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Liv Tyler to model Triumph Essence lingerie for autumn–winter 2017–18, shot by Rankin


NEWS  by Lucire staff/April 12, 2017/13.27


Triumph

For autumn–winter 2017–18, Liv Tyler will front Triumph Essence’s global campaign, photographed by Rankin.
   The Essence line is Triumph’s premium offering, with this season taking on the theme of ‘opulent Art Nouveau’, featuring designs in velvet embellished mesh, Leavers lace and silk satin.
   The campaign will appear in print and online, and at point of sale, beginning October.
   Tyler was chosen because she is ‘beautiful, elegant and exuding female confidence,’ according to Triumph’s global head of brand, Suzanne McKenna. ‘Liv Tyler encapsulates everything synonymous with Triumph Essence … She truly is a modern woman in every sense, a mother and actress with a fierce sense of femininity that women across the world can relate to. It is her genuine spirit that translates into our new campaign and we are thrilled to be working with her.’
   Tyler added in a release, ‘I am so honoured to be working with Triumph, a brand I have known and admired for so many years. It has such history! The Triumph Essence collection is really special and has both a playful, feminine and chic style, which I love. I can’t wait to see it launch later this year.’
   Rankin said, ‘Liv is such a natural beauty and this campaign was such an easy shoot. Her timeless elegance and Hollywood glamour is what we have managed to capture.’
   Rankin also worked with Triumph for its core spring 2017 line, modelled by Jessica Hart.

Lamborghini Museum at Sant’Agata Bolognese to host Ayrton Senna exhibition from April 12


NEWS  by Lucire staff/April 2, 2017/12.43

The Lamborghini Museum at Sant’Agata Bolognese will host an exhibition honouring the late Formula 1 champion, Ayrton Senna, beginning April 12 and running to October 9, 2017.
   Ayrton Senna: the Man and the Legend commemorates Senna’s test drive at Estoril in 1993, in a McLaren MP4/8 with a Lamborghini V12 engine.
   The museum will display every type of single-seat race car driven by Senna, including a white McLaren identical to the one tested at Estoril, his first kart, two Formula Fords, the Ralt F3, a Toleman, a black Lotus JPS that he drove in his first victory, the McLaren that helped him to his wins, and his final Williams.
   There will also be a photography exhibition, entitled Ayrton Senna: the Last Night, curated by Ercole Colombo and Giorgio Terruzzi. The photos show Senna’s career, from his start in kart racing, his Formula 1 début, his key victories and defeats, his friends and rivals, his relationship with Alain Prost, his personal life and faith, to his final hours on the track.
   While Senna liked the racing car, he never got to finish the season with the engine, when negotiations fell through.
   Lamborghini chairman and CEO Stefano Domenicali will host the media presentation on April 12, along with Colombo and Terruzzi, and Mauro Forghieri and Daniele Audetto, who were present at the 1993 test drive.
   Senna died on May 1, 1994, aged 34, during the San Marino Grand Prix, when the steering column in his car failed.
   Lamborghini will also display two current models, the Aventador S and Huracán Performante. The exhibition also marks the beginning of a partnership between the museum and Pirelli.
   The museum is open daily, including Sundays, from 9.30 a.m. to 7 p.m.

Kate Upton on three covers for Sports Illustrated Swimsuit Issue 2017, photographed by Yu Tsai


NEWS  by Lucire staff/February 15, 2017/10.49




Yu Tsai/Sports Illustrated

Above: Each of Yu Tsai’s covers for the 2017 Sports Illustrated Swimsuit Issue, on sale now in the US.

