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April 28, 2016

Wataru Tominaga, Vendula Knopova win top prizes at 31st Hyères fashion and photography festival

Lucire staff/14.21



Villa Noailles

Above: Winners of the two grand jury prizes at Hyères: Vendula Knopova for photography and Wataru Tominga for fashion.

The 31e Festival International de Mode et de Photographie à Hyères was held from April 21 to 25 at the Villa Noailles, with exhibitions running from April 28 through to May 22.
   The Festival was chaired by Paco Rabanne artistic director Julien Dossena for fashion, and American–French photographer William Klein for photography.
   Founder Jean-Pierre Blanc says, ‘Here we launch a competition, people take part. It’s demanding, it costs money, it takes a lot of energy and people want to come. They want to come more and more. That is what makes it such high quality, as first and foremost we take gifted, interested and interesting people.
   ‘It’s pretty impressive to see these young people evolving in such a tough world. We think we’ve grown up in a tough world, but for them it’s even harder, and despite it they are energetic, they are happy, they adore colour. I just love this genration.
   ‘Fashion has to be connected with life, and I hope the Hyères festival is. People say it is anyway, and honestly that is the most rewarding thing for me to hear, and the biggest compliment you could give me.’
   One of the contestants in the photography section, Anaïs Boileau, says they could spend as much time with the jurors, including Klein, as they liked, even up to an hour.
   Dossena says, ‘It’s great to be able to actually select and rank candidates that I believe in for different reasons.’
   The Grand Jury Prize was awarded this year to Wataru Tominaga for the fashion section, for his colourful menswear collection.
   Tominaga says he has been interested in colour in fashion from the 1960s and 1970s. ‘Young people did not care whether it’s women’s or men’s, they make [their own] styles.’
   Vendula Knopova won the photography prize.

Morgan Freeman honoured at 43rd Annual Chaplin Award Gala by Film Society of Lincoln Center

Lucire staff/1.44


Getty Images


Jim Spellman

Morgan Freeman was honoured on Monday night by the Film Society of Lincoln Center, at its 43rd Annual Chaplin Award Gala, sponsored by Jaeger-LeCoultre.
   The Academy Award-winning actor follows other luminaries including Charlie Chaplin, for whom the award is named, and who was the first recipient in 1972, Alfred Hitchcock, Billy Wilder, Laurence Olivier, Federico Fellini, Elizabeth Taylor, Bette Davis, James Stewart, Robert Altman, Martin Scorsese, Diane Keaton, Meryl Streep, Tom Hanks, Sidney Poitier, Barbra Streisand, and Robert Redford.
   Chaplin’s granddaughter, actress Kiera Chaplin, was present, representing her family. Daniel Riedo, Jaeger LeCoultre’s CEO, and Laurent Vinay, its communications’ director, represented their company. Other actors present included Robert de Niro and Helen Mirren.
   Freeman told Reuters, ‘I’m from a small town in a small state and when you start thinking about where you came from and looking back the first thing that comes to mind is the word luck.’
   In an earlier statement, Ann Tenenbaum, chair of the Film Society of Lincoln Center’s board, said of Freeman, ‘He is one of the most gifted actors of our time and his body of work has changed the film landscape. He is universally loved as an actor and as a humanitarian, and we are thrilled to add the Chaplin to the long list of distinguished awards he has already received.’
   ‘Morgan Freeman is one of most highly regarded and beloved actors of his generation and we are excited to honour all of his achievements with the Chaplin Award, our biggest fundraiser of the year, which recognizes those whose mastery of their craft has made an impact on the art of film,’ said the Film Society of Lincoln Center’s executive director Lesli Klainberg. ‘Whether in a leading or supporting role, he brings a quiet gravitas to each of his memorable performances in such films as Lean on Me and Driving Miss Daisy to Street Smart, The Shawshank Redemption, Seven, Million Dollar Baby, and Invictus.’
   Freeman began his acting career in off-Broadway stage productions of The Niggerlovers and an all African-American production of Hello Dolly. Early TV appearances in The Electric Company followed, before he moved into film. He also has an extensive filmography in narration (The Long Way Home and March of the Penguins among it). In 2005, he won the Best Supporting Actor Oscar for Million Dollar Baby, and received nominations for Street Smart, The Shawshank Redemption, and Invictus. He won a Golden Globe for Best Actor for Driving Miss Daisy in 1990. He received the Cecil B. de Mille Award at the 2011 Golden Globes and the 39th AFI Lifetime Achievement Award.
   Freeman is executive producer of Madam Secretary and host and executive producer of Through the Wormhole with Morgan Freeman. He will soon be seen in The Story of God with Morgan Freeman on the National Geographic Channel.
   Upcoming films include London Has Fallen, Going in Style, Now You See Me 2 and Ben-Hur.
   Freeman co-founded the Frank Silvera Writers’ Workshop, which serves successful playwrights, is a member of the board of directors of Earth Biofuels, and a supporter of Artists for a New South Africa and the Campaign for Female Education.


