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June 25, 2015

MAC Cosmetics celebrates München store, with Franziska Knuppe, Victoria Swarovski, Lisa Tomaschewsky

Fenella Clarke/13.50

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Gisela Schober

MAC Cosmetics celebrated the opening of its new store in München, Germany by having an Art of the Lip party.
   MAC, which was founded in Toronto in 1984, has since then taken the make-up world by storm, featuring in almost all runway shows and sold in 150 countries. This party is one of many that have been hosted around the world, each celebrating the many ways your can paint your lips. Lily Allen performed as well as drag queen Miss Candy and DJ Pierre Sarkozy.
   At the party were MAC make-up artists showing the guests different ways of doing their lips, for example defining your lip line with lipliner, and making your lips look bigger with a bit of lip-glass in the middle of the lips. True to form, a fashion show also took place, with models wearing designs by Zaldy, giving an avant-garde vibe at the event.
   Guests included Viktoria Lauterbach, Josefina Vilsmaier and her sister Thérèsa Vilsmaier, Verona Pooth, Alicia von Rittberg, Franziska Knuppe, Melissa Faber-Castell, Victoria Swarovski, Katja Riemann and her daughter Paula, Palina Rojinski, Nadine Warmuth, Bettina Zimmermann, Lisa Seitz and her daughter Luzie Seitz, Sophia Thomalla, Mina Tander, Lisa Tomaschewsky, and Tom Wlaschiha. General director Gabriele Medingdörfer was also there as was Bettina Zimmermann, who hosted the event.
   München now has two stores (in Pasing and the OEZ), with a pro store set to open in August. MAC is also planning on opening more free-standing stores throughout Germany in the autumn.—Fenella Clarke






















Gisela Schober

June 23, 2015

Ralph Lauren and British Vogue host Wimbledon party: Matt Smith, Jessica Chastain, Lily James attend

Fenella Clarke/22.54

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Chris Allerton

On Monday, Ralph Lauren celebrated its 10th year as official outfitters of the championships at Wimbledon, with a summer cocktail party hosted by British Vogue editor Alexandra Shulman and former number-one professional tennis player Boris Becker. It was held at the Kensington Palace Orangery in London and guests enjoyed a live DJ set by Chelsea Leyland, and British-inspired canapés, summer cocktails, Pimms and champagne.
   Ralph Lauren is the first brand to create all the outfits on court in Wimbledon’s 129-year history, including umpires and ball persons.
   Co-hosts of the event were Game of Thrones’ Gwendoline Christie, along with Princess Marie-Chantal of Greece, the Countess of Mornington, actor Philip Brook, former tennis pro Richard Lewis, CBE, and Ali Spencer-Churchill. Many were adorned in Ralph Lauren and Polo Ralph Lauren: Shulman in a Ralph Lauren Collection navy silk Rylie dress and cashmere cardigan; Christie wore a black skater dress with a mesh panel on top, with a orange nappa leather envelope clutch; Lily James wore a white midi-length shirt dress paired with a gold lizard strappy jean sandal; while Jessica Chastain wore a black high-neck sleeveless dress with white inverted pleats. Actress Emily Mortimer wore a simple white shift dress, while Alice Eve wore a camel-coloured long-sleeve, high-necked dress; Maisie Richardson-Sellers was there looking stunning in a metallic organza shift dress with gathered sleeve detail, Downton Abbey actress Joanne Froggatt looked like the epitome of summer in a yellow sleeveless dress. Of the stylish men present, Boris Becker wore a royal blue suit and former Doctor Who star Matt Smith wore a navy suit, a blue striped shirt and a green tie.
   Other guests included Jeremy Irvine, Lottie Moss, Lady Kitty Spencer, YouTubers Jim Chapman and Tanya Burr, Erin O’Connor, Laura Bailey, Lily Becker, Joanna Vanderham, Sophie Kennedy Clark, Jamie and Ale Murray, Mollie King, Sam Rollinson, Charlotte Wiggins, Lara Millen, Petra Palumbo, Tania Fares, Lady Helen Taylor and Tim Taylor, Lady Kinvara Balfour, Alice Naylor-Leyland, Jessica, Camilla and Emily Staveley-Taylor (the Staves), Ella Catliff, Jenny Halpern and Ryan Prince, Jade Parfitt, Viscount Althorp, Alice Brudendell-Bruce, Charlotte Dellal, Bay Garnett and Tom Craig, Emily Johnston, and Catherine Kallon.—Fenella Clarke















































