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August 19, 2016

Miss Universe New Zealand beauty secrets: how to look like a contestant

Bhavana Bhim/2.24




Alan Raga/www.alanraga.com

Above: Semifinalist Mia Hofsteede and finalists Seresa Lapaz and Elizabeth Lorimer with some of the products Miss Universe New Zealand contestants received.

Have you ever wanted to embody the flair and confidence of a Miss Universe contestant? Well now you can as we have access to some of the beauty products given to the 2016 New Zealand semi-finalists. The finalists, meanwhile, enjoyed the products while on retreat and they’ll be using them as they near the Grand Final on September 3 at Auckland’s Skycity Theatre. All the stress and drama of pageants need not be fretted over when you are gifted with a range of products to rejuvenate the body and the soul.
   Of course all the smiling and speaking will eventually dry out your mouth, so it makes sense to use the Living Nature Lip Hydrator. It is an advanced lip balm in a stick to make it practical and easy to apply to the lips. The Lip Hydrator contains the active ingredient of manuka honey, along with an infusion of  butters and oils to deeply hydrate and condition the lips while mica gives lips a healthy sheen, along with natural sun protection. If you want universal nourishment then give the lip hydrator a go.
   Do you desire the luscious locks of the contestants? Then why not try the Juuce Reviva Cream, in Argan Shimmer and Knot Knotty. These products are bound to nourish the scalp and give your hair some flair.
   The skin of a contestant needs to be primed and ready for the cameras, so it makes sense for them to use the Body Shop’s Pink Grapefruit Body Lotion (60 ml). It is light and easily absorbed into the skin, with a zesty citrus scent to revitalize the senses.
   They also received products from the Samala Cosmetics line, from one of New Zealand’s most respected make-up artists and educators, Samala Robinson, bottles of 1Above—the Flight Drink, which helped finalists stay refreshed on their return flight to the Philippines for their retreat, and coconut water from UFC Refresh, a natural drink that helps keep skin looking good from the inside.
   They relax and unwind with Lipidol oils, designed to purify the skin with natural herbs. After a hard day’s work, it makes sense for the girls to use Lipidol products.
   There you have it, the secret to looking good. When in doubt give these products a go to give yourself a glamour boost.—Bhavana Bhim






Alan Raga/www.alanraga.com


Casey Pattinson

Above: Semifinalist Mia Hofsteede and Casey Pattinson, and finalists Tania Dawson, Seresa Lapaz, Elizabeth Lorimer with some of the products Miss Universe New Zealand contestants received.

August 18, 2016

Stoneleigh’s right on trend with its Lighter wines, with 25 per cent less alcohol

Lucire staff/1.11

Can you have a wine lighter in alcohol yet still with the sumptuous flavours that the original is known for? Stoneleigh has cracked it with its Stoneleigh Lighter range, with grapes from the Rapuara vineyards, yet it has content that’s 25 per cent lower in alcohol compared with the original Stoneleigh range.
   The secret is in the sunstones at the vineyards, coupled with the sunlight and low rainfall—these allow grapes to develop their full flavour while their sugar content is lower. The wines retain the lifted aromatics and vibrant flavours that Stoneleigh is known for.
   â€˜To create these new wines, we looked at how we could best capture the characteristics of early ripening grapes in the Rapaura subregion. We identified grapes with the fullest flavour profile and harvested them early in the season to capture each varietal’s signature characteristics in the final wine,’ said Jamie Marfell, Stoneleigh’s winemaker (below).
   The Stoneleigh Lighter Marlborough Sauvignon Blanc 2016 has an ABV of 9·6 per cent, with pink grapefruit and capsicum notes with hints of passionfruit on the nose, and a palate of fresh citrus, stonefruit and passionfruit. Stoneleigh Lighter Marlborough Pinot Gris 2016 has an ABV of 9·8 per cent, with aromas of apple and nashi pear, complemented by tropical guava and pineapple notes. Finally, Stoneleigh Lighter Marlborough RosĂ© 2016 has an ABV of 9·9 per cent, with notes of wild strawberry, yellow flesh plum and summer berries.
   The range is available now in New Zealand through leading liquor retailers with an RRP of NZ$17·29.

