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May 17, 2016

Indie Beauty Expo (IBE): Hollywood’s “independents’ day”

Elyse Glickman/14.23



Clinique, Lancôme and L’Oréal may have been staples on our vanity tables for decades, but there is something about trying the best invention nobody’s heard of yet. The Indie Beauty Expo (IBE), staged at the the Shrine Expo Hall (best known as a venue for rock concerts and award ceremonies) was the place beauty bloggers needed to be to Tweet, Instagram and buzz about the latest and greatest skin, body care, and make-up maverick brands around the globe.
   The Shrine Expo Hall, under the direction of co-founder Jillian Wright (whose client roster includes Kim Kardashian, Ivana Trump and Kristen Wiig) was a feminine garden of delights. The harvest of fresh picks ran the gamut from colour cosmetics to hair care, professional spa lines, anti-ageing remedies, exotic indulgences (of the do-it-yourself home spa variety), vitamin supplements, fragrances and a smattering of gadgets designed to make the daily beauty routine cleaner and more sanitary (Potty Mints, for example, and Spongelle Spongelle Beyond Cleansing soaps, regulars at Doris Bergman’s always fabulous awards season parties).
   While many attendees are not old enough in our estimation to consider and compare the benefits of different anti-ageing remedies, we agree it never hurts to learn what’s out there and start spreading the news!* And with that, we present our picks for the most interesting and innovative goods in this garden among the 150 brands on display (twice as many as 2015, according to sources behind the event).
   Given current beauty trends, we saw a lot of organic oils and locally harvested products, bringing the farm-to-table mood from the restaurant to the vanity table. From argan to moringa, the event was a wellspring of beautifying oil, and with so many new brands vying for our attention, it was inevitable that a few stood out from the pack.

· Be Biotin, bebiotin.com.
· Circ-Cell, designed by a Wyoming entrepreneur for the rigours of mercurial weather: we think this line could be come more relevant in the wake of global warming.
· Cosmedicine: they had us with the rose-flavoured macarons, but we also admired the simply packaged, and user-friendliness of the product designs.
· Crème Collective: move over, Estée Lauder conglomerate! This line brings together definitively 21st century brands including Rituel de Fille.
· Florapy: conceived in California and made in Korea, this line of therapy facial masks (some for emotional well being and others for facial improvements) are made with organic coconut.
· Georgie Beauty: smaller is better, and this line for eyes is as focused as things get, with organic lashes, glues and liners. The founder is now making a portable cream blush, but she knows what she’s looking at in terms of the audience she hopes to reach.
· Glisodin Skin Nutrients: a collection of elaborately well thought-out vitamins and nutritional supplements that stress the importance of beauty from the inside out.
· Kesh: we love argan oil, as well as the direct pitch behind the line’s elegant packaging.
· Meder Beauty Science USA: we admire the way this Swiss line connects the dramatic results of professional in-office treatments with post-treatment home care.
· The Miracle Cream: many companies produce miracles in a jar, but we’re looking forward to testing out this all-body, all purpose cream with its blend of essential oils.
· MSteves: a few years ago, we covered the launch of Mally Steves Chakola’s sweet and simple rose hip oil-focused line, and are pleased she is still going strong.
· Native Atlas Botanical Skincare, handcrafted in small batches with ethically sourced materials gathered from all over the globe. The built-in plant-sourced vitamins and minerals nurture the mind, body, and spirit. Our pick from the line is the Liquid Exfoliant, which helps to refine and restore a clear complexion with blend of black willow and thyme and has been shown to enhance skin cell turnover.
· Nelson J Beverly Hills: one of our favourite local salon owners and colourists launches his own hair care line.
· Pacifica: the packaging is lust-worthy—we admit it. We look forward to trying the to-go make-up removers.
· Patyka, a renowned Parisian beauty house, converted old-school French luxury into exciting new ideas with certified organic formulations, making it the expo’s most elegant offering. The Huile Absolue Skin Booster Serum is the brand’s signature product. The 100 per cent natural serum for face, body and hair is carefully formulated with a powerful concentrate of 12 organic essential oils and plant extracts which effectively help regenerate new skin cells, boost the skin’s youthful resilience and restore a radiant glow.
· Revival Body Care: this collection brings the carefree, feelgood vibes and aromas of the beach anywhere with their collection of scrubs.
· Scentered: many companies are packaging perfectly lovely essential oils, but we love the way this UK company takes the concept to the next level, putting balanced blends into a solid, spill-proof and goof-proof format.
· UnWash turns the shampoo ritual on its head, with the conditioning step coming first.
· Ursa Major: simple, no-nonsense skin care for men and women with bracing aromas.
· Volanté Skincare: many product lines are promising clinic-like results at home, but we were impressed with how well prepared founder Elizabeth Vanderveer was in presenting the befores and afters with her products.
· Yuni is absolute genius. While the line was devised for active people who integrate workouts into their busy day, it is also ideal for transcontinental fliers and workaholics. Pop-up sheets, lotions and muscle relaxers allow you to feel fresh at a moment’s notice. It’s almost like having your entire home bathroom with you. All products combine natural ingredients, modern convenience, and mood-enhancing attributes into some very unique products. The No Rinse Body Cleansing Foam really caught our eye—a waterless solution to instantly refresh and foam away sweat, dirt and odour when you’re in a rush or a shower isn’t available. A blend of neem extract and alœ vera vanishes instantly with no rinse needed. Skin feels pristine and soft. A light aromatic blend of calming essential oils releases stress.—Elyse Glickman, US west coast editor, and Jody Miller, correspondent

