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July 17, 2014

A number of firsts for Lucire, with issue 33 on sale today

Jack Yan/10.00

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Lucire issue 33, on sale today, marks a number of firsts and is one of the best we’ve had.
   We’ve always been very fair on who makes the cover. Sopheak Seng, our fashion and beauty editor, and I choose from all the images we have, and these include ones that he has produced as creative director or stylist. And in the years we’ve worked together, he’s opted not to put his ones ahead of others’. We’ve both gone for what is best for Lucire. Some shoots that have appeared on the cover he has worked on in a supervisory role, but others have come from our brilliant network of creatives worldwide.
   Issue 33 sees his first cover that he has directed, and it’s one we’re both exceptionally proud of. Photographed by Dave Richards, and with the A-team of Michael Beel on hair and Hil Cook on make-up, assisted by Jaye Morgan, Natalie Henderson and Andy Alsop, and modelled by Chloé Graham, it’s the first time in 17 years that we’ve cropped the Lucire logo behind the model’s head.
   We realize this technique is commonplace and it’s probably a surprise to anyone reading the above that that hasn’t happened before. And we’ve had many great images—only the best get selected for the coveted spot. But for some reason, when it came to the crunch, we opted to keep the logo complete, as have always done on the website. This time, the image was so striking that we felt it was time to take the scalpel to the logo, thanks to head designer Tanya Sooksombatisatian.
   It is Dave’s first shoot with us, so to score a cover on your first go is very impressive, though it has happened a few other times—Courtney Dailey with Laura Vandervoort in issue 29, for instance.
   I have a feeling, too, that Chloé is the first Scot to be on our cover. While a New Zealander, she hails from Glasgow, and this is rather timely with the Commonwealth Games about to commence.
   I congratulate my good friend and colleague, Sopheak, and I think this is going to be one of those memorable Lucire covers that will be cited in years to come.
   There’s plenty more inside, and you can get a taste of the articles in our issue 33 preview.
   I’m very proud of one shoot by Jon Moe in there, with our California A-team of Jamie Dorman (now in New York, but who was our pointwoman on the shoot), Lei Phillips and Carina Tafalu, and starring two former Miss Universe New Zealands, Laural Barrett and Samantha Lochhead, each in their second appearances in Lucire. Jon lovingly shot this at Riviera 31 at the Sofitel Los Angeles, and I acknowledge our US west coast editor, Elyse Glickman, for her connections with Pivotal Public Relations in getting us the location.
   It’s not the only cover that we can talk about: some of you will have seen Dorit Thies’s and Olga Fonda’s announcement of their cover for Lucire Arabia. (The story is in issue 33, too, but it was strongly felt that Dorit’s shot was the best to début our title there. When you see the pages, you’ll also notice why this is an incredible shoot with the Vampire Diaries star.) We’ll have more on that officially soon, but, for now, you can get your issue 33 through the Lucire website, in print, for tablets (Ipad and Android), and as a downloadable PDF.—Jack Yan, Publisher

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July 13, 2014

Riley Keough’s de Grisogono shoot images from Cannes released

Lucire staff/14.25

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Emanuele Scorcelletti

Photographs of actress Riley Keough modelling for de Grisogono at the Grand Hyatt Hôtel Martinez, where she was based during the Festival de Cannes in May 2014, have been released.
   Using one of the suites, Keough modelled wearing various de Grisogono jewellery items, including the latest Allegra line (in Lucire issue 33), as well as designs from the Gocce and Gypsy collections.
   Paris-based Italian photographer Emanuele Scorcelletti, well known for his portraits and his work with luxury brands, photographed Keough.
   The Allegra collection is ‘Dedicated to a new generation of women, who dare to express their radiance, and explore different shapes and jewelled expressions of their individuality,’ says de Grisogono.
   Keough, who is the granddaughter of Elvis Presley and Priscilla Presley, began her modelling career in her teens, and first appeared on an international runway for Dolce & Gabbana.
   Her acting début was in The Runaways (2010), and she soon landed the female lead in The Good Doctor (2011) opposite Orlando Bloom. She has recently completed filming on Mad Max: Fury Road, alongside Charlize Theron, Tom Hardy, and Rosie Huntington-Whiteley.



