement jewellery and minaudière handbags from Ann Ong, Rocking the Clock’s repurposed musical instrument home décor clocks and accents, and Cordcruncher, which promises to eliminate tangled earbuds once and for all. A great travel essential I look forward to trying is MAI Couture’s passport case, which can be filled with easy to use, unbreakable, and mess-proof papers with blush, bronzer, and foundation.

Finds beyond the suite
Around the same time as this suite, we found some other good products worth noting. Eufora Curl ’N is one of the best curl-defining sprays for finer hair texture going. All the definition and spring without sticky stuff weighing down hair.
   EC/BC recently rolled out its TSA-friendly backpacks and briefcases. Though the designs are unisex, these carry-on items make a statement in terms of fuss-free travel that help sort out (literally) anything that may stop a law-abiding citizen in the security line. The Barceló Hotel Group (known for its Caribbean and Mexican resorts) is also expanding its reach into Cuba, Costa Rica and other hot destinations, figuratively and literally.—Elyse Glickman, US West Coast Editor
















Elyse Glickman

November 16, 2016

Skilful execution by tomorrow’s stars at New Zealand School of Dance’s 2016 Graduation Season

Jack Yan/11.39




Stephen A’Court

Above, from top: Meistens Mozart. An excerpt from Political Mother. Pas de deux from The Sleeping Beauty.

The New Zealand School of Dance’s Graduation Season once again brings an expertly executed programme, mixing genres from classical to modern to experimental. Among the programme tonight were three premières: Helgi Tomasson’s Meistens Mozart was performed for the first time in New Zealand, while Amber Haines’s Incant and Jiři Bubeniček’s Dance Gallantries received their world premières on opening night of the season at Te Whaea.
   Meistens Mozart started the evening and showed that, with the right arrangement and choreography, the German language could be made cheerful. Songs by Wolfgang Amadeus Mozart, Carl Ditters von Dittersdorf, Bernhard Flies and Jakob Haibel, sung by the Tölzer Boys’ Choir, accompanied the six dancers, the standout of whom was George Liang. Liang had previously been at Canada’s National Ballet School, and we had seen him perform last month at the Republic of China’s National Day celebration. There were no opening-night jitters from any of the six, who instantly transported us to an alpine society, celebrating springtime love, courtship and playfulness.
   The all-male He Taonga—a Gift was an energetic and intense performance where drumbeats from Whirimako Black’s ‘Torete te Kiore’ soundtrack sparked sudden moves, a demonstration of control and strength from the 14 dancers. Choreographed by Taiaroa Royal and Taane Mete, He Taonga was created for the School in 2009 and reprised tonight.
   Opening the second section, Laura Crawford and Yuri Marques were like delicate dolls in their pas de deux from The Sleeping Beauty, Act III, with the choreography after Marius Petipa. Marilyn Rowe, OBE staged and coached, while Qi Huan was répétiteur. This was a tough ballet piece to get right and the pair got stronger as they performed, gaining confidence and drawing us into their romance.
