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August 4, 2014

The Body Shop has the perfect beauty suite in the era of the selfie

Lucire staff/9.49

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In the era of the selfie, the Body Shop has responded. Not only has the word entered the lexicon, there’ll even be a Pygmalion-based TV show starring Karen Gillan and John Cho bearing that name. We’ve even seen cellphone manufacturers no longer refer to a reverse camera, but a selfie camera, on their new models.
   Available today in New Zealand is the All-in-One Instablur, a five-action perfector to hide skin blemishes—the Body Shop says one can say goodbye to filters.
   Instablur, available in a universal shade, has spherical powders with moisturizing vitamin E that helps smooth pores and hides blemishes.
   The Body Shop has also released the Smoky 2-in-1 Gel Liner (NZ$25) to intensify brows, using Community Fair Trade oils and ultra-dark pigments; a new eye colour in the Colour Crush range (NZ$21·50) with new shades (our picks are Champagne Kiss, the special-edition Gorgeous Gold and Golden Cinnamon as the in-trend ones, but look out for the special-edition Sunshine Love as well); a new red shade for its lip and cheek stain (NZ$25·25)—it’s particularly striking, again staying right on the beauty trends; and the Colour Crush Shine lip colour (NZ$27·75), formerly Colourglide Shine, again using Community Fair Trade oils to moisturize your lips.


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August 2, 2014

Miss Universe New Zealand 2014 finalists arrive in Bangkok

Lucire staff/2.33

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Alan Raga

The Miss Universe New Zealand 2014 finalists have left the southern shores, and are presently at the Hilton Bangkok, as they commence their retreat in the Kingdom of Thailand for the following week.
   Since the Miss New Zealand Consortium was awarded the licence for Miss Universe in 2013, the directors felt that the live swimwear segment had to disappear from the competition. However, international rules still required it, so a swimwear shoot on a beach, with a closed set, became the best option for the live telecast that took place last October.
   Miss Universe New Zealand executive director Nigel Godfrey and general counsel Jack Yan were tight-lipped this year about the destination of the retreat, given political changes in Thailand. However, Thailand came on the radar again with the support of its ambassador to New Zealand, HE Noppadon Theppitak, and the top 25 finalists along with a crew departed on August 1.
   The Ambassador sees the retreat as a core part of the Thai–New Zealand relationship, given the high, mainstream interest in the Miss Universe competition in Thailand, and much of Asia. The 2013 finalists’ retreat was extensively covered in print and televised media in Thailand.
   Kiwi lensman Alan Raga is photographing the finalists, who will be wearing Surface Too Deep and Honey & Co. swimwear, in shoots commencing Saturday.
   The Miss Universe New Zealand 2014 grand final takes place at Sky City Theatre, Auckland, on September 18. As with 2013, the public has a hand in deciding the winner, through text voting, and, as a new innovation this year, through an electronic i-vote. See nextmissnz.com/top25.shtml for voting details. Further updates of the competition are on the Miss Universe New Zealand Facebook and Instagram, with hashtags #missuniversenz and #munz14.



Alan Raga

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July 30, 2014

Promo image for Cheryl Cole’s Storm Flower fragrance released

Lucire staff/22.03

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The official promotional image for Cheryl Fernandez-Versini’s (formerly Cheryl Cole) new fragrance, Storm Flower, has been released, ahead of its on-sale date of August 27.
   The newlywed Geordie songstress—she married boyfriend Jean-Bernard Fernandez-Versini earlier in July—says she had long wanted a fragrance under her name but could not devote time to the project till recently.
   ‘For my début fragrance, I wanted to achieve two goals: to create something that both looks beautiful and smells gorgeous. The development process has been really intense but inspirational and I have absolutely loved being so involved in the creative process,’ said Fernandez-Versini.
   Fernandez-Versini’s new fragrance is meant to be refreshing, light, but long-lasting. The perfume opens with fruity notes of mandarin and nectar, leading to a heart of freesia and peach blossom. Basenotes are soft vanilla, white musk and sandalwood.
   The fragrance will be available from the Perfume Shop and Superdrug, priced at £23·50 for 30 ml, £29·50 for 50 ml and £39·50 for 100 ml. Body lotion with glitter and perfumed body bath, with the same notes, will also be available.
   The visual shows Fernandez-Versini’s hand tattoo but not her engagement ring. The photograph was likely shot before her wedding. The bottle itself has the script ‘Storm Flower’ and ‘Cheryl’, and is topped by a flower-shaped cap.

