Hennes & Mauritz says it will open a store in the Philippines, its first foray into the southeast Asian region. The flagship store will open in 2014 inside SM Megamall, Manila. The company has already inked the deal.
Another 2014 event is Women Expo Switzerland (WES), the only creative women’s exhibition in Switzerland, will take place on May 25 at the Messe ZĂŒrich.
With 700 mÂČ space, it will be dedicated to the fashion industry (both B2B and B2C) with direct sales, fashion shows and workshops, say organizers.
The previous edition saw over 100 exhibitors and attracted 1,000 visitors from Switzerland, the UK, Germany and France. Organizers presently seek exhibitors and visitors. Their website is at www.womenexpo.ch, and a video from the 2013 event (in German and English) is below.
Almost on the opposite side of the spectrum, publisher Jack Yan has a humorous look at the late Lewis Collins, whose passing was reported yesterday in the media, in Lucire Men. The actor was best known for his role in The Professionals, arguably the most macho TV show in 1970s Britain.
Finally, Victoria’s Secret says it has opened a beauty and accessories’ store at the Tom Bradley International Terminal at Los Angeles International Airport, focusing on ‘iconic, fashion-forward range of beauty products and accessories designed for the modern jet-setter.’
Items include fragrances such as Victoria’s Secret Bombshell, Sexy Little Things Noir Tease, Victoria, and VS Fantasies, and lip glosses and body care products.
Above As shown on Facebook yesterday, a banner ad campaign has launched promoting the print and tablet editions of Lucire, even though issue 31 has been published for some weeks.
If you havenât checked it out already, you should do so: Lucire issue 31 is out. Since the print editions are collectible, limited editions, they donât really dateâwe still keep going back to earlier ones at the office as referencesâand have in-depth insights into the fashion world. Intelligently written, with an independent voice, and put together by a small global team, Lucire continues to pioneer as we hit the mid-2010s. That’s why you can also order it as a tablet edition. The latest issue features Summer Rayne Oakes on making an impact in the modelling world; a review of autumnâwinter looks by Tiffany Fernando, with visuals by Doug Rimington; an interview with Stephen Jones, OBE, one of the great names in millinery, by Jack Yan; Elina Lukasâs Copenhagen Fashion Week diary; Elyse Glickmanâs interview with Daisy Fuentes; and David Machowskiâs exploration of maple syruping in New England. Thereâs plenty more, including shoots by Angelika Buettner, Dorit Thies, Brett Stanley and Doug Rimington, including two styled by Lucire fashion editor Sopheak Seng.
The URL is now much easier to remember: lucire.com/print. You can order it for tablets or as a very exclusive print edition through this link, or at the link at the top of the page if you’re surfing on our full web edition.
Also easy to remember is our video player, regularly updated with entertainment, fashion, beauty and lifestyle news and tips. You can find that at lucire.tv: weâre finally putting that URL to the use we envisaged for it.
As we begin December, Lucire is getting our bases covered. Please let us know via Facebook or our feedback form if you have any thoughts or story ideas. Itâs the tip of the iceberg, as we have plenty more to announce in the New Year.
The exhibition, Isabella Blow: Fashion Galore!, opens today at Somerset House, London.
This marks the second time Lucire has covered an exhibition connected to the late editor and fashion patron. The earlier occasion, in 2008, saw curator Donna Loveday of the Design Museum look at Philip Treacy’s hats, and focused on the then Isabella Delves Broughton’s discovery of the designer. This second exhibition, with over 100 pieces, looks at Blow’s collection itself: it is her wardrobe, acquired by her friend Daphne Guinness, to stop it being sold at auction. Architectural firm Carmody Groarke designed the exhibition.
Guinness said, ‘This exhibition is, to me, a bittersweet event. Isabella Blow made our world more vivid, trailing colour with every pace she took. It is a sorrier place for her absence. When I visited her beloved clothes in a storage room in South Kensington, it seemed quite clear the collection would be of immense value to a great many people. I do believe that in choosing to exhibit them weâve done the right thingâand that it is what she would have wanted. I am doing this in memory of a dear friend, in the hope that her legacy may continue to aid and inspire generations of designers to come.’
After Blow’s suicide in 2007, Guinness, who had been friends with her for nearly a decade, sought to preserve her legacy and established the Isabella Blow Foundation.
Many of the garments shown are styled in exactly the way Blow wore them. She was known to only wear work from designers she liked or admired.
A catalogue will be published by Rizzoli to accompany the exhibition, edited by Alistair O’Neil, who curated the exhibition with Shonagh Marshall, with essays by O’Neil, Marshall, Prof Caroline Evans, and Alexander Fury, with new photography by Nick Knight. Graphic Thought Facility has designed the book, which is priced at ÂŁ40.
Blow began her career in the early 1980s as Anna Wintour’s assistant at Vogue. After she returned to London in 1986, she worked at Tatler, British Vogue, and The Sunday Timesâ ‘Style’. In addition to Treacy, whom she discovered at his graduation from Central St Martin’s in 1990, Blow is also credited for discovering Alexander McQueen (at his graduation from the school two years later), Hussein Chalayan, Julien Macdonald, Sophie Dahl and Stella Tennant. She collaborated with photographers Steven Meisel, David LaChapelle and Sean Ellis.
The exhibition includes pieces from the designers she discovered, and is regarded as one of the most important private fashion collections of the era.
Film, recordings and projections at Somerset House take visitors back to the era, while miscellaneous items belonging to Blow, such as her Rolodex, are also on display.
Somerset House presents the exhibition in association with the Isabella Blow Foundation and Central St Martin’s. It runs from November 20, 2013 to March 2, 2014, from 10 a.m. to 6 p.m. daily, with a late night of 9 p.m. on Thursday. Some special hours apply over the Christmas and New Year period. Entry is ÂŁ12Â·50, and concessions are ÂŁ10 and ÂŁ6Â·25 on Mondays.
The video below looks back at Blow’s life, and includes Alexander McQueen’s La Dame Bleue collection from springâsummer 2008, which he dedicated to his mentor.
The Italian government will begin to limit the transit of cruise ships through the Giudecca Canal to the Piazza San Marco in Venezia, commencing next January.
Large cruise ships will be limited through the Canal and the largest, exceeding 96,000 gross tonnes, will be prohibited from November 2014.
The number of ships over 40,000 tonnes will be cut by 20 per cent to five, compared with 2012. The authorities are also targeting a 50 per cent reduction in emissions. Departures and arrivals are encouraged at sunrise and sunset, with a reduction for the middle of the day.
The move comes after residents and environmentalists protested about the damage caused by cruise ships to Venezia.
The large vessels will be diverted to a new shipping channel which is being developed with the main shipping terminal.
Paolo Costa, president of the Port Authority, calls the move ‘A good day for Venice and its port.’
However, Cruise Venice, representing the cruise lines, calls the limits ‘absurd’, and says Venezia will experience a loss of 180 vessels per year. ‘An irrational choice, devoid of any scientific basis, that will eventually bring down Venezia’s port,’ it says.