As with 2016, Sports Illustrated has gone with three covers for its annual Swimsuit Issue—except this time, all three covers are of one model, Kate Upton. All three were shot in Fiji by Taiwanese-born photographer Yu Tsai (蔡宇).
   Upton landed the cover in 2012 and 2013. Previous models to have managed covering the Issue in three different years were Christie Brinkley (who, at 63, returns to model in 2017’s number), Kathy Ireland, Daniela Peštová, and Cheryl Tiegs. Elle Macpherson has five covers to her name.
   Other models in the 2017 edition are Nina Agdal, Ashley Graham, Hannah Jeter, Chrissy Teigen, Brinkley’s daughters Alexa Ray Joel and Sailor Brinkley Cook; Barbara Palvin, Bianca Balti, Bo Krsmanović, Danielle Herrington, Hailey Clauson, Hannah Ferguson, Kate Bock, Kelly Gale, Lais Ribiero, Mia Kang, Myla Dalbesio, Robyn Lawley, Rose Bertram, Samantha Hoopes, and Vita Sidorkina; and athletes Simone Biles, Genie Bouchard, Aly Raisman, Serena Williams and Caroline Wozniacki,
   Swimsuit editor M. J. Day said in a release, ‘The women of SI Swimsuit 2017 are a collection of change agents, pioneers, power brokers and breakout stars-in-waiting who have in their own way redefined the cultural conversation around beauty. These ladies embody character and beauty—and they prove that when it comes to beauty, there is not one singular definition. This is the very essence of SI Swimsuit, and it’s our guiding principle as we move forward.’
   Publisher Time, Inc. has tied in Facebook Live shows, a Snapchat global live story, Giphy GIFs, 360-degree videos, YouTube videos, Instagram videos, app-exclusive content, and more. Others are encouraged to share their ideas of female beauty and confidence with the hashtags #WhatIModel and #LoveYourSwimsuit. A TV behind-the-scenes special débuts on DirecTV Now today (February 15); a live red carpet show will stream from New York on February 16; and a Vibes music, food and culture festival in Houston follows on February 17–18.
   The Issue’s shoots were done in Turks & Caicos, Fiji, Tulum, México, Anguilla, Sumba Island, Indonesia, Kakslauttanen, Finland, Curaçao, and Houston, Texas. Sponsors include DirecTV Now, Edge, Lexus and Smirnoff.

Alessandra Ambrosio models for Cîroc in campaign shot by Mario Testino—first image released


NEWS  by Nathalia Archila/February 13, 2017/22.25


Mario Testino

Above: The official image released by Cîroc to promote its new campaign with Alessandra Ambrosio.

Brazilian model and actress Alessandra Ambrosio is the new face of vodka brand Cîroc, for its campaign, dubbed On Arrival. The campaign will follow Ambrosio during an entire year of her life through the biggest fashion events and on-trend party destinations. With her modelling credentials including Victoria’s Secret, Dolce & Gabbana, Christian Dior, Giorgio Armani, Rolex and Calvin Klein, Cîroc felt she was an ideal match for its ‘playful luxe’ positioning.
   Owner Diageo wants Cîroc to be seen as a brand that’s exclusive, present at celebrity parties and fashion shows that only VIPs can attend, including summer events and New Year celebrations—and that customers can live this lifestyle through it.
   The campaign will include social media, and a photo shoot by Mario Testino. In a release, Testino said, ‘Shooting this campaign with Alessandra has been amazing. She has this quality that captivates everyone when she walks into a room. Alessandra is that person who captures the style and sparkle that Cîroc represents.’
   Three images will be released across the year, supported with exclusive behind-the-scenes content. The first was already released, showing Ambrosio preparing backstage at an iconic party.
   Samantha Reader, global marketing director for Diageo Reserve, said, ‘Cîroc On Arrival is all about celebrating moments of success and being at the forefront of what’s hot … Ciroc is for those who dream big, aspire to greatness and recognize the importance of celebrating success when it arrives. Alessandra embodies this in everything she does, and we’re looking forward to celebrating with her this year.’—Nathalia Archila


Top: Behind the scenes images from Alessandra Ambrosio’s shoot. Above: Alessandra Ambrosio and photographer Mario Testino.