Chris Allerton

June 14, 2015

The Instagrams of the top fashion labels: showing seven ways they reach us

Fenella Clarke/13.18

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With social media being such a big part of the world we now live in, fashion houses no longer have just magazines to sell their products. These Instagram accounts give fans an insiders’ look to the brand and what’s going on. We have chosen seven of the top fashion labels to give the different ways these labels use Instagram.
   Making us green with envy, Fendi is giving us a snapshot into the book launch party for Fendi by Karl Lagerfeld, which was at this year’s Cannes Film Festival. Yellow sand, blue sky, models (Lily Donaldson, Lindsey Wixson and, of course, Kendall Jenner) in beautiful clothes and the influential designer himself, make this a photo I want to jump into.
   Marc Jacobs is showing us the classic throwback Thursday and giving us a nice close-up from his 2010 collection, making us wish even more for a time-travelling device. Having the photo up so close shows us a new side to a dress we may have seen before, giving us a new appreciation of the greatness that is in front of us.
   Jimmy Choo is giving us a behind-the-scenes look that we would never see on the runway: a sketch design of one of their shoes. From this, we can compare the real-life shoe and make us sigh with relief that the heel is not quite so high. Having behind-the-scenes images makes the fans and customers feel more a part of the process, not to mention more appreciative of the shoe itself.
   Roberto Cavalli is both showing off its new campaign and some sweet-as art. This beautiful illustration by Hodaya Louis is of its new autumn–winter range, featuring singer Ciara. While they also showed the real photographs when the campaign was first released, this continues the interest while also shining light on the artist who did the illustration in the first place.
   Often when you see pictures from the runway, you are too busy taking in the whole outfit that you don’t get to all the little details that make it as glorious as it is. Thanks to Burberry’s Instagram, however, we are getting not only a close-up look at the green suede bag, but also the patterns and details of the boots and coats. From the looks of things, this image was taken while the models were waiting to walk out on the runway, making this the perfect quick snapshot to make us want the bag and see more of that outfit.
   The Met Gala is a huge night for fashion, showing us mere mere mortals the best and most extravagant dresses you can get. It also leaves us wanting what your favourite celebrity is wearing. Givenchy, in this post and many others, tells us who was wearing its beautiful dresses. In this photo, actress Jessica Chastain is wearing a custom haute couture dress. This dress looks like dripping gold and perfectly shows the extravagance that is Givenchy.
   Last, but not least, we have Valentino showing us some street style from one of the many famous fashion bloggers. A shot from the fashion website Man Repeller, this features a pair of Valentino shoes. With the rise of social media, bloggers now have a big impact of what people buy and even how people wear things. Customers will find a blogger with a similar style to them and see how they wear certain things. If a label affiliates themselves with and shows a famous blogger wearing its clothes, then they can reach potential customers.—Fenella Clarke

June 4, 2015

Getting Jaime Pressly’s hairstyle from the Critics’ Choice Awards

Lucire staff/11.49

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Jonathan Hanousek created Jaime Pressly’s look at the Critics’ Choice Awards on May 31, and shared his tips using Farouk, Chi and BioSilk products.
   Hanousek said, ‘For Jaime’s look we wanted something glamourous but with a twist. She loves her hair sleek but I wanted to see some texture, so I created her braided hawk.’
   â€˜First I prepped the hair with a few drops of Chi argan plus moringa oil. Next, I applied Farouk Royal Treatment Style Illumination and blew dry the top of the head with a vent brush directing the hair up and towards the top of the head. Be sure to catch the shorter hairs in back.
   â€˜I used a small round brush to refine the front hairline.
   â€˜I worked a small amount of Chi Deep Brilliance Glisten in the palms of my hands and worked it through the hair to smooth and add shine.
   â€˜To create her braided hawk, I French-braided the top of the head with medium tension, secured with a clear Blax Band and tucked the tail under and secured with bobby pins. I used hairpins to tighten and help everything to lay flat to the head, then gently pulled out the front hairline to add height and create texture.
   â€˜Using a tail comb and hair spray I smoothed any fly-aways.
   â€˜To control the short sides I used a few shots of spray wax and smoothed with my fingers and finished her look with BioSilk Silk Therapy Finishing Spray Firm Hold.’