Emanuele Scorcelletti

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July 10, 2014

Eva Green previews her Campari 2015 calendar appearance: video and photos

Lucire staff/14.13

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Francesco Pizzo

French actress Eva Green is the face of the 2015 Campari calendar, entitled Mythology Mixology. Campari is teasing the calendar with behind-the-scenes images and a video, featuring Green, announcing the project.
   This 16th edition has been photographed by Julia Fullerton-Batten, an acclaimed fine art photographer, and the first female who has shot a Campari calendar.
   The 12 months celebrate Campari’s history and its best loved classic cocktails. Each month tells the story behind the cocktail, with anecdotes and trivia.
   Campari believes that there has been a classic trend over the last decade, and an interest in history, which the calendar attempts to tap into.
   While some may dispute the presence of a classic trend, Campari has been on the pulse in recent years with its calendars. Notably, in 2008, Jessica Alba appeared in its 10th anniversary edition. Other calendar stars include Salma Hayek, Eva Mendes, Milla Jovovich, Penélope Cruz and Uma Thurman.
   Green, whose Penny Dreadful series is currently netting her headlines in the lead role of Vanessa Ives, came to prominence in Bertolucci’s The Dreamers (2002), and as Bond girl Vesper Lynd in Casino Royale (2006), for which she won a BAFTA. She has recently been seen in 300: Rise of an Empire and will soon be seen in Sin City: a Dame to Kill for.
   ‘To work with an iconic worldwide brand such as Campari is an honour and a privilege. There is something very special about this year’s theme as it strikes a compelling and almost magical balance between the classic and the contemporary. At the root of each image is this rich sense of history behind each of Campari’s best-loved cocktails but they are presented in a way that is ultra-modern, exuding imagination and style. It’s a thing of incredible beauty and clearly shows that whilst some of these recipes are over 100 years old, they are still relevant to and adored in today’s world,’ said Green in a release.
   Fullerton-Benton is known for her series, Teenage Stories (2005), which followed the transition of a teenage girl into womanhood. Campari says that the photos will carry her hallmarks of creative settings, unusual locations and cinematic lighting.
   ‘Campari has always had an inherent ability to recreate itself and keep the brand image fresh, inspiring and imaginative—a goal I constantly strive towards in my own work, too. This year’s theme was an interesting challenge, as there was an important job to do in terms of taking historical anecdotes and invigorating them with a modern edge. I’m confident we managed to strike that delicate balance with this year’s imagery,’ says Fullerton-Batten.
   Bob Kunze-Concewitz, CEO of Gruppo Campari says, ‘Though there has always been a sense of timelessness around our classic cocktails, we’ve been hearing reports from bartenders all over the world that there has been a surging popularity for classic recipes like the Negroni and the Americano. This year’s Campari Calendar is designed to celebrate those enduring recipes and the heritage behind them, so we’re very much looking forward to unveiling it later in the year.’








Francesco Pizzo

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June 16, 2014

The make-up behind Sports Illustrated Swimsuit model Gigi Hadid’s The Daily cover

Lucire staff/12.26

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Model Gigi Hadid, one of the rookies in this year’s Sports Illustrated Swimsuit Issue, appeared on the cover of The Daily for summer, photographed by Gilles Bensimon, with make-up by Misha Shahzada for BeautyFriend.
   The BeautyFriend app allows one to find on-location beauty services from industry professionals, including stylists and make-up artists, with criteria including location, availability, profile, portfolio and specialities. It is now available via its website or on the Apple App Store.
   Shahzada wanted to give Hadid a natural, sun-kissed look, and used Perfect Body Perfection Gel in matte tan, which avoided making her look too heavily tanned. Shahzada recommends that one exfoliates first before applying the gel.
   Secondly, using a bronzing brush, she dusted Maybelline Mineral Power Bronzerall on Hadid’s face, recommending that one starts lightly and builds up as required. She also recommends experimenting with other shades, as nude need not necessarily mean beige tones.
   Finally, Hadid was given a red lip with Maybelline Keep up the Flame and Color Sensational lip liner in red.

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June 6, 2014

Wellington’s entrepreneurial women: Lisa Tamati opens jewellery store; publishing house launches