August 11, 2016

A renewed energy for the Royal New Zealand Ballet’s Giselle

Jack Yan/14.51


Stephen A’Court

Every opportunity to see the Royal New Zealand Ballet’s Giselle is a renewed pleasure. First performed in 2012, and garnering a great review from this publication for its outstanding choreography and production. Conceived in Wellington four years ago by then RNZB artistic director Ethan Stiefel, with Johan Kobborg, Giselle has become one of the company’s signature ballets, performed in China, the US, the UK, and Italy.
   What was astonishing was being able to enjoy Giselle as though we had never seen the 2012 premiĂšre: there was a freshness about the latest performance, despite our being familiar with the story. On opening night, Qi Huan, who had retired from the RNZB to teach at the New Zealand School of Dance, returned to take up the role of Albrecht, which we saw him perform in 2012. The years since his 2014 departure haven’t diminished his skills one iota: the ballerino still has a star quality that places him a cut above so many, and his entrechats in the second act showed the power and grace that we have come to expect from someone who has mastered his craft. Also performing Albrecht on other occasions is Daniel Gaudiello, former principal dancer of the Australian Ballet, who is similarly acclaimed.
   Lucy Green took the title role on opening night and it was her youthfulness that gave Giselle a fresh take; the drama of Giselle descending into madness in the first act was so well done that one couldn’t help but sympathize with her character’s pain. Her pas de deux with Huan were exquisite and romantic.
   Also of note was the extensive pointe work by the Wilis in the second act, which demonstrated that the RNZB remains on top of its game.
   Jacob Chown’s Hilarion and Mayu Tanigaito’s Myrtha deserve mention in supporting roles: the dancing by both performers was integral to the story and Chown’s battle with the Wilis was emotionally done; Tanigaito kept the pace of the less plot-driven second act going with intricate skill till we saw what had happened to Giselle and Albrecht. Tanigaito also plays Giselle in performances where Gaudiello is Albrecht, and it’s not hard to see her take on the role with aplomb.
   Stiefel returned to Wellington to fine-tune the production, working with his successor, Francesco Ventriglia, who was responsible for the casting of Huan and Gaudiello.
   Marc Taddei conducted Orchestra Wellington, also giving the performance a new energy, performing the full-length score by Adolphe Adam. He will also conduct the Christchurch Symphony Orchestra, the Dunedin Symphony Orchestra and Auckland Philharmonia Orchestra when Giselle reaches those cities.
   Giselle opened in Wellington on August 11, before touring to Napier, Christchurch, Dunedin, Auckland, Rotorua, and Palmerston North, where the season concludes on September 9. Full details are at the Royal New Zealand Ballet’s website, rnzb.org.nz.—Jack Yan, Publisher

July 19, 2016

Beauty potion no. 43

Lucire staff/21.40




Elizabeth Zuluaga

Above: Founder Nicci Levy and VIP guests check out the services at Alchemy 43.

A dash of Botox. A sprinkle of Juvederm. A pinch of Restalyne. No, it’s not a recipe from a sorcerer’s manual. It’s a “beauty compound” that is only part of the magic at Alchemy 43 in Beverly Hills, a revolutionary new beauty lab that merges the concepts of luxury and medical sophistication. Members of the press got an up close and personal look at the future of non-invasive cosmetic medicine at their July 12 media event. Guests sipped blueberry cocktails and nibbled colourful macarons while experiencing the Alchemy 43 recipe for a lifetime of gorgeousness.
   If you think med-spas are all about attitude, think again. The only attitude here is genuine joy: endless smiles and a warm welcome greet you upon entry. The sleek storefront space boasts a well-appointed waiting area with sunny atrium, chic treatment rooms, and a VIP loft for private events. But that is just the beginning. No, this is not a “sign your name at a busy front desk and wait” med-spa. After enjoying a chilled beverage, you will have your photo taken for 3-D imaging. A licensed staff “alchemist” will then discuss your needs and goals, using the enlarged image to show precisely how each treatment will look when finished. This allows you to view countless possibilities and combinations, and to quell the anxiety that often accompanies cosmetic procedures. These skilled practitioners have mastered the art of natural enhancement. No duck lips or frozen, expressionless faces here. The desired result is a subtly enhanced, rested visage.
   Post-treatment, everyone receives a refreshing oxygen infusion for faster healing. Or you can choose from the menu of reasonably priced beauty boosters including serums, peels, and microcurrent therapy. The final stop is the make-up studio featuring Kevyn Aucoin products, where an artist will give you an expert touch-up before you head back to work, home, or a night out. No one will know where you were, only that you look amazing. It`s all included, and their introductory packages make it downright affordable. For even more benefits and savings, “wrinkle relaxing” memberships are available to keep those fine lines far, far away.—Jody Miller and Leyla Messian




















Elizabeth Zuluaga

June 24, 2016

Jameson’s Caskmates launch in New Zealand, blending whiskey and stout; Stadler Form launches art-dĂ©co fan