   Taking a complete tangent into modern dance was the solo performance of Glitch, a new work from NZSD tutor Victoria Columbus, whose talents we most recently saw at the World of Wearable Art, where she serves as director of choreography. The movements themselves were created by graduate Connor Masseurs, who performed the dance, playing the part of a “glitching” robotic man short-circuiting on stage with skilful, shuddering movements. Masseurs completely absorbed us with his solo: it wasn’t just his limbs that Masseurs controlled, he extended the idea to facial movements, inventively finding new ways to glitch. Masseurs first performed the dance at the Grand Théâtre at the Maison de la Culture de Tahiti as part of a gala at the Académie de Danse Annie Fayn.
   Incant was mysterious, brooding, and ethereal: this all-female work saw dancers come together to generate new shapes, conveying to us notions of clouds, trees in a forest, or tunnels, at times passing a lit sphere between them. Haines’s choreography was meant to question traditional notions of beauty and got us successfully focusing on the collective moves of the dancers. ‘This world,’ she notes in the programme, ‘invokes a mesmerizing state of collective consciousness and celebrates the power and luminous beauty of shared intention.’ A captivating work, it ended the second set of dances.
   Dance Gallantries was another more traditional work, with 10 dancers telling more playful stories of romance, complemented by Otto Bubeniček’s colourful costume design and solo violin music by J. S. Bach.
   A group of 12 performed an extract from Political Mother, the evening’s one political work with jarring music and clever choreography by Hofesh Shechter. A couple merrily folk-dances in a town square, happy to be part of their society, but are they genuinely happy or manipulated by the state? Their expressions seem to suggest the latter, fooled into believing that all is well and happy in their naïveté. The action moves on to a prison, where the music is muffled and dancers ape being restrained by either arms or ankles. The final scene, with a large group of dancers back in the town, show that the entire society has succumbed to the illusion, raising their arms in acceptance. It makes you question about the times we live in, and whether intellectual discourse is suppressed in favour of simpler ideas, a population told to be happy without really knowing why.
   Finally, Tchaikovsky’s music from The Nutcracker was excerpted for the upbeat Tempo di Valse, with the NZSD returning to a ballet to finish the evening. The ‘Waltz of the Flowers’ was instantly recognizable, the 15 dancers showing classical movements. Nadine Tyson choreographed, while the colourful traditional costumes were designed by Donna Jefferis.
   Depending on the show, the pas de deux from The Sleeping Beauty may be replaced by Jack Carter’s Pas de deux romantique, with music by Rossini; while Glitch may give way to The Wanderer, choreographed by Columbus and perforned by Liang.
   The season runs from November 16 to 26 at Te Whaea in Wellington, New Zealand, with prices ranging from NZ$18 to NZ$33. Tickets can be booked at the New Zealand School of Dance, or online at nzschoolofdance.ac.nz/book-tickets. We’d rate it another must-see, especially to catch some rising stars—we understand that some are off overseas, already snatched up by dance companies.—Jack Yan, Publisher