* New York beauty sleuths will have their opportunity to survey a variety of emergent beauty brands and products on August 25 at the Waterfront in Manhattan. For more information, visit indiebeautyexpo.com/attend.









May 15, 2016

Aishwarya Rai, Araya A. Hargate, Blake Lively, Ola Alfares, Li Yuchun, Thylane Blondeau at Festival de Cannes, day 4

Lucire staff/12.10




Venturelli, Andreas Rentz, L’Oréal Paris

Aishwarya Rai Bachchan wore an extravagant golden Elie Saab gown for the fourth day at the Festival de Cannes, attending the première of The BFG (short for Big Friendly Giant), based on the Roald Dahl book, and directed for Disney by Steven Spielberg.
   Rai Bachchan, easily one of the most photographed women at the Cannes Film Festival, was rivalled by her fellow L’Oréal Paris spokeswoman Blake Lively, who shone in a bright blue Atelier Versace gown and showing off her baby bump once more.
   Rai Bachchan wore lipstick from the L’Oréal Paris Pure Reds collection, with jewellery by Boucheron and shoes by Salvatore Ferragamo, marking her 15 years at the Festival.
   Thai actress Araya A. Hargate also represented the French cosmetics’ giant, wearing a Zuhair Murad gown. Bérénice Bejo also chose Versace for her red-carpet walk, Mallika Sherawat wore Georges Hobeika with jewellery by de Grisogono, and Paz Vega wore Stéphane Rolland. Former Miss France Flora Coquerel also attended the première.
   Jordanian lawyer Ola Alfares, Chinese actress–singer Li Yuchun, a very dapper-looking Jing Boran, the Chinese singer, and US drag queen Miss Fame represented L’Oréal Paris in their respective markets.
   It was the first appearance for the company for Thylane Blondeau, the 15-year-old daughter of the recently separated Veronika Loubry and Patrice Blondeau. She would be the youngest “face” from the French brand to appear on the red carpet at Cannes.

























May 14, 2016

Aishwarya Rai Bachchan, Blake Lively, Cheryl Fernandez-Versini, Kristina Bazan turn up the glam at Cannes’ day 3

Lucire staff/9.44



Aishwarya Rai Bachchan is a woman whose presence we await with anticipation at Cannes: you know whatever she wears is going to set a high standard for eveningwear at the annual film festival.
   This year was no exception as the Bollywood actress attended the 69th Festival de Cannes—her 15th—at the première of Ma loute (Slack Bay) wearing an embellished, shimmering gold Ali Younes haute couture gown with a matching veil on her shoulders.
   Blake Lively hid her baby bump with an oh-so-glamorous (perhaps more so than day one’s) and extravagant pastel blue gown from Vivienne Westwood with ruffled folds (made from reportedly 30 m of fabric), sequins, and embroidered flowers.
   Cheryl Fernandez-Versini, who has moved on from her estranged husband Jean-Bernard, showed up at the Ma loute première wearing a strapless Naeem Khan gown with colourful floral embroidery, and jewellery by de Grisogono, namely the brand’s India bracelet in pink gold with opals and white diamonds, ring and earrings.
   And although it was Kayture’s Kristina Bazan’s fourth appearance at the Cannes Film Festival, it was her first as a L’Oréal Paris spokeswoman. She wore an Alberta Ferretti two-piece gown for the première on Friday.
