Lola Cristall/23.23


Jameson Caskmates has launched in New Zealand, after its successful run in Ireland last year. Jameson loaned some of its Midleton Distillery casks to the Franciscan Well brewery in Cork to see what would happen to the brewery’s Irish stout, after a plan was hatched by Jameson Master Distiller, Brian Nation, Master of Whiskey Science, Dave Quinn, and Franciscan Well founder and head brewer, Shane Long when they met in Cork. The casks were then returned to the Distillery and filled with Jameson Irish Whiskey.
   The result was a Jameson Caskmates: a triple-distilled, ‘once stouted’ whiskey with a distinctive taste that features notes of coffee, cocoa, butterscotch and gentle hints of hops.
   Jameson expects that those who enjoy craft beer and whiskey will take to the blending of two disciplines, with a particularly versatile drink. Jameson Caskmates is bottled at 40 per cent ABV and goes on sale in New Zealand from July 2016, with an RRP of NZ$55·99.
   Stadler Form’s art-dĂ©co Q Fan is a stunning work of art that looks gorgeous in any part of the home. While it’s a considerably quiet fan, the strength of the three blades projects plenty of cool air. Whether the simplicity of silver or the boldness of bronze, each colour flawlessly complements its surroundings. Weighing as light as 4 kg (slightly less than 9 lb) the fan comes in three distinct speed levels, adapting according to the environment. Despite the intensity of the hot temperature, it rapidly releases cool air in a minimal amount of time. Designed by famous designer Carlo Borer, the fan is in the form of the letter Q, its stainless steel shaped into an absolute work of art.
   The brand was founded by Martin Stadler in 1998 in Zug, Switzerland. Stadler Form collaborates with renowned Swiss-based designers including Kurt Zimmerli, Fabian Zimmerli and Mathias Walker. Stadler Form has become an internationally distinguished brand, distributing its array of inventive products to more than 40 countries, including humidifiers, fans, air purifiers, heaters, dehumidifiers and aroma diffusers.—Lola Cristall, Paris Editor, and Lucire staff




June 22, 2016

Aston Martin reveals Vanquish Zagato, with production limited to 99

Lucire staff/22.25



As expected, the Aston Martin Vanquish Zagato concept that was shown at the Concorso d’Eleganza Villa d’Este at Lake Como has become a production reality, with the company saying that it will produce 99 examples at Gaydon, Warwickshire, with deliveries commencing during the first quarter of 2017.
   Aston Martin says the car is an example of its collaboration with Zagato, though its press information does not say whether the model, based on its Vanquish flagship, was styled by the Italian coachbuilder or done in-house, as it had been for the V12 Vantage Zagato in 2011.
   The company notes that the new car has ‘Aston Martin’s acclaimed dynamic and material qualities with Zagato’s signature design language.’
   At the launch of the concept last month, Zagato CEO Andrea Zagato noted, ‘We pride ourselves on our strong partnership and the creation of the Vanquish Zagato Concept was a true shared experience. It represents the essence of an important design relationship that dates back over fifty years,’ but there was no elaboration on where the design took place.
   The first collaboration began with the Aston Martin DB4 GT Zagato of 1960, and it was revived under Victor Gauntlett’s leadership of the company in the 1980s with the V8 Vantage Zagato. Neither car was considered attractive on launch, though both were perceived to be future classics—which they became. The DB4 GT Zagato is now valued at over ÂŁ10 million and has few critics today.
   Subsequent collaborations were the 2002 DB7 Vantage Zagato, which used a lightly modified version of the donor car’s front end so it did not have to be retested for safety; and the 2011 V12 Vantage Zagato.
   The Vanquish Zagato has an engine uprated to 600 PS, with a claimed 0–60 mph time of 3·5 s. The company says the suspension set-up will be unique to the model. It features a unique carbonfibre body that has new round rear taillights, LED technology shared with the Aston martin Vulcan supercar, a sculpted rear end that has a profile similar to that of the DB11, with a downward contour and pronounced spoiler splitting the taillights. There is a pronounced side strake, reinterpreted so it now runs more deeply down the height of the front wing aft of the wheels, and, as expected, there is the famed Zagato double-bubble roof. The Vanquish Zagato is a liftback.
   Inside, the Vanquish Zagato uses herringbone carbonfibre, and shadow and anodized bronze leather, with the option of aniline leather. The seats and doors have a Z-pattern stitch, and the Zagato Z is embossed on headrests and stitched into the centre console.















Filed under: design, history, living, London, Lucire
June 16, 2016

From supermodels to film: celebrating the work of Peter Lindbergh at Kunsthal Rotterdam

Lucire staff/13.41




Top: An image that kicked off the 1990s, with supermodels Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford in New York, appearing on the cover of British Vogue in January 1990. Copyright ©1990 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Centre: Wild at Heart, with Cindy Crawford, Tatjana Patitz, Helena Christensen, Linda Evangelista, Claudia Schiffer, Naomi Campbell, Karen Mulder and Stephanie Seymour, Brooklyn, 1991, appearing in Vogue. Copyright ©1991 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery). Above: Kate Moss, Paris, 2015, wearing Giorgio Armani, spring–summer 2015. Copyright ©2015 by Peter Lindbergh (courtesy of Peter Lindbergh, Paris/Gagosian Gallery).