Rankin photographs Triumph’s spring 2017 campaign, starring Jessica Hart


NEWS  by Lucire staff/January 12, 2017/10.42



Triumph has hired top photographer Rankin to shoot its spring–summer 2017 lingerie campaign, with Australian model Jessica Hart its main face for the season.
   Triumph says the season marks a new creative direction, though the message isn’t dissimilar to its previous one: women should be able to find the correct intimate apparel to fit them. The brand has continued to use its Find the One message.
   There is more of an acknowledgement that women have many roles in their lives, and that Triumph can fit every occasion.
   Rankin said of the campaign, ‘The images are modern, accessible and incredibly confident. We’re really pushing the fact that it’s not just for the “perfect” women. Triumph is for every woman and every woman can wear Triumph and feel really confident in it.’
   On Jessica Hart, Rankin said, ‘She is the sort of person I’ve always wanted to photograph. I love empowered women and she’s really empowered.’
   Hart said, ‘It’s a really cool new look and I’m super excited to be part of it—representing this playful side of Triumph that speaks to all women. Triumph understands that women play so many roles in their everyday life—we’re fascinating creatures! A huge part of being yourself is feeling comfortable. One day you might feel more like being cozy and supported, another you might want to feel sexy and strong. The exceptional fit and comfort of Triumph products lets you be whoever you want to be and that’s something I really love.’







In brief: Belstaff shows autumn–winter 2017–18; Chanel previews spring ’17 advertising


NEWS  by Lucire staff/January 10, 2017/19.25




Belstaff

Belstaff has shown its autumn–winter 2017–18 collection in London, for both men and women. The Jolly Roger collection, inspired by World War II Royal Navy uniforms, even has vintage wax treatments on some designs to give them a worn look. Belstaff notes that the pea and duffle coats have been re-created, while the parka is based on a Belstaff design created for the British military in 1960. Creative Director Delphine Ninous said, ‘The formal naval-inspired pieces are contrasted with a more rugged and free-spirited look appropriate to downtime on the docks. This sense of temporary escapism is reflected in edgier elements such as naval tattoo designs and the Jolly Roger flag, giving a sense of rebellion and individuality.’ Tones are red, brown, blue and military green; base colours are charcoal grey, black and navy, with highlights in spruce teal, sanderling, cardinal red and burnished gold.



Belstaff

   Meanwhile, Chanel has previewed its advertising campaign for its spring–summer 2017 prêt-à-porter collection. The campaign itself has been overseen by Karl Lagerfeld, with contrast at its core. A pop Lolita metamorphoses into a cyberpunk; a tweed jacket has an electronic circuit board as a motif; an off-white silk and lace coat covers a black babydoll. There’s a startling modernity to the images, tying in to the Data Center Chanel catwalk show in Paris last October, which saw high-tech meet the 1990s.









Chanel

UK modelling agencies fined £1·5 million; Models 1, Premier and Storm to appeal decision


NEWS  by Lucire staff/December 16, 2016/17.08


Above: Models 1 is one of three agencies appealing a decision by the UK Competition and Markets Authority.