May 13, 2016

Festival de Cannes 2016, day 2: Kristina Bazan, Eva Longoria, Naomi Watts and Julianne Moore shine

Lucire staff/10.41


Stéphane Cardinale/Corbis


Venturelli

The L’Oréal Paris “signature faces” were in force on day two of the Festival de Cannes, showing the latest looks from the French firm, and how its make-up has it covered regardless of age. Blogger and singer Kristina Bazan, 22, of Kayture made her Cannes début for the brand at the Money Monster première, a significant move for L’Oréal Paris as it taps into modern media and a digital audience. She wore Elie Saab with Chopard jewellery. Joining her at Money Monster, directed by Jodie Foster and starring George Clooney and Julia Roberts (viewers who watched our live feed would have caught the press conference yesterday) were Naomi Watts, 47 (in Michael Kors accessorized by Giuseppe Zanotti shoes) and Julianne Moore, 55, wearing Louis Vuitton. Eva Longoria had attended the première of Café Society wearing Pamela Rolland.
   This weekend, Lucire will share more details about how the ladies got their make-up looks—watch this space. There’s more at our embedded live feed till then.


Stéphane Cardinale/Corbis


Clemens Bilan


Stéphane Cardinale/Corbis




Venturelli


Dominique Charriau


Clemens Bilan


Pascal Le Segretain

May 12, 2016

Festival de Cannes 2016, day 1: Bella Hadid, Araya A. Hargate, Li Bing Bing, Doutzen Kroes at first première

Lucire staff/12.36



Wednesday marked the start of the 2016 Festival de Cannes—the Cannes Film Festival—and once again the cameras were out for celebrity-spotting.
   Chompoo Araya A. Hargate, the well known Thai actress, attended the Café Society première and opening ceremony in a Ralph & Russo spring–summer 2016 blush pink silk organza strapless ball gown with pin-tucked organza ribbon ruffles cascading over a structured corolla train.
   Bella Hadid wore a nude Roberto Cavalli gown complemented by de Grisogono High Jewellery necklace and Florinda bracelet. She wasn’t alone with choosing de Grisogono for jewellery: Entertainment Tonight’s Carly Steel opted for the Boule white diamond earrings, Vortice white gold bracelet, and Matassa white gold diamond ring to go with her Georges Hobeika gown. Elsa Zylberstein was in a tasteful, sheer bordeaux dress, complemented by de Grisogono’s Melody of Colours earrings and ring. Meanwhile, de Grisogono CEO Fawaz Gruosi had his pick from his company’s range, choosing his New Retro watch.
   Also spotted were Mallika Sherawat in Georges Hobieka, Eva Longoria in Pamella Roland, Julianne Moore in Givenchy, Naomi Watts in Giuseppe Zanotti, Kirsten Dunst in Gucci, and Blake Lively showing her baby bump in Atelier Versace. Leïla Bekhti, Gong Li, Li Bing Bing, Naomi Watts, Doutzen Kroes, Julianne Moore and Susan Sarandon were also resplendent on the red carpet for the première.
   This year, the Festival has a live feed in English and French on YouTube, which are featured at the end of this entry.








English feed

French feed

A Billion Lives has world première in New Zealand, revealing powerful forces aiding the tobacco industry

Jack Yan/11.16


Jack Yan

Above: The team behind A Billion Lives, and Doc Edge organizers Dan Shannon and Alex Lee.