May 27, 2015

Reasons to raise a glass as Stoneleigh, Mumm, Hennessy and Ardbeg celebrate around the world

Lucire staff/12.49

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Victor Boyko/Getty Images

Top Mark Ronson celebrates with Champagne Mumm in Monaco. Above Julie Nollet, Raphaël Gérard, Hervé Mikaeloff, Olga Kisseleva, Bernard Peillon, Laurent Pernot, and François Xavier Desplancke pose at the ribbon-cutting ceremony during the Hennessy 250 Tour at the New Manege in Moskva. Below left The award-winning Stoneleigh Latitude Marlborough Sauvignon Blanc 2014.

Several wine and spirits brands have reasons to celebrate today. New Zealand’s Stoneleigh has received a gold medal at the 2015 Decanter World Wine Awards for its Latitude Marlborough Sauvignon Blanc 2014. This honour, from the world’s largest and most influential wine show (competing against over 10,000 wines), joins others than Stoneleigh has received lately, with the same vintage winning gold at the New Zealand International Wine Show and Easter Show Wine Awards, and a trophy at the Marlborough Wine Show.
   Maison Mumm, meanwhile, celebrated the launch of the world’s first digitally connected champagne bottle. And since Mark Ronson was in town, why not get him on board another yacht to DJ the event?
   When the cork is popped at the Formula One podium, a sensor sends a signal to the venue’s AV system, triggering the programmed entertainment. VIP guests at the event included Cara Delevingne, Poppy Delevingne, Eddie Jordan, and club owner Jean-Roch. Singtank, the duo of Ronson’s wife Josephine de la Baume and her brother Alexandre de la Baume, also performed.
   Ronson was asked to present the winning Mumm jeroboam to Nico Rosberg on the 2015 Monaco Grand Prix podium.
   The Hennessy 250 Tour has arrived at the New Manege in Moskva. This travelling art and culture exhibition, curated by Hervé Mikaeloff, in collaboration with scenographer Nathalie Crinière and Hennessy heritage expert Raphaël Gérard, celebrates Hennessy’s history and future, with archival materials, portraits and films. Artworks and installations by Xavier Veilhan, Pierrick Sorin, Constance Guisset, Tony Oursler, Charles Sandison and Anton Corbijn feature, while the Russian stop additionally sees Olga Kisseleva’s work, Dancing Spirit, and a contemporary dance performance by Farfor. The tour is open till May 30.
   VIPs at the launch include Maurice Richard Hennessy, Corbijn and Kisseleva, Gérard, Hennessy CEO Bernard Peillon, François Xavier Desplancke, Laurent Pernot, seventh-generation master blender Yann Fillioux, Interview Russia editor Aliona Doletskaya, and Tatler Russia editor-in-chief Ksenia Solovieva, Olga Karput, Sofia Zaika, Olga Thompson, Miranda Mirianashvili, and Museum of Contemporary Art director Vasili Tsereteli and his wife Kira Sacarello. The gala dinner was followed by a performance from stars from the Bolshoi Theatre and a tasting of the Hennessy 250 Collector Blend.
   Ardbeg celebrates its 200th anniversary this year, and marks the occasion with a grand Ardbeg Day on May 30, when Ardbeg “embassies” around the world hold a series of events. This year’s limited-edition Ardbeg Perpetuum will be present, and New Zealand, which will be the first to hit May 30, will hold its Ardbeg Day celebrations at House of Whiskey, 50 Courthouse Lane, Auckland; Regional Wines & Spirits, 15 Ellice Street, Mt Victoria, Wellington; and Whisky Galore, 66 Victoria Street, Christchurch.


















Victor Boyko/Getty Images

May 23, 2015

Liu Wen, Jourdan Dunn on the day 10 red carpet at Cannes; a glimpse behind the scenes before the AmFAR gala

Lucire staff/10.25

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Courtesy Ralph & Russo

Day 10 of the Festival de Cannes saw Ralph & Russo gowns chosen by models Jourdan Dunn and Liu Wen for The Little Prince screening: Dunn had a black tulle strapless fishtail gown with floral crystal embellishment from the spring–summer 2015 couture collection, while Liu wore the label’s ice blue silk pencil peplum gown with pearl and crystal embellishment from its autumn–winter 2014–15 couture collection.
   Among the auction items bid on that we didn’t note in our previous report on the AmFAR gala were Tom Ford dresses auctioned by Eva Longoria (fetching US$900,000) and a Banksy original from the collection of Leonardo DiCaprio (US$1,000,000). DiCaprio also auctioned a date with himself on his yacht, getting US$280,000. Proceeds went to Aids research.
   Moët Hennessy, which was a Gala sponsor, auctioned a luxury experience with accommodation, wine tastings and visits to châteaux, and three golden jeroboams of Moët Imperial champagne, for €70,000. It also announced a three-year global partnership with AmFAR, where it will be the exclusive wine and spirits partner for all its events.
   L’Oréal Paris has released a series of behind-the-scenes images revealing the preparation for the Gala, featuring Soo-Joo Park, Barbara Palvin, and Karlie Kloss.
   Finally, our Celebrity Wire video, filed earlier today, briefly covers day nine’s Women in Film event, where Calvin Klein hosted Jake Gyllenhaal, Rachel Weisz, Sienna Miller and Emily Blunt.
















