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Suite to go: Madison & Mulholland fashions “it” bag LA’s A-list and fashionistas seek out in honour of Academy Awards


NEWS  by Elyse Glickman/February 23, 2017/11.34

Hollywood-based journalists, bloggers, publicists and celebrities have spent the last two months canvassing the city to report on new products and services in beauty, fashion, lifestyle and travel getting rolled out, red carpet style. Oscar week, of course, is the grand finalé of a social season filled with teas, luncheons, ceremonies, and impromptu fashion happenings. Madison & Mulholland, anchored by founder Jane Ubell Meyer, has been a part of this evolving tradition since 2002.
   When we first crossed paths with Jane, during the 2006 season, she and her wondrous satchel of treasures was a part of the Haven House suite that occupied a West Hollywood Hills mansion. Today, she is flying solo and flying high in her 11th year on the scene with a particularly coveted awards’ season gift bag, valued at over US$25,000. The self-contained suite is filled with a mix of home, beauty and fashion essentials from high-profile and independent entrepreneurs. There is also a luxury getaway and edibles suited for home Oscar parties for good measure.
   Confirmed nominees receiving the bag delivered directly to them include Emma Stone, Nicole Kidman, Viola Davis, Ruth Negga, Michelle Williams, Naomie Harris, Natalie Portman and Octavia Spencer.

Some of the highlights
   All the better to see you with: Madison & Mulholland starts with a pair of optical quality Swiss-designed readers and as well as a pair of Madison & Mulholland sunglasses.
   The ultimate statement accessory: Liberti USA’s Refugee Coordinates cuff, the Embrace ring and Classic cuff are not only designed, sourced and made in the USA. Every purchase made has a direct impact toward supporting resettled refugees here.
   Rediscovering Sex and the City’s impact on fashion: Lizzie Scheck Jewelry, which Sarah Jessica Parker put on the map during the Carrie years (that horseshoe necklace, and the stacked necklace trend) is still turning heads on celebs such as Kristen Bell, Amy Adams, Jennifer Garner and Tyra Banks. Other trend-setting baubles in the bag include a piece from the B5LineNYC’s Rock-n-Roll Grit line, the Convertible Collection’s bracelet and statement necklaces, and an item from Caterina Jewelry’s Kiss Kiss collection.
   Brushing up: Brushopolis’s Monroe USA Glamour (an hourglass round styling and finishing brush) and Teasedale (engineered to create maximum volume with minimum breakage) bringing professional flair to any vanity table and head of hair.
   In good taste: Kiklos Greek extra virgin olive oil and Michelle’s Maccs (revolutionary coconut macarons covered in élite Belgian chocolate) accessorize any home-Oscar party table, especially if they are served alongside pieces from the hand-crafted Julia Knight Collection nesting bowls, trays and spreading knife forged in sand-cast aluminium.
   Hair for all: Culture Hair Products’ hair care system designed for multicultural, curly, unmanageable, multi textured hair types.
   The eyes have it: One Two Cosmetics’ Magnetic Eyelashes, named Best of Beauty Breakthrough by Allure in 2016, takes some drama out of creating a dramatic eye for evening.
   Coffee clatch: Bio Miracle Skincare heats up with its new line of coffee-based body wash and scrubs.
   Haute Hamptons: top-tier recipients receive a three-night getaway at the posh Baron’s Cove Sag Harbor in Sag Harbor, NY, the heart of the legendary Hamptons. Activities at the Four Diamond AAA resort include massages, yoga classes, and gourmet cuisine.
   Picture this: the A-1 Array by Super A OK multi-camera ensures perfect 3-D red carpet shots, vacation shots at Baron’s Cove, or any special occasion. It’s the state-of-the-art trend in digital 3-D photography.
   That’s a stretch: made-in-Miami yoga gear from OM Shanti Clothing (handy for the Baron Cove yoga classes) and Tinsley Radix’s Becca tank with black sequins. Finish off the look with Isabella Hearst New York’s cheeky ‘No Paparazzi’ Italian leather luxe designer handbag.—Elyse Glickman, US West Coast Editor

Kate Upton on three covers for Sports Illustrated Swimsuit Issue 2017, photographed by Yu Tsai


NEWS  by Lucire staff/February 15, 2017/10.49




Yu Tsai/Sports Illustrated

Above: Each of Yu Tsai’s covers for the 2017 Sports Illustrated Swimsuit Issue, on sale now in the US.