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July 17, 2014

A number of firsts for Lucire, with issue 33 on sale today

Jack Yan/10.00

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Lucire issue 33, on sale today, marks a number of firsts and is one of the best we’ve had.
   We’ve always been very fair on who makes the cover. Sopheak Seng, our fashion and beauty editor, and I choose from all the images we have, and these include ones that he has produced as creative director or stylist. And in the years we’ve worked together, he’s opted not to put his ones ahead of others’. We’ve both gone for what is best for Lucire. Some shoots that have appeared on the cover he has worked on in a supervisory role, but others have come from our brilliant network of creatives worldwide.
   Issue 33 sees his first cover that he has directed, and it’s one we’re both exceptionally proud of. Photographed by Dave Richards, and with the A-team of Michael Beel on hair and Hil Cook on make-up, assisted by Jaye Morgan, Natalie Henderson and Andy Alsop, and modelled by Chloé Graham, it’s the first time in 17 years that we’ve cropped the Lucire logo behind the model’s head.
   We realize this technique is commonplace and it’s probably a surprise to anyone reading the above that that hasn’t happened before. And we’ve had many great images—only the best get selected for the coveted spot. But for some reason, when it came to the crunch, we opted to keep the logo complete, as have always done on the website. This time, the image was so striking that we felt it was time to take the scalpel to the logo, thanks to head designer Tanya Sooksombatisatian.
   It is Dave’s first shoot with us, so to score a cover on your first go is very impressive, though it has happened a few other times—Courtney Dailey with Laura Vandervoort in issue 29, for instance.
   I have a feeling, too, that Chloé is the first Scot to be on our cover. While a New Zealander, she hails from Glasgow, and this is rather timely with the Commonwealth Games about to commence.
   I congratulate my good friend and colleague, Sopheak, and I think this is going to be one of those memorable Lucire covers that will be cited in years to come.
   There’s plenty more inside, and you can get a taste of the articles in our issue 33 preview.
   I’m very proud of one shoot by Jon Moe in there, with our California A-team of Jamie Dorman (now in New York, but who was our pointwoman on the shoot), Lei Phillips and Carina Tafalu, and starring two former Miss Universe New Zealands, Laural Barrett and Samantha Lochhead, each in their second appearances in Lucire. Jon lovingly shot this at Riviera 31 at the Sofitel Los Angeles, and I acknowledge our US west coast editor, Elyse Glickman, for her connections with Pivotal Public Relations in getting us the location.
   It’s not the only cover that we can talk about: some of you will have seen Dorit Thies’s and Olga Fonda’s announcement of their cover for Lucire Arabia. (The story is in issue 33, too, but it was strongly felt that Dorit’s shot was the best to début our title there. When you see the pages, you’ll also notice why this is an incredible shoot with the Vampire Diaries star.) We’ll have more on that officially soon, but, for now, you can get your issue 33 through the Lucire website, in print, for tablets (Ipad and Android), and as a downloadable PDF.—Jack Yan, Publisher

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July 13, 2014

Riley Keough’s de Grisogono shoot images from Cannes released

Lucire staff/14.25

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Emanuele Scorcelletti

Photographs of actress Riley Keough modelling for de Grisogono at the Grand Hyatt Hôtel Martinez, where she was based during the Festival de Cannes in May 2014, have been released.
   Using one of the suites, Keough modelled wearing various de Grisogono jewellery items, including the latest Allegra line (in Lucire issue 33), as well as designs from the Gocce and Gypsy collections.
   Paris-based Italian photographer Emanuele Scorcelletti, well known for his portraits and his work with luxury brands, photographed Keough.
   The Allegra collection is ‘Dedicated to a new generation of women, who dare to express their radiance, and explore different shapes and jewelled expressions of their individuality,’ says de Grisogono.
   Keough, who is the granddaughter of Elvis Presley and Priscilla Presley, began her modelling career in her teens, and first appeared on an international runway for Dolce & Gabbana.
   Her acting début was in The Runaways (2010), and she soon landed the female lead in The Good Doctor (2011) opposite Orlando Bloom. She has recently completed filming on Mad Max: Fury Road, alongside Charlize Theron, Tom Hardy, and Rosie Huntington-Whiteley.



Emanuele Scorcelletti

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July 10, 2014

Eva Green previews her Campari 2015 calendar appearance: video and photos

Lucire staff/14.13

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Francesco Pizzo

French actress Eva Green is the face of the 2015 Campari calendar, entitled Mythology Mixology. Campari is teasing the calendar with behind-the-scenes images and a video, featuring Green, announcing the project.
   This 16th edition has been photographed by Julia Fullerton-Batten, an acclaimed fine art photographer, and the first female who has shot a Campari calendar.
   The 12 months celebrate Campari’s history and its best loved classic cocktails. Each month tells the story behind the cocktail, with anecdotes and trivia.
   Campari believes that there has been a classic trend over the last decade, and an interest in history, which the calendar attempts to tap into.
   While some may dispute the presence of a classic trend, Campari has been on the pulse in recent years with its calendars. Notably, in 2008, Jessica Alba appeared in its 10th anniversary edition. Other calendar stars include Salma Hayek, Eva Mendes, Milla Jovovich, Penélope Cruz and Uma Thurman.
   Green, whose Penny Dreadful series is currently netting her headlines in the lead role of Vanessa Ives, came to prominence in Bertolucci’s The Dreamers (2002), and as Bond girl Vesper Lynd in Casino Royale (2006), for which she won a BAFTA. She has recently been seen in 300: Rise of an Empire and will soon be seen in Sin City: a Dame to Kill for.
   ‘To work with an iconic worldwide brand such as Campari is an honour and a privilege. There is something very special about this year’s theme as it strikes a compelling and almost magical balance between the classic and the contemporary. At the root of each image is this rich sense of history behind each of Campari’s best-loved cocktails but they are presented in a way that is ultra-modern, exuding imagination and style. It’s a thing of incredible beauty and clearly shows that whilst some of these recipes are over 100 years old, they are still relevant to and adored in today’s world,’ said Green in a release.
   Fullerton-Benton is known for her series, Teenage Stories (2005), which followed the transition of a teenage girl into womanhood. Campari says that the photos will carry her hallmarks of creative settings, unusual locations and cinematic lighting.
   ‘Campari has always had an inherent ability to recreate itself and keep the brand image fresh, inspiring and imaginative—a goal I constantly strive towards in my own work, too. This year’s theme was an interesting challenge, as there was an important job to do in terms of taking historical anecdotes and invigorating them with a modern edge. I’m confident we managed to strike that delicate balance with this year’s imagery,’ says Fullerton-Batten.
   Bob Kunze-Concewitz, CEO of Gruppo Campari says, ‘Though there has always been a sense of timelessness around our classic cocktails, we’ve been hearing reports from bartenders all over the world that there has been a surging popularity for classic recipes like the Negroni and the Americano. This year’s Campari Calendar is designed to celebrate those enduring recipes and the heritage behind them, so we’re very much looking forward to unveiling it later in the year.’