Jack Yan/15.09

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Lisa Tamati, known in ultra-marathon circles, has a side to her that only a handful of fashionistas are aware of: she is a jeweller, trained in Wien, Austria, who has recently relocated from the Taranaki to Wellington, New Zealand.
   Tamati has opened a shop in Dukes’ Arcade on the corner of Willis and Manners Streets, where she retails her hand-crafted jewellery. She specializes in sterling silver, gold, gemstones, paua, jade and pearls. The designs show a finesse and delicacy, combining her Māori heritage and Pākehā education with the skills she acquired studying and working under Michael Eipeldauer in Wien.
   It is not her first endeavour into retail, having opened shops in Austria and in New Plymouth.
   Tamati is also selling her second book, Running to Extremes, at her store. Her first book, Running Hot, talked of her experience in ultra-marathons. She was the first Australasian woman to compete in the Badwater ultra-marathon in Death Valley, despite a crippling back injury sustained when she was 19. She had already faced an unassisted crossing of the Libyan desert as a personal challenge, and run 222 km across the Niger desert despite suffering from dysentery. In the follow-up, she goes further into the ultra-marathon world, including a second Badwater, the Gobi March, a Saharan race, and La Ultra, 222 km in the Himalayas.
   Despite these achievements, Tamati remains extremely humble and it was her guests at her store opening at the end of May, clamouring to get photographed with her, who were the focus of her attention.
   Tamati is not the only woman to launch a business in Wellington recently. Lawyer Clare Needham has embarked on an independent publishing venture, Giant Sparrow Press, releasing the company’s first title, ShameJoy, at an event earlier this week.
   Written by Julie Hill, ShameJoy—the English translation for Schadenfreude—has a unique New Zealand perspective as well as a dark sense of humour. Hill gave a reading of two short stories from the anthology on Tuesday, which delighted the audience at the launch, while the book itself is available online via Giant Sparrow Press’s website (www.giantsparrowpress.com/bookshop.html).—Jack Yan, Publisher

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May 14, 2014

At Cannes: Nicole Kidman in Francesco Scognamiglio; and our other highlights

Lucire staff/13.45

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The hijinks of the Festival de Cannes begin today and we’ve already caught actress Nicole Kidman in a Francesco Scognamiglio dress (above) on the Riviera. We’ll have more highlights later today as we begin filing our reports from the world’s most famous film festival.
   In the main part of the Lucire site, don’t forget we’ve been serializing travel editor Stanley Moss’s novel, The Crimson Garter, now up to chapter 16. If you enjoy a good period yarn set in European locales, Crimson is very enjoyable and we will be publishing the final parts shortly. Meanwhile, in the real world, Stanley also goes in search of black truffles in France.
   Emma and Denis Merkas, a real-life Australian couple, believe in massage as a way to bring greater intimacy and trust in relationships. Their new online course, Melt: Massage for Couples, is very accessible, and you can find out more about it in our beauty feature here.
   We have Paris editor Lola Saab’s New York Fashion Week diary, along with her show reports; while publisher Jack Yan talks to Sheryl McPherson of Salisbury Boutique in Dunedin, one of the city’s most cutting-edge fashion retailers.
   Guest correspondent Peter Jobes test-drives the BMW i3, the pioneering electric car from the German brand. And you can order your copy of Lucire issue 32, in print and for tablets, here.

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April 26, 2014

Time’s 100 most influential has Beyoncé covering; Benedict Cumberbatch, Phoebe Philo, Lydia Ko make the cut

Lucire staff/10.04

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The cover for this year’s Time 100, listing the news magazine’s 100 most influential people in the world, goes to Beyoncé.
   On sale today, the 11th annual edition also features Robert Redford, Mary Barra and Jason Collins on covers within the publication.
   It also has a number of guest contributors, writing about those who feature: James Franco on Marina Abramović, Barack Obama on Pope Francis, Pelé on Cristiano Ronaldo, Stella McCartney on Phoebe Philo, Colin Firth on Benedict Cumberbatch, John Cassidy on Andrew Haldane, Elif Shafak on Abdullah Gul, Madeleine Albright on Vladimir Putin, Hillary Clinton on John Kerry, Lupita Nyong’o on Steve McQueen, and Christine Lagarde on Janet Yellen.
   Forty-one women are honoured, including Amy Adams, Mary Barra, Lydia Ko, Megyn Kelly, Miley Cyrus, Angela Merkel, Serena Williams, Robin Wright, Kerry Washington, Ngozi Okonjo-Iweala, and Jenji Kohan.
   President Obama appears for the ninth time, and other repeat honorees include Hillary Clinton, Angela Merkel, Xi Jinping, Kim Jong Un, Vladimir Putin, and Jeff Bezos.
   As with this magazine’s ‘newsmakers’ list, Edward Snowden makes the cut in Time. Jack Ma of Alibaba, which was honoured by the Medinge Group in its seventh Brands with a Conscience awards in 2010, has also come to the attention of Time.
   Obama writes of the Pope: ‘Rare is the leader who makes us want to be better people. Pope Francis is such a leader … Pope Francis reminds us in ways that words alone cannot that no matter our station in life, we are bound by moral obligations to one another.’
   Franco says of Abramović: ‘I trust Marina to carve the artist out of her celebrity and use her celebrity to bring what she stands for into the here and now, looking straight into the eyes of all of us, strangers still, but courageous, curious, inspired, creative participants afterward.’
   McCartney says of Philo: ‘One of the few female designers, she celebrates the simple and champions the quality and reality of a woman’ wardrobe. When people invest in her work, they have it for life. One of the things we share is the reality that the clothes we design are actually worn.’
   And Firth writes of Cumberbatch: ‘It’s rare to the point of outlandish to find so many variables in one actor, including features which ought to be incompatible: vulnerability, a sense of danger, a clear intellect, honesty, courage—and a rather alarming energy. I take no pleasure in feeling humbled, but there’s no getting around it. He must be stopped.’
   Time editor Nancy Gibbs says, ‘The Time 100 is a list of the world’s most influential men and women, not its most powerful … The vast majority of this year’s roster reveals that while power is certain, influence is subtle. Power is a tool, influence is a skill … If there is a common theme in many of the tributes, it’s the eagerness to see what some engineer, actor, leader or athlete will do next. As much as this exercise chronicles the achievements of the past year, we also focus on figures whose influence is likely to grow, so we can look around the corner to see what is coming.’
   A full list, including tributes, videos and photos, can be seen here. Time also has an interactive grid of the 100 honorees at this link, and a Facebook influence map here.