The UK Competition and Markets Authority (CMA) has fined five modelling agencies a total of £1,533,500 for collusion, driving prices up for modelling services. The five agencies named were FM Models, Models 1, Premier, Storm and Viva, and their trade association, the Association of Model Agents (AMA).
   Models 1, Premier and Storm have stated that they would appeal the decision, calling the CMA’s findings ‘wholly mistaken’ and that the fines were disproportionate, outside the Authority’s own guidance.
   John Horner, managing director of Models 1, said, ‘We reached our decision to appeal the CMA’s findings without hesitation. It is clear that even after a 20-month investigation the CMA has failed to understand our complex industry.’ The agencies have said that the CMA has not stated any evidence that their activities have had a discernible effect on competition in the UK.
   ‘The CMA is penalizing modelling agencies for seeking to maintain professional standards within the industry whilst also protecting the interests of young and vulnerable people,’ added Horner. ‘They are not improving the competitive environment but are damaging a small but important UK industry which is recognized as successful internationally.’
   The three agencies said their activities protected models’ interests and ensured a sustainable market that benefited consumers, the economy and society.
   In fact, they argue that competition is intense, with 10,000 models and 58 modelling agencies operating in the UK, and buyer power can be far stronger than that of agencies. They also point to falling revenue from modelling fees, which have dropped by 10 per cent since 2011.
   The CMA alleges that the price-fixing took place between April 2013 and March 2015 at the minimum, over a variety of assignments, from fashion magazine shoots to advertising campaigns. However, the services of top models were not affected by the collusion. This infringed the Competition Act 1998, which deems such anticompetitive behaviour illegal.
   ‘The parties regularly and systematically exchanged information and discussed prices in the context of negotiations with particular customers. In some cases, the agencies agreed to fix minimum prices or agreed a common approach to pricing,’ said the CMA in a release. The CMA says that the AMA issued email circulars that pressured members to resist prices that were too low.
   The agencies appealing the decision say that the only communication that took place between them dealt with usage and publication rights, not the prices of modelling assignments. Warnings were issued about inappropriate contract terms over image rights, which have become a major issue since online retailing.
   The fines for each agency were: FM Models, £251,000; Models 1, £394,000; Premier, £150,000; Storm, £491,000; and Viva, £245,000. The AMA was fined £2,500.
   Penalties have been announced in France and Italy after investigations into the modelling services’ sector there.
   Yasmin Le Bon, Hannah Cassidy and former British Fashion Council COO Simon Ward have publicly defended the agencies.

Dragonfly launches this season’s must-have cookbook at Mojo St James pop-up venue


NEWS  by Cecilia Xu/December 7, 2016/18.25



Dragonfly has been a local favourite in Wellington Central since it opened: it’s the perfect bar to chill out at after work on any day of the week, even better on a Friday. It’s the spot to hit in the weekend, whether for fine dining or distinctive cocktails. It boasts a spacious and expansive breadth of contemporary environment in its indoor, bar, and outdoor garden seating. The atmosphere is beautifully constructed and decorated, which is what makes it such a magnetic regular spot for the locals, and a gem for the newcomers. It’s subtle, too, with no brash lighting or signage cluttering up its Courtenay Place location.
   Dragonfly’s mixture of modernity, with rustic Asian influences, romanticism and relaxation matches its cuisine perfectly. This is reflected in the launch of their début cookbook, featuring the restaurant’s name on the cover—Dragonfly—Asian Dining Lounge—but referred to as the Dragonfly Cookbook. After years of successful cuisine perfectionism and experience, the book is a compilation of Dragonfly’s finest recipes, credited on the cover to brother and sister co-owners Brent Wong and Tania Siladi, with copy by Siladi and her daughter Jenna. Aided by a copious number of beautiful photographs and food imagery, by restaurant manager Ginny Maddock, who is a trained photographer, the book draws you to want to either dine at Dragonfly, or begin your own rustic Asian food adventure and exploration.
   The book has been painstakingly art-directed, and lavishly printed in Wellington, New Zealand; and priced at NZ$55. Wong explains that they won’t be making much on the book—and once time is factored in, the price will barely cover the cost. However, they see it as a way to share Dragonfly’s expertise. The Dragonfly Cookbook is available at Moore Wilson’s and online at www.orient-nz.com/dragonflycookbook.
   Due to the recent 7·8 Kaikōura earthquake that also affected Wellington, Dragonfly was one of the many businesses and stores closed for safety reasons. However, nearby Mojo in the St James Theatre just metres away has opened its doors for regular night time pop-up openings of Dragonfly. To see many of their regular customers quick to attend this as well as their book launch event on Tuesday night reflects how well Dragonfly is liked and respected by many in the capital, and perhaps a little change in operating venue may be great for the Christmas season.—Cecilia Xu; with Jack Yan, Publisher


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