As with 2016, Sports Illustrated has gone with three covers for its annual Swimsuit Issue—except this time, all three covers are of one model, Kate Upton. All three were shot in Fiji by Taiwanese-born photographer Yu Tsai (蔡宇).
   Upton landed the cover in 2012 and 2013. Previous models to have managed covering the Issue in three different years were Christie Brinkley (who, at 63, returns to model in 2017’s number), Kathy Ireland, Daniela PeÅ¡tová, and Cheryl Tiegs. Elle Macpherson has five covers to her name.
   Other models in the 2017 edition are Nina Agdal, Ashley Graham, Hannah Jeter, Chrissy Teigen, Brinkley’s daughters Alexa Ray Joel and Sailor Brinkley Cook; Barbara Palvin, Bianca Balti, Bo Krsmanović, Danielle Herrington, Hailey Clauson, Hannah Ferguson, Kate Bock, Kelly Gale, Lais Ribiero, Mia Kang, Myla Dalbesio, Robyn Lawley, Rose Bertram, Samantha Hoopes, and Vita Sidorkina; and athletes Simone Biles, Genie Bouchard, Aly Raisman, Serena Williams and Caroline Wozniacki,
   Swimsuit editor M. J. Day said in a release, ‘The women of SI Swimsuit 2017 are a collection of change agents, pioneers, power brokers and breakout stars-in-waiting who have in their own way redefined the cultural conversation around beauty. These ladies embody character and beauty—and they prove that when it comes to beauty, there is not one singular definition. This is the very essence of SI Swimsuit, and it’s our guiding principle as we move forward.’
   Publisher Time, Inc. has tied in Facebook Live shows, a Snapchat global live story, Giphy GIFs, 360-degree videos, YouTube videos, Instagram videos, app-exclusive content, and more. Others are encouraged to share their ideas of female beauty and confidence with the hashtags #WhatIModel and #LoveYourSwimsuit. A TV behind-the-scenes special débuts on DirecTV Now today (February 15); a live red carpet show will stream from New York on February 16; and a Vibes music, food and culture festival in Houston follows on February 17–18.
   The Issue’s shoots were done in Turks & Caicos, Fiji, Tulum, México, Anguilla, Sumba Island, Indonesia, Kakslauttanen, Finland, Curaçao, and Houston, Texas. Sponsors include DirecTV Now, Edge, Lexus and Smirnoff.

Iris Apfel, Julien Macdonald will be on board Queen Mary 2 for Transatlantic Fashion Week


NEWS  by Lucire staff/February 9, 2017/12.01

Fashion icon Iris Apfel, 95, is one of the VIPs sailing on the Queen Mary 2 for Cunard’s second annual Transatlantic Fashion Week, running from August 31 to September 7, 2017.
   Apfel, known for her flamboyant personal style and her work in the fashion industry (including campaigns for and collaborations with Swarovski, MAC, Kate Spade, HSN, Wise Wear and others), will present a Q&A session on board and introduce a showing of Iris, Albert Maysles’ 2014 documentary which had premièred at the New York Film Festival.
   Other VIPs on board the cruise are Julien Macdonald, historian Colin McDowell, and former Saks Fifth Avenue merchandise director Gail Sackloff. Models from Storm Model Management will also be on board, walking the catwalks over seven days.
   The cruise will feature runway shows, dinners and exclusive unveilings, says Cunard.
   The Queen Mary 2 departs Southampton on August 31, and will arrive in New York in time for the spring–summer 2018 fashion week. Fares start at NZ$2,029 per person, twin share, subject to availability and with conditions. Further information is available at www.cunard.com or by telephone on 0800 543-431 in New Zealand.


Above: With her signature oversized jewellery and glasses, Iris Apfel’s presence will be unmissable this autumn on board Cunard’s Queen Mary 2.

Mary Tyler Moore’s most famous TV shows altered lives for the better


NEWS  by Jack Yan/January 26, 2017/12.38


Jack Yan

You’re going to make it after all When visiting Minneapolis many years ago, I photographed the now-famous statue of Mary Tyler Moore doing the “hat toss” from the credits of The Mary Tyler Moore Show.