An exhibition on Polish-born, French-based photographer Peter Lindbergh, entitled Peter Lindbergh: a Different Vision on Fashion Photography, opens at the Kunsthal Rotterdam on September 10 at 5.30 p.m., running through February 12, 2017. It marks the first Dutch exhibition of Lindbergh’s work.
   Some of the most iconic fashion images of the past generation have been shot by Lindbergh, whose work is regularly seen in various editions of Vogue, and in The New Yorker, Rolling Stone, Vanity Fair, Harper’s Bazaar, The Wall Street Journal Magazine, Visionaire, Interview and W. Exhibitions of his work have been held around the world beginning with the V&A in 1985. Lindbergh’s black-and-white 1990 Vogue photograph of Naomi Campbell, Linda Evangelista, Tatjana Patitz, Christy Turlington and Cindy Crawford was one that helped cement the reputation of the supermodels, if not arguably kicking off the era itself. Lindbergh’s work gave a sense of reality about his subjects, with his humanist, documentary approach.
   Said Lindbergh in an Art Forum interview earlier this year, ‘A fashion photographer should contribute to defining the image of the contemporary woman or man in their time, to reflect a certain social or human reality. How surrealistic is today’s commercial agenda to retouch all signs of life and of experience, to retouch the very personal truth of the face itself?’
   The exhibition features over 220 photographs and includes exclusive and previously unseen material, including personal notes, Polaroids, storyboards, films and prints. It is divided into nine different sections, representing the different themes in Lindbergh’s creative development: Supermodels, Couturiers, Zeitgeist, Dance, the Darkroom, the Unknown, Silver Screen, Icons, and an exclusive Rotterdam Gallery. This final section contains Lindbergh’s work for the October 2015 issue of Vogue Nederland, with Lara Stone and Elise Hupkes at the Port of Rotterdam.
   Lindbergh’s critically acclaimed Models: the Film (1991) will be screened, along with interviews with Grace Coddington, Nicole Kidman, Mads Mikkelsen, Cindy Crawford and Nadja Auermann.
   Guest curator Thierry-Maxime Loriot points out that the exhibition is not chronological, but a narrative about the photographer.
   The Kunsthal Rotterdam noted, ‘Peter Lindbergh introduced a new realism into photography. His timeless images redefine the norms of beauty. Lindbergh’s visual idiom is influenced by the language of film and by playing with the type of the strong, self-willed woman, from the femme fatale to the heroine, but also the female dancer and the actress. His Ɠuvre is characterized by portraits that radiate a certain lack of inhibition and physical grace.’
   The exhibition is accompanied by a hardcover monograph, Peter Lindbergh: a Different Vision on Fashion Photography, retailing for €59,99 (link at Amazon.de), US$69·99 (link at Amazon.com) or ÂŁ44·99 (link at Amazon UK), curated by Loriot, designed by Paprika of MontrĂ©al, and published by Taschen. The introduction has been authored by Kunsthal director Emily Ansenk, while the book features an essay on Lindbergh’s work by Loriot with commentaries from, inter alia, Jean Paul Gaultier, Nicole Kidman, Grace Coddington, Cindy Crawford and Anna Wintour.

June 15, 2016

Bugatti, Luisa Via Roma celebrate partnership: Cecilia Capriotti, Grace Chatto, Leonida Ferrarese among VIPs

Lucire staff/12.59




Stefania d’Alessandro

Luisa Via Roma, styled LuisaViaRoma, is a familiar sight to the fashion scene: it’s one of the biggest international concept stores in Firenze and its history goes back to 1930.
   With Bugatti having extended its brand into lifestyle, using founder Ettore Bugatti’s name for its collection, Luisa Via Roma is an ideal partner for the company. The two announced their collaboration at the Bridge of Love installation on the Arno during Pitti Uomo 90 on Tuesday. The Ettore Bugatti Lifestyle Collection will be available from the Luisa Via Roma physical store in Firenze and its website. A classic Bugatti Type 51 racing car from the 1930s was there at the launch.
   Luisa Via Roma will be the first place in Italy which will retail the clothing and accessories’ ranges from the collection, beginning with the autumn–winter 2016–17 collection.
   The launch of the collaboration, entitled Underwater Love, saw VIPs including Bugatti brand manager Massimiliano Ferrari, Paolo Lao, Petite Meller, Grace Chatto of Clean Bandit, Diego Rizzi, Bugatti marketing and communications’ Elke Palmaers, Bugatti creative director Daniele Andretta, Mauro Bucco, Marlen Lissek, Marco Cartasegna, Filippo Cirulli, Federico Oggioni and Luisa Panconesi, Marco Tolentino, Leonida Ferrarese, and Cecilia Capriotti.





















Stefania d’Alessandro

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