Courtesy L’Oréal Paris

May 22, 2015

Superb and deeply meaningful: the Royal New Zealand Ballet’s Salute: Remembering WW1 impresses

Jack Yan/12.27

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Ross Brown

Above Dancer Joseph Skelton in the core image used for Salute: Remembering WW1.

Three years in the planning, the Royal New Zealand Ballet’s Salute: Remembering WW1 commemorated the Great War in a memorable, respectful, and meaningful way, with a mixed programme that saw two world premières tonight.
   Gareth Farr’s specially commissioned score for Andrew Simmons’ Dear Horizon opened proceedings, with what could be described as a cinematic theme with a strong melodic base as the action unfolded on stage. Tracy Grant Lord’s backdrop, of barbed wire barriers used in World War I, loomed over dancers lying on the stage, as a lone ballerino walked among them. Lighting came on gradually, Jason Morphett’s design using shadows and darkness to build tension. This sombre start gave way to a beautiful, haunting and contemporary choreography, with an underlying bleakness, as Simmons highlighted the loss suffered in war. Costumes were grey, further emphasizing the sense of despair and focusing us on the dancers’ movements. The solo cello by Rolf Gjelsten gave a sense of minimalism that contrasted other elements of the brassy, powerful Farr score. While composed for the ballet, and only complete with the action, it’s not hard to imagine the work released on its own for lovers of ballet and cinematic scores.
   An all-male cast of twelve followed in Soldiers’ Mass. The genius behind Jiří Kylián’s choreography was how it conveyed emotion: a highly energetic and graceful ballet where the dancers move in a unified way, into battle constantly, pulling each other from the front and yet, still confronting, then falling to, the enemy. The score, by Bohuslav Martinů, set to the text by Jiří Mucha, was played back, and one scene sees the men lip-synching proudly to the Czech lyrics, yet with a sense of what they knew would follow. The ballet finishes as it started, with 12 backs to us, each dancer dropping his shirt in another representation of death as well as the annexation of the Sudentenland by Hitler in World War II. Shirtless ballerinos, incidentally, seemed to elicit greater applause from the audience as they took their bows. This restaging was by Roslyn Anderson, who had helmed the 1998 RNZB production of Soldiers’ Mass, with lighting design by Kees Tjebbes.
   After the interval, Johan Kobborg’s Salute injected comedic moments into a classical ballet, set to the score by nineteenth-century composer Hans Christian Lumbye. It saw the return of live music after the recording in Soldiers’ Mass, performed by the New Zealand Army Band. These skilful musicians adapted themselves easily to the lighter atmosphere, with Sgts Riwai Hina and David Fiu, and Pvts Joseph Thomas and Tom Baker rearranging Lumbye’s music to the Band. Natalia Stewart’s costumes (jackets with epaulettes for the men, red peplums and plenty of tulle for the women) shone on stage in a very cheerful ballet involving different sets of dancers, highlighting different aspects of love, from shyness and confusion to overconfidence and partnership; as well as the inevitable farewells as men went off to war.
   The battle vignette, with the General leading the charge, was equally enjoyable, interspersed with the long waits the women endured back home, before the conclusion as the soldiers returned home. Created for the University of North Carolina School of the Arts in 2010, Kobborg intended it to be a reflection of what happens when young people come together; the RNZB dancers showed their expressiveness in a ballet that injected a light-heartedness to the evening. Salute was staged by Florica Stanescu, with Morphett again behind the lighting design, with a brightness and cheer in contrast to his earlier work.
   While the RNZB often picks the cheery production number to end on, it chose Neil Ieremia’s Passchendaele, a world première, which gave this reviewer initial fears that the infamous battle would leave audiences on a down note. The fear was unfounded, because of the scale of Ieremia’s ballet, involving 19 dancers, and the superb execution in dance of this tragic battle, notable for being the day on which more New Zealanders had died or had been wounded than on any other day. Dwayne Bloomfield, formerly of the New Zealand Army Band, composed the score, which the band performed: the moments of martial music signalled the flawed advance by the New Zealand Division under Gen Haig. The dancers moved with great pace at times, in groups, on- and off-stage, representing the power of the soldiers and artillery, through impossible conditions. At other moments they recalled memories of home, contrasting with the loss that families suffered. Geoff Tune’s backdrops, in red and black, signified the blood on the battlefields, and his first one hinted at skulls, shifting gradually to other scenes of burned trees and desolation. The end of Passchendaele was chilling, after the soldiers each fell, their loved ones releasing them, as knocks were heard around the St James, representing the messenger bringing home to 845 New Zealand families the worst news they could receive.
   Ieremia was ingenious in how his choreography brought so much emotion and energy to the performance that the house was left in admiration. The message was indeed cautionary, telling us about the human tragedies of war, but the RNZB and the NZAB brought it to life with such conviction that Passchendaele received the greatest applause of the evening. It was a high note after all, but one that was more absorbing. Salute: Remembering WW1 is a superb programme, and a fresh way of appreciating the messages in the ongoing centenary commemorations of New Zealanders fighting ‘the war to end all wars.’—Jack Yan, Publisher