When I asked my colleague Nathalia Archila to write an obituary for Mary Tyler Moore, it reminded me of an episode of The Mary Tyler Moore Show where Mary Richards’ boss, Lou Grant, asks her to update obituaries as part of her job. It seems there are plenty of links in my life to The Mary Tyler Moore Show, a show I grew up watching.
   I have a connection with the show as a fan: I once ran the biggest email list for the series and its spinoffs. Called The Mary & Rhoda List, it was a place where other fans could discuss their favourite moments and keep up to date with the stars. It was originally run with a bunch of addresses, before I shifted it to Egroups, which later became Yahoo! Groups. For many years now, while I’m still listed as the admin, it’s been run by Sandy McLendon, a US-based fan.
   The list did catch the eye of co-star Valerie Harper, who one year sent me a nice autographed copy of her book for Christmas, along with a wee note. It was an acknowledgement of a job well done. But when Facebook and social media became the norm, the group became much less frequented.
   But why did this show have such an impact? In the 1970s, there was the backdrop of feminism, and watching The Mary Tyler Moore Show did give me the notion that women should be treated as equals to men. An underlying feminist theme existed in many of the episodes, and the absence of pay parity was directly addressed in one of them. I was too young to have noticed the references to Mary spending the night at a boyfriend’s or the fact she was on the Pill, but what I did see as a child was a Mustang-driving woman who had an independent life and a nice apartment. Why couldn’t all women do what they wanted and not be subject to what society dictated? Perhaps it appealed to my nonconformist mindset, something which I’ve had my entire life.
   I can’t be the only middle-aged man today who gained some awareness of feminism and equal rights through this show.
   I might have even gained the notion of working in the media through The Mary Tyler Moore Show—after all, plenty of people became comedy writers after seeing The Dick Van Dyke Show—and, perhaps to a similar degree, Tabitha (think The Mary Tyler Moore Show if Mary Richards was a witch living out in California).
   In reruns I discovered the snappy writing and directing of The Mary Tyler Moore Show, and when you compare it to the shows that had just gone before—The Beverly Hillbillies comes to mind—it was realistic, urban and sophisticated. American films had become more gritty around that time, and television followed. While somewhat idealized, and certainly not as downbeat as All in the Family, the successful US remake of Till Death Do Us Part, you could associate with the characters. You simply couldn’t on the other show about a Texas oil millionaire living in Beverly Hills. Showing it to my other half tonight, she remarked at how little it had actually dated: there still isn’t pay parity for women, for instance, and women over 30 are still under pressure from society and, sometimes, family, on whether they will get married and have kids. I worked out that this show aired 47 years ago, and 47’s a lot nearer to 50 than it is to 40. Half a century and we’re still not giving women their due.
   It’s a show I have enjoyed regularly, including its reruns in the late 1990s, though, interestingly, its most acclaimed episode, ‘Chuckles Bites the Dust’ (1975), isn’t my favourite. I even had the 2000 TV movie, Mary & Rhoda, recorded by friends in the US and air-mailed over here, though it was such an appalling production that I wondered if it was worth the trip.
   Again in reruns, I became a fan of The Dick Van Dyke Show. I wasn’t born during that show’s original run; instead, I had seen van Dyke and Carl Reiner’s later effort, The New Dick Van Dyke Show. And Dick van Dyke, of course, was the silver-haired man giving us fire safety messages on New Zealand TV then, presumably adaptations of US PSAs.
   The Dick Van Dyke Show gave us a look at an extremely fun job—that of comedy writers—but there was also plenty of romance between van Dyke’s Rob Petrie and his screen wife, Laura, played by Moore. Maybe that, too, was idealized, but I see elements of that in my own relationship—that if you’ve got to keep it going, you need to inject some fun. I saw myself as a Rob Petrie kind of guy, and I might never have watched the earlier show if it wasn’t for Moore’s involvement.

continued below





Jack Yan

Above, from top: Sign at the Mary Tyler Moore Table at Basil’s. The Mary Tyler Moore Table at Basil’s at the Marquette Hotel. Where the exterior shots of Mary Richards’ first house were filmed, at Kenwood Parkway. The Midwest Plaza, where the fictional WJM-TV was located.