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April 2, 2014

Emma Watson, about to graduate, ponders the next stage of her life

Lucire staff/10.05

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Andreas Rentz/Getty Images

Above Emma Watson at the Berlin première of Noah last month.

Gracing the April issue of Elle Australia, Emma Watson gives readers the opportunity to realize that despite all her success, she just wants to be normal, and she doesn’t want to be criticized for calling an ‘eraser’ a ‘rubber’, a mistake, she tells Elle, she made during her first week at Brown University. In a few months, she will graduate with a degree in English, and she admits, she has no idea what the next chapter of her life is meant to look like, yet she’s optimistic about the whole ‘post-grad situation.’
   ‘Look,’ she tells Elle’s Mickey Rapkin, ‘I just want to know exactly what the next 10 years of my life is going to look like, OK? And to have it organized on a colour-coordinated calendar. Is that really too much to ask for?’ And as most of her graduating class would ask the same question, it becomes clear that, although Watson has graced the film and fashion worlds, she is just like any other “almost graduate” deciding where the next chapter of her life is heading, or at least, trying to figure it out.
   But Watson admits she is jealous of other actresses, whose rise to fame have been less embarrassing to hers, citing her role as Hermione Granger as her greatest, yet not her most stylish, role.
   ‘There are these actresses who have emerged in the last year or two and they get to emerge as this complete human being,’ adding, ‘And I’m so jealous! Because everyone has seen me with my terrible haircuts and my awful teeth and all the terrible things I wore and said.’ But that’s the beauty of Watson, she’s so candid and honest about her own insecurities and afflictions that she seems unable to understand why people love her now as the style icon she is, but Watson worries that her best days are already behind her.
   ‘I’ve got so much left to do and prove,’ she tells Rapkin, adding that her absence from the screen wasn’t due to the lack of offers, but, rather the lack of a challenging character. ‘I was being offered roles that I didn’t feel were very complicated. Women that were one-dimensional. Roles that required me to be one thing, but real women never are.’
   Watson admits that she doesn’t want her real life to happen on screen, remembering a quote she once read by Elizabeth Taylor, ‘She had her first kiss in character on a movie set. It really struck me. I had this sense that if I wasn’t really careful, that could be me. That my first kiss could in somebody else’s clothes. And my experience could all belong to someone else.’ The desire to form her own identity is something that Watson emphasizes, she wants to create her own memories, and not just play the role. As the interview progresses, you get the sense that Watson is just trying to find out who she is, without all the Hollywood hype, the movies, the fashion labels; none of that seems too important to her. Emma Watson is on a course to find a “normal” life, but, as she tells Rapkin, finding answers can be tiresome, but finding a safe place is the ultimate goal.
   ‘If I’ve learned anything, it’s to stop trying to find the answers and certainties.’
   Her desire to feel safe and balanced we all share, even Watson admits her quest is a little mad, but she won’t give up on trying to build a “normal” life. ‘You might think I’m crazy,’ she says, ‘but I was like, “I need to find a way to always feel safe and at home within myself.” Because I can never rely on a physical place.’
   Whatever happens in her quest to build a “normal” life, we hope that Watson continues to dazzle us with her acting performances and that she finally discovers what all graduating students search for: the next chapter of her life.—Snjezana Bobič

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