Those of us outside the vaping world have probably looked at e-cigarettes, wondering why on earth these could be better for your health. Or we may have thought they were a fad, since the only people I knew who vaped were tech hipsters, who enjoyed vaping as though it was a matter of course, and nothing to be curious about—thereby keeping their habit a closed shop. But then, perhaps they were tired of repeating themselves, and had settled into being comfortable with their e-cigs.
   A Billion Lives is a documentary that takes a look into this world, but it does so much more. The title refers to the number of people who can be saved if they give up smoking, but there are powerful forces at play to ensure that people don’t. And those forces have ensured that there is misinformation about vaping and the potential for the technology to save lives.
   Filmmaker Aaron Biebert, who directed and narrated the film which had its world première in Wellington as part of the Doc Edge Festival, journeyed to 13 countries on four continents to find similar patterns worldwide: here is a life-saving technology of e-cigarettes, but governments were banning them or fining citizens over their use, ignoring the science and deciding to be complicit with the tobacco industry in keeping people addicted to a harmful product. Instead, governments spend money spreading lies about e-cigarettes, calling them a gateway to cigarettes, or that one could get formaldehyde poisoning, claims that the film demonstrably refutes. E-cigarettes are not completely safe, and the film acknowledges that, but they have proven to be a successful tool to help those giving up smoking, especially where mainstream solutions have failed.
   In his own country, the US, Biebert points out that governments collect far more revenue from cigarette taxation than from several industries combined, and have no real incentive to cut off the flow of dollars. E-cigarettes, which were invented by pharmacist Hon Lik in China, were conceived as a way to give up smoking, and have been successful for 30 million people around the world. A Billion Lives points out that nicotine is not what causes lung cancer, and that the US Surgeon-General has said as much. What are harmful are the tar and 4,000 chemicals in modern cigarettes. It equates nicotine with coffee in terms of addictiveness, and the figure of 95 per cent less harmful than a typical cigarette featured prominently in the film. Vaping essentially allows one to get the pleasure of nicotine without the harm of the tar and toxins.
   Yet as a society, we have come to equate nicotine as being the evil, addictive substance, and that’s no accident.
   This point is made halfway into the film, with a good part of the first section looking into the history of cigarettes (Flintstones sponsor announcements for Winston cigarettes elicited laughs from the audience), and David Goerlitz, the Winston male model from the 1980s, being a particularly effective interviewee, discussing how he went from a smoking advocate earning millions to having a crisis of conscience when his brother developed lung cancer and died. Goerlitz went to the other side, and became a high-profile spokesman who was able to talk in plain language just what governments, Big Tobacco, and Big Pharma (which sells patches and gum, and would like to continue doing so) were doing. Health professionals were being marketed to far more than the public, permitting Big Pharma to continue to sell its products, the film notes.
   Biebert was able to get other interviewees at a very high level, including Dr Derek Yach, the former executive director of the World Health Organization, and Dr Delon Human, former president of the World Medical Association, among others, speaking plainly about how lives could be saved through vaping e-cigarettes, a tool which could get smokers to kick their habit.
   Meanwhile, the pro-smoking side was represented through historical clips—you get the feeling that we had only touched the surface of what was out there, with corporations spending thousands of millions to fund biased studies and get on to our airwaves.
   Beautifully shot and scored, this independently funded feature tells a story about our times and just why so many citizens today are wary of their governments and multinational corporations. Those who oppose global trade agreements, for instance, do not do so in isolation—and while A Billion Lives takes no political side, it does tap into the Zeitgeist of our modern suspicion about what is on our airwaves and what are the motives behind it. Like Adam Curtis, whose documentaries seek to explain the complex in simple terms, Biebert has done the same, narrating and directing, although he appears on camera as well when narrative gaps need to be plugged. He is an honest, frank speaker, and gives the film a personal touch.
   Young smokers who tried e-cigarettes were often people who already smoked and saw them as a way to give up their addiction, and most, Biebert pointed out in a post-screening Q&A, were not even using nicotine in their e-cigarettes.
   Yet the state of California, where Biebert is based, spent $75 million telling us about the evils of e-cigarettes, said the director in his Q&A; while in the film, he points out that US federal funds were being illegally used for lobbying activities. The American Lung Association had deceived the public, too, notes Biebert, who told the audience, ‘If you get powerful charities on side, you can do anything.’ The increasing restrictions on e-cigarettes in the US, the subject of federal lawsuits, was equated to ‘Prohibition II’.
   Dr Marewa Glover of End Smoking NZ, who introduced the film at its première, said that young people were using e-cigarettes as a way round peer pressure, when people in their circle smoked.
   However, Australia has already banned e-cigarettes, with one interviewee, Vince, who sold them, telling a story about being raided by authorities and now faces losing his home as he fought the government on principle. He believed firmly he was saving lives. There are massive fines for vaping in Brunei and Hong Kong. There were restrictions in New Zealand, too, noted Glover, although those who sought to misinform were technically in breach of the country’s health legislation.
   Biebert says he is neither a smoker nor a vaper; but all good documentary-makers, he had a commitment to get the right information out there. He acknowledges that vapers have not given themselves the best image, either, and that A Billion Lives can only be one small part of getting the truth out.
   ‘We need to cut the head off the monster,’ said Biebert, ‘and the monster is being funded by big business. We need more than the movie. People need to get the right information.’
   He added, ‘The truth ends up winning. Even condoms were illegal in the US at one time.’
   A Billion Lives will begin making its way to other countries. The website is at abillionlives.com, while the movie’s Instagram is at abillionlivesfilm.—Jack Yan, Publisher


Above: The author (centre) joins Aaron Biebert, director (left) and Jesse Hieb, producer, for a photo.