November 14, 2016

Green with beauty: a holistic understanding through Organic Spa Magazine

Lucire staff/11.50




Randall Michelson

Since 2007, Organic Spa Magazine has inspired and informed readers on green beauty and living. By no means limited to the world of day spas, Organic Spa educates and motivates on all aspects of a holistic lifestyle. At the famously posh Peninsula Hotel in Beverly Hills on a rather balmy October evening, members of the press were learned first-hand how Organic Spa has galvanized the once-niche market into a universally practised way of life.
   In addition to a cool gift bag filled with some of the latest and greatest in organic beauty (we’ll get to that shortly) and a tasting of some deliciously healthy food prepared with good-for-your skin enhancements, the event presented a panel and conversation with some true luminaries in fitness and eco-conscious beauty. These guest speakers included: Tracy Anderson, creator of the Tracy Anderson Method; Kimberly Snyder, nutritionist, yogi, New York Times best selling author; Christie Coleman, Head of Innovation for BeautyCounter; and Louis Schwartzberg, director, producer, and cinematographer.
   What was most impressive and refreshing is that none of them endeavoured to promote their brand or product. Instead, the exchange focused on the future of organic living and perhaps most vitally: a message of beauty from within. What can such an overused cliché mean, you ask? Simply put, ditch the celebrity and media stereotypes of physical beauty that bombard our lives. They are illusory and temporal, and have a tenuous hold on reality. Embrace balance and harmony at a slower pace of life. Remember that your beauty regimen starts from within and by respecting nature. Give back and you will be rewarded. Take it slowly, make a commitment and your beauty will be revealed.
   And now as promised, a peek at some of the hottest trending brands and products that are not merely naturally derived, but results-driven.
   When we say beauty comes from within, we’re not kidding. Neocell is a recognized leader in skin-enhancing nutritional supplements. Their DermaMatrix Collagen Skin Complex is part of their new Platinum Collection, a premium line of nutraceuticals targeting specific collagen systems. Firmer and more elastic skin is as easy as making a fresh smoothie using a scoop of the instantly dissolving powder. Other notable products in the line include berry-flavoured chewable Beauty Bursts, and the Move Matrix Advanced Joint Hydrator.
   A leader in the world of organic skin care, Mychelle Dermaceauticals introduces their most potent mask yet: the Perfect C Pro Speed Peel, a professional-level, one-step, fast-acting 25 per cent citrus fruit purée peel, formulated with 10 per cent L-ascorbic acid blended with L-lactic acid, Plant C-Stem, and retinal to deliver youthful, glowing skin. Also new from Mychelle are the Bio-Firm HydroGel Concentrate and Perfect C Radiance Lotion.
   From the UK, Earth Kiss Face Masks are energized with Himalayan shilajit, a prized ingredient in Ayurvedic medicine. Known as a potent skin rejuvenator, the 100 per cent natural masks are formulated with cherished ingredients from across the globe such as white Thai muds, ancient rhassoul clay and deeply hydrating boabab oil from Africa.
   ‘Slow beauty for a fast world’ is the motto of SpaRitual, a collection of delightfully decadent vegan body and nail products that never compromise on quality. The newest addition is a first-ever CC Crème for your nails, a combination treatment and colour that is infused with beneficial ingredients to help strengthen, smooth, brighten and protect while providing a no-polish-needed coat of sheer tint.
   Quick-drying, non-toxic, non-yellowing and vegan, Dazzle Dry is the fairy godmother of nail lacquers. For extra indulgence to relieve unsightly and itchy cracked skin, Hand & Elbows Cream contains potent bioactive ingredients to hydrate and exfoliate rapidly and efficiently, while allantoin speeds up new skin cell regeneration.—Jody Miller, LA Correspondent






































Randall Michelson

November 10, 2016

In brief: Lily-Rose Depp at Planetarium première; Bruce Weber to be honoured at British Fashion Awards; H&M in Vietnam

Cecilia Xu/10.42


Pascal Le Segretain

Chanel is heavily promoting its new No. 5 L’Eau spokeswoman, Lily-Rose Depp, decking her out fully in fashion, accessories and make-up from the brand. On Tuesday, she was at the screening of Planetarium in Paris, a film by Rebecca Zlotowski in which she co-stars as Natalie Portman’s younger sister. She wore a Chanel black cotton jacket from the cruise 2016–17 collection, and the Coco Crush ring in 18 ct yellow gold. As a rising star, and the daughter of two major celebrities, Depp is attracting plenty of attention as her own acting career takes off.
   After opening in New Zealand, Hennes & Mauritz (H&M), the international fashion brand known for offering fashion and quality at the best price in a sustainable way, has signed for its first store openings in Vietnam during 2017. More information will follow, says the company. In 2017, H&M will also open in Colombia, Iceland, Kazakhstan and Georgia.
   Finally, the British Fashion Council announced earlier this week that photographer Bruce Weber, famed for his black-and-white portraits will receive its Isabella Blow Award for Fashion Creator at the British Fashion Awards 2016. Weber will be honoured at this year’s ceremony at the Royal Albert Hall. Weber’s work has appeared in Vogue, Elle, Interview, Rolling Stone, Vanity Fair, and other publications, and rose to prominence with the 1982 Calvin Klein campaign featuring Tom Hintnaus in Greece.—Cecilia Xu, with Lucire staff


Bruce Weber/Calvin Klein Advertising Archive

Above: Tom Hinthaus, photographed by Bruce Weber for Calvin Klein, 1982.