Jim Spellman

April 26, 2016

The big reveal for HTC’s 10 smartphone in New York

Lola Cristall/10.59


New York rolled out the red carpet for the big reveal of HTC’s newly and much awaited 2016 flagship smartphone earlier in April. Weeks before, the industry were enthusiastically anticipating the state-of-the-art HTC 10. Its sleek look, elegant structure and slightly oblique curves radiate with sophistication.
   The aluminium unibody Android stores up to 27 hours of power, thanks to the company’s PowerBotics component that enhances battery life. The up-to-date Qualcomm Snapdragon processor accelerates speed and connectivity with impressive graphics. Other innovations include their BoomSound Hi-Fi edition for stunning sound quality. Additional features include a rough textured power button, a concealed SIM card slot and volume control. A dual-tone LED flash, a laser autofocus, a back-illuminated sensor (BSI), front and back UltraPixel cameras with optical image stabilization (OIS) for pictures and selfies, permitting the photographer to evade the unwanted blur. The 12 Mpixel camera can capture moments in a flash (literally) in a speed of 0·6 seconds. Other features also include face detection and a self-timer. The scratch and damage-resistant glass covers a high-resolution 5·2-inch screen with 2,560 by 1,440 pixels, a whopping pixel density of 564 ppi. The metal body and rigorous glass front beautifully complement each other to provide a robust handset that can withstand scratches and scrapes.
   It is a delicate, elegant gadget with a fingerprint sensor, which can speedily detect the user unlocking the device in 0·2 seconds, and an easy-to-navigate touch-screen, all in the comfort of one’s hand. HTC 10 will officially be released in May and will be available in two shades, including grey and silver.—Lola Cristall, Paris editor


Panos Emporio revolutionizes men’s swimwear with Meander, launched in Stockholm today

Lucire staff/8.00



The swimwear designer Panos Papadopoulos, whose Panos Emporio label celebrates its 30th anniversary this year, is breaking new ground once again, this time in relation to men’s swimwear.
   Panos Emporio, which is known in many countries for giving women the perfect fit, addresses the needs of the modern man, with a new design, Meander.
   The launch today at NK in Stockholm is one which Panos Emporio has put a great deal of energy into: the new design is set to do for men’s swimwear what Panos’s earlier design, the highly adaptable Paillot, did for women’s swimwear in its markets.
   However, Meander is set to reach more than Panos Emporio’s traditional markets in the Nordic countries and Thailand, and there has already been interest from beyond these nations.
   Again it was Panos’s own sociological background—it is the area he formally trained in—that kicked in, allowing him to observe something other designers missed. He also credits his Greek background—he was born in Greece before emigrating to Sweden in the 1980s—and notes that the ancient Greeks had records of early swimwear.
   He observed a few trends: the long trunks in men’s swimwear as surf fashion began influencing the genre in the 1990s, yet such styles restricted men’s movement in sports and swimming. Anatomically, Panos notes that men found current swimming trunks to be uncomfortable. There was an unhygienic trend also emerging, with some men preferring to swim with their underwear on, while there were more beaches banning the practice of men swimming in their underwear in lieu of proper swimming shorts.
   Finally, and perhaps most critically, men were rolling up the legs of their swimming trunks, for either movement, practicality, fashion or more complete tanning—he saw not only everyday men do this, but Giorgio Armani, and footballers Ronaldo, Lionel Messi, and Zlatan Ibrahimović.
   Meander addresses all these needs with a number of features. For starters, wearers can roll up the legs on the Meander design, and fasten them. Inside, there’s a mesh lined inner brief that’s extra soft and comfortable, so there are no more anatomic issues. Finally, the fabric is quick-dry.
   Panos has improved the design to make it more stylish, and the resulting first style for Meander recalls his Greek heritage.
   ‘Meander is a revolution, giving freedom for men to decide for themselves how their swimming shorts should fit them. They’re suitable for showing off well trained thighs, and those who want to avoid zebra stripes [when they tan]. Who wants to walk around with different shades on their thighs?’ he notes.