Salute has been supported by the Lottery Grants Board, New Zealand Defence Force, Qantas, the Göthe-Institut, the Ministry for Culture and Heritage, national sponsor Vodafone, and Pub Charity. Dates are May 22–4 in Wellington; May 28–30 in Christchurch; June 3 in Dunedin; June 10 in Hamilton; June 13 in Takapuna; June 17–20 in Auckland; and June 24–5 in Napier. The Royal Ballet will feature the UK première of Passchendaele in November. Further information can be found on the Royal New Zealand Ballet’s website at rnzb.org.nz.

Aishwarya Rai, Karlie Kloss, Paris Hilton, Kendall Jenner, Liu Wen among celebrities at AmFAR gala at Cannes

Lucire staff/2.04

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Ian Gavan


Dominique Charriau


Venturelli

Cannes’ AmFAR Gala is the big bash during the film festival, with celebrities this year flocking to the Cinema Against Aids event at the Hôtel du Cap-Eden-Roc at the Cap d’Antibes. Over the years, the event has raised US$140 million for AmFAR’s research programmes designed to consign Aids to history.
   Celebrities attending this year included Aishwarya Rai Bachchan (wearing a mauve Elie Saab gown; husband and co-event chair Abhishek Bachchan could not be present due to work commitments), Kendall Jenner (in Calvin Klein), Toni Garrn (in Elie Saab), Irina Shayk (in Atelier Versace), Doutzen Kroes, Paris Hilton (in Yanina, with jewellery by Avakian), Selita Ebanks, Eli Mizrahi, Chanel Iman, Petra NÄ›mcová, Jourdan Dunn, Karlie Kloss (in a silver Tom Ford), Eva Longoria (in Georges Hobeika), Soo-Joo Park, Barbara Palvin, Isabeli Fontana, Antonio Banderas, Li Yuchun, Natasha Poly, Sienna Miller, Marion Cotillard, Adriana Lima, Liu Wen, Rita Ora (in Marchesa), Lily Donaldson, Dita von Teese, Lara Stone, Gigi Hadid (in Tom Ford), Noomi Rapace, Diane Kruger, Sara Sampaio, Bella Hadid, and Tom Ford. Donning jewellery by de Grisogono were Kloss, Sampaio, Joan Smalls, and Izabel Goulart. Sharon Stone commemorated 20 years of supporting AmFAR at the event.
   This year’s Black and White Collection fashion show was curated by Carine Roitfeld, with music by Mark Ronson. Imagine Dragons, Mary J. Blige and Charli XCX (wearing Vivienne Westwood) performed live at the event.
   Sponsors included Bold Films, Harry Winston (who created an Epic Cluster necklace for the auction, with proceeds going to HIV–Aids research), the Weinstein Company, and Moët Hennessy.
   L’Oréal Paris treated the evening as the perfect opportunity to showcase its support of the entire Festival de Cannes, with 10 of its spokeswomen attending—promoting its Superstar line of mascaras and eye-liners and Infaillible lipsticks and foundations that have proven to be staples for celebrities this year.
















Gareth Cattermole






























Ian Gavan; Pascal Le Segretain/AmFAR15; George Pimentel/AmFAR15; Venturelli; courtesy AmFAR

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