   Naturally, when I was in Minneapolis, the setting of The Mary Tyler Moore Show, I stalked the locations of the house used in the exterior shots of Mary’s original apartment, had a jog along the Lake of the Isles, snapped a photo of where the fictional WJM-TV was, as well as visited the statue of Moore on Nicollet Mall (once Nicollet Avenue) that commemorates her "hat toss" in Reza S. Badiyi’s opening credits for the sitcom.
   I headed to Basil’s at the Marquette Hotel for lunch and sat at what is now called the Mary Tyler Moore Table—Moore sat at this table with an unnamed actor in later versions of the credits—and, naturally, I got there by Ford Mustang, the same make and model of car she drove in the show.
   When Moore’s death was announced this morning here, it gave me time to reflect on just how big a part her work had played in my life. And how the messages of her ‘two Camelots’—two highly successful, much-watched TV series—resonated with me in different ways.
   The last time I saw Moore on TV, she was in a sitcom that co-starred Betty White, Hot in Cleveland. It reunited Moore with Harper, White (who was the sexually charged Sue Ann Nivens on The Mary Tyler Moore Show), Georgia Engel and Cloris Leachman (Georgette and Phyllis on The Mary Tyler Moore Show). The fact she’s now gone means we won’t get these surprise reunions any more. However, we can still wander down memory lane, and her work is widely available on DVD.
   As we wandered in this piece, what we probably should be aware of is how hard-fought the victories of the feminist movement were. We must also realize, particularly in Moore’s own country, how there are forces prepared to undo them: their presidential elections evidenced this, with men and women quite divided on whom each group chose. Some would rather see us go back to the past, to an era even before the Petries. However, progress must continue, as we’ve more to gain from diverse voices—yet another message I recall from The Mary Tyler Moore Show.—Jack Yan, Publisher

Special features to kick off Lucire’s 20th anniversary year


NEWS  by Lucire staff/January 5, 2017/10.31


Paula Sweet

Above: Stanley Moss heads to Punta Ala in one of his best travel pieces to date. Click here to read it.

Welcome to Lucire’s 20th anniversary year.
   Remember that if you don’t see a news update (which will come with an RSS update), you can go to the main part of the website and check out our features.
   In the last couple of weeks, we’ve had Lola Cristall’s 2017 living guide; an archive interview with Thor director Taika Waititi; one of Stanley Moss’s best travel pieces to date, on five Italian centres, and another on Flemings in London; Elyse Glickman heading to Seoul, and Jack Yan testing the Mazda 3, or Mazda Axela. We’ve also looked at a natural skin care range, Kokulu, and made our picks from the spring–summer 2017 shows from New York Fashion Week.
   And, of course, there’s our print edition: issue 36 features stories on Delikate Rayne and author–filmmaker Leslie Zemeckis, and it’s a particularly strong issue on female power. Never mind the outcome of a certain country’s election: as Bhavana Bhim writes in the opening feature in issue 36, women have been increasing their power throughout the ages.
   Expect to see more of our Golden Globes’ suites coverage with Elyse Glickman this weekend in the news section, and more fashion, beauty, travel and living features through January.

British glamour meets Moroccan tradition


NEWS  by Lucire staff/December 12, 2016/13.34



Marrakech, an historic crossroads, always surprises when east meets west, and today the city finds itself in a time of rediscovery. The recent COP convention drew global attention to the issues of climate change, the annual film festival is in full force, and all eyes turn toward the 2017 Biennale which begins next December. The breaking news that British style icon and design legend Jasper Conran has opened his first boutique hotel property here adds gloss to the blossoming Moroccan rose. L’Hôtel Marrakech is small by any standards, only five spacious luxuriously-appointed suites overlooking a courtyard garden, and can be booked in its entirety. Objects of décor selected from Conran’s personal collection artfully counterpoint the whitewashed walls and tile surfaces, garlanded by flowing voile curtains and opulent plantings. A heated lap pool hidden by banana trees nestles next to a classic burbling fountain. There’s a roof terrace with views of the Atlas Mountains, yet a sense of privacy and exclusivity prevails. This property delivers a fusion of rest and comfort, a nostalgic memory of a classic palace. A full-service kitchen is on hand to serve the finest local delicacies or a ‘perfect steak and chips’. Welcome to the medina, Jasper. It’s lovely to see your vision merge with these ancient walls!—Stanley Moss, Travel Editor

Editor’s note: Jasper Conran is quoted in the upcoming fourth edition of my book, What Is a Brand?, available spring 2017 from Ronzani Editori.