April 23, 2016

Prince cremated in private ceremony

Lucire staff/18.45


Above: The artwork for Prince’s 1987 album, Sign ‘O’ the Times.

The late music idol Prince has been cremated in accordance with his Jehovah’s Witness faith. The private ceremony took place on Friday afternoon, said his publicist, Anna Meacham.
   She said, ‘A few hours ago, Prince was celebrated by a small group of his most beloved: family, friends and his musicians, in a private, beautiful ceremony to say a loving goodbye.’ Sheila E and Larry Graham were among those attending the service.
   Tributes continue coming in the wake of the death of Prince, who was found dead in a lift at his Paisley Park estate near Minneapolis on Thursday, aged 57.
   Filmmaker Spike Lee hosted a block party in Prince’s honour.
   Police say they have no reason to suspect foul play in Prince’s death. No cause of death has been released, though he had been suffering from ’flu in recent weeks.
   Born Prince Rogers Nelson, he was particularly talented, playing nearly all the instruments on his first five albums, and produced since he first signed with Warner Bros. Born into a musical family in Mineapolis, he started playing the piano at age seven. His very prolific professional output began in 1978, with his first album, For You. Upping the eroticism in his work, Prince’s work became more widely known in the 1980s, with more hits from each of his albums, and his 1999 (1982) went platinum, featuring the song ‘Little Red Corvette’ and ‘Delirious’, as well as the title track.
   His 1984 film, Purple Rain, was a hit, spawning a very successful soundtrack album, on which further hits came: ‘When Doves Cry’, ‘Let’s Go Crazy’, ‘I Would Die 4 U’, ‘Take Me with U’, and the title track.
   Further hits included ‘Sign “O” the Times’ in 1987, and ‘U Got the Look’ with Sheena Easton the same year. His soundtrack album for the 1989 film Batman was another high-profile success.
   In the 1990s, Prince changed his name to an unpronounceable symbol, and on radio was usually announced as ‘The Artist formerly known as Prince’, or even ‘The Artist’. He eventually returned to using the name Prince in 2000, and converted to the Jehovah’s Witness faith in 2001.
   In all, Prince sold 100 million albums, won seven Grammy Awards, a Golden Globe, and an Oscar, and was inducted into the Rock and Roll Hall of Fame in 2004.


Euronews


Celebritywire

April 21, 2016

Renault releases first details of Koleos II, its most upscale SUV yet

Jack Yan/13.11

We had anticipated this announcement since Salvatore Marti, operations’ manager of Renault New Zealand, told us to wait till April 21 to see photographs of the Koleos II, the company’s latest SUV.
   He never said Renault Maxthon, which was the name bandied about by the media for part of 2016. There’s a logic to having another name with a hard k sound at the start, tying in to Captur and Kadjar, Renault’s other own-brand SUVs.
   We had been concerned that the new Koleos wouldn’t match the Kadjar in looks, since the current model was conceived by Samsung of Korea, one of Renault’s subsidiaries, and never had the flair of some of its rivals.
   Marti assured us that we shouldn’t worry, and he was right: Koleos, which has the same 2,705 mm wheelbase as the Nissan X-Trail, is arguably better looking than the Kadjar. It’s also slightly bigger, in the same way the X-Trail is bigger than its sister car, the Nissan Qashqai, by the same amount. Both sets of Renault’s and Nissan’s SUVs are on Renault’s CMF–C/D platform.
   However, the Koleos will only be a five-seater, with Renault design boss Laurens van den Acker saying that the company was already catering to the seven-seat market with its Scénic IV and Espace V.
   The grille is similar to that of the international (as opposed to the Chinese-market) Renault Talisman, which had been fêted as the Most Beautiful Car of the Year by the Festival Automobile International in Paris. It also ties in to the look of the Renault Mégane IV. It appears that Renault is looking to target more upscale buyers with the Koleos.
   The Koleos II is one of the débutantes at the Beijing Motor Show next week, with CEO Carlos Ghosn officially unveiling it on the 25th. It will be built in Wuhan for the Chinese market, but no announcement has been made on where other countries’ Koleoses will be sourced from. Chinese buyers will get 2·0- and 2·5-litre petrol models, with a choice of front- or all-wheel drive.
   The Koleos II will be sold in New Zealand, but the Kadjar will not, said Marti.—Jack Yan, Publisher