November 6, 2016

Olga Lomaka’s Artefacts: west meets east at Saatchi Gallery

Lucire staff/22.07




ValmonS Photography

For a short period, the Saatchi Gallery has been transformed into a temple with not just one, but a series of Buddhas. Each one of them has been “dressed up” into somewhat inappropriate attire, symbolizing the obsessive consumerist society we live in. From recognizable brands to modern-day icons to symbols instantly recognized by the millennials, the Buddhas silently, without judgement, point out how engrossed we all are into disconnecting from our spiritual selves and consuming more and more physical and digital content.
   Renowned London-based artist Olga Lomaka is presenting her latest exhibition, Artefacts. The leitmotif of the Artefacts is the clash of contemporary western and ancient eastern civilizations. It contrasts the principles of consumer society, its cultural and technological obsession, with the peacefulness and profoundness of Buddhism, the major religion of the east.
   ‘The project is ambiguous: I do not expect the viewer to make a choice, or to draw any dichotomies between cultures and notions,’ says Lomaka. Artefacts is a collision of tradition and spiritualism with what most of us see as being important here and now—the latest gadget, the latest trend. ‘I believe that only a harmonious balancing of these two attitudes can propel us out of the current “confrontation” between them. The wisdom of traditional past will help us advance on the path of our spiritual evolution,’ adds the artist.
   The concept of Artefacts may have surprised many but it certainly didn’t make the guests of Saatchi Gallery leave without questioning their values. Some of the Buddhas have travelled with Olga Lomaka to the prestigious Art Monaco fair where the she has been granted the Best Artist award. Some of the other Buddhas, including Fashion Guru, Miss Universe and Super Buddha were chosen to represent the artist at the Biennale of Contemporary Art in Firenze in 2017, where you could view them and ponder what is important to you. After all, there is never a wrong time to question your beliefs, right?—Elina Lukas, Correspondent



















ValmonS Photography, Erik Erxon, Deivydas Lekavicius

November 1, 2016

Lady Gaga, Bruno Mars, The Weeknd are Victoria’s Secret Fashion Show’s musical guests

Lucire staff/11.51


Collier Schorr

Kai Feng

Nabil590

The Victoria’s Secret Fashion Show for 2016, to be filmed in Paris for the first time, will feature musical guests Lady Gaga, Bruno Mars and The Weeknd.
   Models appearing include Karlie Kloss, Bella Hadid and Gigi Hadid, Adriana Lima, Alessandra Ambrosio, Lily Aldridge, Elsa Hosk, Jasmine Tookes (who will wear the US$3 million Bright Night Fantasy Bra), Josephine Skriver, Lais Ribeiro, Martha Hunt, Romee Strijd, Sara Sampaio, Stella Maxwell, and Taylor Hill.
   Lady Gaga might not have appeared in our pages as often this year, but her social media following remains exceptional, with 61 million Facebook likes, 64 million on Twitter, and 19 million on Instagram. Her fifth studio album, Joanne, débuted at number one on Itunes.
   Bruno Mars has sold over 170 million singles and 26 million albums, and has recently released his single, ’24K Magic’, which débuted at number five on the Billboard Hot 100, his 13th Top 10 on the chart. The accompanying album will be released on November 18. Like Lady Gaga, Mars has a substantial social media following, with 56 million fans on Facebook.
   The Weeknd won two Grammy Awards for his third album, Beauty behind the Madness, as well as an RIAA triple-platinum certification, and 16 RIAA certifications from its tracks. He also earned an Academy Award nomination for best original song, for ‘Earned It (Fifty Shades of Grey)’. His fourth album, Starboy, will be released on November 25, and includes the title track featuring Daft Punk, which had amassed 17 million streams in less than a week after its release.
   The show premières on CBS in the US, on Monday, December 5, at 10 p.m. (EST/PST). Done and Dusted, Inc. produces the show; Edward G. Razek, Monica Mitro, Ian Stewart and Hamish Hamilton are executive producers; Hamish Hamilton is the director.