NGV and Dior announce House of Dior: Seventy Years of Haute Couture exhibition, starting August ’17


NEWS  by Lucire staff/December 10, 2016/1.57



Wayne Taylor

Top: National Gallery of Victoria and House of Dior announce House of Dior: Seventy Years of Haute Couture at NGV International, opening August 2017. At the media announcement on Friday, Sandra Sundelin, Alejandra Zuluaga, Ella Bond, Maddison Lukes, and Bela Pelacio Hazewinkel model various Dior designs. Above: Ella Bond models the Dior bar suit from the spring–summer 1947 haute couture collection, Maddison Lukes wears the Francis Poulenc dress from the spring–summer 1950 haute couture collection, and Bela Pelacio Hazewinkel the Abandon dress from the autumn–winter 1948–9 collection.

The National Gallery of Victoria kept media in suspense as it led up to its unveiling of its major exhibition for 2017, The House of Dior: Seventy Years of Haute Couture.
   Beginning August 27, 2017, and running through November 7, the exhibition is a collaboration between the NGV and the House of Dior, and will feature over 140 garments from the company.
   The exhibition covers everything from Dior’s New Look spring 1947 collection to contemporary designs from its first female head designer, Maria Grazia Chiuri (see Lucire issue 36). Iconic designs from the intervening years will also be shown, including work by Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, and Raf Simons. It will also feature original sketches, photographs, toiles, archival material, and multimedia displays, says the Gallery.
   The Christian Dior spring 1948 fashion parade at David Jones Sydney, which featured house models in 50 designs, is also explored. David Jones serves as the exhibition’s principal partner.
   â€˜It is a great pleasure and honour for the House of Dior to be celebrating its anniversary in 2017 in Melbourne. This exhibition will be the biggest Dior retrospective ever held in Australia. It will cover 70 years of creation, presenting the emblematic work of Christian Dior and his successors, including Maria Grazia Chiuri, who arrived last July and is the first woman at the head of the couture house,’ said Sidney Toledano, president and CEO of Christian Dior Couture.
   A black-tie gala will take place on August 26, 2017, with proceeds supporting the NGV fashion and textiles’ collection.
   Tickets for the exhibition are now available from the NGV online, retailing at A$26 for adults, concession A$23·50, A$10 for children aged 5 to 15, and families (two adults and three children) for A$65.

Interview clips

With subtitles

Promotional video

The Christian Dior story (archival video)


Copyright ©1954 Mark Shaw/mptvimages.com


Christian Dior





Wayne Taylor

Above, from top: Christian Dior adjusts the accessories to the Zaire dress, on his star model Victoire, during rehearsal for the autumn–winter 1954–5 haute couture show. Christian Dior and model, c. 1950. From the media announcement, Ella Bond in the Dior bar suit from the spring–summer 1947 haute couture collection. Sandra Sundelin models the Dior Embuscade suit from the autumn–winter 1950–1 haute couture collection and Alejandra Zuluaga the Gruau gown from the autumn–winter 1949–50 haute couture collection. Alejandra Zuluaga in the Gruau gown from the autumn–winter 1949–50 haute couture collection and Maddison Lukes in the Francis Poulenc dress from the spring–summer 1950 haute couture collection. Maddison Lukes wears Dior’s Francis Poulenc dress from his spring–summer 1950 haute couture collection.

Chanel opens new boutique at national heritage site in le Marais


NEWS  by Cecilia Xu/December 7, 2016/21.34



Opened December 3, like a walk through history and Parisian elegance, the new Chanel boutique in the Hôtel Amelot de Bisseuil, also known as the Hôtel des Ambassadeurs de Hollande, is one of the most beautiful showcases of the prestigious brand yet.
   Careful to retain all historical detail, wear and time, the space encompasses two ephemeral boutiques. The first, an untouched 127 m² space, showcases the ready-to-wear collection and accessories within an interior of bare and exposed stone walls adorned by transparent glass, and a floor made of resin but has the likeness of Corten steel.
   The second boutique, at only 37 m², showcases Chanel shoes in the style of a great artists’ studio. With the most minimal setting of black clothes-rails and wooden tables peeping through, the space is an adoration of history, archæological preservation and the Hotel’s pride in history. The interiors are left exactly as is in this national heritage site, with no changes or adornment.—Cecilia Xu



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