Beyoncé partners with three charities as part of the Formation World Tour

Lucire staff/2.41

As part of her Formation World Tour, Beyoncé has announced three charitable organizations that will partner with her own initiative, BeyGood.
   The singer wants to encourage fans to give to the three organizations, and demonstrates how easy it is to “pay it forward”.
   She proposes using one of three ways: online through CrowdRise, in partnership with United Way, to support the Flint, Michigan water crisis (where fans can qualify for winning VIP tickets to her tour); through their communities with United Way, with issues specific to each tour market; or on-site, after signing up with Global Citizen and Chime for Change, with opportunities to win tickets and upgrades on the tour.
   United Way will be present at very stop beginning with the North American leg. The first venue is Marlins Park, Miami, Fla. on April 27. Gucci’s Chime for Change, which Beyoncé co-founded, and Global Citizen will have their programme in select tour locations, including Houston, Los Angeles, New York, Detroit and London. There are charity events in Houston, Compton (Calif.), and Detroit.
   Fans in Houston can give and support Rudy Rasmus and his Bread of Life initiative, combatting hunger in the city, and TurnAround Houston, to help create jobs. In Compton, the event will help Urban Education Institute, which works with youth through music and the arts. In Detroit, the event will celebrate the resourcefulness of the people of Flint and Detroit.
   Since the announcement of BeyGood, the initiative has claimed to have helped millions of people with employment, shelter and more. Tour dates are available at beyonce.com.

April 20, 2016

Get in NOW for Footnote: four entertaining dances, representing our times

Jack Yan/14.06


Courtesy Footnote

Footnote New Zealand Dance’s NOW 2016 (New Original Work) programme, which hit Wellington tonight after performances in Auckland, presents four original works by New Zealand choreographers Julia Harvie, Sarah Knox, Lucy Marinkovich and Jessie McCall. It’s a particularly enjoyable programme, mixing meanings, humour and, in the case of Elephant Skin, a lot of balloons.
   Each performance begins with a voice recording that sets the stage for the dance that follows, although viewers are still invited to make their own interpretations.
   Centerfolds (sic) begins with a humorous look at gender stereotyping, with the company’s male and female dancers wearing masks with a bun and dresses, signalling that we often take these cues and make automatic assumptions about a strict male–female duality. Marinkovich looks at roles such as waitress, housewife, heroine, songstress, supermodel, and others, questioning our conditioning; and while not every role appears as costumed characters, they are represented through the varied music choices. Masks play a part throughout, along with multiple costume changes, ensuring that Centerfolds never drags for a moment.
   Your Own Personal Exister is one of our favourites, as it examines not only existentialism but its opposite, inauthenticity. McCall does this with the notion of how, at a children’s birthday party, we feel the centre of attention when we wear our paper “crown”, but what if that crown was never removed? It’s an allegory of the selfie era, the “look at me” validation some seek. Three of McCall’s dancers don crowns, but one doesn’t, although he is unaware of this till some way into the performance. Yet this need consumes him eventually, and he joins the inauthenticity of the others.
   One of the regular techniques here had dancers opening their mouths facing upwards while recorded voices played, which worked particularly well, and the voiceover was poignant at the conclusion of the performance (which we won’t spoil here). And what happens when that crown is removed, where does that leave us? Despite the smaller number of Footnote dancers involved, this was a particularly powerful work that was danced beautifully.
   Elephant Skin takes a humorous look with balloons landing on stage at random points, sound effects creating more laughs, and a particularly brave dancer blowing up a balloon till it popped. Harvie explained in a post-show forum that she wanted freshness and tension in the performance, because as humans, we are problem-solvers, and the dance, too, should solve the problem of the randomly placed balloons. There was, of course, an overall structure which the dancers worked around, and one scene where white balloons stood in for clouds as one performer floated across the stage, before the others began popping the cloud around her.
   Harvie also noted that she has a fascination with balloons and that they have a human element to them.
   Disarming Dissent is the most energetic of the four in terms of getting the dancers to generate forceful movements, and by this time one is marvelling at their stamina. Rowan Pearce’s music reached crescendos twice as the energy built up. Dance, exercise and martial arts combine here as Knox talks about the fight we have against the system, but then how we pacify ourselves, drawn back by either that very system or our own impulses.
   The Wellington première at Te Whaea had a unique forum at the end which featured the dancers, Harvie, general manager Richard Aindow as host, and artistic liaison Anita Hunziker.
   The Auckland performances have been (April 15–16), Wellington has one more night (21st, at Te Whaea), Dunedin is on April 28 at Mayfair Theatre, and those in Invercargill will see NOW 2016 on May 1 at Centrestage during the Southland Festival. For tickets and information, head to footnote.org.nz.—Jack Yan, Publisher

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