October 24, 2016

Travel editor’s diary: a day at the recolta

Lucire staff/22.34




Paula Sweet

Yesterday, 10.15 a.m., reading on my tablet online the latest insult to democracy from the Republican nominee, words uttered hours earlier across the sea, and the phone rings. It’s the Principessa Zaramella asking if we can be ready in ten minutes to drive out to the country for the recolta, the annual olive-picking at a friend’s estate. I cannot refuse. The harvest happens at the last minute every year on a date which can’t be predicted, when family and friends are summoned to the orchards for a decidedly ancient experience rendered in real time. It’s a one-hour ride into a forgotten age, leaving the industrial neighbourhoods which surround Vicenza, venturing into the rolling landscapes and alluvial valleys nestled between extinct volcanoes, rambling through mediæval villages and vineyards of orange and purple leaves, into the zone of two-lane roads and ill-marked switchbacks until all we see are storybook vistas punctuated by red roofs and the occasional lofty campanile. A hard left onto a gravel road, up a wooded hill and we find ourselves surrounded by terraces of olive trees thick with ripe black fruit, an excellent harvest this year.
   Nets have been spread below the trees and people of all ages are releasing the olives from the trees, picking by hand, or raking the boughs, green and yellow and black projectiles raining down on us, the pleasurable thud-thud-thud. The Italian language surrounds us—there’s no rushing the process, and people take the time to converse, opine, joke as bins are filled.
   Unlike berry-picking, you can’t eat what you retrieve. One is made to wait: the olives won’t be pressed today, though in a month the principessa will call us (no doubt at the last minute) to say that a litre of the production is waiting for us when we can come fetch it. For the moment we exist in the present, outside the bounds of our hand-held devices, breathing the fresh air, communing with the branches, listening to the children singing folk songs among the trees.
   At no particular moment comes the call ‘A mangiare!’ Everyone drops what they are doing and trudges up the hill, where a table has been set with everything delectable in the world: local cheeses, breads, pomegranates and mandarins and apples in baskets, sausages, bottles of Nero d’Avola and Cannonau di Sardegna and wine I dare not touch from the local production in unlabelled bottles which will surely deliver the Hangover of the Century to the uninitiated. This followed by huge plates of food, pasta fagioli garlanded with fresh olive oil, an enormous salad of garden greens, pepperoncinis, radicchio di Terviso tarte, fritelli of Mozzarella, penne al sugo. The children retire to the chairs on the lawn, while the adults repair to impromptu seating under the arbor, which delivers a view of the pristine valley below. Cross-talk, teasing, the constant discussion of food, familiar faces coming and going, the casual discovery that some of these people actually speak English, at least a tolerable version of it peppered with como-se-dices and the occasional attempt at French. There is no attendant traffic noise, no recorded music, no phone sounds, no sirens, no voices of madness or conflict, only the murmur of conversation, mostly about food. Thence the dessert. Local rosegota, a hard hand-made flat cake, rum-laced crema di mascarpone, apricot tart, local thick cakes with fluffy insides, chocolate biscotti, after which a tray of espresso appears. A kind of drunken dizziness surrounds us, visions of shepherds napping under trees or vague trysts among the vines. But our host knows the rhythms need to return and with a sharp ‘A lavoro!’ we are back to the trees, back to our rakes and bins, for more time with the harvest. The light fades, we decelerate, and a languid pace for the last hours among the trees.
   Paulina, who chauffeured us out to the recolta, mentions that Arqua is not far away, a perfectly preserved mediæval village where Petrarch lived out his last days. Would we like to visit on our way home, see his house? A half-hour later we find ourselves wandering the ancient hillside streets, happening upon the Casa del Petrarca, then taking coffees at a typical enoteca. It is night when we exit the cafe and climb the old lanes back to the car. A night ride to Vicenza, back to the flat.
   As I close my eyes at home last night, I dream of the Greeks and their amphoræ, of the Romans at the harvest, and of Petrarch. I dream of compelling Donald Trump to pick olives for an afternoon, away from his Twitter feed and the screaming masses. I make him listen to other people’s conversations, rake the boughs and collect the olives and I tell him he must wait a month for his litre of olive oil.—Stanley Moss, Travel Editor












Paula Sweet

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