May 11, 2016

Indulging in nostalgia: new Catalina Island Museum opening

Lucire staff/13.26



Copyright Bunny Yeager/Galerie Schuster

Top: Architect’s rendering of the new Catalina Island Museum façade. Above: Bettie Page on the Florida beach, 1954.

Day trippers appreciate the southern California destination Catalina Island, easily accessible from Los Angeles. You take the ferry boat from Long Beach, cross the channel, and in about an hour, land in the car-free heritage hamlet of Avalon Harbor. There, nothing has changed for years. Long a haunt of Hollywood celebrities and their international guests, Catalina thrives on the tourist trade. In days of yore the allure was deep-sea fishing and exhibition games at the summer home of the Chicago Cubs baseball team. Today the menu includes boutique shopping, dining and people-watching, nature trekking, mountain biking, zip lines and excellent snorkelling.
   The big news this season is the grand opening of the Ada Blanche Wrigley Schreiner Building, new home of the Catalina Island Museum, located at 217 Metropole Avenue, an easy walk from the ferry terminal. Two gala weeks of celebration will occur from June 18 to July 4. A gem of a museum, the institution is devoted to art, culture and history, and the sparkling new facility houses a fine collection of cultural artifact, ceramics, rare photography and nostalgia. A launch exhibition features recently discovered photos of pin-up model Bettie Page, taken in Miami by photographer Bunny Yeager in the 1950s. Other events scheduled include VIP receptions, and Tibetan sand-painting in the skylit atrium. A very reasonable membership to the Museum brings a host of benefits, well worth the charitable contribution. For more information visit www.catalinamuseum.org.—Stanley Moss, Travel Editor




Above, from top: A young Norma Jean Baker lived on Catalina in the years before she became Marilyn Monroe. The Chicago Cubs (Stan Hack and Barney Olsen, pictured in 1941) delighted crowds in the summer months. Winston Churchill managed to land a California marlin during a visit.

May 6, 2016

In brief: Paula Sweet releases new book; Kardashians and Jenners mobbed by paparazzi; Cannes controversies

Lucire staff/10.25


Many of you have enjoyed Paula Sweet’s photography in Lucire, and now you can have an entire volume of her work with her new book, Do Not.
   Paula has caught signs all over our planet during her travels, and asks in the synopsis, ‘In a world of limitation and regulation, how aware are you of the restrictions placed on your own existence?’
   The premise is an excellent one that encourages us to think: ‘In this collection of signs discovered all over Planet Earth, the artist and photographer Paula Sweet documents the shrinking area of personal freedom and encourages us to rethink the contrary: if a sign is to be placed, should it not encourage us to some productive or positive action?’
   Lucire readers can enjoy a 40 per cent discount for a limited time (US$39·56, marked down from US$65·94), commencing early May 2016, if you use this link here.
   Meanwhile, in the celebrity world, this latest compilation from Celebrity Wire shows how manic things are—and we don’t think there’s much personal freedom for some of these 2016 “names”. Except it isn’t signs restricting their freedom, but a gauntlet of paparazzi. Kanye West and Kim Kardashian, Kendall Jenner and Kris Jenner are seen and photographed leaving homes and heading into clubs and restaurants; “it” couple Katy Perry and Orlando Bloom head into a waiting cab; new Calvin Klein fragrance face and rising actress Margot Robbie left her apartment; and Emma Roberts had lunch, and a dozen followed her home. Surprisingly, Justin Bieber kept a low profile as he walked through LAX, while Christina Applegate gave a thumbs-up but obscured the lower part of her face as she left the terminal. It’s definitely not the life, thank you!
   In our second video, Jane Fonda speaks about the second season of Grace and Frankie at the Netflix première. She notes that during the course of the new season, Grace realizes Frankie is good for her, and they become friends.
   Finally, with the Festival de Cannes about to kick off, Cover looks at five recent controversies to hit the event.


Celebritywire


Celebritywire


Cover

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