Francesco Pizzo

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June 24, 2014

Kiwi artists exhibit in New York, while films on Raf Simons and YSL come to New Zealand

Lucire staff/15.22

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Four New Zealand artists are exhibiting in New York from July 1 at Forty:67, at the Artifact Gallery at 84 Orchard Street in the lower east side of Manhattan.
   The exhibition, which comprises painting, photography and jewellery-making, features the work of Sarah Elsby, Nikki Clark, Aphra Ellen, and Jodi Clark. Elsby and Ellen are mother and daughter, and Nikki and Jodi Clark are sisters.
   The work examines the ideas behind identity, place, and culture, or: what does it mean to be a foreigner transplanted to an international centre such as New York City?
   Elsby uses watercolours on paper, exploring the tensions between biomorphic and architectural forms. Photographer Nikki Clark contrasts New York City with the tranquillity of the Whanganui River, near where she grew up, and the similarity of the power in both locations. Jodi Clark’s painting explores how symbols can transcend cultures and history, ‘arranged so they become abstracted from their original intent; taking on a new meaning and life while still triggering memories and nostalgia,’ she says. Ellen’s hand-crafted jewellery has what has been described as a playful approach, inspired by organic forms and odd shapes.
   The gallery is open from 12 to 6 p.m. daily.
   Meanwhile, two fashion films will be part of the New Zealand International Film Festival (NZIFF), taking place between July and September in Auckland, Wellington and other centres.
   The first, Frédéric Tcheng’s Dior and I (France, 2014), is a behind-the-scenes documentary, following Raf Simons as he creates his first collection for Christian Dior, taking over from John Galliano. It’s already on Lucire fashion editor Sopheak Seng’s must-see list as the festival takes place.
   Yves Saint Laurent, which has had a lot of coverage in Lucire already, is the second film. This is the Jalil Lespert film, which opened in January 2014 in France, and was authorized by Pierre Bergé. (The rival film was authorized by François Pinault.)
   Session dates are available online from nziff.co.nz: the Auckland ones are up now, with the Wellington schedule appearing on Friday, and other centres on July 4.



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June 6, 2014

Lucire’s Instagram round-up, June 6: Natalia Vodianova nude to Lupita Nyong’o’s nails

Lucire staff/23.36

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Model Natalia Vodianova made headlines with her Instagram this week, showing off a nude image with her breastfeeding son, photographed by Paolo Roversi.
   The photograph was dedicated to her husband, Antoine Arnault, for his birthday. It was later revealed by Vodianova on her Instagram that the photographer was Roversi, who ‘was one of the first to photograph me all the way back in 2001’, she wrote.
   Maxim was born on May 2—Vodianova Instagrammed his first photo at the time, noting he weighed in at 4·2 kg (9 lb 4 oz).
   Model of the moment Barbara Palvin had a more casual photo spending time with her sister, Anita, posted cycling, while the actress we have dubbed ‘woman of the year’, Oscar winner Lupita Nyong’o, showed off her aqua-lacquer nails and matching cellphone cover from Maui, Hawai‘i.
   Natasha Poly was also lounging by the pool in shades, a leather jacket and scarf, shot in Paris, from which she departed on Friday, and actress Jessica Chastain has been spending time in Roma, checking out the Colosseo (and noting its restoration) and, in another photo, posing with a Fiat nuova 500 (the 1957–77 variety).
   Liya Kebede notes that the only jewellery she wore to the CFDA awards this year was a tattoo from Stone Paris for Colette. Ralph & Russo was in an awards’ mood, when it posted a composite image of Angelina Jolie wearing its designs, wishing the actress a happy birthday earlier this week.
   Model Nina Agdal, too, kept things casual, sharing her images with Vogue Australia after a trip to Sydney, and posting one of them on her ’Gram.

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